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I have to admit, when I first started reading this book I did stop several times, look at the cover and the blurb and think “What the heck am I reading?”
This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!
This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!
Cruising Anglesey and Adjoining Waters: Cruising Anglesey and Adjoining Waters
Book
Ralph Morris's guide to the island of Anglesey and coast from Liverpool to Pwllheli was first...
Intimate Geography: Selected Poems 1991-2010
Book
Jennifer Maiden's "Intimate Geography" charts territory both personal and political, private and...
Leanne Crabtree (480 KP) rated No Weddings in Books
Jan 8, 2021
I first saw this book as a giveaway on Goodreads and entered to win it. Unfortunately I wasn’t a lucky winner and after re-reading the synopsis I decided I wanted to read it anyway, which isn’t always the case with the books I enter to win on Goodreads. So off I went to Amazon to search it out and I was surprised by the price (77p) so I pre-ordered it and two days later it was delivered.
Let me say this now; I'm not a big contemporary romance reader any more. I tend to stick to paranormal/urban fantasy/suspense books with romance in them for an added element.
But I have to say that I really liked this!
It was told from Cade's POV, a proper ladies man, who sets up a party planning company with his three older sisters and decides they won't do any weddings as Cade seems to always end up sleeping with a guest (or two). But then he meets Hannah, an amazing baker/cook who they want to hire to make the cakes for whatever events they're organizing for, and as he gets to know her he begins to really like her.
Let me tell you this book is full of sexual tension; they flirt, they touch...it was really kinda cute watching how he softened and changed.
http://s216.photobucket.com/user/leannecrab/media/tumblr_n5z8fpUqsd1t0hoy1o1_5001.gif.html"; target="_blank
Another thing I liked was the banter between almost everyone. The siblings reminded me a bit of me and my brother; Cade and Hannah; Cade and his room mates.
Let me say that there is no sex in this book—plenty of romance!—and their relationship is going to continue into the next one, One Funeral, which I believe is going to be from Hannah's POV. And let me tell you I will most definitely be continuing this series.
Let me say this now; I'm not a big contemporary romance reader any more. I tend to stick to paranormal/urban fantasy/suspense books with romance in them for an added element.
But I have to say that I really liked this!
It was told from Cade's POV, a proper ladies man, who sets up a party planning company with his three older sisters and decides they won't do any weddings as Cade seems to always end up sleeping with a guest (or two). But then he meets Hannah, an amazing baker/cook who they want to hire to make the cakes for whatever events they're organizing for, and as he gets to know her he begins to really like her.
Let me tell you this book is full of sexual tension; they flirt, they touch...it was really kinda cute watching how he softened and changed.
http://s216.photobucket.com/user/leannecrab/media/tumblr_n5z8fpUqsd1t0hoy1o1_5001.gif.html"; target="_blank
Another thing I liked was the banter between almost everyone. The siblings reminded me a bit of me and my brother; Cade and Hannah; Cade and his room mates.
Let me say that there is no sex in this book—plenty of romance!—and their relationship is going to continue into the next one, One Funeral, which I believe is going to be from Hannah's POV. And let me tell you I will most definitely be continuing this series.
LeftSideCut (3776 KP) rated Jennifer's Body (2009) in Movies
Nov 1, 2020
The best way to describe Jennifer's Body is that it's pretty middle of the road. Nothing spectacular, but still pretty entertaining, and a would-be standard demonic posession horror-comedy if it wasn't for some good turns from the cast.
The plot revolves around popular high school teen Jennifer (Megan Fox) becoming possessed after a satanic ritual goes awry. Her best friend Needy (Amanda Seyfried) is caught in the crossfire as she tries to find a way to stop Jennifer's murderous Succubus ways.
The movie misses a trick in its titular character. Megan Fox is good at the whole evil schtick, but Jennifer is possessed for about 95% of the runtime, and for that entire duration, she's an absolute douche. We don't see enough of Jennifer beforehand to feel much sympathy towards her. A flashback sequence dealing with how she ended up possessed starts to lean in that direction, but it's an opportunity that's not explored enough. It feels like there's a message in here about the pressures put on women in today's culture to always look the part. An important message indeed, but it's gets lost somewhat in this oversight.
Amanda Seyfried is the real lead here, and her character is wholly sympathetic, and a huge bonus for the overall film. The relationship between her and her boyfriend Chip (Johnny Simmons) is believable and often humourous, and together, they add so much to this movie.
It's also worth mentioning that Adam Brody and J.K. Simmons are both great, and definitely provide the best comedic moments.
The scares are spread pretty thin, but there are a few creepy moments here and there, and some decent gore for good measure. A lot of it seemed practical as well which is always a plus. The little CGI on display is a bit dodgy, but a minor gripe.
Overall then, Jennifer's Body is an imperfect, but solidly entertaining splatter film that tries to capture the struggles of being a teenager, and kind of succeeds, and is certainly worth a watch.
The plot revolves around popular high school teen Jennifer (Megan Fox) becoming possessed after a satanic ritual goes awry. Her best friend Needy (Amanda Seyfried) is caught in the crossfire as she tries to find a way to stop Jennifer's murderous Succubus ways.
The movie misses a trick in its titular character. Megan Fox is good at the whole evil schtick, but Jennifer is possessed for about 95% of the runtime, and for that entire duration, she's an absolute douche. We don't see enough of Jennifer beforehand to feel much sympathy towards her. A flashback sequence dealing with how she ended up possessed starts to lean in that direction, but it's an opportunity that's not explored enough. It feels like there's a message in here about the pressures put on women in today's culture to always look the part. An important message indeed, but it's gets lost somewhat in this oversight.
Amanda Seyfried is the real lead here, and her character is wholly sympathetic, and a huge bonus for the overall film. The relationship between her and her boyfriend Chip (Johnny Simmons) is believable and often humourous, and together, they add so much to this movie.
It's also worth mentioning that Adam Brody and J.K. Simmons are both great, and definitely provide the best comedic moments.
The scares are spread pretty thin, but there are a few creepy moments here and there, and some decent gore for good measure. A lot of it seemed practical as well which is always a plus. The little CGI on display is a bit dodgy, but a minor gripe.
Overall then, Jennifer's Body is an imperfect, but solidly entertaining splatter film that tries to capture the struggles of being a teenager, and kind of succeeds, and is certainly worth a watch.
Blaine Harrison recommended track Coney Island Baby by Lou Reed in Coney Island Baby by Lou Reed in Music (curated)
ClareR (5879 KP) rated The Devil You Know: Stories of Human Cruelty and Compassion in Books
Jun 22, 2021
The Devil You Know is a series of case studies of some of the patients that Dr Gwen Adshead has worked with in her role as a forensic psychiatrist. I don’t know quite what I expected from this: perhaps a dry, academic-type book. It was nothing at all like that. It’s a book full of compassion for the terrible mistakes, acts and choices that these people have made. And this is what’s made clear in this book: we (or rather, I) have always been led to believe that people who murder, stalk or destroy others lives are sub-human, have no empathy, no guilt or reasons for their actions. But there are those who have made terrible, unforgivable, life-changing decisions and must now live with those choices. Some are wracked with guilt, others aren’t.
It’s really interesting to read about this diverse group of people - they were in Broadmoor, secure prisons or units, and some had been released back into society and were experiencing the world again after serving their sentences.
If you’ve always wondered what motivates people to commit violent crimes, then this is, in part, the book for you. I found it quite reassuring to know that there are people like Dr Adshead out there who listen to perpetrators of crime, who want to learn what it is that causes them to make that fatal decision. I found the part about early childhood neglect and abuse and its impact on brain development particularly interesting (I work in Early Years), and the fact that it is potentially within society’s power to prevent crime before it has even been thought about was sobering.
I could go on, but I won’t. Just to say that I found this whole book fascinating - it’s such a well-written, accessible and interesting read.
Many thanks to The Pigeonhole for serialising this, and to Gwen Adshead and Eileen Horne for reading along with the Pigeons!
It’s really interesting to read about this diverse group of people - they were in Broadmoor, secure prisons or units, and some had been released back into society and were experiencing the world again after serving their sentences.
If you’ve always wondered what motivates people to commit violent crimes, then this is, in part, the book for you. I found it quite reassuring to know that there are people like Dr Adshead out there who listen to perpetrators of crime, who want to learn what it is that causes them to make that fatal decision. I found the part about early childhood neglect and abuse and its impact on brain development particularly interesting (I work in Early Years), and the fact that it is potentially within society’s power to prevent crime before it has even been thought about was sobering.
I could go on, but I won’t. Just to say that I found this whole book fascinating - it’s such a well-written, accessible and interesting read.
Many thanks to The Pigeonhole for serialising this, and to Gwen Adshead and Eileen Horne for reading along with the Pigeons!
Mark @ Carstairs Considers (2346 KP) rated A Distant Grave in Books
Jun 23, 2021 (Updated Jun 23, 2021)
Maggie Faces a Case that Crosses the Ocean
Maggie D’arcy’ latest case as a homicide detective on Long Island involves a man on one of the beaches. He’s been shot and robbed, making identifying him the first priority. It is looking like a random homicide, which are always difficult to solve, when Maggie gets an ID. The man is an Irish national. Maggie begins to wonder why the victim was on Long Island in the middle of February. With a trip to Ireland already planned to visit her boyfriend, Conor, Maggie decides to do a little digging. Will she uncover a motive for murder across the Atlantic?
After the first book, I’d wondered how Maggie would once again find herself in a case involving Long Island and Ireland, and the set up for this book was perfect. The plot unravels wonderfully, with Maggie following a logical trail of clues until she reaches the satisfying climax. The book does spoil the events of the first in the series, so be aware of that before you pick this one up. We need that information since some of the character growth in this book flows out of what happened in before. It was wonderful to catch up with Maggie and the other returning characters, and the new characters were just as strong. This book is definitely darker than the cozies I typically read, but it wasn’t overly dark for me, and I didn’t find the violence or language excessive. The writing is wonderful, bringing Maggie’s world to full atmospheric life without slowing down the story. The book is mostly written from Maggie’s first-person present tense point of view, but we do get occasional third-person past tense passages. It’s always easy to see them apart. I got so engrossed in the story that I finished the book faster than I expected to, and I loved every page of it. This is a strong second book, and I’m looking forward to visiting Maggie again soon.
After the first book, I’d wondered how Maggie would once again find herself in a case involving Long Island and Ireland, and the set up for this book was perfect. The plot unravels wonderfully, with Maggie following a logical trail of clues until she reaches the satisfying climax. The book does spoil the events of the first in the series, so be aware of that before you pick this one up. We need that information since some of the character growth in this book flows out of what happened in before. It was wonderful to catch up with Maggie and the other returning characters, and the new characters were just as strong. This book is definitely darker than the cozies I typically read, but it wasn’t overly dark for me, and I didn’t find the violence or language excessive. The writing is wonderful, bringing Maggie’s world to full atmospheric life without slowing down the story. The book is mostly written from Maggie’s first-person present tense point of view, but we do get occasional third-person past tense passages. It’s always easy to see them apart. I got so engrossed in the story that I finished the book faster than I expected to, and I loved every page of it. This is a strong second book, and I’m looking forward to visiting Maggie again soon.
First off... WTF?!?!
I did NOT want to put this book down! Unfortunately, the body cannot function without sleep and I'd denied mine too much in the days leading up to starting Verity. I know better than to begin a new book at night because I'm always convincing myself of one more chapter. But, I mean, it's Colleen Hoover, how could I deny myself the simple pleasure of just one... or eleven chapters before I lay my head down at night?
I finished the book as soon as I got up the next day, all in one sitting, my eyes refusing to be torn away from the pages. With each chapter, I grew more and more concerned. I was freaked out more often than not. There was still that oddly recognizable voice that belonged to Colleen in most areas, but there were moments when I had to remind myself who the author really was. At one particular point, I could literally describe myself as numb. I had to set my book down and stare vacantly at my wall for a solid five minutes, my eyes not even in focus, as I absorbed the insanity of what I was reading. With each word read from Verity's manuscript, I kept telling myself it couldn't get worse, but somehow it did. Then I reached the epilogue and thought, surely, it would focus on a happily ever after to cleanse my mind of the atrocious events leading up to it. But no. Colleen knew better than to do that. Instead, the epilogue ended on a twist so disturbing, so crazy, I'm still not sure what to believe!
For the last few months, before I heard about Verity's release and the genre Colleen was thinking about stepping her foot in, I'd been finding myself leaning more toward thriller mysteries instead of the romance I've always read. And now I know why. I was unknowingly preparing myself for Verity, putting myself in the right mindset and headspace. And Colleen still blew me away.
I did NOT want to put this book down! Unfortunately, the body cannot function without sleep and I'd denied mine too much in the days leading up to starting Verity. I know better than to begin a new book at night because I'm always convincing myself of one more chapter. But, I mean, it's Colleen Hoover, how could I deny myself the simple pleasure of just one... or eleven chapters before I lay my head down at night?
I finished the book as soon as I got up the next day, all in one sitting, my eyes refusing to be torn away from the pages. With each chapter, I grew more and more concerned. I was freaked out more often than not. There was still that oddly recognizable voice that belonged to Colleen in most areas, but there were moments when I had to remind myself who the author really was. At one particular point, I could literally describe myself as numb. I had to set my book down and stare vacantly at my wall for a solid five minutes, my eyes not even in focus, as I absorbed the insanity of what I was reading. With each word read from Verity's manuscript, I kept telling myself it couldn't get worse, but somehow it did. Then I reached the epilogue and thought, surely, it would focus on a happily ever after to cleanse my mind of the atrocious events leading up to it. But no. Colleen knew better than to do that. Instead, the epilogue ended on a twist so disturbing, so crazy, I'm still not sure what to believe!
For the last few months, before I heard about Verity's release and the genre Colleen was thinking about stepping her foot in, I'd been finding myself leaning more toward thriller mysteries instead of the romance I've always read. And now I know why. I was unknowingly preparing myself for Verity, putting myself in the right mindset and headspace. And Colleen still blew me away.
Eleanor Luhar (47 KP) rated Fire Colour One in Books
Jun 24, 2019
This is one of those books that you see displayed in the library and just think, "What the heck? I'll give it a go."
This is YA book, as most of the books I read are. It's named after a painting, which ends up as quite a significant aspect in this novel.
Iris lives with her mother Hannah and step-father Lowell. She doesn't remember her real father. Hannah has always told her that he didn't want her, that he didn't care. She blamed him for their debts, their problems.
Thurston is Iris's best friend, her only friend. He means everything to her. He's always been there for her, until she has to move away to England without any means of telling him where she's gone.
Iris herself is a pretty troubled girl. Family life isn't great - Hannah and Lowell want her to be more like them, more conscious of her appearance and wealth. But all Iris really cares about is fire. There's nothing like the soothing flicker of a flame.
When she meets her father Ernest, Iris soon realises that everything she's been told by her mother has been a lie. He didn't leave her; Hannah took her, changed her name and hid. Ernest had been searching for her for years. But now it was too late.
The book actually begins with Ernest's funeral, and sort of goes backwards a few times. There's memories written throughout, clips from the past. We slowly learn more and more about Iris's personality, and we watch her re-develop her relationship with her father.
It's actually a pretty great book. It's so realistic, and unique. It isn't a fantasy, it isn't a cheesy romance, it isn't even really a book with a typical happy ending.
Although I wouldn't have searched this book out in particular, I am happy I read it. I'm not sure it quite gets 4 stars from me, so I'll give it 3.5.
This is YA book, as most of the books I read are. It's named after a painting, which ends up as quite a significant aspect in this novel.
Iris lives with her mother Hannah and step-father Lowell. She doesn't remember her real father. Hannah has always told her that he didn't want her, that he didn't care. She blamed him for their debts, their problems.
Thurston is Iris's best friend, her only friend. He means everything to her. He's always been there for her, until she has to move away to England without any means of telling him where she's gone.
Iris herself is a pretty troubled girl. Family life isn't great - Hannah and Lowell want her to be more like them, more conscious of her appearance and wealth. But all Iris really cares about is fire. There's nothing like the soothing flicker of a flame.
When she meets her father Ernest, Iris soon realises that everything she's been told by her mother has been a lie. He didn't leave her; Hannah took her, changed her name and hid. Ernest had been searching for her for years. But now it was too late.
The book actually begins with Ernest's funeral, and sort of goes backwards a few times. There's memories written throughout, clips from the past. We slowly learn more and more about Iris's personality, and we watch her re-develop her relationship with her father.
It's actually a pretty great book. It's so realistic, and unique. It isn't a fantasy, it isn't a cheesy romance, it isn't even really a book with a typical happy ending.
Although I wouldn't have searched this book out in particular, I am happy I read it. I'm not sure it quite gets 4 stars from me, so I'll give it 3.5.
Kaz (232 KP) Aug 5, 2019