Suswatibasu (1703 KP) rated Black Panther (2018) in Movies
Mar 10, 2018 (Updated Mar 10, 2018)
In comparison to the other representative blockbuster @Wonder Woman (2017), Black Panther had a less two dimensional villain, and a more developed plot.
Instead of an evil Nazi general or a God of War, who have no other reason to destroy humanity but for the sake of it, Killimonger, played by Michael B. Jordan, is understandably troubled living in destitute conditions as an African American fighting an oppressive system.
His anger manifests in his sense of entitlement, of a life that was stolen from him, and feeling betrayed by those in power who could have rescued him. It is similar to the relationship between Professor X and Magneto in the X-Men series where there is still a deep respect between the two and the attempt to solve humanity's problems in differing ways. Here, Marvel continues to excel in story-telling where DC falls behind.
T'challa is also fallible, he is human after all, and so he shows his vulnerability during one-on-one combats, unlike Wonder Woman who is an all powerful weapon to fight the gods. Here, the women in Black Panther surpass other superhero movies as generals, warriors and activists with more than a love interest type role, although some characters played both.
And while I'm not actually a massive fan of the genre - it is a cultural feat to watch diversity on the screens, which is why I'll continue to like Wonder Woman, while profoundly admiring Black Panther. #WakandaForever
Andy K (10823 KP) rated Green Book (2018) in Movies
Jun 22, 2019
The modern Oscars are free of epics like Ben-Hur, The Sound of Music or West Side Story. Instead, character-driven stories seem to be in favor recently.
In this true story, recently unemployed Italian bouncer Tony "Lip" gets hired to drive an African American genius concert pianist throughout his fall tour of the deep southern United States in 1962.
As the two men get to know each other, they are exposed to the very different worlds and set of values the each possesses. Initial hesitation is replaced by eventual respect as the men grow a bond throughout their southern adventure as they confront racism in various threatening or nonchalant forms as is happens.
Tony comes to the aide of his client, Dr. Donald Shirley, several times revealing his bigotry and denial for his race has begun to wane. Dr. Shirley as well begins to understand Tony's rough exterior and even delights Tony's wife Cyrano de Bergerac style assistance in writing verbose and eloquent letters to her.
The acting is thorough and top notch by both Viggo Mortensen (one of the great working actors today) and Mahershala Ali (hot off of Moonlight) with a screenplay to match. The characters are flawed, vivid, well-rounded and interesting. I thoroughly enjoyed this memorable film and well deserved of the big prize.
LeftSideCut (3776 KP) rated Get Out (2017) in Movies
Feb 18, 2020
He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.
The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.
The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.
With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.
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