
From Drag Queens to Leathermen: Language, Gender, and Gay Male Subcultures
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This book examines gendered language use in six gay male subcultures: drag queens, radical faeries,...

Gateway to Equality: Black Women and the Struggle for Economic Justice in St. Louis
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Like most of the nation during the 1930s, St. Louis, Missouri, was caught in the stifling grip of...
Wedlocked: The Perils of Marriage Equality
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The staggering string of victories by the gay rights movement's campaign for marriage equality...

Five Nights in Paris: After Dark in the City of Light
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The preeminent expat writer on Paris and author of The Most Beautiful Walk in the World takes you on...

Bill O'Reilly's Legends and Lies: The Real West
Bill O'Reilly and David Fisher
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The must-have companion to Bill O'Reilly's historic series Legends and Lies: The Real West, a...
Wild West History

Locking Up Our Own: Crime and Punishment
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In recent years, America’s criminal justice system has become the subject of an increasingly...
Politics social issues race

Becoming
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An intimate, powerful, and inspiring memoir by the former First Lady of the United States. In a...
Non-Fiction

Musical Maryland: A History of Song and Performance from the Colonial Period to the Age of Radio
David K. Hildebrand and Elizabeth M. Schaaf
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In Musical Maryland, the first comprehensive survey of the music emanating from the Old Line State,...

BankofMarquis (1832 KP) rated One Night in Miami (2020) in Movies
Apr 15, 2021
Such is the case with ONE NIGHT IN MIAMI the Major Motion Picture Directorial debut of Oscar Winning Actress Regina King and based on the stage play by Kemp Powers. This film/play fictionalizes the true story of 4 powerful African American legends that meet up in a hotel room, one night in Miami.
And…this film feels like 4 people sitting in a hotel room talking - and that’s the problem with it. What should be powerful dialogue (and, I’m sure, IS powerful when seen live on stage) just doesn’t translate well enough on the screen, so the film just sits there demanding we pay attention, while not inviting us in to do so.
Since this is a story about 4 people sitting around talking, the acting needs to take center stage and hold our attention and, quite frankly, it just does not. Eli Goree as Cassius Clay, Aldis Hodge as Jim Brown and Leslie Odom, Jr. as Sam Cook are all “fine” in their roles, but they don’t rise above the script and direction. Odom gets an Oscar nod for his turn in this film, but I have to think that, maybe, it is as much for his turn in HAMILTON as it is in this film.
Only Kingsley Ben-Adir as Malcolm X shows a spark and draws an emotional response in this film and that might not be fair to the other actors for he has the flashier role with the most speeches.
The Direction by King and the Script by Kemp Powers (based on his stage play) has some moments, but never draws the audience in. It keeps everyone at arms length and doesn’t touch the soul.
The subject matter in this film is an important one, and depicts a pivotal time in American History, but other films do a better job of driving that point home by inviting the audience into the conversation.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)

The Beast Side: Living (and Dying) While Black in America
Book
A New York Times Best Seller! To many, the past 8 years under President Obama were meant to...
politics social issues