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Gareth von Kallenbach (980 KP) rated BlacKkKlansman (2018) in Movies
Jul 8, 2019
From Director Spike Lee comes the incredible story of true American hero. In the early 1970s, Ron Stallworth (John David Washington) is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, Stallworth bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. The movie is based on Stallworth’s 2014 book Black Klansman, which details his experience. When it came time to meet the Klan members face-to-face, he utilized the help of a white undercover narcotics officer (Adam Driver in the movie), who posed as Stallworth for all in-person meetings with the Klan. Together, they team up to take down the extremist hate group as the organization aims to sanitize its violent rhetoric to appeal to the mainstream.
The film is very creative in the way that it presents history and allows the audience ride along with the action, suspense, and anxiety experience by Washington and Driver’s characters. The tone of the film, at times, is lighthearted in its approach but quickly draws you back in when faced with the reality that David Duke, and people like him walk among us dressing up their racism with non-threatening slogans, professional attire, and a clean-cut package.
The story displayed is a reminder that racism in America has a long history and is not isolated geographically to the south nor limited to Charlottesville or Charleston. The attitudes and actions committed by those who agree with the stances of white supremacy and white supremacist organizations have had a drastic impact on the development of American society. It has shaped and misshapen our attitudes towards one another. It continues to affect us today as we all bear witness to unbridled racism or the downplaying of racism with terms like “political correctness.” This film is timely in its approach and offers audiences a more full and expansive view of what combatting racism and racist attitudes and actions looks like.
Blackkklansman is a film that many have waited for when first hearing about the story of Ron Stallworth and they will not be disappointed with what they witness on screen. Sadly, the people who desperately need to see this movie may pass on it because they are uncomfortable with the subject matter and the reality that they themselves may be complicit in the continuance of racism and white supremacy. This film feels like a conversation being conducted directly between the director and audience. There are subtleties that allow the audience to think about the meaning and even parallel between the early 1970s and the current political environment, as well as, moments where there is no hiding of the message, no metaphor, no allegory. The filmmakers make it clear for those watching that many of us need to wake up almost as blatantly as Spike Lee promotes one of his earlier films, School Daze.
The only problem I found with the film was that I was left wanting more discussion. I wanted to see more of what Ron Stallworth dealt with as the only black detective in his department. If anything, this shows a real strength in the film by leaving audiences emotionally connected with the horrors that he faced, as well as, the way that those around him come to grips with the reality of the hatred and racial violence that had overlooked before because it did not have a direct effect on them. Blackkklansman is a film that will have audiences reflecting long after the credits have rolled. Hopefully the themes, metaphors, and overall message will help foster overdue and well-needed conversations about race, racism, prejudice, and violence. This film takes audiences out of their comfort zones and forces them to face some of the dark corners of America for two hours. Within that two hours, hopefully the people who don’t recognize racism and bigotry get a glimpse of the true horror and fear that marginalized communities feel on a daily basis so that they themselves can be agents of change and fight against racism.
The film is very creative in the way that it presents history and allows the audience ride along with the action, suspense, and anxiety experience by Washington and Driver’s characters. The tone of the film, at times, is lighthearted in its approach but quickly draws you back in when faced with the reality that David Duke, and people like him walk among us dressing up their racism with non-threatening slogans, professional attire, and a clean-cut package.
The story displayed is a reminder that racism in America has a long history and is not isolated geographically to the south nor limited to Charlottesville or Charleston. The attitudes and actions committed by those who agree with the stances of white supremacy and white supremacist organizations have had a drastic impact on the development of American society. It has shaped and misshapen our attitudes towards one another. It continues to affect us today as we all bear witness to unbridled racism or the downplaying of racism with terms like “political correctness.” This film is timely in its approach and offers audiences a more full and expansive view of what combatting racism and racist attitudes and actions looks like.
Blackkklansman is a film that many have waited for when first hearing about the story of Ron Stallworth and they will not be disappointed with what they witness on screen. Sadly, the people who desperately need to see this movie may pass on it because they are uncomfortable with the subject matter and the reality that they themselves may be complicit in the continuance of racism and white supremacy. This film feels like a conversation being conducted directly between the director and audience. There are subtleties that allow the audience to think about the meaning and even parallel between the early 1970s and the current political environment, as well as, moments where there is no hiding of the message, no metaphor, no allegory. The filmmakers make it clear for those watching that many of us need to wake up almost as blatantly as Spike Lee promotes one of his earlier films, School Daze.
The only problem I found with the film was that I was left wanting more discussion. I wanted to see more of what Ron Stallworth dealt with as the only black detective in his department. If anything, this shows a real strength in the film by leaving audiences emotionally connected with the horrors that he faced, as well as, the way that those around him come to grips with the reality of the hatred and racial violence that had overlooked before because it did not have a direct effect on them. Blackkklansman is a film that will have audiences reflecting long after the credits have rolled. Hopefully the themes, metaphors, and overall message will help foster overdue and well-needed conversations about race, racism, prejudice, and violence. This film takes audiences out of their comfort zones and forces them to face some of the dark corners of America for two hours. Within that two hours, hopefully the people who don’t recognize racism and bigotry get a glimpse of the true horror and fear that marginalized communities feel on a daily basis so that they themselves can be agents of change and fight against racism.
Kyera (8 KP) rated Wonder Woman: Warbringer in Books
Jan 31, 2018
Leigh Bardugo takes the fierce heroine you know and love - and makes her human. Warbringer is an origin story, taking Diana back to her roots and showing readers the less sure side of the Amazonian Princess. Yes, Diana is strong, loyal, honest and hard-working but she is also prideful, ambitious and unsure. She hasn't yet made a name for herself in the world of man and isn't sure what she is capable of.
This story focuses on the relationship between Diana and Alia, a New Yorker who finds herself on the island of Themiscyra, rather than the romance most readers have come to expect. Sorry Steve, but this story is all about girl power and friendship. The two girls learn from each other and what it means to have a sister.
<i>“Sister in battle,” murmured Diana, “I am shield and blade to you.”
“And friend.”
“And always your friend.”</i>
I really enjoyed the characters in this book and the diversity that Leigh effortlessly brought to the story. Each character is able to shine without seeming like they were only an addition to hit some invisible quotient. Alia and her brother Jason are New Yorkers, but they're also Greek and African American. Jason's best friend, Theo is Brazilian and a total technogeek. Nim is self-described as Indian, fat and gay, and while none of those things define her or are the most important aspects of her (obviously that award goes to her killer fashion sense) they are very important additions. The characters represent our diverse world today and give each one of us someone or something to relate to.
I have always loved Wonder Woman, so as long as Leigh Bardugo's story felt like the character I've grown to know and love - I was going to be happy, but she managed to raise the bar. She brought me a tale of the Diana that I didn't even know that I wanted, her true origin story and took her readers on a journey with Diana as she learned what it meant to be a true hero, an Amazon.
This book isn't just for fans of superheroes, but those looking for a tale of friendship, maybe a little betrayal and some pure gold lines coming from the Amazonian <s>Princess</s> Queen of comebacks.
This story focuses on the relationship between Diana and Alia, a New Yorker who finds herself on the island of Themiscyra, rather than the romance most readers have come to expect. Sorry Steve, but this story is all about girl power and friendship. The two girls learn from each other and what it means to have a sister.
<i>“Sister in battle,” murmured Diana, “I am shield and blade to you.”
“And friend.”
“And always your friend.”</i>
I really enjoyed the characters in this book and the diversity that Leigh effortlessly brought to the story. Each character is able to shine without seeming like they were only an addition to hit some invisible quotient. Alia and her brother Jason are New Yorkers, but they're also Greek and African American. Jason's best friend, Theo is Brazilian and a total technogeek. Nim is self-described as Indian, fat and gay, and while none of those things define her or are the most important aspects of her (obviously that award goes to her killer fashion sense) they are very important additions. The characters represent our diverse world today and give each one of us someone or something to relate to.
I have always loved Wonder Woman, so as long as Leigh Bardugo's story felt like the character I've grown to know and love - I was going to be happy, but she managed to raise the bar. She brought me a tale of the Diana that I didn't even know that I wanted, her true origin story and took her readers on a journey with Diana as she learned what it meant to be a true hero, an Amazon.
This book isn't just for fans of superheroes, but those looking for a tale of friendship, maybe a little betrayal and some pure gold lines coming from the Amazonian <s>Princess</s> Queen of comebacks.
Kristy H (1252 KP) rated The Mothers: A Novel in Books
Feb 8, 2018
Seventeen-year-old Nadia Turner is a beautiful high school senior. An intelligent girl, she's college bound. But Nadia is also reeling from the suicide of her mother and trying to make sense of a life that includes just her and her taciturn Marine father. Nadia founds herself drawn to Luke Sheppard, the son of the Pastor of the Upper Room, the church of her African American community. Twenty-one, Luke is a former football star who was derailed by injury in college. Now working at a local restaurant, he and Nadia embark on a secret romance, and Nadia winds up pregnant. Not ready to have a child, she chooses to have an abortion. But Nadia is unaware of the far reaching impact of her decision and how it will affect Luke, herself, and Nadia's best friend, Aubrey.
I'm a strange person who is often wary of reading hyped books, so I put off reading this novel for a while. And I certainly did enjoy it; I can't say that I didn't. I basically read it in one day, and I was very much drawn into the story. While Bennett focuses her story on Nadia, Luke, and Aubrey, she also employs a "Greek chorus" of sorts, composed of "the mothers"--the female elders from the church--who tell the story of Nadia from their third person point of view. It's a different sort of method to employ, but Bennett pulls it off. Still, for me, I found a lot of this novel predictable, and I never really became completely attached to any of the characters. What I did enjoy is how much of the tale is rooted in the bits of life that can drag us all down. It some ways, it very well details the mundane aspects of life - making them seem interesting and nuanced. We basically see the entire span of Nadia's life, which was compelling. However, while there is a depth and message to some of Bennett's story, I can't see it sticking with me for the long-term.
Overall, this is well-written novel and certainly worth picking up. Did I find it worth all the hype? Probably not. But I'm no doubt a bit more cynical than most. It's still an intriguing story that I enjoyed reading.
I'm a strange person who is often wary of reading hyped books, so I put off reading this novel for a while. And I certainly did enjoy it; I can't say that I didn't. I basically read it in one day, and I was very much drawn into the story. While Bennett focuses her story on Nadia, Luke, and Aubrey, she also employs a "Greek chorus" of sorts, composed of "the mothers"--the female elders from the church--who tell the story of Nadia from their third person point of view. It's a different sort of method to employ, but Bennett pulls it off. Still, for me, I found a lot of this novel predictable, and I never really became completely attached to any of the characters. What I did enjoy is how much of the tale is rooted in the bits of life that can drag us all down. It some ways, it very well details the mundane aspects of life - making them seem interesting and nuanced. We basically see the entire span of Nadia's life, which was compelling. However, while there is a depth and message to some of Bennett's story, I can't see it sticking with me for the long-term.
Overall, this is well-written novel and certainly worth picking up. Did I find it worth all the hype? Probably not. But I'm no doubt a bit more cynical than most. It's still an intriguing story that I enjoyed reading.
Goddess in the Stacks (553 KP) rated The Poppy War (The Poppy War #1) in Books
Oct 9, 2018
Have you ever read a book that is so good you don't know what to say about it? It's taken me almost two weeks to even attempt this review because I just don't know what to write. The Poppy War is your typical story of downtrodden, disadvantaged girl testing into the highest school in the land and gaining the opportunities and privileges that come with that, but then the book takes a sharp twist into war. Rin doesn't exactly get the most typical of educations, even before war breaks out. And when war breaks out, the school is disbanded, the students getting flung all over the land to where the government thinks they will help the most. For Rin, that's joining The Cike. The Bizarre Children. The division of people who can do....things. Things the rest of the military isn't comfortable with. The Cike can call on the powers of gods, and doing so makes them not-quite-untouchables. Rin, who was never short on resentment before this, grows ever more resentful.
Rin is an interesting character; she's been hard done by, yes, but she makes decisions that only make things harder on herself. So I feel for her a little, but at the same time, girl. Check yourself. What's been done to you doesn't justify what you plan to do to others. I am hoping she comes to see that in the next book, because her rage and need for vengeance definitely gets the best of her in this one.
The Poppy War is an excellently written blend of military fantasy, epic fantasy, and coming-of-age novel. Unlike some books, where the military aspect far overshadows the characters, leaving them flat, Poppy War doesn't ignore the characters to focus on the bigger picture. It's a very good mix of both close-up focus on characters, fights, battles, and zoomed-out strategy and war. It's probably the best military fantasy I've read, and the Asian aspect of it makes it even better. So much military fantasy is western European, or Steampunk, or both. I've been finding more and more Asian and African fantasy, and I am SO HERE FOR IT. I need to try to find more South American fantasy. I know it's out there.
I will definitely be watching for the next book in this series, because it's awesome.
You can find all my reviews at http://goddessinthestacks.com
Rin is an interesting character; she's been hard done by, yes, but she makes decisions that only make things harder on herself. So I feel for her a little, but at the same time, girl. Check yourself. What's been done to you doesn't justify what you plan to do to others. I am hoping she comes to see that in the next book, because her rage and need for vengeance definitely gets the best of her in this one.
The Poppy War is an excellently written blend of military fantasy, epic fantasy, and coming-of-age novel. Unlike some books, where the military aspect far overshadows the characters, leaving them flat, Poppy War doesn't ignore the characters to focus on the bigger picture. It's a very good mix of both close-up focus on characters, fights, battles, and zoomed-out strategy and war. It's probably the best military fantasy I've read, and the Asian aspect of it makes it even better. So much military fantasy is western European, or Steampunk, or both. I've been finding more and more Asian and African fantasy, and I am SO HERE FOR IT. I need to try to find more South American fantasy. I know it's out there.
I will definitely be watching for the next book in this series, because it's awesome.
You can find all my reviews at http://goddessinthestacks.com
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Whatchareadin (174 KP) rated Ruby in Books
Apr 3, 2019
Ruby Bell lives in the town of Liberty in East Texas. She was one of the most beautiful women in the town. Liberty is the town she grew up in and ran away from in search of her mother in New York City. When news of the death of her best friend reaches her, she decides to return to Liberty, but the things that await her there are very dark and menacing.
Ephram Jennings lost both his mother and father at a young age and was raised by his sister Celia. Celia takes great care of Ephram and together they attend church every Sunday and are a pillar in the community.
Ephram has known Ruby Bell since they were small children, although his interaction with her has been very limited. When she returns to Liberty Ephram would like to change that. But Ruby Bell is no longer the same woman who returned to Liberty. Frequently she can be found huggin the chinaberry tree on the edge of the woods near her home(Bell Land), she is often naked, or barely dressed and once even urinated in the middle of the street. Everyone in Liberty knows that Ruby Bell is a harlot and a Jezebel. Ephram refuses to believe that this is true and makes it his mission to prove this to the entire town.
Religion plays a big part in this book which really spoke to me. We as Christians are taught to love one another and treat each other the way Jesus treated the world, with kindness and compassion. It always gets to me how tolerance and love become an issue when trying to help those who are different. Ruby is plagued by demons in this book and the town shuns and rapes her for this. They call her crazy and when Ephram goes to her to help her be the woman HE knows she can be, he is looked down upon by the entire town and especially by his sister Celia. Ephram wants to understand the demons in Ruby and he never judges her for her "crazy" ways, but tries to comprehend what she is going through.
This story really touched my heart. We all need to do what we can for each other especially in the African American community. We tend to shun away from each other instead of embracing one another. I loved the way that Ephram went to Ruby despite what the rest of the town thought. How he stood by her side no matter what. This book could teach us all a lesson.
Ephram Jennings lost both his mother and father at a young age and was raised by his sister Celia. Celia takes great care of Ephram and together they attend church every Sunday and are a pillar in the community.
Ephram has known Ruby Bell since they were small children, although his interaction with her has been very limited. When she returns to Liberty Ephram would like to change that. But Ruby Bell is no longer the same woman who returned to Liberty. Frequently she can be found huggin the chinaberry tree on the edge of the woods near her home(Bell Land), she is often naked, or barely dressed and once even urinated in the middle of the street. Everyone in Liberty knows that Ruby Bell is a harlot and a Jezebel. Ephram refuses to believe that this is true and makes it his mission to prove this to the entire town.
Religion plays a big part in this book which really spoke to me. We as Christians are taught to love one another and treat each other the way Jesus treated the world, with kindness and compassion. It always gets to me how tolerance and love become an issue when trying to help those who are different. Ruby is plagued by demons in this book and the town shuns and rapes her for this. They call her crazy and when Ephram goes to her to help her be the woman HE knows she can be, he is looked down upon by the entire town and especially by his sister Celia. Ephram wants to understand the demons in Ruby and he never judges her for her "crazy" ways, but tries to comprehend what she is going through.
This story really touched my heart. We all need to do what we can for each other especially in the African American community. We tend to shun away from each other instead of embracing one another. I loved the way that Ephram went to Ruby despite what the rest of the town thought. How he stood by her side no matter what. This book could teach us all a lesson.
BankofMarquis (1832 KP) rated The Kitchen (2019) in Movies
May 17, 2020
Thinly written and directed
A rainy weekend is the perfect time to catch up with films that I meant to see in the Cineplex, but just didn't get around to it. So it was with some excitement that I flipped on the "Women Run The Mafia" movie THE KITCHEN from 2019.
I should have watched 21 BRIDGES.
Based on the DC/VERTIGO graphic novel, THE KITCHEN is set in the late 1970's in NYC and offers up the "what if" scenario of 3 women that take over the Mafia. A pretty interesting premise that could have been the GODFATHER or GOODFELLA's of the day (or...at least...another WIDOWS from 2018), but instead THE KITCHEN falls flat like the all female GHOSTBUSTERS from a few year's ago.
A star of that Ghostbuster's film, Melissa McCarthy leads the cast as Kathy Brennan, the wife of a mobster who was sent to jail and becomes the leader of the group. McCarthy has shown that she has the "chops" as an actress to tackle this role, but she never really gets there. There is no real depth or emotional stakes to her character throughout the course of the film. The screenplay (and McCarthy's performance) does pick up at the end, but by then, it is too little, too late. Also not fairing well is comedienne Tiffany Hadish as Ruby O'Carroll - an African-American female trying to dominate in a predominately white male world. Again...this character had potential, but the writing and, quite frankly, Hadish's performance just didn't quite succeed.
What did succeed is the always excellent Elisabeth Moss as the 3rd part of this triumvirate. Her "mousy, abused housewife turned stone cold killer" was interesting to watch - especially when paired with Domhnall Gleeson's assassin about 1/2 way through the movie. I wanted to watch a movie with these 2 criminals on the run.
I've mentioned the weak writing as part the issue here, so I'll have to mention first time Veteran Writer and first-time Director Andrea Berloff as the main culprit here. She wrote STRAIGHT OUTTA COMPTON so she has it in her, but here, the screenplay and characterizations are "thin". Perhaps, a good Director could have made something out of this, but she also made her Directing debut with this film, so it just didn't work well enough.
This isn't a bad film, it just isn't a very good - or very interesting - one.
Letter Grade B- (for the Moss/Gleeson portion of this film)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
I should have watched 21 BRIDGES.
Based on the DC/VERTIGO graphic novel, THE KITCHEN is set in the late 1970's in NYC and offers up the "what if" scenario of 3 women that take over the Mafia. A pretty interesting premise that could have been the GODFATHER or GOODFELLA's of the day (or...at least...another WIDOWS from 2018), but instead THE KITCHEN falls flat like the all female GHOSTBUSTERS from a few year's ago.
A star of that Ghostbuster's film, Melissa McCarthy leads the cast as Kathy Brennan, the wife of a mobster who was sent to jail and becomes the leader of the group. McCarthy has shown that she has the "chops" as an actress to tackle this role, but she never really gets there. There is no real depth or emotional stakes to her character throughout the course of the film. The screenplay (and McCarthy's performance) does pick up at the end, but by then, it is too little, too late. Also not fairing well is comedienne Tiffany Hadish as Ruby O'Carroll - an African-American female trying to dominate in a predominately white male world. Again...this character had potential, but the writing and, quite frankly, Hadish's performance just didn't quite succeed.
What did succeed is the always excellent Elisabeth Moss as the 3rd part of this triumvirate. Her "mousy, abused housewife turned stone cold killer" was interesting to watch - especially when paired with Domhnall Gleeson's assassin about 1/2 way through the movie. I wanted to watch a movie with these 2 criminals on the run.
I've mentioned the weak writing as part the issue here, so I'll have to mention first time Veteran Writer and first-time Director Andrea Berloff as the main culprit here. She wrote STRAIGHT OUTTA COMPTON so she has it in her, but here, the screenplay and characterizations are "thin". Perhaps, a good Director could have made something out of this, but she also made her Directing debut with this film, so it just didn't work well enough.
This isn't a bad film, it just isn't a very good - or very interesting - one.
Letter Grade B- (for the Moss/Gleeson portion of this film)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated Get Out (2017) in Movies
Sep 29, 2021
“It really doesn’t matter if you’re ‘Black or White”.
Due to a mixture of holiday, work commitments and sickness (I would not wish to inflict my bronchial cough on ANY cinema audience for a while) I haven’t been to the cinema in over a month… shocking. But it has given me a chance to catch up on some of the films in 2017 (and a few from last year) that I hadn’t got to see. So this will be the first of a series of such “DVD” reviews.
“Get Out” was written and directed by Jordan Peele and was his directorial debut. And a hot item on his resume it is too.
Daniel Kaluuya (“Sicario”) plays African-American Chris Washington who, nervously, takes a trip ‘upstate’ to meet the parents of his cute white girlfriend Rose (Allison Williams). The parents, Dean (Bradley Whitford, best known as Josh Lyman from “The West Wing”) and Missy (Catherine Keener, “ Captain Phillips”), are extremely welcoming.
But the weekend coincides with an “annual gathering” of family and friends, and events quickly take a left turn into “The Twilight Zone”, with anti-smoking hypnosis and a bizarre game of Bingo where the win is so substantial that playing becomes a ‘no brainer’. Can Chris ‘Get Out’, with his mind still intact, before it’s too late?
This is a really clever script by Peele. The film baits you into thinking this is some redneck-inter-racial-revenge flick, but actually the colour of the skin is almost irrelevant. (Or is it? This angle is left deliciously vague). Some of the filming is spectacularly creepy, with the hypnosis scene being reminiscent to me of the excellent “Under The Skin”. And never has a teaspoon in a cup of tea been a more devastating weapon.
I seemed to have talked at length this year in this blog on the subject of the “physics of horror”: the story elements hanging together in a satisfying – albeit sometimes in an unbelievable – way. “Get Out” delivers this to perfection, keeping its powder dry until the closing moments of the film before delivering a series of satisfying “Ah!” relevatory moments.
While the ‘physics’ of the film is good the ‘biology’ is bonkers, featuring a plot point from the terrible first episode of the 3rd season of the original “Star Trek” (if you can be bothered to look that up!). But I’ll forgive this, parking my incredulity, to salute what I think is one of the year’s most novel and impressive low-budget indie horror films.
“Get Out” was written and directed by Jordan Peele and was his directorial debut. And a hot item on his resume it is too.
Daniel Kaluuya (“Sicario”) plays African-American Chris Washington who, nervously, takes a trip ‘upstate’ to meet the parents of his cute white girlfriend Rose (Allison Williams). The parents, Dean (Bradley Whitford, best known as Josh Lyman from “The West Wing”) and Missy (Catherine Keener, “ Captain Phillips”), are extremely welcoming.
But the weekend coincides with an “annual gathering” of family and friends, and events quickly take a left turn into “The Twilight Zone”, with anti-smoking hypnosis and a bizarre game of Bingo where the win is so substantial that playing becomes a ‘no brainer’. Can Chris ‘Get Out’, with his mind still intact, before it’s too late?
This is a really clever script by Peele. The film baits you into thinking this is some redneck-inter-racial-revenge flick, but actually the colour of the skin is almost irrelevant. (Or is it? This angle is left deliciously vague). Some of the filming is spectacularly creepy, with the hypnosis scene being reminiscent to me of the excellent “Under The Skin”. And never has a teaspoon in a cup of tea been a more devastating weapon.
I seemed to have talked at length this year in this blog on the subject of the “physics of horror”: the story elements hanging together in a satisfying – albeit sometimes in an unbelievable – way. “Get Out” delivers this to perfection, keeping its powder dry until the closing moments of the film before delivering a series of satisfying “Ah!” relevatory moments.
While the ‘physics’ of the film is good the ‘biology’ is bonkers, featuring a plot point from the terrible first episode of the 3rd season of the original “Star Trek” (if you can be bothered to look that up!). But I’ll forgive this, parking my incredulity, to salute what I think is one of the year’s most novel and impressive low-budget indie horror films.