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Tessa Duvall is an independent artist, who depends on no one but herself. It doesn't matter that she's barely scraping by: she has her pride. When Tessa reluctantly agrees to accompany her best friend, Holly, to a party at the ritzy hotel where Holly works, she isn't expecting much. Tessa isn't one for the lavish affairs that take place at the Grange--a hotel owned by the two incredibly wealthy Monahan brothers. That night, however, Tessa meets Ross Monahan, a renowned playboy. The two have a one-night-stand and Tessa doesn't think much of it: until she realizes she's pregnant. Meanwhile, Holly, spends her entire life throwing herself at Ross' brother, Max, but Max doesn't give her the time of day.
So, while this is a romance, and we're sort of all supposed to know how it ends up, we--as readers--are also supposed to enjoy getting there. It's like the cheesy Christmas movies I've been enjoying during the holiday season. Sure, you know immediately how they will end, but you should like watching the lovelorn workaholic and the handsome Christmas tree farmer fall in love nonetheless. Alas, it just didn't happen for me in this one. The plot was enjoyable at first, but then it just seemed like the same things kept happening over and over. And over. Pregnancies! Weeping! Running away! Angst! Some of the plot twists were just so strange and seemed inserted to keep the book going, but it didn't need to keep going, because it was *lasting forever.*
The majority of the characters annoyed me for most of the novel. Tessa, our supposedly independent heroine, spends a decent chunk of the novel running from her issues. And while I suppose that meant she wasn't running into Ross' arms, it was irritating nonetheless. Ross seemed to just be a cad, and I honestly didn't blame Tessa for avoiding him. The supporting cast was more enjoyable, but after a while, the book seemed bogged down by their own endless problems and "will they or won't they" issues of their own, along with a lot of plot devoted to Ross' exploits. After a while, I really didn't care who ended up with whom, I just wanted it all to be over. I smiled a few times and laughed a bit (Holly is a trip) but overall, this one just irritated me.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
So, while this is a romance, and we're sort of all supposed to know how it ends up, we--as readers--are also supposed to enjoy getting there. It's like the cheesy Christmas movies I've been enjoying during the holiday season. Sure, you know immediately how they will end, but you should like watching the lovelorn workaholic and the handsome Christmas tree farmer fall in love nonetheless. Alas, it just didn't happen for me in this one. The plot was enjoyable at first, but then it just seemed like the same things kept happening over and over. And over. Pregnancies! Weeping! Running away! Angst! Some of the plot twists were just so strange and seemed inserted to keep the book going, but it didn't need to keep going, because it was *lasting forever.*
The majority of the characters annoyed me for most of the novel. Tessa, our supposedly independent heroine, spends a decent chunk of the novel running from her issues. And while I suppose that meant she wasn't running into Ross' arms, it was irritating nonetheless. Ross seemed to just be a cad, and I honestly didn't blame Tessa for avoiding him. The supporting cast was more enjoyable, but after a while, the book seemed bogged down by their own endless problems and "will they or won't they" issues of their own, along with a lot of plot devoted to Ross' exploits. After a while, I really didn't care who ended up with whom, I just wanted it all to be over. I smiled a few times and laughed a bit (Holly is a trip) but overall, this one just irritated me.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Kristy H (1252 KP) rated Among the Ten Thousand Things in Books
Feb 13, 2018
Review on my <a href="http://justacatandabookatherside.blogspot.com/2016/01/oh-im-becoming-ghost-in-your-life-and.html">blog here</a>.
Jack Shanley is a fairly well-known New York artist. He's a married father of two. He's also an adulterer, who carries on affairs in his New York studio. This comes back to bite him, so to speak, when one of his exes sends his wife a large box chronicling their entire relationship - emails, texts, sexts - all printed and contained in this one box. The box is delivered to Jack's apartment and opened by his eleven-year-old daughter, Kay, and fifteen-year-old son, Simon. They show the box to their mother, Deb, forcing her to confront the many flaws of her husband. Meanwhile, Kay and Simon are (justifiably) traumatized by the box's contents and the possible dissolution of their parents' marriage.
This was an odd book. As a child of divorce, a lot of this book hit home, and I felt myself feeling a great deal of sympathy for Deb, Kay, and Simon - especially as they disappear off to their vacation home, of sorts, to recover. (Alas, no vacation home when I was a child.) Julia Pierpoint is certainly a strong writer and her prose is lovely and well-crafted. Still, the book often just seems a little flat.
The strangest part of this book, to me, as many other reviewers have pointed out - is that is constructed in four parts - parts one and three basically deal with the immediate aftermath of the box's delivery and how the family reacts. Parts two and four tell us what happen to Jack, Deb, Kay, and Simon for their entire lives. It's an odd author tool, and I'm not sure it entirely works. For me, I was caught up enough in Part One's tale and then found Part Two incredibly jarring - even more so to be dumped back into the current story at Part Three. Part Four repeats Two a bit and tells a bit more about what happens to the characters. It's an odd device, and I really would have preferred not to have had Part Two stuck in there at all. I suppose it's an artistic overreach that appeals to critics but not most actual readers.
Overall, I found the book an intriguing look at a family dealing with a father's betrayal. Not a ton happens - it's not that sort of book - but Pierpont's writing is strong, and I liked Simon and Kay. I am not sure the book is one that will leave a lasting impression with me, though.
Jack Shanley is a fairly well-known New York artist. He's a married father of two. He's also an adulterer, who carries on affairs in his New York studio. This comes back to bite him, so to speak, when one of his exes sends his wife a large box chronicling their entire relationship - emails, texts, sexts - all printed and contained in this one box. The box is delivered to Jack's apartment and opened by his eleven-year-old daughter, Kay, and fifteen-year-old son, Simon. They show the box to their mother, Deb, forcing her to confront the many flaws of her husband. Meanwhile, Kay and Simon are (justifiably) traumatized by the box's contents and the possible dissolution of their parents' marriage.
This was an odd book. As a child of divorce, a lot of this book hit home, and I felt myself feeling a great deal of sympathy for Deb, Kay, and Simon - especially as they disappear off to their vacation home, of sorts, to recover. (Alas, no vacation home when I was a child.) Julia Pierpoint is certainly a strong writer and her prose is lovely and well-crafted. Still, the book often just seems a little flat.
The strangest part of this book, to me, as many other reviewers have pointed out - is that is constructed in four parts - parts one and three basically deal with the immediate aftermath of the box's delivery and how the family reacts. Parts two and four tell us what happen to Jack, Deb, Kay, and Simon for their entire lives. It's an odd author tool, and I'm not sure it entirely works. For me, I was caught up enough in Part One's tale and then found Part Two incredibly jarring - even more so to be dumped back into the current story at Part Three. Part Four repeats Two a bit and tells a bit more about what happens to the characters. It's an odd device, and I really would have preferred not to have had Part Two stuck in there at all. I suppose it's an artistic overreach that appeals to critics but not most actual readers.
Overall, I found the book an intriguing look at a family dealing with a father's betrayal. Not a ton happens - it's not that sort of book - but Pierpont's writing is strong, and I liked Simon and Kay. I am not sure the book is one that will leave a lasting impression with me, though.
Softer Than You Think
Utterly bonkers attempt at combining an apocalyptic thriller with gritty police procedural; the preposterousness of the plot combined with the fact that it always takes itself Very, Very Seriously results in what's essentially a hilarious unintentional comedy.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.
Merissa (12051 KP) rated Hall Pass For Life in Books
Oct 16, 2018
Hall Pass For Life by Dorothea Lynne
Hall Pass for Life is the first book by Dorothea Lynne I have read. This is a contemporary romance with dark theme - a young woman trapped in a loveless marriage to an older man. Although he is happy to have multiple affairs during their marriage, he is insistent upon controlling every aspect of her. This doesn't stop him from arranging for a week's getaway for her with a younger man so he can have his mistress in their home.
Thea has turned forty and has no idea where her life is going. Her husband, Malcolm, won't allow her to work, constantly criticises her, and yet isn't prepared to divorce her just yet - even though is far too old for his tastes. Liam is a singer and is 25 years old. He isn't sure what to make of the arrangement, but for the amount of money being given to a charity, he will be friendly for the week.
Both Thea and Liam get more than they bargain for, and will fight for their lives together, no matter what Malcolm throws at them.
I loved the premise of this story, although I don't particularly like first person, present tense, which is how this book is written. I found it to be quite confusing over who was speaking in places, and had to read further down to see who responded to figure it out. Personally speaking, I also found the constant nicknames and terms of endearments to be quite monotonous. Yes, it is cute occasionally, but to use them in 85% of the sentences... The only reason I can think of for the constant use was to help the reader know who was talking, which didn't work when they weren't used.
The story itself moved along at a fair pace, albeit a bit jerky in places. Some of the words and actions of various characters didn't seem quite 'real', as though the timing was off slightly. I think this is a standalone book, although the ending has possibly been left open for a follow up.
Anyway, for me, this book didn't quite hit the mark, although it was still a good story. I am absolutely positive that others will love this book, and devour every word. It just didn't work on all levels for me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Thea has turned forty and has no idea where her life is going. Her husband, Malcolm, won't allow her to work, constantly criticises her, and yet isn't prepared to divorce her just yet - even though is far too old for his tastes. Liam is a singer and is 25 years old. He isn't sure what to make of the arrangement, but for the amount of money being given to a charity, he will be friendly for the week.
Both Thea and Liam get more than they bargain for, and will fight for their lives together, no matter what Malcolm throws at them.
I loved the premise of this story, although I don't particularly like first person, present tense, which is how this book is written. I found it to be quite confusing over who was speaking in places, and had to read further down to see who responded to figure it out. Personally speaking, I also found the constant nicknames and terms of endearments to be quite monotonous. Yes, it is cute occasionally, but to use them in 85% of the sentences... The only reason I can think of for the constant use was to help the reader know who was talking, which didn't work when they weren't used.
The story itself moved along at a fair pace, albeit a bit jerky in places. Some of the words and actions of various characters didn't seem quite 'real', as though the timing was off slightly. I think this is a standalone book, although the ending has possibly been left open for a follow up.
Anyway, for me, this book didn't quite hit the mark, although it was still a good story. I am absolutely positive that others will love this book, and devour every word. It just didn't work on all levels for me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Darren (1599 KP) rated 3 Days To Kill (2014) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 3 Days to Kill starts as we meet CIA agent Ethan Renner (Costner) who along with his team is about to take down one of the biggest threats in the world The Wolf (Sammel) by eliminating his closest associate The Albino (Lemarquis) only the mission gets compromised when Ethan’s health catches up with him as he learns he only has 3 months to live.
Released by the CIA Ethan sets out on cleaning up his own personal affairs wanting to build a relationship with daughter Zooey (Steinfeld) through his ex-wife Christine (Nielsen) after years of times apart working. With everything going badly Ethan knows that it will become difficult but when fellow agent Vivi Delay (Heard) offers him a chance to live longer Ethan comes out of retirement for one last assignment.
Thoughts on 3 Days to Kill
Story – The story for this film tries to balance a dying man’s final months with his family and his CIA life that he has meant to have walked away from. The CIA story does feel very generic of this modern day slick hitman style which is all fine. The dying man’s wish story ends up feeling like an awkward comedy in places. The story also feels very long and doesn’t seem to end up deciding if it wants to be serious or not.
Action/Thriller – The action is all very good and entertaining with the opening sequence looking like it set the tone but in the end if just turns into another slick hitman film.
Characters/Performance – I can’t find anything wrong with Costner’s performance as well as Steinfeld or Neilsen, it is the Heard performance that doesn’t make sense because she doesn’t suit the character and the character doesn’t suit the movie. The movie tries to make all the characters fit into everyday experiences but for some reason Vivi character is wildly over the top for no apparent reason.
Settings – The settings are mostly all in Paris which all works for the film which is trying to make us have a location we want to visit but showing that crime can happen there I guess.
Special Effects – The Special effects are mostly used for the action sequences and they all come off to the level you need them too.
Final Thoughts –This is an overlong action thriller that ends up getting caught up in the middle of comedy too often for its own good.
Overall: Solid action film that starts too strong for its own benefits.
Released by the CIA Ethan sets out on cleaning up his own personal affairs wanting to build a relationship with daughter Zooey (Steinfeld) through his ex-wife Christine (Nielsen) after years of times apart working. With everything going badly Ethan knows that it will become difficult but when fellow agent Vivi Delay (Heard) offers him a chance to live longer Ethan comes out of retirement for one last assignment.
Thoughts on 3 Days to Kill
Story – The story for this film tries to balance a dying man’s final months with his family and his CIA life that he has meant to have walked away from. The CIA story does feel very generic of this modern day slick hitman style which is all fine. The dying man’s wish story ends up feeling like an awkward comedy in places. The story also feels very long and doesn’t seem to end up deciding if it wants to be serious or not.
Action/Thriller – The action is all very good and entertaining with the opening sequence looking like it set the tone but in the end if just turns into another slick hitman film.
Characters/Performance – I can’t find anything wrong with Costner’s performance as well as Steinfeld or Neilsen, it is the Heard performance that doesn’t make sense because she doesn’t suit the character and the character doesn’t suit the movie. The movie tries to make all the characters fit into everyday experiences but for some reason Vivi character is wildly over the top for no apparent reason.
Settings – The settings are mostly all in Paris which all works for the film which is trying to make us have a location we want to visit but showing that crime can happen there I guess.
Special Effects – The Special effects are mostly used for the action sequences and they all come off to the level you need them too.
Final Thoughts –This is an overlong action thriller that ends up getting caught up in the middle of comedy too often for its own good.
Overall: Solid action film that starts too strong for its own benefits.
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