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ClareR (5726 KP) rated The Devil You Know: Stories of Human Cruelty and Compassion in Books
Jun 22, 2021
The Devil You Know is a series of case studies of some of the patients that Dr Gwen Adshead has worked with in her role as a forensic psychiatrist. I don’t know quite what I expected from this: perhaps a dry, academic-type book. It was nothing at all like that. It’s a book full of compassion for the terrible mistakes, acts and choices that these people have made. And this is what’s made clear in this book: we (or rather, I) have always been led to believe that people who murder, stalk or destroy others lives are sub-human, have no empathy, no guilt or reasons for their actions. But there are those who have made terrible, unforgivable, life-changing decisions and must now live with those choices. Some are wracked with guilt, others aren’t.
It’s really interesting to read about this diverse group of people - they were in Broadmoor, secure prisons or units, and some had been released back into society and were experiencing the world again after serving their sentences.
If you’ve always wondered what motivates people to commit violent crimes, then this is, in part, the book for you. I found it quite reassuring to know that there are people like Dr Adshead out there who listen to perpetrators of crime, who want to learn what it is that causes them to make that fatal decision. I found the part about early childhood neglect and abuse and its impact on brain development particularly interesting (I work in Early Years), and the fact that it is potentially within society’s power to prevent crime before it has even been thought about was sobering.
I could go on, but I won’t. Just to say that I found this whole book fascinating - it’s such a well-written, accessible and interesting read.
Many thanks to The Pigeonhole for serialising this, and to Gwen Adshead and Eileen Horne for reading along with the Pigeons!
It’s really interesting to read about this diverse group of people - they were in Broadmoor, secure prisons or units, and some had been released back into society and were experiencing the world again after serving their sentences.
If you’ve always wondered what motivates people to commit violent crimes, then this is, in part, the book for you. I found it quite reassuring to know that there are people like Dr Adshead out there who listen to perpetrators of crime, who want to learn what it is that causes them to make that fatal decision. I found the part about early childhood neglect and abuse and its impact on brain development particularly interesting (I work in Early Years), and the fact that it is potentially within society’s power to prevent crime before it has even been thought about was sobering.
I could go on, but I won’t. Just to say that I found this whole book fascinating - it’s such a well-written, accessible and interesting read.
Many thanks to The Pigeonhole for serialising this, and to Gwen Adshead and Eileen Horne for reading along with the Pigeons!
Mark @ Carstairs Considers (2204 KP) rated A Distant Grave in Books
Jun 23, 2021 (Updated Jun 23, 2021)
Maggie Faces a Case that Crosses the Ocean
Maggie D’arcy’ latest case as a homicide detective on Long Island involves a man on one of the beaches. He’s been shot and robbed, making identifying him the first priority. It is looking like a random homicide, which are always difficult to solve, when Maggie gets an ID. The man is an Irish national. Maggie begins to wonder why the victim was on Long Island in the middle of February. With a trip to Ireland already planned to visit her boyfriend, Conor, Maggie decides to do a little digging. Will she uncover a motive for murder across the Atlantic?
After the first book, I’d wondered how Maggie would once again find herself in a case involving Long Island and Ireland, and the set up for this book was perfect. The plot unravels wonderfully, with Maggie following a logical trail of clues until she reaches the satisfying climax. The book does spoil the events of the first in the series, so be aware of that before you pick this one up. We need that information since some of the character growth in this book flows out of what happened in before. It was wonderful to catch up with Maggie and the other returning characters, and the new characters were just as strong. This book is definitely darker than the cozies I typically read, but it wasn’t overly dark for me, and I didn’t find the violence or language excessive. The writing is wonderful, bringing Maggie’s world to full atmospheric life without slowing down the story. The book is mostly written from Maggie’s first-person present tense point of view, but we do get occasional third-person past tense passages. It’s always easy to see them apart. I got so engrossed in the story that I finished the book faster than I expected to, and I loved every page of it. This is a strong second book, and I’m looking forward to visiting Maggie again soon.
After the first book, I’d wondered how Maggie would once again find herself in a case involving Long Island and Ireland, and the set up for this book was perfect. The plot unravels wonderfully, with Maggie following a logical trail of clues until she reaches the satisfying climax. The book does spoil the events of the first in the series, so be aware of that before you pick this one up. We need that information since some of the character growth in this book flows out of what happened in before. It was wonderful to catch up with Maggie and the other returning characters, and the new characters were just as strong. This book is definitely darker than the cozies I typically read, but it wasn’t overly dark for me, and I didn’t find the violence or language excessive. The writing is wonderful, bringing Maggie’s world to full atmospheric life without slowing down the story. The book is mostly written from Maggie’s first-person present tense point of view, but we do get occasional third-person past tense passages. It’s always easy to see them apart. I got so engrossed in the story that I finished the book faster than I expected to, and I loved every page of it. This is a strong second book, and I’m looking forward to visiting Maggie again soon.
First off... WTF?!?!
I did NOT want to put this book down! Unfortunately, the body cannot function without sleep and I'd denied mine too much in the days leading up to starting Verity. I know better than to begin a new book at night because I'm always convincing myself of one more chapter. But, I mean, it's Colleen Hoover, how could I deny myself the simple pleasure of just one... or eleven chapters before I lay my head down at night?
I finished the book as soon as I got up the next day, all in one sitting, my eyes refusing to be torn away from the pages. With each chapter, I grew more and more concerned. I was freaked out more often than not. There was still that oddly recognizable voice that belonged to Colleen in most areas, but there were moments when I had to remind myself who the author really was. At one particular point, I could literally describe myself as numb. I had to set my book down and stare vacantly at my wall for a solid five minutes, my eyes not even in focus, as I absorbed the insanity of what I was reading. With each word read from Verity's manuscript, I kept telling myself it couldn't get worse, but somehow it did. Then I reached the epilogue and thought, surely, it would focus on a happily ever after to cleanse my mind of the atrocious events leading up to it. But no. Colleen knew better than to do that. Instead, the epilogue ended on a twist so disturbing, so crazy, I'm still not sure what to believe!
For the last few months, before I heard about Verity's release and the genre Colleen was thinking about stepping her foot in, I'd been finding myself leaning more toward thriller mysteries instead of the romance I've always read. And now I know why. I was unknowingly preparing myself for Verity, putting myself in the right mindset and headspace. And Colleen still blew me away.
I did NOT want to put this book down! Unfortunately, the body cannot function without sleep and I'd denied mine too much in the days leading up to starting Verity. I know better than to begin a new book at night because I'm always convincing myself of one more chapter. But, I mean, it's Colleen Hoover, how could I deny myself the simple pleasure of just one... or eleven chapters before I lay my head down at night?
I finished the book as soon as I got up the next day, all in one sitting, my eyes refusing to be torn away from the pages. With each chapter, I grew more and more concerned. I was freaked out more often than not. There was still that oddly recognizable voice that belonged to Colleen in most areas, but there were moments when I had to remind myself who the author really was. At one particular point, I could literally describe myself as numb. I had to set my book down and stare vacantly at my wall for a solid five minutes, my eyes not even in focus, as I absorbed the insanity of what I was reading. With each word read from Verity's manuscript, I kept telling myself it couldn't get worse, but somehow it did. Then I reached the epilogue and thought, surely, it would focus on a happily ever after to cleanse my mind of the atrocious events leading up to it. But no. Colleen knew better than to do that. Instead, the epilogue ended on a twist so disturbing, so crazy, I'm still not sure what to believe!
For the last few months, before I heard about Verity's release and the genre Colleen was thinking about stepping her foot in, I'd been finding myself leaning more toward thriller mysteries instead of the romance I've always read. And now I know why. I was unknowingly preparing myself for Verity, putting myself in the right mindset and headspace. And Colleen still blew me away.
Eleanor Luhar (47 KP) rated Fire Colour One in Books
Jun 24, 2019
This is one of those books that you see displayed in the library and just think, "What the heck? I'll give it a go."
This is YA book, as most of the books I read are. It's named after a painting, which ends up as quite a significant aspect in this novel.
Iris lives with her mother Hannah and step-father Lowell. She doesn't remember her real father. Hannah has always told her that he didn't want her, that he didn't care. She blamed him for their debts, their problems.
Thurston is Iris's best friend, her only friend. He means everything to her. He's always been there for her, until she has to move away to England without any means of telling him where she's gone.
Iris herself is a pretty troubled girl. Family life isn't great - Hannah and Lowell want her to be more like them, more conscious of her appearance and wealth. But all Iris really cares about is fire. There's nothing like the soothing flicker of a flame.
When she meets her father Ernest, Iris soon realises that everything she's been told by her mother has been a lie. He didn't leave her; Hannah took her, changed her name and hid. Ernest had been searching for her for years. But now it was too late.
The book actually begins with Ernest's funeral, and sort of goes backwards a few times. There's memories written throughout, clips from the past. We slowly learn more and more about Iris's personality, and we watch her re-develop her relationship with her father.
It's actually a pretty great book. It's so realistic, and unique. It isn't a fantasy, it isn't a cheesy romance, it isn't even really a book with a typical happy ending.
Although I wouldn't have searched this book out in particular, I am happy I read it. I'm not sure it quite gets 4 stars from me, so I'll give it 3.5.
This is YA book, as most of the books I read are. It's named after a painting, which ends up as quite a significant aspect in this novel.
Iris lives with her mother Hannah and step-father Lowell. She doesn't remember her real father. Hannah has always told her that he didn't want her, that he didn't care. She blamed him for their debts, their problems.
Thurston is Iris's best friend, her only friend. He means everything to her. He's always been there for her, until she has to move away to England without any means of telling him where she's gone.
Iris herself is a pretty troubled girl. Family life isn't great - Hannah and Lowell want her to be more like them, more conscious of her appearance and wealth. But all Iris really cares about is fire. There's nothing like the soothing flicker of a flame.
When she meets her father Ernest, Iris soon realises that everything she's been told by her mother has been a lie. He didn't leave her; Hannah took her, changed her name and hid. Ernest had been searching for her for years. But now it was too late.
The book actually begins with Ernest's funeral, and sort of goes backwards a few times. There's memories written throughout, clips from the past. We slowly learn more and more about Iris's personality, and we watch her re-develop her relationship with her father.
It's actually a pretty great book. It's so realistic, and unique. It isn't a fantasy, it isn't a cheesy romance, it isn't even really a book with a typical happy ending.
Although I wouldn't have searched this book out in particular, I am happy I read it. I'm not sure it quite gets 4 stars from me, so I'll give it 3.5.
Gareth von Kallenbach (980 KP) rated The Bye Bye Man (2017) in Movies
Jul 12, 2019
When someone tells you not to think about something or not to talk about something it is the hardest thing not to do. This is exactly what “The Bye Bye Man” is all about. If you think about him or if you talk about him he will know. After college students Elliot and his girlfriend Sasha move in together with their friend John to a creepy old house their lives are changed forever. Elliot begins to notice that their is something strange going on when he finds a name scribbled in his antique nightstand left by the original owners. He wasn’t expecting to have his world turned upside down with just saying that name. The Bye Bye Man!
If Stacy Title was going for a horror comedy she would’ve hit the nail right on the head but unfortunately this is categorized as a horror thriller. By my standards this film didn’t even come close to that. Originally “The Bye Bye Man” was based off of a short story entitled “The Bridge to Body Island”. Until I read a portion of this story myself I didn’t understand certain aspects of the film. That being said, how is anybody supposed to understand certain things about the film before reading the short story first.
I was not really familiar with the cast and their acting seemed forced and not natural. The only good part to the cast was Doug Jones and his exceptional way of always creeping me out with his characters. In person he is the sweetest guy but on screen he always brings the creepy factor of the film up a notch. Unfortunately it wasn’t enough to keep this film afloat for me. Perhaps if I had gone into the screening expecting to see a comedic horror film I would be okay with it as being just that. There was more laughter from the audience than screams.
If Stacy Title was going for a horror comedy she would’ve hit the nail right on the head but unfortunately this is categorized as a horror thriller. By my standards this film didn’t even come close to that. Originally “The Bye Bye Man” was based off of a short story entitled “The Bridge to Body Island”. Until I read a portion of this story myself I didn’t understand certain aspects of the film. That being said, how is anybody supposed to understand certain things about the film before reading the short story first.
I was not really familiar with the cast and their acting seemed forced and not natural. The only good part to the cast was Doug Jones and his exceptional way of always creeping me out with his characters. In person he is the sweetest guy but on screen he always brings the creepy factor of the film up a notch. Unfortunately it wasn’t enough to keep this film afloat for me. Perhaps if I had gone into the screening expecting to see a comedic horror film I would be okay with it as being just that. There was more laughter from the audience than screams.
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LeftSideCut (3778 KP) rated Run (2020) in Movies
Oct 10, 2021
For starters, the general premise of Run is a scary one. In a world where everything seems to be getting more tempestuous by the day, it can be difficult to place your trust in other humans, but if there is one person you should be able to trust unconditionally, it's your own mother. It becomes rapidly apparent during the runtime just how much control Diane (Sarah Paulson) has over her daughter Chloe's (Kiera Allen) day-to-day life. When Chloe begins to suspect that things aren't quite what they seem, shit quickly hits the fan. What follows is a thriller that touches upon how damaging and overbearing love can be.
There are some genuinely tense moments sprinkled throughout, and some scenes that are quite uncomfortable to watch (with a few creepy shots thrown in for good measure). It wears it's inspirations on its sleeve - Misery is a clear influence here, both thematically and visually, but it feels like there is homage being paid rather than any ripping off.
The main issue I had was with the pacing. There isn't really much of a build up before Chloe starts to figure out that there's some fuckery afoot - kudos for getting straight to it - but it results in a narrative that takes forever to get to its climax. This is a minor gripe, thanks in no small part to the two lead actresses. I love Sarah Paulson in American Horror Story - even in that shows' low points, she always remains a constant positive - so I'm always happy to see her in other projects. Kiera Allen is the show stealer though, and the two have them share a great dynamic that really bolsters all the other positives.
In short, Aneesh Chaganty has crafted a tight and tense thriller with Run, and after this and Searching, I look forward to whatever he next brings to the table.
There are some genuinely tense moments sprinkled throughout, and some scenes that are quite uncomfortable to watch (with a few creepy shots thrown in for good measure). It wears it's inspirations on its sleeve - Misery is a clear influence here, both thematically and visually, but it feels like there is homage being paid rather than any ripping off.
The main issue I had was with the pacing. There isn't really much of a build up before Chloe starts to figure out that there's some fuckery afoot - kudos for getting straight to it - but it results in a narrative that takes forever to get to its climax. This is a minor gripe, thanks in no small part to the two lead actresses. I love Sarah Paulson in American Horror Story - even in that shows' low points, she always remains a constant positive - so I'm always happy to see her in other projects. Kiera Allen is the show stealer though, and the two have them share a great dynamic that really bolsters all the other positives.
In short, Aneesh Chaganty has crafted a tight and tense thriller with Run, and after this and Searching, I look forward to whatever he next brings to the table.
Wolves Always Bite (Willow Lake Supernaturals #2)
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What’s a simple human to do when he discovers supernatural beings are real? Ask many, many, many...
MM Paranormal Romance