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Kristy H (1252 KP) rated Valley of the Dolls in Books
May 13, 2021
A classic that doesn't stand the test of time
This is the twenty-second book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
This classic novel had been sitting on my shelves for a while, so I decided to tackle it as a part of my challenge. I still have mixed feelings about it, even writing this review a month or so later. Honestly, this book is really depressing. The beginning was interesting, and I thought I would find it very engaging, but eventually the women became reduced to annoying drug addicts whose lives revolved around their looks and men. I wasn't sure what the message was, but it wasn't one I cared for.
VALLEY OF THE DOLLS centers on three women: Anne, a young woman from a tiny town who escapes and comes to New York City; Jennifer, a beautiful woman who parlays that beauty into an acting career; and Neely, a young woman with a lovely voice who dreams of an acting and singing career. Anne finds work at a talent agency, working for Henry Bellamy, which is how she meets Jennifer. Neely is her young neighbor. At first, all three women are poor and dreaming of a better life. Over the course of the book, their fortunes change, but they do not necessarily become happier.
I was sort of horrified if this was what life was like for the rich and famous in the 40s to the 60s. So much drinking, drugs, and partying. There was such intense focus on looks--if this book was supposed to be advanced for the era, it's certainly not now! The men came across terribly, but the women were not much better. Even if they were using their bodies for power, everything just felt icky. Anne is supposed to be the model of an independent woman, as she has her own money, but she's not... I wanted to like her, but it was hard.
Overall, while I certainly found parts of this book fascinating, I cannot say I always enjoyed it. It definitely provides great historical insight into a particular era, though. I'm glad I read it--it's always interesting to see what was a classic and why at certain times. But did I like the characters and plot? Not really. 2 stars for plot, rounded to 3 stars for historical significance. (Oh and major trigger warning for the use of the "f" word in relation to queer people. Part of the times, I realize, but it became very disconcerting after a while for me.)
This classic novel had been sitting on my shelves for a while, so I decided to tackle it as a part of my challenge. I still have mixed feelings about it, even writing this review a month or so later. Honestly, this book is really depressing. The beginning was interesting, and I thought I would find it very engaging, but eventually the women became reduced to annoying drug addicts whose lives revolved around their looks and men. I wasn't sure what the message was, but it wasn't one I cared for.
VALLEY OF THE DOLLS centers on three women: Anne, a young woman from a tiny town who escapes and comes to New York City; Jennifer, a beautiful woman who parlays that beauty into an acting career; and Neely, a young woman with a lovely voice who dreams of an acting and singing career. Anne finds work at a talent agency, working for Henry Bellamy, which is how she meets Jennifer. Neely is her young neighbor. At first, all three women are poor and dreaming of a better life. Over the course of the book, their fortunes change, but they do not necessarily become happier.
I was sort of horrified if this was what life was like for the rich and famous in the 40s to the 60s. So much drinking, drugs, and partying. There was such intense focus on looks--if this book was supposed to be advanced for the era, it's certainly not now! The men came across terribly, but the women were not much better. Even if they were using their bodies for power, everything just felt icky. Anne is supposed to be the model of an independent woman, as she has her own money, but she's not... I wanted to like her, but it was hard.
Overall, while I certainly found parts of this book fascinating, I cannot say I always enjoyed it. It definitely provides great historical insight into a particular era, though. I'm glad I read it--it's always interesting to see what was a classic and why at certain times. But did I like the characters and plot? Not really. 2 stars for plot, rounded to 3 stars for historical significance. (Oh and major trigger warning for the use of the "f" word in relation to queer people. Part of the times, I realize, but it became very disconcerting after a while for me.)
Lee Ronaldo recommended Meet The Beatles! by The Beatles in Music (curated)
BookInspector (124 KP) rated The Other Side of the Street in Books
Sep 24, 2020
This was a first H. Carey’s book which I read, and definitely not the last one. This novel is fifth in Lavender Road series, and I will read rest of them as soon as will be able to.
In the blurb, Carey highlights two characters – Louise and Jen, but they are not the only ones this book is about. There a lot of characters to choose from, and all of them are incredibly appealing, charismatic, and you need all of them, in order to enjoy this story. I absolutely loved how the author included every single of them in this novel, not leaving out any. I couldn’t decide which one I loved the most, they all have their strengths and qualities, which made this book richer, more interesting and relatable. Another thing which I absolutely loved, was multiple perspectives. I really enjoyed reading, how different characters reacted to some of the situations. I loved getting to know every single character, their problems and achievements, I think that’s why this book simply absorbed me. It was like watching a TV series unfold throughout the pages.
It is quite hard for me to describe the narrative of this book. Through different perspectives, there were a lot of life stories unfolded and told, so the narrative always changed, throwing in different characters feelings and thoughts. Which I found truly fascinating. Carey didn’t leave me bored even for a second, she creatively added turns and twists to the stories, which made me turn page after page. I really liked, that author was addressing difficulties which women were facing during that period, and I enjoyed the way Louise was breaking the stereotypes.
The writing style of this book was very pleasant, easy to read and enjoyable. One thing what I found inconvenient for me was ENSA/ RADA/ ATS etc. I grew up abroad, so I have no idea what they mean, and I am too lazy to google it, so I would have liked a little explanation page at the back, however, not knowing it, didn’t ruin my reading experience at all. The chapters of this book are quite long, but it did not drag to me, because there were a lot of things happening in every chapter, so they flew quite quickly. I really liked the way Carey ended this book, it was unexpected, satisfying, and I will be waiting to find out, what will happen next to all the characters. So, to conclude, I really enjoyed this novel, it has well rounded, exciting, fun characters, and the narrative always keeps changing, that left me hooked and interested till the last page. I really hope Netflix or BBC will make a TV series from Lavender Road books in a near future 🙂
In the blurb, Carey highlights two characters – Louise and Jen, but they are not the only ones this book is about. There a lot of characters to choose from, and all of them are incredibly appealing, charismatic, and you need all of them, in order to enjoy this story. I absolutely loved how the author included every single of them in this novel, not leaving out any. I couldn’t decide which one I loved the most, they all have their strengths and qualities, which made this book richer, more interesting and relatable. Another thing which I absolutely loved, was multiple perspectives. I really enjoyed reading, how different characters reacted to some of the situations. I loved getting to know every single character, their problems and achievements, I think that’s why this book simply absorbed me. It was like watching a TV series unfold throughout the pages.
It is quite hard for me to describe the narrative of this book. Through different perspectives, there were a lot of life stories unfolded and told, so the narrative always changed, throwing in different characters feelings and thoughts. Which I found truly fascinating. Carey didn’t leave me bored even for a second, she creatively added turns and twists to the stories, which made me turn page after page. I really liked, that author was addressing difficulties which women were facing during that period, and I enjoyed the way Louise was breaking the stereotypes.
The writing style of this book was very pleasant, easy to read and enjoyable. One thing what I found inconvenient for me was ENSA/ RADA/ ATS etc. I grew up abroad, so I have no idea what they mean, and I am too lazy to google it, so I would have liked a little explanation page at the back, however, not knowing it, didn’t ruin my reading experience at all. The chapters of this book are quite long, but it did not drag to me, because there were a lot of things happening in every chapter, so they flew quite quickly. I really liked the way Carey ended this book, it was unexpected, satisfying, and I will be waiting to find out, what will happen next to all the characters. So, to conclude, I really enjoyed this novel, it has well rounded, exciting, fun characters, and the narrative always keeps changing, that left me hooked and interested till the last page. I really hope Netflix or BBC will make a TV series from Lavender Road books in a near future 🙂
Eleanor Luhar (47 KP) rated The Manifesto on How to be Interesting in Books
Jun 24, 2019
I fell in love with Holly Bourne's writing after reading Am I Normal Yet? and immediately decided to check out some of her other work. Hence me reading this novel.
The general idea of this book is Bree trying to become "interesting" enough to write something that publishers won't reject. She decides the way to go about this is by infiltrating to posse of popular girls at school, while anonymously blogging about it the whole time.
Bree has her issues; she's always been a bit of a loser, she's kind of falling in love with her English teacher, she has way too many rejection letters, and she self harms when she feels low. She has to make a lot of sacrifices for the sake of her new blog, one of which is her best friend, Holdo. She reminds herself that "it's all material" while she acts like a bitch, spends hundreds of pounds on new clothes and hairstyles, befriends with queen-bee Jassmine and even when she sleeps with Jass's boyfriend. Besides, her crush told her she wasn't interesting enough, so surely this is what she's supposed to be doing?
But things get a bit more complicated than she first anticipated, and things end up worse than before for Bree. Yeah, she's spent time with her mother and she's become a social princess, but things start to fall apart. There's a sex tape, and her teacher's realised his mistake, and she can't help but cut herself like she's always done... But this time, she takes it a little too far.
I love the way Holly Bourne incorporates painfully real issues into her novels, mainly revolving around mental health and feminism. Bree's issue with self harming isn't looked down upon, or brushed aside, or made into the main plot. Instead, it's just part of the story, like it is for most people who struggle with it.
My only real problem with this book is that I just can't believe that a makeover can get you into the posse of populars. Like, really? If I got a haircut and some new lipstick, would I really become best friends with the most popular girl in school? I highly doubt it. I did like how Bree actually became rather attached to the girls, and how she realised that they really are just normal people underneath all that bitchiness and foundation.
This was a nice, easy read though, and I did enjoy it. It combats some common thoughts that go round teenagers' heads, and although it is a little cheesy in some places, I think it's mostly rather realistic. Although it isn't quite one of my favourite books, I do think The Manifesto on How to Be Interesting could just about earn 4.5 stars from me.
The general idea of this book is Bree trying to become "interesting" enough to write something that publishers won't reject. She decides the way to go about this is by infiltrating to posse of popular girls at school, while anonymously blogging about it the whole time.
Bree has her issues; she's always been a bit of a loser, she's kind of falling in love with her English teacher, she has way too many rejection letters, and she self harms when she feels low. She has to make a lot of sacrifices for the sake of her new blog, one of which is her best friend, Holdo. She reminds herself that "it's all material" while she acts like a bitch, spends hundreds of pounds on new clothes and hairstyles, befriends with queen-bee Jassmine and even when she sleeps with Jass's boyfriend. Besides, her crush told her she wasn't interesting enough, so surely this is what she's supposed to be doing?
But things get a bit more complicated than she first anticipated, and things end up worse than before for Bree. Yeah, she's spent time with her mother and she's become a social princess, but things start to fall apart. There's a sex tape, and her teacher's realised his mistake, and she can't help but cut herself like she's always done... But this time, she takes it a little too far.
I love the way Holly Bourne incorporates painfully real issues into her novels, mainly revolving around mental health and feminism. Bree's issue with self harming isn't looked down upon, or brushed aside, or made into the main plot. Instead, it's just part of the story, like it is for most people who struggle with it.
My only real problem with this book is that I just can't believe that a makeover can get you into the posse of populars. Like, really? If I got a haircut and some new lipstick, would I really become best friends with the most popular girl in school? I highly doubt it. I did like how Bree actually became rather attached to the girls, and how she realised that they really are just normal people underneath all that bitchiness and foundation.
This was a nice, easy read though, and I did enjoy it. It combats some common thoughts that go round teenagers' heads, and although it is a little cheesy in some places, I think it's mostly rather realistic. Although it isn't quite one of my favourite books, I do think The Manifesto on How to Be Interesting could just about earn 4.5 stars from me.
Laos Keyboard for iPhone and iPad
Utilities and Productivity
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The following Laos Keyboard is a Keyboard application that is aimed to accommodate even the highest...
Ultimate Guitar: Tabs & Chords
Music and Education
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Get 1.4 million guitar, bass & ukulele chords, tabs and lyrics to learn your favorite songs! ...
Karma - Rescue Unsold Food
Food & Drink and Lifestyle
10.0
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Rescue food with Karma, such as a delicious lunch meal that hasn't been sold, with 50% discount or...
JT (287 KP) rated Skyfall (2012) in Movies
Mar 10, 2020
I wondered recently who my favourite Bond is? Do I enjoy the comical quips of Roger Moore or the smooth suave debonair approach of Sean Connery. But everytime I think about it, I keep coming full circle to Daniel Craig, in particularly Skyfall.
After the somewhat disappointment of Quantum of Solace Oscar winning director Sam Mendes has taken Bond 23 and given it a grittier more emotional look while paying homage to some of the past Bond classics. The opening credits are an explosive introduction as we see Bond give chase through a Turkish bazaar which includes an impressive motor bike pursuit and a brilliantly choreographed fist fight on top of a moving train.
After being shot Bond is seen falling to his certain death and the film explodes into its trademark opening credits, complete with Adele’s powerful voice, a song that really evokes everything Bond. When 007 finally returns from the grave having spent time away partaking in scorpion drinking games, post shag Heineken’s and ultimately ’enjoying death’ he comes back to find that MI6 has moved deep into subterranean London after an attack on MI6.
He’s unshaven, disheveled and is a shadow of the former agent, not even able to shoot straight or do a succession of chin-ups without collapsing. Skyfall scratches deep beneath the emotional undertones of both Bond and M as their pasts are dragged up for all to see. Judi Dench in her seventh Bond outing gets a much bigger slice of the action, she is without question the main Bond girl here. Joined by Naomie Harris and Bérénice Marlohe who both take a relative back seat.
The Bond franchise has always had a rich tradition of producing menacing and iconic villains, Bloefeld, Scaramanga and Goldfinger to name a few, but the introduction of Javier Bardem will now have a place in Bond folk-law as one of the best modern day baddies.
His entrance was perfect, with Bond tied to a chair Bardem’s Silva (himself a former agent) entered from an elevator at the far side of the room, and in one take slowly walked forward as he produced a monologue about rats in a barrel, proceeding to taunt 007 about his own past and the connections that they both have with M.
The last few films have also lacked any real gadgetry in terms of Q branch, something which after being around for so long was definitely missing. Ben Wishaw’s appearance as a much younger Q, “you’ve still got spots” points out 007, was a much needed injection as he hands out Bond his new Walter PPK and radio transmitter (they don’t go in for exploding pens anymore).
It’s simple stuff but it was great to see that character back where he belongs.
There is subtle humour throughout and light hearted moments, Bond himself throwing a few winks here and there as Roger Moore used to do so well back in the day. The action of course is another high point, believable or not it’s stunning but then this is what we have come to expect from one of the longest running franchises in film history.
The locations and cinematography were sublime, from the depths of the London underground to the Scottish highlands in the film’s pulsating climax; Skyfall brought Bond back to Britain. The scenes set in Shanghai where also exceptional, the highlight for me, the neon lit skyscraper fight in which Bond fails to hang onto the information he needs, quite literally.
Ralph Fiennes bureaucratic Mallory is another casting masterstroke, Albert Finney ads some touching moments of his own, while MI6 agent Eve who after shooting 007 by mistake and takes a back seat from active duty will no doubt please many fans with her new role.
Skyfall, of which I was not sure what on earth the title meant at the time is all the more clear in the third act. Bond chooses to revisit his child hood home and use that against Silva in a make shift home defense that even MacAulay Culkin would be proud of. It is fantastically shot and is the perfect ending to a film that has been top draw all the way through.
Some comparisons have been drawn to this and The Dark Knight in that the main characters are lost and then re-born in some way, both have a past that haunts them as well as dead parents. Mendes and the writers have taken this film down a darker route but an emotive one as well and that is credit to them, it all made sense and the story flowed well.
Skyfall is nothing short of a triumph and has given Bond fans everything they could have asked for and so much more.
After the somewhat disappointment of Quantum of Solace Oscar winning director Sam Mendes has taken Bond 23 and given it a grittier more emotional look while paying homage to some of the past Bond classics. The opening credits are an explosive introduction as we see Bond give chase through a Turkish bazaar which includes an impressive motor bike pursuit and a brilliantly choreographed fist fight on top of a moving train.
After being shot Bond is seen falling to his certain death and the film explodes into its trademark opening credits, complete with Adele’s powerful voice, a song that really evokes everything Bond. When 007 finally returns from the grave having spent time away partaking in scorpion drinking games, post shag Heineken’s and ultimately ’enjoying death’ he comes back to find that MI6 has moved deep into subterranean London after an attack on MI6.
He’s unshaven, disheveled and is a shadow of the former agent, not even able to shoot straight or do a succession of chin-ups without collapsing. Skyfall scratches deep beneath the emotional undertones of both Bond and M as their pasts are dragged up for all to see. Judi Dench in her seventh Bond outing gets a much bigger slice of the action, she is without question the main Bond girl here. Joined by Naomie Harris and Bérénice Marlohe who both take a relative back seat.
The Bond franchise has always had a rich tradition of producing menacing and iconic villains, Bloefeld, Scaramanga and Goldfinger to name a few, but the introduction of Javier Bardem will now have a place in Bond folk-law as one of the best modern day baddies.
His entrance was perfect, with Bond tied to a chair Bardem’s Silva (himself a former agent) entered from an elevator at the far side of the room, and in one take slowly walked forward as he produced a monologue about rats in a barrel, proceeding to taunt 007 about his own past and the connections that they both have with M.
The last few films have also lacked any real gadgetry in terms of Q branch, something which after being around for so long was definitely missing. Ben Wishaw’s appearance as a much younger Q, “you’ve still got spots” points out 007, was a much needed injection as he hands out Bond his new Walter PPK and radio transmitter (they don’t go in for exploding pens anymore).
It’s simple stuff but it was great to see that character back where he belongs.
There is subtle humour throughout and light hearted moments, Bond himself throwing a few winks here and there as Roger Moore used to do so well back in the day. The action of course is another high point, believable or not it’s stunning but then this is what we have come to expect from one of the longest running franchises in film history.
The locations and cinematography were sublime, from the depths of the London underground to the Scottish highlands in the film’s pulsating climax; Skyfall brought Bond back to Britain. The scenes set in Shanghai where also exceptional, the highlight for me, the neon lit skyscraper fight in which Bond fails to hang onto the information he needs, quite literally.
Ralph Fiennes bureaucratic Mallory is another casting masterstroke, Albert Finney ads some touching moments of his own, while MI6 agent Eve who after shooting 007 by mistake and takes a back seat from active duty will no doubt please many fans with her new role.
Skyfall, of which I was not sure what on earth the title meant at the time is all the more clear in the third act. Bond chooses to revisit his child hood home and use that against Silva in a make shift home defense that even MacAulay Culkin would be proud of. It is fantastically shot and is the perfect ending to a film that has been top draw all the way through.
Some comparisons have been drawn to this and The Dark Knight in that the main characters are lost and then re-born in some way, both have a past that haunts them as well as dead parents. Mendes and the writers have taken this film down a darker route but an emotive one as well and that is credit to them, it all made sense and the story flowed well.
Skyfall is nothing short of a triumph and has given Bond fans everything they could have asked for and so much more.
KittyMiku (138 KP) rated Her Last Goodbye in Books
May 23, 2019
Contains spoilers, click to show
As with any mystery, it is amazing to have that suspense with a tad bit of danger. After all, the excitement is in the wondering who did what and what may have caused an event to happen. However, Her Last Goodbye is more than just that. It allows the reader to see into some of the worries and dangers it is to be a parent, how romance can lead to vulnerable states of mind (which we all know can lead to some acts of intimacy), as well as how some people have some complicated views on how a relationship should work. It was even more shocking and terrifyingly real than the first book in the Morgan Dane series. I found myself ridden with anxiety, fear, and concern through out the book. Having so many difficult situations to have to sort through and ideas, I found this book hard to put down, even when it got too intense to keep reading at the moment.
First of all, Morgan having three children is always nice to see. With her concern about her children's livelihood always about her, it wasn't hard for her to connect with the missing woman, Chelsea, who was a mother of 2 small children, and how she wasn't likely to leave her children that she adored so much. It was, however, rough for her to try to come up with clues and facts to prove that the woman just didn't run away from her family. To see Morgan struggle through that idea and then to end up having her own children threatened on multiple occasions by a variety of men, only made things worse. I found those parts exceptionally hard to read. Having a child myself, I don't think I would have been as rational or as brave as she was. Just the thought of the things she went through and the ideas of a mother just abandoning her children, has me shaken. Even though, as stated in the book, mothers sometimes do strange things like that, it still isn't easy to process or understand. Then to watch a mother go into Mama Bear mode to protect her own, kept my own mind whirling. I like to think I would do anything to protect my daughter, but my own problem with conflict would have been enough to make sure I got out of whatever situation that would put me in that rough spot. It had fuel Morgan even more though. She pushed harder to find and get rid of the person behind her own children's danger. This only makes her even more loveable. It is actually inspiring to have such a strong woman character, who would do anything to protect her loved ones. I can't help but feel more drawn to her in this book, and I feel that my admiration and love for her will grow in the future. Even so, I still found a lot of other disturbing things within the story.
We all know that there are people out there who believe women should be completely submissive to men, but it was still really hard to read and stomach a character who had this belief. To kidnap, condition, and even train another person seems extremely harsh, yet a they existed. I found it harder to read how they would torture another human being to break their mind and their spirit, just to train a woman to think and be something they weren't. Especially when said person was supposedly in love with their prey. I did find it inspiring on how, even being tortured, a woman can overcome it and try to escape and get back to her family. In fact, the thought of her family propelled her and kept her trying to get back home. It really made me happy to see that family was her motivation. Though, it was rough to get through, it made me wonder how many women could go through what she had and still find the courage and strength to keep trying to figure out a way to escape and get home. Even though, it was clear she was traumatized, it was clear she was more concerned with getting home to her children than how she could be caught and tortured and punished for trying. I found this to be a pleasant idea to have about someone who was captured. After all, wouldn't you end up within just a few days of being hurt over and over, give up and just conform to whoever was trying to condition you was ways? I probably would have. But this woman character definitely shed some light how nothing else mattered where your family is concern.
I found how strong feelings for someone and their family can really change how you view things to be a nice delight. I hadn't expected Lance to end up falling for Morgan's children the way he did to happen. It had been hinted that he loved and wanted a relationship with Morgan, but to see him fall in love with her girls and want to protect them as much as Morgan did, was really a pleasant sight. I know there are men out there like that, but its still rare and to see how his love for Morgan ends up extending to her children was just the right about of sentiment and love the book need to keeps things from going overboard. I enjoyed how he tried his best to make sure her girls were safe and even let them into his house to keep them protected, to be exhilarating and touching. It is always nice to have some wholesome love and concern to help break up some of the tension in a storyline and Leigh's way of adding this to Lance's character was a nice call. It helped keep the danger presented while showing a parental side to Lance and offering up how your friends and potential lover's can easily adore your children as much as you do.
Overall, I would rate Melinda Leigh's Her Last Goodbye 5 stars out of 5 stars for how well written and emotional filled the book was. It could stand alone as it gives refreshers on what happened in the last book, as well as had its own storyline. Though, the character developments increased and they continued to grow through out the story, the reader wouldn't feel like they missed a whole lot by reading this book first. I have to say that has to be something that is delightful. After all, wouldn't is just bite if you had to read the first book to even think about picking up the second. Sometimes you don't always realize what you are grabbing and having a series that has books that could stand alone if they needed to, makes it so much easier to start by whatever book you happen to pick up first. I definitely recommend this book to all our thrill seekers. Its not for the faint of heart, but is still extremely excellent to read.
First of all, Morgan having three children is always nice to see. With her concern about her children's livelihood always about her, it wasn't hard for her to connect with the missing woman, Chelsea, who was a mother of 2 small children, and how she wasn't likely to leave her children that she adored so much. It was, however, rough for her to try to come up with clues and facts to prove that the woman just didn't run away from her family. To see Morgan struggle through that idea and then to end up having her own children threatened on multiple occasions by a variety of men, only made things worse. I found those parts exceptionally hard to read. Having a child myself, I don't think I would have been as rational or as brave as she was. Just the thought of the things she went through and the ideas of a mother just abandoning her children, has me shaken. Even though, as stated in the book, mothers sometimes do strange things like that, it still isn't easy to process or understand. Then to watch a mother go into Mama Bear mode to protect her own, kept my own mind whirling. I like to think I would do anything to protect my daughter, but my own problem with conflict would have been enough to make sure I got out of whatever situation that would put me in that rough spot. It had fuel Morgan even more though. She pushed harder to find and get rid of the person behind her own children's danger. This only makes her even more loveable. It is actually inspiring to have such a strong woman character, who would do anything to protect her loved ones. I can't help but feel more drawn to her in this book, and I feel that my admiration and love for her will grow in the future. Even so, I still found a lot of other disturbing things within the story.
We all know that there are people out there who believe women should be completely submissive to men, but it was still really hard to read and stomach a character who had this belief. To kidnap, condition, and even train another person seems extremely harsh, yet a they existed. I found it harder to read how they would torture another human being to break their mind and their spirit, just to train a woman to think and be something they weren't. Especially when said person was supposedly in love with their prey. I did find it inspiring on how, even being tortured, a woman can overcome it and try to escape and get back to her family. In fact, the thought of her family propelled her and kept her trying to get back home. It really made me happy to see that family was her motivation. Though, it was rough to get through, it made me wonder how many women could go through what she had and still find the courage and strength to keep trying to figure out a way to escape and get home. Even though, it was clear she was traumatized, it was clear she was more concerned with getting home to her children than how she could be caught and tortured and punished for trying. I found this to be a pleasant idea to have about someone who was captured. After all, wouldn't you end up within just a few days of being hurt over and over, give up and just conform to whoever was trying to condition you was ways? I probably would have. But this woman character definitely shed some light how nothing else mattered where your family is concern.
I found how strong feelings for someone and their family can really change how you view things to be a nice delight. I hadn't expected Lance to end up falling for Morgan's children the way he did to happen. It had been hinted that he loved and wanted a relationship with Morgan, but to see him fall in love with her girls and want to protect them as much as Morgan did, was really a pleasant sight. I know there are men out there like that, but its still rare and to see how his love for Morgan ends up extending to her children was just the right about of sentiment and love the book need to keeps things from going overboard. I enjoyed how he tried his best to make sure her girls were safe and even let them into his house to keep them protected, to be exhilarating and touching. It is always nice to have some wholesome love and concern to help break up some of the tension in a storyline and Leigh's way of adding this to Lance's character was a nice call. It helped keep the danger presented while showing a parental side to Lance and offering up how your friends and potential lover's can easily adore your children as much as you do.
Overall, I would rate Melinda Leigh's Her Last Goodbye 5 stars out of 5 stars for how well written and emotional filled the book was. It could stand alone as it gives refreshers on what happened in the last book, as well as had its own storyline. Though, the character developments increased and they continued to grow through out the story, the reader wouldn't feel like they missed a whole lot by reading this book first. I have to say that has to be something that is delightful. After all, wouldn't is just bite if you had to read the first book to even think about picking up the second. Sometimes you don't always realize what you are grabbing and having a series that has books that could stand alone if they needed to, makes it so much easier to start by whatever book you happen to pick up first. I definitely recommend this book to all our thrill seekers. Its not for the faint of heart, but is still extremely excellent to read.