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Awix (3310 KP) rated The Passenger (Professione: reporter) (1975) in Movies
Apr 14, 2019 (Updated Apr 14, 2019)
Existential meditation on identity and purpose from Michelangelo Antonionioni. Jaded journalist (Nicholson) finds the man in the next hotel room has died and decides to switch identities with him and make a fresh start (they are in a remote part of Africa and he is a close lookalike, which makes this somewhat plausible). He soon discovers the man whose life he has stolen had secrets of his own, and finds himself hunted by people in search of both his identities.
A film about the desire to be reborn and also to destroy oneself. Or, possibly, just about Jack Nicholson having a somewhat premature mid-life crisis, walking out on his old life and acquiring a rather younger girlfriend (Schneider). Either way, Nicholson is on startlingly restrained and effective form (this was made back when he was a serious leading man), and there are some technically brilliant moments scattered throughout the film. It is always enjoyable to watch, even if it does seem sometimes that it is rather less profound and meaningful than the director thinks it is.
A film about the desire to be reborn and also to destroy oneself. Or, possibly, just about Jack Nicholson having a somewhat premature mid-life crisis, walking out on his old life and acquiring a rather younger girlfriend (Schneider). Either way, Nicholson is on startlingly restrained and effective form (this was made back when he was a serious leading man), and there are some technically brilliant moments scattered throughout the film. It is always enjoyable to watch, even if it does seem sometimes that it is rather less profound and meaningful than the director thinks it is.
Phil Leader (619 KP) rated Just in Books
Nov 18, 2019
This is a very difficult book to review, only because it covers a lot of ground. The story revolves around Scott Langbrook, a doctor who has volunteered with a charity to help refugees in North Africa. There he falls in love with his team leader but soon discovers that the world she inhabits is very different from his own.
The book delves deep into both their pasts as well as following their stories in the present day. As they get more desperate both their worlds start to unravel and there seems to be no way out.
Covering subjects involving terrorism and people trafficking this is a fairly grim read, and fairly slow at times too. The characters are written well and the plot does take the reader to unexpected places - both good and bad.
However for me the whole didn't quite equal the sum of its parts. Some of the storytelling seemed a little disjointed with jumping between different times without any clear idea of the sequence or timing of events. But that doesn't detract from an intriguing read
The book delves deep into both their pasts as well as following their stories in the present day. As they get more desperate both their worlds start to unravel and there seems to be no way out.
Covering subjects involving terrorism and people trafficking this is a fairly grim read, and fairly slow at times too. The characters are written well and the plot does take the reader to unexpected places - both good and bad.
However for me the whole didn't quite equal the sum of its parts. Some of the storytelling seemed a little disjointed with jumping between different times without any clear idea of the sequence or timing of events. But that doesn't detract from an intriguing read
Heather Cranmer (2721 KP) created a post
Aug 6, 2021
ClareR (5603 KP) rated The Moscow Whisper in Books
Jun 12, 2020
This is another non-stop action spy thriller from Michael Jenkins, and this time his hero, Sean Richardson, is on a mission to infiltrate a group of Russian mercenaries who are trying to take over a nation state in Africa.
What surprises me more than anything, is how much I enjoy these books. I don’t like spy books. I failed miserably to read and enjoy the only James Bond book I picked up. But when I saw this pop up on the options of books to read on The Pigeonhole app, I jumped at the opportunity to sign up. I’ve enjoyed all three of these books in the series. They’re really engaging, well explained for those of us who don’t understand the inner workings of British Intelligence or military, and the characters are highly likeable (or detestable, depending on who they are!).
It’s simply a great read, whether you like spy novels, or if you’ve never tried one. This whole series is so good, and I’m already looking forward to the next one!
What surprises me more than anything, is how much I enjoy these books. I don’t like spy books. I failed miserably to read and enjoy the only James Bond book I picked up. But when I saw this pop up on the options of books to read on The Pigeonhole app, I jumped at the opportunity to sign up. I’ve enjoyed all three of these books in the series. They’re really engaging, well explained for those of us who don’t understand the inner workings of British Intelligence or military, and the characters are highly likeable (or detestable, depending on who they are!).
It’s simply a great read, whether you like spy novels, or if you’ve never tried one. This whole series is so good, and I’m already looking forward to the next one!
BankofMarquis (1832 KP) rated Beast (2022) in Movies
Sep 24, 2022
More Tension Than I Anticipate
We are witnessing the after-effects of the COVID PANDEMIC shutdown in 2020 as the films that are being released at the tail end of summer/early fall of 2022 are not the most scintillating of efforts and thus, one must lower their expectations to have a good time at the Cineplex.
Such is the case with the “Cujo in Africa” killer lion saga BEAST starring Idris Elba as a widowed father of two teenage girls. The threesome head back to the African Village where the deceased mother was born and raised - to connect to their roots - unaware that poachers have unwittingly created a rogue, killer lion who is feasting on the humans in the area.
Directed by Batasar Kormakur (2 GUNS) and written, perfunctorily, by Ryan Engle (RAMPAGE) BEAST is a pretty by-the-book “wild animal goes after human” story with the first 1/3 of this 90 minute epic being the setup (in this case, clumsily setting up the daughter’s anger at their father who “was not there” as their mother was dying). Do you think the upcoming adventure is going to bring these 3 closer?
The middle third of the film is the hook where we put these 3 (and their friend, played by Sharlto Copley - DISTRICT 9) into harm’s way in such a way that they are trapped and must contend with the BEAST. And the final 1/3 is the payoff - how does this group conquer the BEAST?
Pretty mechanical, right?
Well…a funny thing happened while watching this film… I found myself invested in these characters, well…at least some of them, and I was genuinely interested and intrigued and (at times) a little on the edge of my seat as I watched them attempt to get out of their predicament.
Credit for this has to go to Director Kormakur who uses his camera to beautifully capture the Africa landscape that these folks are trapped in. It is a loving picture of Africa that Kormakur has drawn and it made the slow parts of this film (and there are plenty) bearable just by being able to look at the background.
Also helping this film is the friendship and camaraderie shown between Elba’s character and Copley’s character. These are 2 good actors looking like they actually are enjoying their time together and their actions on screen mirror their personalities that are drawn thinly and quickly during the first part of the film.
Fairing less well are the 2 daughters, played by Leah Jeffries and Iyana Halley. They are, for the most part, 1 dimensional “typical teenagers” who have a bone to pick with their father and don’t shy away from picking at that bone - and each other - throughout the course of this film.
But, enough about all of that, what one goes to see in these types of films is the animal attacks and Director Kormakur traps our foursome in and around a jeep while the BEAST attacks and attacks and attacks - and these scenes are shot very professionally and actually manage to ratchet up the tension as the CGI Lion goes after it’s victims.
There are enough plot holes to drive the aforementioned Jeep through in this film and sometimes the characters - especially the 2 teenage girls - make VERY dumb decisions, but the tension of the attack scenes and the work of Elba and Copley makes this film a decent (enough) viewing experience.
Letter Grade: B-
6 stars out of 10 and you can take that to the Bank(ofMarquis)
Such is the case with the “Cujo in Africa” killer lion saga BEAST starring Idris Elba as a widowed father of two teenage girls. The threesome head back to the African Village where the deceased mother was born and raised - to connect to their roots - unaware that poachers have unwittingly created a rogue, killer lion who is feasting on the humans in the area.
Directed by Batasar Kormakur (2 GUNS) and written, perfunctorily, by Ryan Engle (RAMPAGE) BEAST is a pretty by-the-book “wild animal goes after human” story with the first 1/3 of this 90 minute epic being the setup (in this case, clumsily setting up the daughter’s anger at their father who “was not there” as their mother was dying). Do you think the upcoming adventure is going to bring these 3 closer?
The middle third of the film is the hook where we put these 3 (and their friend, played by Sharlto Copley - DISTRICT 9) into harm’s way in such a way that they are trapped and must contend with the BEAST. And the final 1/3 is the payoff - how does this group conquer the BEAST?
Pretty mechanical, right?
Well…a funny thing happened while watching this film… I found myself invested in these characters, well…at least some of them, and I was genuinely interested and intrigued and (at times) a little on the edge of my seat as I watched them attempt to get out of their predicament.
Credit for this has to go to Director Kormakur who uses his camera to beautifully capture the Africa landscape that these folks are trapped in. It is a loving picture of Africa that Kormakur has drawn and it made the slow parts of this film (and there are plenty) bearable just by being able to look at the background.
Also helping this film is the friendship and camaraderie shown between Elba’s character and Copley’s character. These are 2 good actors looking like they actually are enjoying their time together and their actions on screen mirror their personalities that are drawn thinly and quickly during the first part of the film.
Fairing less well are the 2 daughters, played by Leah Jeffries and Iyana Halley. They are, for the most part, 1 dimensional “typical teenagers” who have a bone to pick with their father and don’t shy away from picking at that bone - and each other - throughout the course of this film.
But, enough about all of that, what one goes to see in these types of films is the animal attacks and Director Kormakur traps our foursome in and around a jeep while the BEAST attacks and attacks and attacks - and these scenes are shot very professionally and actually manage to ratchet up the tension as the CGI Lion goes after it’s victims.
There are enough plot holes to drive the aforementioned Jeep through in this film and sometimes the characters - especially the 2 teenage girls - make VERY dumb decisions, but the tension of the attack scenes and the work of Elba and Copley makes this film a decent (enough) viewing experience.
Letter Grade: B-
6 stars out of 10 and you can take that to the Bank(ofMarquis)
Tom Chaplin recommended OK Computer by Radiohead in Music (curated)
Ross (3282 KP) rated The Rage of Dragons in Books
May 21, 2020
Good Africa-inspired fantasy but nothing original
This book takes place in alternative version of pre-historic Africa. The Omehi race were seeking to escape turmoil in their homeland and have invaded a nearby land. They have historically used their magical and strategic advantages to keep the more savage natives, who have significant numerical advantages, at bay.
The story follows the development and move into manhood of one of the lower social classes of the Omehi.
Tau is nothing special, one of the lower classes and only mediocre with a sword. He is hoping to get into the army and find himself so badly injured he can be honourably discharged and have the social standing to ask his love to marry him.
However, early on in his testing for acceptance into the army, he wins a fight with a pathetic noble and his father is subsequently murdered for justice.
The story then follows Tau's travels and training in order to be accepted on his own merit. He is quickly accepted into an experimental set of trainees and his development picks up a gear, thought he keeps hidden his secret desire to kill those nobles responsible for his father's death. Through mixing with magic and extreme training, Tau becomes a force to be reckoned with, but is still to pick the right side to fight against.
The writing style is good, however a number of made-up (I presume) terms are used throughout the book, and it can be quite hard to determine what they mean and who they refer to. This covers the different ranks of the armies, so can largely be ignored, but it is a little jarring for the reader.
The pacing was all over the place. It was slow to get moving, and when it did it quickly ground to a halt again, as we suffered through days and weeks of training. While this was generally for the benefit of the overall story as a whole, it did take some effort to get through. If this was a film, it would have needed a montage for sure.
The plot itself starts fairly basic - one man out for revenge against people he can't possibly beat and using this as motivation to better himself. However the final quarter of the book brings in another aspect and the book significantly improves for that.
The story follows the development and move into manhood of one of the lower social classes of the Omehi.
Tau is nothing special, one of the lower classes and only mediocre with a sword. He is hoping to get into the army and find himself so badly injured he can be honourably discharged and have the social standing to ask his love to marry him.
However, early on in his testing for acceptance into the army, he wins a fight with a pathetic noble and his father is subsequently murdered for justice.
The story then follows Tau's travels and training in order to be accepted on his own merit. He is quickly accepted into an experimental set of trainees and his development picks up a gear, thought he keeps hidden his secret desire to kill those nobles responsible for his father's death. Through mixing with magic and extreme training, Tau becomes a force to be reckoned with, but is still to pick the right side to fight against.
The writing style is good, however a number of made-up (I presume) terms are used throughout the book, and it can be quite hard to determine what they mean and who they refer to. This covers the different ranks of the armies, so can largely be ignored, but it is a little jarring for the reader.
The pacing was all over the place. It was slow to get moving, and when it did it quickly ground to a halt again, as we suffered through days and weeks of training. While this was generally for the benefit of the overall story as a whole, it did take some effort to get through. If this was a film, it would have needed a montage for sure.
The plot itself starts fairly basic - one man out for revenge against people he can't possibly beat and using this as motivation to better himself. However the final quarter of the book brings in another aspect and the book significantly improves for that.
Domonique (0 KP) rated Born a Crime: Stories from a South African Childhood in Books
May 12, 2018
This was really good. I have been a Trevor Noah fan since my sister told me about him a few years ago and I watched one of his specials on Netflix. Then for my 1 year anniversary with my now husband, we saw him live and he was even better than on TV. When I found out he had written a book, I couldn't wait to read it and I am so glad that I did. It was enlightening, insightful, funny and very honest. I loved hearing about his relationship with his mother, how he came to know his father, learning more about apartheid and how that affected him as a mixed child growing up in South Africa and how he came to be where he is today. I actually listened to it as an audiobook, which I really enjoyed because he has such a soothing voice and he is great at doing variations and inflections on his voice to make it sound younger, older or pretty much anything. Bottom line, it was a great read and it makes me respect and love Trevor Noah even more.
Awix (3310 KP) rated She (1965) in Movies
Feb 24, 2018
Blue Flame Blues
Well-remembered Hammer fantasy has lavish production values, thoughtful script, terrific cast. World-weary explorers find themselves drawn to lost city in the mountains of North Africa, where they find a living legend and a blue flame with the power to grant immortality.
Obviously, you have to overlook the fact that the ancient Egyptian queen looks and sounds so Swiss, but apart from that there is a lot to enjoy here, although it is probably all a bit unreconstructed by modern standards (the whiter and blonder you are, the more important and beautiful). Peter Cushing does the business, as usual; Christopher Lee doesn't get enough to do. The main problem is that the film's central relationship (between Richardson and Andress) is just terribly tepid and not dramatic enough to power the second half of the film; as a result this is one of those movies that starts very strongly but discovers that the lost city is worth seeing, but not really worth the trouble of going to see. Probably still worth a look, overall, if 60s fantasy films are your cup of tea.
Obviously, you have to overlook the fact that the ancient Egyptian queen looks and sounds so Swiss, but apart from that there is a lot to enjoy here, although it is probably all a bit unreconstructed by modern standards (the whiter and blonder you are, the more important and beautiful). Peter Cushing does the business, as usual; Christopher Lee doesn't get enough to do. The main problem is that the film's central relationship (between Richardson and Andress) is just terribly tepid and not dramatic enough to power the second half of the film; as a result this is one of those movies that starts very strongly but discovers that the lost city is worth seeing, but not really worth the trouble of going to see. Probably still worth a look, overall, if 60s fantasy films are your cup of tea.
Awix (3310 KP) rated Bloodshot (2020) in Movies
Mar 16, 2020
Ding-dong action movie based on an obscure comic book is saddled with a silly name, plus it's a non-Fast & Furious Vin Diesel vehicle, but turns out to be reasonably watchable if you cut it some slack. US special forces soldier is murdered but resurrected by boffins; now he's super-strong, heals really fast, and his blood can connect to the internet. He sets out to get revenge on his killers, but discovers his memories may not be entirely trustworthy...
Whatever his other limitations as a performer, Diesel is fairly well-cast as a relentless human bulldozer of revenge, and the film does have (in theory) a decent plot twist, some interesting ideas (bordering on the existential), and reasonably well-mounted action sequences. With a bigger budget and a more inspired director this could have been an impressively thoughtful piece of SF action, but it feels clunky, not interested in exploring the things that make it distinctive, and there are lots of annoying missteps and short-cuts (a foot chase supposedly around London is clearly really taking place in suburban South Africa). Passes the time in a reasonably diverting way, though.
Whatever his other limitations as a performer, Diesel is fairly well-cast as a relentless human bulldozer of revenge, and the film does have (in theory) a decent plot twist, some interesting ideas (bordering on the existential), and reasonably well-mounted action sequences. With a bigger budget and a more inspired director this could have been an impressively thoughtful piece of SF action, but it feels clunky, not interested in exploring the things that make it distinctive, and there are lots of annoying missteps and short-cuts (a foot chase supposedly around London is clearly really taking place in suburban South Africa). Passes the time in a reasonably diverting way, though.