"This is a humourous, irreverent and unabashedly political novel; it is an enraged lament about post-colonial Africa and how the leaders who inherited supposedly independent countries went on to fail their citizens. Some leaders are closely modelled on real characters – Mobutu of Zaire and Lumumba of the Congo are impossible to miss. The simplified summary of Kourouma: Colonialism has spawned monsters in the name of African leaders, and the West is the creator of these Frankensteins. The narrative is complex. There is a wonderfully oral quality to the telling, and many stories and anecdotes are laugh-aloud funny. Kourouma insists – and this underlies the narrative – that African dictators are mostly guided by their belief in the traditional, the supernatural, and that Islam or Christianity are mere window-dressing. This is a good example of an intelligent and important book that’s also genuinely interesting."

"Version Control is perhaps the strangest fictional work of appropriated voices and subjects. It’s set in a surreal near future — or several near futures — as well as in several pasts. Though issues of race play virtually no role in the stories, one character, an African-American physicist, recalls dropping out of a writing course because the professor thought he should be mining his heritage instead of inventing science fiction."

"The rarest of books about the experience of a science writer uncovering and investigating a cell line that changed the world, all while being thrown into a transformative journey of discovering race and racism in America, the culture of African Americans in the USA, and the painful reality of loss and family. A truly remarkable read—and I failed at science. Fascinating and phenomenal, heartbreaking and utterly compelling."

"When you are put down by the larger society and there’s a poet who compares the color of your skin to chocolate and brown sugar, you fall for it, because you need it. Paul Laurence Dunbar — who was one of the great poets of the 19th and 20th centuries — wrote about African-Americans, and he showed me the beauty of our colors and the wonder of our music."

"I parted ways with Luaka Bop maybe 10 years ago—it was taking too much of my time and my money and my house. But the label still goes on. And they’ve done wonderful things, including this album by the African electronic musician William Onyeabor a few years ago. And then they put on shows of people like myself and others performing his songs. They continue to do great things."

While I was stimulated by the Communist Manifesto, I was exhausted by Das Kapital. But I found myself strongly drawn to the idea of a classless society, which, to my mind, was similar to traditional African culture where life was shared and communal. I subscribed to Marx’s basic dictum, which has the simplicity and generosity of the Golden Rule: “From each according to his ability; to each according to his needs.