
Who Can Afford to Improvise?: James Baldwin and Black Music, the Lyric and the Listeners
Book
More than a quarter-century after his death, James Baldwin remains an unparalleled figure in...

Goddess in the Stacks (553 KP) rated Black Panther (2018) in Movies
Feb 17, 2018
I loved that the love interest was already established - there weren't any "falling in love butterflies" to distract from the plot. SO MANY STRONG WOMEN. All of T'Challa's support were strong, gorgeous women of color. His mother, his sister, his general, his love interest. The female guards. Absolutely fantastic.
The blending of technology and traditions was superbly done. People still tend crops and animals and tan hides and go to the marketplace in Wakanda - but they have vibranium armor and weapons, and technological wonders on their wrists that pop up virtual screens, and their medical care is the best in the world. Oh, and ships. Spaceships, basically.
THE CLOTHES. The dresses, the makeup, the armor, the weapons - the appearance of Wakanda was amazing.
And then the plot. The difference between "Well, we're Wakandan, and we look out for the Wakandan people" and "We should be looking out for ALL of our people (black people all over the world, not just Wakandans.)" That was where the real conflict arose in Black Panther - and it was interesting that the two leads, while opposing each other, actually felt the same about it. Just with different ideas of how to do so. (There's a lot to unpack about why they feel this way - some of it, I think, goes back to African-Americans having their nationalities forcibly stripped from them during the slave trade - so being black is the only thing white people left them with; while non-American Africans have their national identities to look to. So they might be Nigerian or Ethiopian instead of one unified black group. And the opposing lead was brought up in America.)
The differences between how the Wakandans viewed white people, and how the American prince viewed white people, are a very important conflict. You can watch the movie as just another superhero movie, and it'll be good. But watching it looking for the racial undertones makes it absolutely fantastic.
Also - the casting is diverse. Just because it's almost all black people doesn't mean it's not diverse. Again, that's a white American thing, looking at black people as one unified group. They're not. Also how many movies have been almost all white people with a token black guy? People complaining about "lack of diversity" in this movie need to take their white supremacist selves out of the theater and away from this amazing movie.

Whatchareadin (174 KP) rated Far From the Tree in Books
May 10, 2018
Ronnie and Celeste are sisters that have never really gotten along. Odella, their mother is also not the easiest to get along with. When the three are brought together in the same house after many years of being apart, their relationships start to take on a whole new meaning. Following the death of Will, the husband and father who had always been around to love and support them, the women are forced to examine their lives and make some hard decisions in order to move forward and grow.
Celeste, married to Everett, who is a doctor, has never been satisfied with their simple lifestyle. She has always wanted more for them even though she has never had to want for anything.
Ronnie, who has been a struggling actress in New York and fools herself and her family into thinking that she has it all together and is doing great. She actually has had more addresses than acting roles.
Odella, who had run from her past for so long that when it comes rushing back at her, she is overwhelmed by it all.
Together these women learn to love themselves and one another again.
There are talks that this book may be made into a major motion picture. I would be the first in line for a ticket. I would love to see who they get to portray the characters.

Email from Ngeti: An Ethnography of Sorcery, Redemption, and Friendship in Global Africa
James H. Smith and Ngeti Mwadime
Book
Email from Ngeti is a captivating story of sorcery, redemption, and transnational friendship in the...

The Essay Film: Dialogue, Politics, Utopia
Elizabeth Astrid Papazian and Caroline Eades
Book
With its increasing presence in a continuously evolving media environment, the essay film as a...
Rainforest Cowboys: The Rise of Ranching and Cattle Culture in Western Amazonia
Book
Winner, Brazil Section Book Award, Latin American Studies Association, 2016 The opening of the...

Front Lines: Soldiers' Writing in the Early Modern Hispanic World
Book
In Front Lines, Miguel Martinez documents the literary practices of imperial Spain's common...

Africa39: New Writing from Africa South of the Sahara
Wole Soyinda and Ellah Wakatama Allfrey
Book
Africa has produced some of the best writing of the twentieth century from Chinua Achebe, Ayi Kwei...

Ghosts of Jim Crow: Ending Racism in Post-Racial America
Book
A provocative, and timely, solution for ridding America of the traces of Jim Crow policies to create...
