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Mark @ Carstairs Considers (2398 KP) rated Three Strikes – You're Dead! in Books

Jun 28, 2024  
Three Strikes – You're Dead!
Three Strikes – You're Dead!
Various Authors | 2024 | Mystery
9
9.0 (1 Ratings)
Book Rating
Give This Collection a Sporting Chance
This is a collection of 14 crime fiction short stories with a sports theme. And there are plenty of unique sports here. The collection starts out with one of three baseball stories as the hero of a playoff game winds up dead moments after scoring the winning run. We’ve got a bounty hunter who is trying to bring in an ultimate Frisbee player. A college swimming coach is found dead at practice one morning. A woman plans to avenge her brother’s death in the bull riding ring. A biathlete is kidnapped. And a tennis coach finds himself in grave danger.

With all the stories, this is definitely long enough to be a full-length book, so you are getting your money's worth. The twists on a couple of the stories didn't quite work for me, but most of the stories held together very well. Likewise, the characters are all real. Considering the shorter space that the writers had to work with, I am always impressed when they can pull both of those things off. I'm not the biggest sports fan in the world, but I still found myself being pulled into these stories. Whether you are a diehard sports fanatic or have a casual interest at best, you'll enjoy this collection.
  
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Haley Mathiot (9 KP) rated They Almost Always Come Home in Books

Apr 27, 2018  
TA
They Almost Always Come Home
Cynthia Ruchti | 2010
6
6.0 (1 Ratings)
Book Rating
They Almost Always Come Home by Cynthia Ruchti
Genre: Christian Fiction
ISBN: 9781426702389
Rating: DNF, 3

Greg goes on a trip into the Canadian wilderness—and never comes home. But Libby was thinking about leaving him anyway… so should she care that he's missing? Should she find him? Libby sets off with her best friend and her step-dad on a journey to find Greg. But for Libby, the journey is more than to find her husband. It's a journey of faith.

They Almost Always Come Home had potential to be amazing. Maybe the ending was amazing… but I didn't get that far. The plot was great—there were a lot of different things woven together to make it complex. It was more than "husband is gone, wife isn't sure if she wants him back but she goes to find him anyway." There is a lot of complexity to the situation, and a lot of background to see how Libby got to where she is now. It was good, and I liked it. It didn't move fast enough for me, but it was still good and I liked it.
However, other aspects of the book took away from the story line, and the main one was the writing. I feel like I have more to say about the writing than anything when it comes to They Almost Always Come Home.

This book reads rather depressing. As I read it, I can hear the voice of the character in my head, feeling tired and broken and uncaring and bitter, and it's very emotionally demanding to read. Since the character is going through so much, I can understand why that is: that's how she feels, that's how you are supposed to feel. It certainly isn't a sit-by-the-beach-with-sweet-tea kind of book.

Also, occasionally (as in the case with every Meg Cabot book I've ever read) an individual has a great original idea for a novel. What they should have done, would be to find someone who could write well and let them write the story, and co-author it. But no, they insist on writing it themselves, even though they can't write. Sadly, this is the case with They Almost Always Come Home. In some cases the mediocrity of the writing doesn't take away from the enjoyment of the book, but in this case, it got to the point where it wore me out and aggravated me, and I had to put it down. After this happened several times, I never ended up picking it back up. The writing was made up of poor sentence structure, and the sentences that were actually sentences weren't organized very well. The interior monologue of Libby's thought-life was even less organized. Yes, I understand that our thoughts are not perfectly organized like Dostoevsky's dialogue, but Libby's mind was just hard to follow.

The other thing that took away from the book was the main character, Libby. I didn't like her. Maybe if I'd gotten to the end and seen her change (because I just know she's got to change—why else would Ruchti write a story like this?) then I 'd like her. But as it were, I was rooting for Greg. Poor Greg who was stuck with her for twenty-five years, and who got out easy (at least that's the way it looked from where I stopped). I know that isn't the way I'm supposed to feel, but I kept thinking "Libby… honestly…(mutters to herself)…" how can you read a book about a character that you don't like?

Again, this book had a lot of potential. Sadly I didn't enjoy it enough to finish it. I give it three-stars for the good pacing at the beginning, and the tangible emotions of the character (who I didn't like…?).
Check out amazon (as of today, 17 five-star reviews) and goodreads for reviews of They Almost Always Come Home. You will see that I am in the minority.