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Andy K (10823 KP) rated Green Book (2018) in Movies
Jun 22, 2019
This generation's Driving Miss Daisy
The 2018 Academy Awards were interesting. On one hand, I was very happy boring, pointless Roma did not win Best Picture; however i was really pulling for The Favourite to win. Neither happened and Green Book snuck in and captured the top prize instead.
The modern Oscars are free of epics like Ben-Hur, The Sound of Music or West Side Story. Instead, character-driven stories seem to be in favor recently.
In this true story, recently unemployed Italian bouncer Tony "Lip" gets hired to drive an African American genius concert pianist throughout his fall tour of the deep southern United States in 1962.
As the two men get to know each other, they are exposed to the very different worlds and set of values the each possesses. Initial hesitation is replaced by eventual respect as the men grow a bond throughout their southern adventure as they confront racism in various threatening or nonchalant forms as is happens.
Tony comes to the aide of his client, Dr. Donald Shirley, several times revealing his bigotry and denial for his race has begun to wane. Dr. Shirley as well begins to understand Tony's rough exterior and even delights Tony's wife Cyrano de Bergerac style assistance in writing verbose and eloquent letters to her.
The acting is thorough and top notch by both Viggo Mortensen (one of the great working actors today) and Mahershala Ali (hot off of Moonlight) with a screenplay to match. The characters are flawed, vivid, well-rounded and interesting. I thoroughly enjoyed this memorable film and well deserved of the big prize.
The modern Oscars are free of epics like Ben-Hur, The Sound of Music or West Side Story. Instead, character-driven stories seem to be in favor recently.
In this true story, recently unemployed Italian bouncer Tony "Lip" gets hired to drive an African American genius concert pianist throughout his fall tour of the deep southern United States in 1962.
As the two men get to know each other, they are exposed to the very different worlds and set of values the each possesses. Initial hesitation is replaced by eventual respect as the men grow a bond throughout their southern adventure as they confront racism in various threatening or nonchalant forms as is happens.
Tony comes to the aide of his client, Dr. Donald Shirley, several times revealing his bigotry and denial for his race has begun to wane. Dr. Shirley as well begins to understand Tony's rough exterior and even delights Tony's wife Cyrano de Bergerac style assistance in writing verbose and eloquent letters to her.
The acting is thorough and top notch by both Viggo Mortensen (one of the great working actors today) and Mahershala Ali (hot off of Moonlight) with a screenplay to match. The characters are flawed, vivid, well-rounded and interesting. I thoroughly enjoyed this memorable film and well deserved of the big prize.
ClareR (5950 KP) rated Your House Will Pay in Books
Oct 29, 2019
Your House Will Pay is about racial tensions in LA, and it follows two families - one Korean-American, the other African-American - and the shooting of a black girl in the 1990’s. Shaun Matthews sister, Ava, was that teenaged girl, and the killing of another black teenager and the subsequent rallies and demonstrations bring back bad memories of that time. His family is trying hard to keep on the straight and narrow, especially after his cousin Ray is released from prison.
Grace Parks is a pharmacist in a Korean pharmacy and lives with her parents. She has a strained relationship with her sister who left home and refused to speak to her mother thereafter. She won’t, however, tell Grace why she won’t talk to their mother.
When a terrible crime happens, Grace is confronted with another crime that happened 30 years before, and the Parks family are forced to face the Matthews family.
I really loved this book - the build up and the slow reveal was really well done, I thought. It looked at a part of American life that I, as a white British female, would have little personal knowledge of - other than what I’ve read. It was so thought provoking. This isn’t an escapist read, and I could feel the tension coming off the page, but it was a page turner that I didn’t want to put down. I read this on The Pigeonhole, so due to the fact that they released a stave a day for 10 days, I HAD to wait 24 hours for each instalment!
Many thanks to The Pigeonhole for choosing such a great book for us to read!
Grace Parks is a pharmacist in a Korean pharmacy and lives with her parents. She has a strained relationship with her sister who left home and refused to speak to her mother thereafter. She won’t, however, tell Grace why she won’t talk to their mother.
When a terrible crime happens, Grace is confronted with another crime that happened 30 years before, and the Parks family are forced to face the Matthews family.
I really loved this book - the build up and the slow reveal was really well done, I thought. It looked at a part of American life that I, as a white British female, would have little personal knowledge of - other than what I’ve read. It was so thought provoking. This isn’t an escapist read, and I could feel the tension coming off the page, but it was a page turner that I didn’t want to put down. I read this on The Pigeonhole, so due to the fact that they released a stave a day for 10 days, I HAD to wait 24 hours for each instalment!
Many thanks to The Pigeonhole for choosing such a great book for us to read!
LeftSideCut (3776 KP) rated Get Out (2017) in Movies
Feb 18, 2020
Get Out is an incredibly strong directorial debut from Jordan Peele and is easily in the top tier of horror/thriller movies in the last few years.
He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.
The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.
The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.
With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.
He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.
The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.
The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.
With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.
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