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Mark @ Carstairs Considers (2395 KP) rated Comedy Can Be Deadly in Books
Oct 17, 2024
Murder Complicates Shakespeare
Levi has landed the role of Puck in the local theater’s production of A Midsummer Night’s Dream. Sho is happy with his role as stage manager until an accident forces him to take on the role of Lysander. Things are anything but smooth sailing with all the personalities in the cast and crew. But then some dies after falling from the upper platform of the theater. Was it an accident or murder?
I love this series, so I was so happy to get the latest entry. The plot is lots of fun with plenty of secrets on the way to the climax, which is the best version of this kind of climax I’ve read. The comedy was a little toned down, but that was a good thing, and there was plenty of laughs. I love how the main characters were developed here again, and the suspects helped pull us into the story. The last chapter sets up the next book, as always, but it’s a bit surprising given some of what happens here. There are some references to past stories, so I recommend you read them in order. You’ll appreciate the character growth more as well. But when you want to laugh while solving a mystery, this is a series you’ll love.
I love this series, so I was so happy to get the latest entry. The plot is lots of fun with plenty of secrets on the way to the climax, which is the best version of this kind of climax I’ve read. The comedy was a little toned down, but that was a good thing, and there was plenty of laughs. I love how the main characters were developed here again, and the suspects helped pull us into the story. The last chapter sets up the next book, as always, but it’s a bit surprising given some of what happens here. There are some references to past stories, so I recommend you read them in order. You’ll appreciate the character growth more as well. But when you want to laugh while solving a mystery, this is a series you’ll love.
Movie Metropolis (309 KP) rated After Earth (2013) in Movies
Jun 11, 2019
M Night Shyamalan is a director of two-halves. On one hand we have the man who gave us the amazing blockbusters Signs, Unbreakable and The Sixth Sense, which were met with commercial and critical success; and on the other hand we have the man who tortured the cinema-going public with abominations like The Lady in the Water, The Village and perhaps one of the worst films of all time, The Happening.
However, despite his recent offerings, the studios are allowing him to have another go, teaming up with Will Smith and his son Jaden in the sci-fi thriller After Earth. But can it mark a return to form for the struggling director?
After Earth begins with Jaden Smith getting the audience up to speed with exactly what has happened before the film began. The human race has had to leave the planet to ensure the continuation of our species after purging all the resources Earth had to offer.
Their new home, Nova Prime is a hostile environment, not unlike Mars in appearance with its rugged, red rocks and sweeping planes of space sand. After years of peace, an alien race intends to conquer their new home and enslave mankind with their secret weapons, the Ursas. These predatory beasts are technically blind, but sense fear and because of their grotesque appearance, it is easy to see why they can kill so quickly. The only way to survive an Ursa attack is to ‘ghost’, to not secrete the fear they need to ‘see’ you.
Jaden Smith plays Kitai, a young cadet who is on a training regime to become a ranger like his father Cypher (Will Smith). It’s fair to say they have a fraught relationship which is in part to Cypher being away for long periods of time defending Nova Prime, and partly because of the death of his daughter at the hands of an Ursa; something which Kitai blames himself for.
In an attempt to bond the pair together, their mother Faia, played briefly by Sophie Okonedo, convinces Cypher to take Kitai on his last voyage before retirement. On their journey their ship is severely damaged by an asteroid field and subsequently crashes on an inhospitable planet; no prizes for guessing where.
After discovering that his father has two badly broken legs, Kitai realises, with a little help from his dad, that he must travel 100km through Earth’s once pleasant land to retrieve an emergency signalling beacon – otherwise, they will die.
What ensues is a formulaic father, son bonding story mixed in with some mildly entertaining action pieces which try and get the heart racing. The problem with the film as a whole is that we, as the audience, never really sense any danger. Despite Kitai being attacked by a troop of baboons, poisoned by a leech and almost eviscerated by a group of big cats, we never think anything too awful is going to happen, simply because the film would be pointless if the duo weren’t rescued in the end.
Side-lining one of Hollywood’s most loved actors with two broken legs was a brave move by Shyamalan and it is done with a small degree of success. Smith senior suffers as a result of being bed-ridden for the duration and doesn’t perform as well as some of his other recent roles; I am Legend and I, Robot being prime examples. This isn’t to say that he isn’t engaging, as he always is, but it falls well short of his best characterisations.
The major fault with After Earth is in its leading man. Jaden Smith is a good actor, but he is not good enough to carry an entire film for over 90 minutes, we see him shout, pout and look into the camera longingly, but there is little else here and that’s a shame. He lacks the charisma and the charm that has made his father such a joy to watch over the years.
Special effects are a mixed bag, in some sequences, like the sweeping shots of Nova Prime and the cities which are dotted across its landscape, the effect is very good and the 4k resolution that Shyamalan has filmed in makes everything look crisp and sharp. However, the CGI animals, especially the big cats and the Ursa alien look a little like something pre-2000 and are disappointing.
Overall, After Earth is not as bad as the reviews and its dire box-office performance would suggest, and comparing it to Battlefield Earth is downright ridiculous. It is by no means a masterpiece, but as a slice of cheesy, sentimental popcorn entertainment it succeeds and does so well. Will Smith and his son Jaden are good, but not outstanding and the special effects look rushed – but this is offset by a wonderful soundtrack and a surprisingly deep and meaningful story. It may not be the career revival that Shyamalan was hoping for, but if this is the last film he directs he can at least be content. Set your expectations low and you’ll come out pleasantly surprised.
https://moviemetropolis.net/2013/06/08/after-earth-review-2013/
However, despite his recent offerings, the studios are allowing him to have another go, teaming up with Will Smith and his son Jaden in the sci-fi thriller After Earth. But can it mark a return to form for the struggling director?
After Earth begins with Jaden Smith getting the audience up to speed with exactly what has happened before the film began. The human race has had to leave the planet to ensure the continuation of our species after purging all the resources Earth had to offer.
Their new home, Nova Prime is a hostile environment, not unlike Mars in appearance with its rugged, red rocks and sweeping planes of space sand. After years of peace, an alien race intends to conquer their new home and enslave mankind with their secret weapons, the Ursas. These predatory beasts are technically blind, but sense fear and because of their grotesque appearance, it is easy to see why they can kill so quickly. The only way to survive an Ursa attack is to ‘ghost’, to not secrete the fear they need to ‘see’ you.
Jaden Smith plays Kitai, a young cadet who is on a training regime to become a ranger like his father Cypher (Will Smith). It’s fair to say they have a fraught relationship which is in part to Cypher being away for long periods of time defending Nova Prime, and partly because of the death of his daughter at the hands of an Ursa; something which Kitai blames himself for.
In an attempt to bond the pair together, their mother Faia, played briefly by Sophie Okonedo, convinces Cypher to take Kitai on his last voyage before retirement. On their journey their ship is severely damaged by an asteroid field and subsequently crashes on an inhospitable planet; no prizes for guessing where.
After discovering that his father has two badly broken legs, Kitai realises, with a little help from his dad, that he must travel 100km through Earth’s once pleasant land to retrieve an emergency signalling beacon – otherwise, they will die.
What ensues is a formulaic father, son bonding story mixed in with some mildly entertaining action pieces which try and get the heart racing. The problem with the film as a whole is that we, as the audience, never really sense any danger. Despite Kitai being attacked by a troop of baboons, poisoned by a leech and almost eviscerated by a group of big cats, we never think anything too awful is going to happen, simply because the film would be pointless if the duo weren’t rescued in the end.
Side-lining one of Hollywood’s most loved actors with two broken legs was a brave move by Shyamalan and it is done with a small degree of success. Smith senior suffers as a result of being bed-ridden for the duration and doesn’t perform as well as some of his other recent roles; I am Legend and I, Robot being prime examples. This isn’t to say that he isn’t engaging, as he always is, but it falls well short of his best characterisations.
The major fault with After Earth is in its leading man. Jaden Smith is a good actor, but he is not good enough to carry an entire film for over 90 minutes, we see him shout, pout and look into the camera longingly, but there is little else here and that’s a shame. He lacks the charisma and the charm that has made his father such a joy to watch over the years.
Special effects are a mixed bag, in some sequences, like the sweeping shots of Nova Prime and the cities which are dotted across its landscape, the effect is very good and the 4k resolution that Shyamalan has filmed in makes everything look crisp and sharp. However, the CGI animals, especially the big cats and the Ursa alien look a little like something pre-2000 and are disappointing.
Overall, After Earth is not as bad as the reviews and its dire box-office performance would suggest, and comparing it to Battlefield Earth is downright ridiculous. It is by no means a masterpiece, but as a slice of cheesy, sentimental popcorn entertainment it succeeds and does so well. Will Smith and his son Jaden are good, but not outstanding and the special effects look rushed – but this is offset by a wonderful soundtrack and a surprisingly deep and meaningful story. It may not be the career revival that Shyamalan was hoping for, but if this is the last film he directs he can at least be content. Set your expectations low and you’ll come out pleasantly surprised.
https://moviemetropolis.net/2013/06/08/after-earth-review-2013/
Whatchareadin (174 KP) rated Always in Books
Apr 9, 2019
Kailey Cain is a reporter for the Herald in Seattle. She is engaged to Ryan Winston who is just about the perfect guy. One night while as they are leaving a restaurant after having a nice dinner, she gives her leftovers to a homeless man who looks strangely familiar. Soon she discovers the homeless man is Cade McAllister her estranged ex-boyfriend, but he doesn't recognize her as easily. What happened to him over the past ten years? Kailey is determined to find out, but at what cost.
Thank you to NetGalley and Random House Ballantine books for the opportunity to read and review this book Always, was a quick read that I found hard to put down. I had to know what was going to happen next. It captivated me from the beginning and held my attention throughout. This is not your typical love story and some of the story was a bit predictable, but I thought there was going to be a villain in the story. What would you do if your boyfriend seemed to just vanish off the face of the earth and then ten years later, here he is, homeless and very unclear of exactly who he is and how he got to be in this position. Would you risk your current relationship to save this other person who had no one else that could help him?
What a difficult decision forKailey to have to make. Everyone in her life is very supportive of the idea of her helping Cade including her fiancee, Ryan. But how much is going to be able to take and understand before it all becomes too much. You can feel for everyone involved in this situation, that it's messy and nearly impossible to figure out. But love always conquers all right and the love for the right man will shine through and guide Kailey to the right decision.
This is a great romantic book for all.
Thank you to NetGalley and Random House Ballantine books for the opportunity to read and review this book Always, was a quick read that I found hard to put down. I had to know what was going to happen next. It captivated me from the beginning and held my attention throughout. This is not your typical love story and some of the story was a bit predictable, but I thought there was going to be a villain in the story. What would you do if your boyfriend seemed to just vanish off the face of the earth and then ten years later, here he is, homeless and very unclear of exactly who he is and how he got to be in this position. Would you risk your current relationship to save this other person who had no one else that could help him?
What a difficult decision forKailey to have to make. Everyone in her life is very supportive of the idea of her helping Cade including her fiancee, Ryan. But how much is going to be able to take and understand before it all becomes too much. You can feel for everyone involved in this situation, that it's messy and nearly impossible to figure out. But love always conquers all right and the love for the right man will shine through and guide Kailey to the right decision.
This is a great romantic book for all.
Sassy Brit (97 KP) rated The Balance Plan: Six Steps to Optimize Your Hormonal Health in Books
Jun 5, 2019
Nourishment not Deprivation!
Have you ever thought you struggle to lose weight even when you don’t eat properly? What about not being able to live without your tea, coffee or chocolate fix on a daily basis? Are you always saying how exhausted you are?
More than likely you have said something along these lines, but did you know that these complaints are often down to a hormonal imbalance?
The Balance Plan by Angelique Panagos tackles how to deal with all those issues and more, whilst offering practical advice, and suggestions for overcoming things like always feeling hungry but never feeling satisfied, or constantly feeling bloated.
Split up into four parts there are recipes, meal plans and full on explanations about how to optimise your hormonal health. To achieve this Angelique has created a six-step method (the six pillars of balance) which include; nourish (eating correctly), balance (stabilising ourselves by planning ahead), nurture (looking after ourselves), cleanse (cleansing our bodies), move (exercises) and restore (pampering).
In addition we hear about how hormones work and what exactly they are, through “The Sassy Six” and how to recognise what is happening to our bodies. From PMS, toxins, to stress and the menopause — major transitions in a woman’s life — it’s all covered.
This is an empowering book which highlights how we should celebrate our feminine cycle, by learning to understand and support our hormonal balance through a journey of gentle consistent lifestyle changes. Yeah, I know that sounds a bit hippy-ish, but it’s not at all. The Balance Plan helps to show us how we don’t need to reach for the pills for a quick fix, only to gloss over what is really happening to our bodies.
This is a thoroughly educational read, that should be on every woman’s bookshelf. Imagine if you can sleep better, enhance digestion, elevate energy levels, lose weight, reduce stress and feel happier. This book plans to help you do just that!
Have you ever thought you struggle to lose weight even when you don’t eat properly? What about not being able to live without your tea, coffee or chocolate fix on a daily basis? Are you always saying how exhausted you are?
More than likely you have said something along these lines, but did you know that these complaints are often down to a hormonal imbalance?
The Balance Plan by Angelique Panagos tackles how to deal with all those issues and more, whilst offering practical advice, and suggestions for overcoming things like always feeling hungry but never feeling satisfied, or constantly feeling bloated.
Split up into four parts there are recipes, meal plans and full on explanations about how to optimise your hormonal health. To achieve this Angelique has created a six-step method (the six pillars of balance) which include; nourish (eating correctly), balance (stabilising ourselves by planning ahead), nurture (looking after ourselves), cleanse (cleansing our bodies), move (exercises) and restore (pampering).
In addition we hear about how hormones work and what exactly they are, through “The Sassy Six” and how to recognise what is happening to our bodies. From PMS, toxins, to stress and the menopause — major transitions in a woman’s life — it’s all covered.
This is an empowering book which highlights how we should celebrate our feminine cycle, by learning to understand and support our hormonal balance through a journey of gentle consistent lifestyle changes. Yeah, I know that sounds a bit hippy-ish, but it’s not at all. The Balance Plan helps to show us how we don’t need to reach for the pills for a quick fix, only to gloss over what is really happening to our bodies.
This is a thoroughly educational read, that should be on every woman’s bookshelf. Imagine if you can sleep better, enhance digestion, elevate energy levels, lose weight, reduce stress and feel happier. This book plans to help you do just that!
Lilyn G - Sci-Fi & Scary (91 KP) rated Legion (2010) in Movies
Jun 30, 2018
Filled with cheese, but the cheese just makes the other parts stick together so well.
Contains spoilers, click to show
This review does contain MILD spoilers.
Legion is one of my favorite movies. I’ve seen it countless times and it has never lost it’s appeal. It’s ridiculous, filled with cliches, and definitely tries too hard for the reflective drama. It’s charmingly flawed and I love it.
Legion is filled with cheese, but the cheese just makes the other parts stick together so well. Like the Old Lady and the Ice Cream Man. My favorite scene in Legion involves the old lady. They made an excellent choice in casting there. You know from the moment that she says “But it’s gonna burn… your f*cking baby is gonna burn” that the evil is there, and it’s ON. What immediately always leaves me in stitches. (Yes, always. I’ve seen this movie like 5 times now.) And the Ice Cream man? Well, he defined the role for me. Freaking creepy.
And the cast members do their best to pull off the most ridiculous lines with a straight face. Willa Holland, whom you might be familiar with from The O.C., Gossip Girl, and Arrow, brings the sarcasm full bore. Dennis Quaid does disgruntled do-gooder father pretty well. (Although, I liked him better in this type of role in Day After Tomorrow.) Jeep – played by Lucas Black – is a very bland character, but that’s to be expected for the saintly protector type role he’s destined to play. Charles S. Dutton doesn’t have a lot of screen time, but when he’s there, you pay attention to him.
Legion is well-acted, nicely directed, and gives its horror a thin coating of humor. There’s plenty of action in the later half to keep almost anyone happy. There is really nothing new as this type of movie gets pretty endlessly recycled. However, put up against the others of its type, it stands out for me.
Legion is one of my favorite movies. I’ve seen it countless times and it has never lost it’s appeal. It’s ridiculous, filled with cliches, and definitely tries too hard for the reflective drama. It’s charmingly flawed and I love it.
Legion is filled with cheese, but the cheese just makes the other parts stick together so well. Like the Old Lady and the Ice Cream Man. My favorite scene in Legion involves the old lady. They made an excellent choice in casting there. You know from the moment that she says “But it’s gonna burn… your f*cking baby is gonna burn” that the evil is there, and it’s ON. What immediately always leaves me in stitches. (Yes, always. I’ve seen this movie like 5 times now.) And the Ice Cream man? Well, he defined the role for me. Freaking creepy.
And the cast members do their best to pull off the most ridiculous lines with a straight face. Willa Holland, whom you might be familiar with from The O.C., Gossip Girl, and Arrow, brings the sarcasm full bore. Dennis Quaid does disgruntled do-gooder father pretty well. (Although, I liked him better in this type of role in Day After Tomorrow.) Jeep – played by Lucas Black – is a very bland character, but that’s to be expected for the saintly protector type role he’s destined to play. Charles S. Dutton doesn’t have a lot of screen time, but when he’s there, you pay attention to him.
Legion is well-acted, nicely directed, and gives its horror a thin coating of humor. There’s plenty of action in the later half to keep almost anyone happy. There is really nothing new as this type of movie gets pretty endlessly recycled. However, put up against the others of its type, it stands out for me.
Ivana A. | Diary of Difference (1171 KP) rated The Frightened Little Flower Bud in Books
Aug 21, 2018
View full review here: diaryofdifference.com/2018/06/11/the-frightened-little-flower-bud-renee-paule-g-r-hewitt-book-review/
I don’t usually read Children’s Books. I used to love them when I was a kid, and of course, those were the books on which I learned how to read. Those are the stories that I will always remember, with happiness in my heart and they will always have a special place in my heart.
<img src="https://images.gr-assets.com/books/1505213611l/36226869.jpg"/>;
I was lucky enough to win The Frightened Little Flower Bud on a giveaway from Booklikes, and I couldn’t be happier! This is a short, cute story about one flower, and the process of how it blooms.
Before it blooms, it has many fears as to what is going to happen, it fears that the sun will dry it, and the rain will drown it, and that it won’t be as beautiful as the other flowers out there.
It reminds me of the fears that us people have every day before we go out of the door. We fear this and that, without realising to enjoy our lives, and live them like they are our last. A perfect description of how fear and doubt can let us down, but also a perfect example of what happens when you actually get the courage and go out there, and realise that yes - you can be the prettiest flower out there.
I liked how there are questions at the end of the books, to engage the little readers after reading it. However, in all honesty, I believe that the images inside the books won’t keep a kid there for very long, and they might not be the most exiting this in the world.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
I don’t usually read Children’s Books. I used to love them when I was a kid, and of course, those were the books on which I learned how to read. Those are the stories that I will always remember, with happiness in my heart and they will always have a special place in my heart.
<img src="https://images.gr-assets.com/books/1505213611l/36226869.jpg"/>;
I was lucky enough to win The Frightened Little Flower Bud on a giveaway from Booklikes, and I couldn’t be happier! This is a short, cute story about one flower, and the process of how it blooms.
Before it blooms, it has many fears as to what is going to happen, it fears that the sun will dry it, and the rain will drown it, and that it won’t be as beautiful as the other flowers out there.
It reminds me of the fears that us people have every day before we go out of the door. We fear this and that, without realising to enjoy our lives, and live them like they are our last. A perfect description of how fear and doubt can let us down, but also a perfect example of what happens when you actually get the courage and go out there, and realise that yes - you can be the prettiest flower out there.
I liked how there are questions at the end of the books, to engage the little readers after reading it. However, in all honesty, I believe that the images inside the books won’t keep a kid there for very long, and they might not be the most exiting this in the world.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
Bong Mines Entertainment (15 KP) rated Flashback - Single by Mathew V in Music
Jun 18, 2019
Mathew V is a singer-songwriter based in Vancouver, Canada. Not too long ago, he released a heartfelt music video for his emo-pop ballad, entitled, “Flashback”.
“I’m weak, is that what you make of me when I had to get up on my own. Seventeen, when he put his hands on me, and I had to find my way back home. But I, oh I, I’d never play you for a fool. But now, I’m here with nothing left to lose.” – lyrics
‘Flashback’ tells a bitter tale of Mathew V’s personal experience with sexual violence/rape at the age of seventeen, and how it affects his personal life today.
Five years ago, the above-mentioned incident occurred, and ever since then, the 22-year-old survivor has been trying his best to cope with the recurring flashbacks of him being violated sexually.
‘Flashback’ contains a relatable storyline, ear-welcoming vocals, and piano-driven instrumentation flavored with sentimental elements.
“Writing this song was one of the hardest things I‘ve had to do in my life. I wrote this song about my experience with sexual violence/rape at seventeen years old, and how that situation has influenced and affected my life today. It was something that I always knew I had to process and had always avoided. But with every new song I wrote, I still had this in my closet, this weight on my chest.” – Mathew V
After 10 years of classical operatic vocal training, Mathew V moved to London, England at the age of 17 to teach himself how to write pop music.
Since then, he has penned a deal with 604 records and his debut single, “Tell Me Smooth”, went Top 40 on Canadian Radio (Hot AC/AC) for 18 weeks, peaking at #18.
Mathew has written with the likes of Dan Mangan, DiRTY RADiO, and on stage, he’s opened up for the likes of Betty Who, Hanson, Daya, MAGIC! and more.
https://www.bongminesentertainment.com/mathew-v-flashback/
“I’m weak, is that what you make of me when I had to get up on my own. Seventeen, when he put his hands on me, and I had to find my way back home. But I, oh I, I’d never play you for a fool. But now, I’m here with nothing left to lose.” – lyrics
‘Flashback’ tells a bitter tale of Mathew V’s personal experience with sexual violence/rape at the age of seventeen, and how it affects his personal life today.
Five years ago, the above-mentioned incident occurred, and ever since then, the 22-year-old survivor has been trying his best to cope with the recurring flashbacks of him being violated sexually.
‘Flashback’ contains a relatable storyline, ear-welcoming vocals, and piano-driven instrumentation flavored with sentimental elements.
“Writing this song was one of the hardest things I‘ve had to do in my life. I wrote this song about my experience with sexual violence/rape at seventeen years old, and how that situation has influenced and affected my life today. It was something that I always knew I had to process and had always avoided. But with every new song I wrote, I still had this in my closet, this weight on my chest.” – Mathew V
After 10 years of classical operatic vocal training, Mathew V moved to London, England at the age of 17 to teach himself how to write pop music.
Since then, he has penned a deal with 604 records and his debut single, “Tell Me Smooth”, went Top 40 on Canadian Radio (Hot AC/AC) for 18 weeks, peaking at #18.
Mathew has written with the likes of Dan Mangan, DiRTY RADiO, and on stage, he’s opened up for the likes of Betty Who, Hanson, Daya, MAGIC! and more.
https://www.bongminesentertainment.com/mathew-v-flashback/
Darren (1599 KP) rated Possum (2018) in Movies
Nov 7, 2019
Philip is a puppeteer with one of the creepiest puppets you have ever seen, he is returning home to escape after his latest show went terribly wrong and it isn’t long before the strange events continue to plague him. He becomes a suspect in a missing persons case and the puppet he is trying to get rid of, keeps returning for him. Maurice is his stepfather that always pushes him too far, he always seems to be judging Philip. We only truly get to meet two characters with the puppet having a life of its own.
Performances – Sean Harris is genuinely creepy through this film giving a performance that is bound to get him placed in any horror film he wants for years to come. Alun Armstrong does well in the supporting role which does work very well in the film.
Story – The story follows the puppeteer that is haunted by his own puppet while is clearly a metaphor for something else going on in his life. This is a strange film to say the least, it does deal with real issues that can be disguised and will keep you feeling uneasy throughout. We could spend time studying certain issues in this film, but that goes into full spoilers.
Horror – The horror comes from the uneasy feeling we are getting through the film, with just what could be going on, the appearances of the puppet itself, which does look genuinely creepy.
Settings – The settings for this feel only add to the atmosphere involved in the film, each place feels like something terrible could happen.
Special Effects – The effects in the film come from the puppet creation and slow movements that it gives us through the film.
Scene of the Movie – Puppet first appearance.
That Moment That Annoyed Me – It is slow in places.
Final Thoughts – This is a movie that does leave you feeling unsettled by what we see with a puppet that just feels difficult to look at.
Overall: Creepy horror.
Performances – Sean Harris is genuinely creepy through this film giving a performance that is bound to get him placed in any horror film he wants for years to come. Alun Armstrong does well in the supporting role which does work very well in the film.
Story – The story follows the puppeteer that is haunted by his own puppet while is clearly a metaphor for something else going on in his life. This is a strange film to say the least, it does deal with real issues that can be disguised and will keep you feeling uneasy throughout. We could spend time studying certain issues in this film, but that goes into full spoilers.
Horror – The horror comes from the uneasy feeling we are getting through the film, with just what could be going on, the appearances of the puppet itself, which does look genuinely creepy.
Settings – The settings for this feel only add to the atmosphere involved in the film, each place feels like something terrible could happen.
Special Effects – The effects in the film come from the puppet creation and slow movements that it gives us through the film.
Scene of the Movie – Puppet first appearance.
That Moment That Annoyed Me – It is slow in places.
Final Thoughts – This is a movie that does leave you feeling unsettled by what we see with a puppet that just feels difficult to look at.
Overall: Creepy horror.
Leigh J (71 KP) rated Salò, or the 120 Days of Sodom (1975) in Movies
Nov 10, 2019 (Updated Nov 10, 2019)
Does Salo stand for Boring?!
Contains spoilers, click to show
Salo, based on the book called "100 Days of Sodom" by Marquis de Sade, is about 4 men in positions of power (The Duke, The Bishop, The Masgistrate and The President) who kidnap a large group of girls and boys and subject them to severe abuse, torture and even murder; just to, well, get their deviant rocks off basically. The cruel and sadistic abuse soon builds to a cresendo of sickening torture and murder.
I went into Salo VERY nervous; I'd read the Book so had a good idea of what was coming, and especially so as this Movie is always on those "sickest Movies ever" lists, and is almost always very near the #1 spot. Rarely does it ever take the crown though, and after seeing Salo, I understand why. It's so boring!! It's very diagloue heavy, which if done right makes a Movie engaging and compelling. If done wrong, as is the case with Salo, it becomes a tedious chore. Unfortunately for Salo, I was so bored with the pointless drivel that when it eventually did get to the shocking parts, I was over it and not as shocked as I really should have been. I mean, it was bad (two words: poop banquet) but I was left thinking "all that hype and waffle... for this?!" Definitely overrated. The small saving grace of this Movie was a bunch of Prostitutes, ironically. They were telling stories of their own deviancies; I found their stories shocking and they made me sit up and pay attention, some stories being more shocking than what we were seeing. I found those Women disgustingly wonderful and able to actually make something out of the literal crap-show that was Salo. I would only recommend Salo to the die hard "Sick Movie" fans (and that's for the sole purpose of ticking it off your list) and Cinema buffs because the Cinematography is quite nice. Other than that, it would make a fantastic sleep aid!
I went into Salo VERY nervous; I'd read the Book so had a good idea of what was coming, and especially so as this Movie is always on those "sickest Movies ever" lists, and is almost always very near the #1 spot. Rarely does it ever take the crown though, and after seeing Salo, I understand why. It's so boring!! It's very diagloue heavy, which if done right makes a Movie engaging and compelling. If done wrong, as is the case with Salo, it becomes a tedious chore. Unfortunately for Salo, I was so bored with the pointless drivel that when it eventually did get to the shocking parts, I was over it and not as shocked as I really should have been. I mean, it was bad (two words: poop banquet) but I was left thinking "all that hype and waffle... for this?!" Definitely overrated. The small saving grace of this Movie was a bunch of Prostitutes, ironically. They were telling stories of their own deviancies; I found their stories shocking and they made me sit up and pay attention, some stories being more shocking than what we were seeing. I found those Women disgustingly wonderful and able to actually make something out of the literal crap-show that was Salo. I would only recommend Salo to the die hard "Sick Movie" fans (and that's for the sole purpose of ticking it off your list) and Cinema buffs because the Cinematography is quite nice. Other than that, it would make a fantastic sleep aid!