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Kirk Bage (1775 KP) rated Jojo Rabbit (2019) in Movies
Jan 22, 2021
Another favourite from the awards season that came with some strong acclaim from amongst friends and trusted reviewers, WWII satire Jojo Rabbit, from the likeable and unique mind of Taika Waititi, was always high on my list as a must see movie.
I have followed the Kiwi’s original output since way back, and always enjoyed his quirky sense of humour and childlike charm. Either Eagle vs Shark or The Flight of the Conchords would have been my first encounter; and by the time of Hunt for the Wilderpeople and Thor: Ragnarok I had become a tentative fan. Never entirely bowled over by his style and content in the same way as, say, Wes Anderson (to whom some compare his outlook on the creative world), and never rolling around on the floor in hysterics at his naivety and comedy of manners, nevertheless, I like the guy a lot.
So when I heard he had adapted a fantasy novel about Nazi Germany from the point of view of a child, and would be playing Hitler himself, I knew instantly where he would be pitching this. The idea of it being offensive in any way was not a concern or even a thought, and anyone that did react that way is just… ridiculous and deliberately missing the point for the sake of finding something to be outraged about.
Of course subjects of genocide, political repression and evil existing in the world should and must be treated with a sensitivity to a degree, and amongst the silly lampooning and most extreme moments of satire that care is evident. There are moments of real gravity and tenderness in the mix here, thanks in large to some wonderful performances from the adult actors, notably the ever reliable Sam Rockwell and the increasingly strong and impressive Scarlett Johansson, who picked up her second Oscar nomination for this, after Marriage Story ticked the box for true drama.
The film focuses and relies on young Roman Griffin Davis as the eponymous Jojo, a happy little boy who sees goodness and light in an ever darkening world around him. Waititi as director works well with kids, placing the idea of charm and likability above acting prowess per se. And that is both the strength and ultimate weakness of this premise. He is charming and likeable, and cute and sweet and very watchable, but his inexperience in front of the camera and ability to find a range of emotions is often tested beyond his tender years, and can therefore break the magic spell that is woven in the best scenes.
The humour itself also doesn’t always hit the mark. Sometimes it is merely amusing rather than something laugh out loud funny, much as an average Mel Brooks film always was. And that can lead to a feel of something uneven and rambling, as the story struggles to find what it really wants to say. In its final moments it does land on an overlying message that leaves you with a winning impression, and you leave feeling that you saw something you enjoyed, but not something you would unreservedly recommend to everyone. In fact if someone said they didn’t enjoy it, or get the joke at all, then I would respect that view.
Under a microscope of scrutiny it doesn’t hold up that well, and I wonder how a few years of distance will treat it, once our sensibilities shift again with time. There are a few moments when the heart of the film connects with it’s silly bone and resonates, but not nearly enough. I personally wanted more of that. But, sadly, whenever JoJo threatens to grow up it retreats back into childhood and shies away from commenting on anything serious or truly meaningful. But, of course, that is not the point. As an entertainment it is a wonderful, unique and lovely film. And that should really be all that it is judged by.
In conclusion, a curiosity I will look forward to watching again, but don’t think quite makes the grade as an instant classic. It only reinforced however how much I like Rockwell and Johansson, and will always be curious about what Waititi is up to next.
I have followed the Kiwi’s original output since way back, and always enjoyed his quirky sense of humour and childlike charm. Either Eagle vs Shark or The Flight of the Conchords would have been my first encounter; and by the time of Hunt for the Wilderpeople and Thor: Ragnarok I had become a tentative fan. Never entirely bowled over by his style and content in the same way as, say, Wes Anderson (to whom some compare his outlook on the creative world), and never rolling around on the floor in hysterics at his naivety and comedy of manners, nevertheless, I like the guy a lot.
So when I heard he had adapted a fantasy novel about Nazi Germany from the point of view of a child, and would be playing Hitler himself, I knew instantly where he would be pitching this. The idea of it being offensive in any way was not a concern or even a thought, and anyone that did react that way is just… ridiculous and deliberately missing the point for the sake of finding something to be outraged about.
Of course subjects of genocide, political repression and evil existing in the world should and must be treated with a sensitivity to a degree, and amongst the silly lampooning and most extreme moments of satire that care is evident. There are moments of real gravity and tenderness in the mix here, thanks in large to some wonderful performances from the adult actors, notably the ever reliable Sam Rockwell and the increasingly strong and impressive Scarlett Johansson, who picked up her second Oscar nomination for this, after Marriage Story ticked the box for true drama.
The film focuses and relies on young Roman Griffin Davis as the eponymous Jojo, a happy little boy who sees goodness and light in an ever darkening world around him. Waititi as director works well with kids, placing the idea of charm and likability above acting prowess per se. And that is both the strength and ultimate weakness of this premise. He is charming and likeable, and cute and sweet and very watchable, but his inexperience in front of the camera and ability to find a range of emotions is often tested beyond his tender years, and can therefore break the magic spell that is woven in the best scenes.
The humour itself also doesn’t always hit the mark. Sometimes it is merely amusing rather than something laugh out loud funny, much as an average Mel Brooks film always was. And that can lead to a feel of something uneven and rambling, as the story struggles to find what it really wants to say. In its final moments it does land on an overlying message that leaves you with a winning impression, and you leave feeling that you saw something you enjoyed, but not something you would unreservedly recommend to everyone. In fact if someone said they didn’t enjoy it, or get the joke at all, then I would respect that view.
Under a microscope of scrutiny it doesn’t hold up that well, and I wonder how a few years of distance will treat it, once our sensibilities shift again with time. There are a few moments when the heart of the film connects with it’s silly bone and resonates, but not nearly enough. I personally wanted more of that. But, sadly, whenever JoJo threatens to grow up it retreats back into childhood and shies away from commenting on anything serious or truly meaningful. But, of course, that is not the point. As an entertainment it is a wonderful, unique and lovely film. And that should really be all that it is judged by.
In conclusion, a curiosity I will look forward to watching again, but don’t think quite makes the grade as an instant classic. It only reinforced however how much I like Rockwell and Johansson, and will always be curious about what Waititi is up to next.
Movie Metropolis (309 KP) rated San Andreas (2015) in Movies
Jun 10, 2019
As solid as the Rock
Who doesn’t love a good disaster movie? From Dante’s Peak to The Day After Tomorrow, there’s enough city-levelling action in the movie archives to terrify even the most urban of us.
The genre came to a head somewhat in 2009 with the overly cheesy 2012. Directed by Roland Emmerich, aka the disaster movie king, it was a huge box-office success but audiences were turned off by the idea of destroying the entire globe.
After a few years off, the genre returns with San Andreas. But can this earthquake-based blockbuster evoke memories of yesteryear’s disaster flicks?
Dwayne Johnson stars as Ray Gaines, a chief rescue officer with the LAFD and in typical The Rock style, manages to captivate the audience from beginning to end of this exceptionally cheesy yet surprisingly effective movie.
The beautiful Carla Gugino plays Ray’s estranged wife, Emma with Alexandra Daddario taking on the role of their daughter Blake. There’s even a small role for Kylie Minogue, though she is rather unnoticed here.
San Andreas follows the three central characters as they try to reunite with one another after a series of devastating earthquakes along the west coast of America, all of which are predicted by brilliant seismologist Lawrence – a wasted Paul Giamatti.
The film is visually stunning, but as with any in the genre, lacks a defined story with the characters being thrown from one amazing set piece to another. From the very beginning the audience is subjected to gargantuan action sequences including the much-marketed tsunami that acts as a placeholder for the film’s final act – it is absolutely mesmerising to watch.
Johnson proves time-and-time again that he is in the right business. Along with Schwarzenegger he is at his best in films where his brawn is needed the most and it’s certainly the case here. Surprisingly though, The Rock provides a rich emotional undertone due to a horrific past family incident.
Unfortunately, there is such a lack of originality in San Andreas’ story that it’s easy to signpost exactly what is going to happen before it actually does. The reason? Simply because it’s been done to death. Disaster flicks are very 90s with Dante’s Peak having a similar family unit and even in the noughties, The Day After Tomorrow featuring the well-worn reuniting with children plotline.
There are some clever touches however, parts of the film where you would expect generic clichés, it cleverly dangles a red herring and then moves the plot in a completely different direction.
It’s clear to see that disaster movies will always find their audience. Those not looking for a deep and meaningful story and a rollercoaster ride of special effects instead will find much to enjoy here.
Dwayne Johnson is superb in his role with the majority of the other characters falling by the wayside somewhat, and in the end, San Andreas proves to be a solid if not overly original experience.
It’s fair to say though, this film is more than worth the price of a cinema ticket.
https://moviemetropolis.net/2015/05/31/as-solid-as-the-rock-san-andreas-review/
The genre came to a head somewhat in 2009 with the overly cheesy 2012. Directed by Roland Emmerich, aka the disaster movie king, it was a huge box-office success but audiences were turned off by the idea of destroying the entire globe.
After a few years off, the genre returns with San Andreas. But can this earthquake-based blockbuster evoke memories of yesteryear’s disaster flicks?
Dwayne Johnson stars as Ray Gaines, a chief rescue officer with the LAFD and in typical The Rock style, manages to captivate the audience from beginning to end of this exceptionally cheesy yet surprisingly effective movie.
The beautiful Carla Gugino plays Ray’s estranged wife, Emma with Alexandra Daddario taking on the role of their daughter Blake. There’s even a small role for Kylie Minogue, though she is rather unnoticed here.
San Andreas follows the three central characters as they try to reunite with one another after a series of devastating earthquakes along the west coast of America, all of which are predicted by brilliant seismologist Lawrence – a wasted Paul Giamatti.
The film is visually stunning, but as with any in the genre, lacks a defined story with the characters being thrown from one amazing set piece to another. From the very beginning the audience is subjected to gargantuan action sequences including the much-marketed tsunami that acts as a placeholder for the film’s final act – it is absolutely mesmerising to watch.
Johnson proves time-and-time again that he is in the right business. Along with Schwarzenegger he is at his best in films where his brawn is needed the most and it’s certainly the case here. Surprisingly though, The Rock provides a rich emotional undertone due to a horrific past family incident.
Unfortunately, there is such a lack of originality in San Andreas’ story that it’s easy to signpost exactly what is going to happen before it actually does. The reason? Simply because it’s been done to death. Disaster flicks are very 90s with Dante’s Peak having a similar family unit and even in the noughties, The Day After Tomorrow featuring the well-worn reuniting with children plotline.
There are some clever touches however, parts of the film where you would expect generic clichés, it cleverly dangles a red herring and then moves the plot in a completely different direction.
It’s clear to see that disaster movies will always find their audience. Those not looking for a deep and meaningful story and a rollercoaster ride of special effects instead will find much to enjoy here.
Dwayne Johnson is superb in his role with the majority of the other characters falling by the wayside somewhat, and in the end, San Andreas proves to be a solid if not overly original experience.
It’s fair to say though, this film is more than worth the price of a cinema ticket.
https://moviemetropolis.net/2015/05/31/as-solid-as-the-rock-san-andreas-review/
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Haley Mathiot (9 KP) rated What Curiosity Kills (The Turning, #1) in Books
Apr 27, 2018
The Turning: What Curiosity Kills by Helen Ellis
Genre: YA, paranormal, romance
Rating: 4
Mary Richards always knew she didn't fit in exactly with everyone else, but she always attributed that to the fact that she and her sister were adopted. But when her long time crush suddenly starts showing interest in her, she randomly starts sleeping and purring in class, and she starts to turn into a cat, she knows things are never going to be the same.
I was instantly pulled into The Turning. The story starts and progresses quickly, and I read the whole thing in one day, almost fully in one sitting. It's the kind of book that you don't realize you've gotten to the next page, or the next chapter, and before you know it, you're done… but the adventure was so engaging, you forgot who you were for a while, because you were living solely in the character's shoes.
The writing was casual, but good. I rarely felt out of place or confused by what had just occurred. One of the only things that really bothered me about this book was the fact that Nick and Mary's relationship was very fast, and seemingly out of nowhere but lust. The ending, also, didn't quite have enough closure on the relationship aspect, nor on the actual story. It directly after the final exciting scene, with no smooth curve down. My heart was still racing when I got to the last page, and I felt like it should have lasted a little longer. Lastly, I wasn't sure if this book was for pre-teens, ages 12-14, or older. It would probably appeal to both age groups.
My favorite part was watching the characters show themselves for who they were. Yoon being more than what meets the eye, Octavia confessing her secrets and being willing, for love, to face her fears, and all the others, too. They were all very unique. I loved the characters and their interaction and dialogue.
Overall, I enjoyed The Turning, and look forward to the rest of the series.
Content: Some language, no sex
Recommendation: Ages 14-18, or if offended by language 16+
Genre: YA, paranormal, romance
Rating: 4
Mary Richards always knew she didn't fit in exactly with everyone else, but she always attributed that to the fact that she and her sister were adopted. But when her long time crush suddenly starts showing interest in her, she randomly starts sleeping and purring in class, and she starts to turn into a cat, she knows things are never going to be the same.
I was instantly pulled into The Turning. The story starts and progresses quickly, and I read the whole thing in one day, almost fully in one sitting. It's the kind of book that you don't realize you've gotten to the next page, or the next chapter, and before you know it, you're done… but the adventure was so engaging, you forgot who you were for a while, because you were living solely in the character's shoes.
The writing was casual, but good. I rarely felt out of place or confused by what had just occurred. One of the only things that really bothered me about this book was the fact that Nick and Mary's relationship was very fast, and seemingly out of nowhere but lust. The ending, also, didn't quite have enough closure on the relationship aspect, nor on the actual story. It directly after the final exciting scene, with no smooth curve down. My heart was still racing when I got to the last page, and I felt like it should have lasted a little longer. Lastly, I wasn't sure if this book was for pre-teens, ages 12-14, or older. It would probably appeal to both age groups.
My favorite part was watching the characters show themselves for who they were. Yoon being more than what meets the eye, Octavia confessing her secrets and being willing, for love, to face her fears, and all the others, too. They were all very unique. I loved the characters and their interaction and dialogue.
Overall, I enjoyed The Turning, and look forward to the rest of the series.
Content: Some language, no sex
Recommendation: Ages 14-18, or if offended by language 16+
Rachel King (13 KP) rated Frostbite in Books
Feb 11, 2019
I enjoyed this book nearly as much as the first one in the series, but I'm getting really frustrated with the lack of progress in Dimitri and Rose's forbidden romance. Instead, it seems to have taken a backseat to other plotlines, such as the turmoil between Rose and her mother and the political climate that Lissa is moving into. I find Rose's mother, Janine, intriguing in that she seems to be what Rose could become if Rose chooses duty over love. I sure wish that Janine would open up more since there seems to be a lot of great plot material there that was not exploited very much - Rose's black eye being a perfect example. The politics that Lissa is dealing with appear to be moving in the direction that I guessed might happen when I read the first book, which is an equalizing between the Moroi and Dhampir classes of their society, especially when it comes to dealing with the Strigoi.
Despite how Rose views Adrian, I actually rather like him. There is always something attractive about the flirty-jokester that entices women - afterall I don't know a woman who doesn't like to laugh. It's obvious that he really likes Rose and I find myself feeling sorry for him since Rose is definitely taken, even if not in the literal sense yet. Mason really ends up in the worst position, though, even if I don't include what happens to him in the end. Rose all but lies to him while he falls for her hard, all the while being the perfect gentlemen. In a way, Mason and Adrian are opposite in styles, and yet Rose is blind to both - not that I blame her, as she likes to say, "Dimitri is a badass." Why is it that female protagonists always seem to have hords of guys going after them? (Think - Twilight saga, Rachel Morgan series, Mercy Thompson series, House of Night series, etc.)
I wish that Rose's nazar could be explained a bit more, as there seems to be more to it than anyone is discussing. Adrian knows things that he is not spilling, and Janine sure is tight-lipped about most of her life, excluding what she does in the line of duty.
Despite how Rose views Adrian, I actually rather like him. There is always something attractive about the flirty-jokester that entices women - afterall I don't know a woman who doesn't like to laugh. It's obvious that he really likes Rose and I find myself feeling sorry for him since Rose is definitely taken, even if not in the literal sense yet. Mason really ends up in the worst position, though, even if I don't include what happens to him in the end. Rose all but lies to him while he falls for her hard, all the while being the perfect gentlemen. In a way, Mason and Adrian are opposite in styles, and yet Rose is blind to both - not that I blame her, as she likes to say, "Dimitri is a badass." Why is it that female protagonists always seem to have hords of guys going after them? (Think - Twilight saga, Rachel Morgan series, Mercy Thompson series, House of Night series, etc.)
I wish that Rose's nazar could be explained a bit more, as there seems to be more to it than anyone is discussing. Adrian knows things that he is not spilling, and Janine sure is tight-lipped about most of her life, excluding what she does in the line of duty.
Whatchareadin (174 KP) rated Escaping Reality (The Secret Life of Amy Bensen, #1) in Books
Apr 9, 2019
Amy Bensen is on a plane to Denver to start a new life when she meets Liam Stone. From the moment she first lays eyes on him, there is something about him that she is instantly drawn to. Knowing she is on the run, will she be able to trust Liam in order to share a life with him, or will she always be on the run from a past she is uncertain about.
Thank you to NetGalley and Gallery Books for the opportunity to read and review this book.
Amy Bensen has only been Amy Bensen for a few hours. She received a notice from her handler that it was time to move on, since he had found her. Now she is on the way to a new city to start a new life and she has no idea how that is going to work. Having to look over her shoulder all of the time and always be on alert for someone lurking around a corner is no way to live. But this is the only way she has to survive now. Meeting Liam on the plane to Denver has her thinking about this man in a way she has never thought about anyone. Can he be someone she will be able to trust or is he a part of the people who are after her.
Amy is hiding a lot about her past. Some things she remembers and other details are foggy in her brain. Sexy billionaire Liam Stone, makes somethings disappear from Amy's mind, but only briefly. Their instant connection scares her.
This book reminded me a little of Fifty Shades of Grey. With the intensity of Liam Stone and his controlling personality, and of course the sex. Overall the book was interesting and I'm curious to see how it will all end for Liam and Amy. If she will find out what happened in her past and if she can start to live normal life again. Will she be able to do that with Liam, or will he be the person who keeps her from finding the truth?
Thank you to NetGalley and Gallery Books for the opportunity to read and review this book.
Amy Bensen has only been Amy Bensen for a few hours. She received a notice from her handler that it was time to move on, since he had found her. Now she is on the way to a new city to start a new life and she has no idea how that is going to work. Having to look over her shoulder all of the time and always be on alert for someone lurking around a corner is no way to live. But this is the only way she has to survive now. Meeting Liam on the plane to Denver has her thinking about this man in a way she has never thought about anyone. Can he be someone she will be able to trust or is he a part of the people who are after her.
Amy is hiding a lot about her past. Some things she remembers and other details are foggy in her brain. Sexy billionaire Liam Stone, makes somethings disappear from Amy's mind, but only briefly. Their instant connection scares her.
This book reminded me a little of Fifty Shades of Grey. With the intensity of Liam Stone and his controlling personality, and of course the sex. Overall the book was interesting and I'm curious to see how it will all end for Liam and Amy. If she will find out what happened in her past and if she can start to live normal life again. Will she be able to do that with Liam, or will he be the person who keeps her from finding the truth?
Little Ray Of Sunshine (41 KP) rated Beside Myself in Books
Jan 11, 2019 (Updated Feb 10, 2019)
Book Review | Beside Myself by Ann Morgan
*Original post: http://bit.ly/2ehWQVh*
Beside Myself is about Helen and Ellie who are identical twins. Helen is the leader and Ellie is the follower. Ellie was born after Helen she had problems when she was born she had her umbilical cord wrapped around her neck so this caused Ellie communication and functional skills.
I started to hate the character, Helen
because she was awful to Ellie she bullied her and pulled pranks. I felt sorry for Ellie as she doesn't get the attention from their mother. Helen and Ellie as gone through a traumatic event in their life as their biological father took his own life so their mother couldn't cope and started neglecting them. I didn't like how their mother always spoiled Helen over Ellie and Helen always got the best of everything.
The story is all about that one day when Helen and Ellie were out playing and Helen thought it would be fun to swap places and fool everyone around them. But Helen thought it would only last for one day and everything will go back to normal the next day. But Ellie grabbed the chance as she was getting the attention she needs. So Helen life turns upside down and she starts to live Ellie life and she is shocked how Ellie is treated. Helen did try to tell their mother but she didn't believe her and so you follow Helen's nightmare through her school life, home life and through her adult life.
Helen doesn't get the support from home so she starts to rebel and go down the wrong path. You really feel for her and you experience what she is going through as the author writes in the first person.
This book touches on Mental Health and the writing is so true and beautiful as Helen is suffering from Bipolar Disorder. The book gripped me as I wanted to know how Helen's life will end. I keep wanting her mother to realize that she is the real 'Helen'. I won't say anymore as I would like you to read it for yourself.
Beside Myself is about Helen and Ellie who are identical twins. Helen is the leader and Ellie is the follower. Ellie was born after Helen she had problems when she was born she had her umbilical cord wrapped around her neck so this caused Ellie communication and functional skills.
I started to hate the character, Helen
because she was awful to Ellie she bullied her and pulled pranks. I felt sorry for Ellie as she doesn't get the attention from their mother. Helen and Ellie as gone through a traumatic event in their life as their biological father took his own life so their mother couldn't cope and started neglecting them. I didn't like how their mother always spoiled Helen over Ellie and Helen always got the best of everything.
The story is all about that one day when Helen and Ellie were out playing and Helen thought it would be fun to swap places and fool everyone around them. But Helen thought it would only last for one day and everything will go back to normal the next day. But Ellie grabbed the chance as she was getting the attention she needs. So Helen life turns upside down and she starts to live Ellie life and she is shocked how Ellie is treated. Helen did try to tell their mother but she didn't believe her and so you follow Helen's nightmare through her school life, home life and through her adult life.
Helen doesn't get the support from home so she starts to rebel and go down the wrong path. You really feel for her and you experience what she is going through as the author writes in the first person.
This book touches on Mental Health and the writing is so true and beautiful as Helen is suffering from Bipolar Disorder. The book gripped me as I wanted to know how Helen's life will end. I keep wanting her mother to realize that she is the real 'Helen'. I won't say anymore as I would like you to read it for yourself.
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TravelersWife4Life (31 KP) rated A Gift to Cherish (Road to Refuge #2) in Books
Feb 23, 2021
Love the colors used in this cover! They really caught my eye. I do want to let you know that this book is the second book in a series. It can be read as a stand-alone though, as the characters from the previous book are just mentioned in passing.
I read Victoria Bylin’s first book back when it released and loved her edgy writing style. Victoria Bylin tells real-life stories and she does not shy away from the facts. The main characters in this book were easy to follow and get invested in. I loved their teasing (Flirting) back and forth, it was very sweet. Daisy shows remarkable strength in picking herself up after all that has happened to her and she keeps a very positive outlook on life. Plus, she is brave and ends up learning to trust God fully with the changes that life unexpectedly brings. Rafe is also a character of great strength, and someone I’d like to meet in person. Rafe has a good sense of humor and is honest with himself and others about his struggles. The optima of a tough cookie, Rafe may be tough on the outside but inside he is sweet.
The storyline kind of has a dual timeline in it, vague flashbacks to a different era that was quite interesting. The flashbacks I think, taught some valuable life lessons and were very enhancing to the overall story. Victoria Bylin worked in quite a few realities of life into this book, things like physical abuse, alcohol recovery, loneliness, and dealing with life when things do not go your way. Through it, all Victoria Bylin brought everything back how God is always there for us always no matter what situation we may find ourselves in. I truly appreciated how Victoria Bylin shared the gospel in this book.
I give this book 5 out of 5 stars for the vivid portrayal of everyday life, the great characters, and the theme of God overcoming all. I recommend picking this book up!
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
I read Victoria Bylin’s first book back when it released and loved her edgy writing style. Victoria Bylin tells real-life stories and she does not shy away from the facts. The main characters in this book were easy to follow and get invested in. I loved their teasing (Flirting) back and forth, it was very sweet. Daisy shows remarkable strength in picking herself up after all that has happened to her and she keeps a very positive outlook on life. Plus, she is brave and ends up learning to trust God fully with the changes that life unexpectedly brings. Rafe is also a character of great strength, and someone I’d like to meet in person. Rafe has a good sense of humor and is honest with himself and others about his struggles. The optima of a tough cookie, Rafe may be tough on the outside but inside he is sweet.
The storyline kind of has a dual timeline in it, vague flashbacks to a different era that was quite interesting. The flashbacks I think, taught some valuable life lessons and were very enhancing to the overall story. Victoria Bylin worked in quite a few realities of life into this book, things like physical abuse, alcohol recovery, loneliness, and dealing with life when things do not go your way. Through it, all Victoria Bylin brought everything back how God is always there for us always no matter what situation we may find ourselves in. I truly appreciated how Victoria Bylin shared the gospel in this book.
I give this book 5 out of 5 stars for the vivid portrayal of everyday life, the great characters, and the theme of God overcoming all. I recommend picking this book up!
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Kristy H (1252 KP) rated Ties That Tether in Books
Apr 1, 2021
A sweet OwnVoices romance
This is the twentieth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Azere has always kept a promise she made, at twelve, to her dying father to only date Nigerian men. She's kept this vow even after the rest of her family emigrated to Canada, and Azere has had to struggle with preserving her Nigerian culture in a new land. Then one evening, yet another date set up by her overbearing mother goes awry. Frustrated, Azere heads to the hotel bar for a drink before heading home. There she meets Rafael Castellano; the two hit it off and share a few drinks--and later, his bed. Azere leaves the next day ashamed that she slept with this handsome white man. But when their one-night stand later evolves into something more, Azere must make a serious choice between pleasing her family or loving a man who isn't Nigerian.
"Culture is important. Preserving it, even more important. It's the reason I've always abided by one simple dating rule. Tonight, I've broken that rule."
This book was exactly what I needed when I picked it up--a simple romance that took my mind off things. It's not the most complicated or deftly written book, but it's cute and fun. Is it a bit predictable at times? Sure, but that does not take away any of the enjoyment. Azere is a lovely character, and the book does an excellent job exploring the dilemma she faces of love versus family and culture. Her mother, honestly, is a hateful character, and I felt terribly for the pressures Azere faced.
Rafael was a excellent character as well, as he came with his own baggage and struggles. It's easy to root for the pair of them. I loved that the book is an ode to romances, with lots of references to other love stories and films that predated it thrown in.
All in all, this is a delightful "culture-clash love story," and I am sure that Igharo's work will only get better with time. 3.5 stars, rounded to 4 here.
Azere has always kept a promise she made, at twelve, to her dying father to only date Nigerian men. She's kept this vow even after the rest of her family emigrated to Canada, and Azere has had to struggle with preserving her Nigerian culture in a new land. Then one evening, yet another date set up by her overbearing mother goes awry. Frustrated, Azere heads to the hotel bar for a drink before heading home. There she meets Rafael Castellano; the two hit it off and share a few drinks--and later, his bed. Azere leaves the next day ashamed that she slept with this handsome white man. But when their one-night stand later evolves into something more, Azere must make a serious choice between pleasing her family or loving a man who isn't Nigerian.
"Culture is important. Preserving it, even more important. It's the reason I've always abided by one simple dating rule. Tonight, I've broken that rule."
This book was exactly what I needed when I picked it up--a simple romance that took my mind off things. It's not the most complicated or deftly written book, but it's cute and fun. Is it a bit predictable at times? Sure, but that does not take away any of the enjoyment. Azere is a lovely character, and the book does an excellent job exploring the dilemma she faces of love versus family and culture. Her mother, honestly, is a hateful character, and I felt terribly for the pressures Azere faced.
Rafael was a excellent character as well, as he came with his own baggage and struggles. It's easy to root for the pair of them. I loved that the book is an ode to romances, with lots of references to other love stories and films that predated it thrown in.
All in all, this is a delightful "culture-clash love story," and I am sure that Igharo's work will only get better with time. 3.5 stars, rounded to 4 here.