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Laura Doe (1350 KP) rated Mirrorland in Books
Jul 1, 2021
This book was not at all what I expected, but in the best way.
We start off with Cat flying back from America to Edinburgh after her twin sister El has gone missing. Cat goes back to Edinburgh to find that her twin and her husband, Ross, have moved back into El and Cat’s childhood home. Whilst there, memories of their shared past start to come back to Cat but she spends most of the time trying to work out if they’re real memories or memories of the fantasies that the girls made up and played out. The main part of the girls’ childhood was a place that they called Mirrorland, a hidden tunnel that led to a locked wash house that they used to play in most of their childhood. As more and more memories come back, Cat has to deal with the trauma that occurred during their childhood. At the same time, she also has to deal with her sister missing and presumed dead. Cat is adamant the whole time that El isn’t dead and that she would know if she was as she would “feel” it, being identical twins she could always feel her sister’s pain. Cat also has to deal with her feelings for Ross resurfacing as he was also a large part of their childhood and she has never got over her feelings for him.
There were so many twists and turns in this book, that I had a hard time telling what was real from what was fantasy and it really put me in the mindset of Cat and her struggle to separate the two. I thought for the last part of the book that I had it all figured out, but in the last couple of chapters Carole Johnstone really threw a spanner in the works and changed everything again. Whilst a little confusing at times, it was good because it did make you empathise with Cat and how she was remembering things that had happened in her past.
Thank you to Carole Johnstone and Pigeonhole for allowing me to read this book in return for an honest review, I loved it!
We start off with Cat flying back from America to Edinburgh after her twin sister El has gone missing. Cat goes back to Edinburgh to find that her twin and her husband, Ross, have moved back into El and Cat’s childhood home. Whilst there, memories of their shared past start to come back to Cat but she spends most of the time trying to work out if they’re real memories or memories of the fantasies that the girls made up and played out. The main part of the girls’ childhood was a place that they called Mirrorland, a hidden tunnel that led to a locked wash house that they used to play in most of their childhood. As more and more memories come back, Cat has to deal with the trauma that occurred during their childhood. At the same time, she also has to deal with her sister missing and presumed dead. Cat is adamant the whole time that El isn’t dead and that she would know if she was as she would “feel” it, being identical twins she could always feel her sister’s pain. Cat also has to deal with her feelings for Ross resurfacing as he was also a large part of their childhood and she has never got over her feelings for him.
There were so many twists and turns in this book, that I had a hard time telling what was real from what was fantasy and it really put me in the mindset of Cat and her struggle to separate the two. I thought for the last part of the book that I had it all figured out, but in the last couple of chapters Carole Johnstone really threw a spanner in the works and changed everything again. Whilst a little confusing at times, it was good because it did make you empathise with Cat and how she was remembering things that had happened in her past.
Thank you to Carole Johnstone and Pigeonhole for allowing me to read this book in return for an honest review, I loved it!
Nancy Whang recommended Kinda Kinks by The Kinks in Music (curated)
BookInspector (124 KP) rated Dark Sky Island (Jennifer Dorey Mystery #2) in Books
Sep 24, 2020
The protagonists in this novel were Jenny and Michael. Jenny is a journalist who’s curiosity and wish of a great story always leads her to very unpleasant situations. Michael is a DCI, who is leading the murder investigations on Sark, a little island with less than 500 people. I really enjoyed Jenny’s character in this novel, I liked her informal way of gathering the information and her smartness in “connecting the dots”. Michael is smart, but his lack of fitness didn’t allow him to be the DCI I enjoy reading about.
The novel starts quite slow, and it takes a while for both of these characters to gather decent information. I really enjoyed the twists and turns in this novel, it was quite refreshing after the slow beginning. I really liked the way the author described Sark, the streets, the houses, the people, it is visible that she knows a lot about life on an island. I also really liked the horror element and the folk stories used in this book, it was very interesting to read about them, and the unexplained chilling creatures gave this mysterious vibe about the whole island.
The writing style of this book is very pleasant and easy to read, even though the author used quite a few French names in it, which I had no idea how to pronounce. 😀 At times, the novel felt a little like a cosy mystery, but towards the end, this changed drastically. I really liked the surprising and unexpected ending of the book, it rounded this novel extremely well. The chapters were quite long at times, but new findings and plenty of action later on in the book helped, and the pages just flew by.
So, to conclude, even though this is a second book, it can be read as a stand alone easily. The setting and the characters are very well picked for this novel, and the plot thickens as you carry on reading. It is a good book full of small island life, unexpected discoveries, twists, and I really liked it.
The novel starts quite slow, and it takes a while for both of these characters to gather decent information. I really enjoyed the twists and turns in this novel, it was quite refreshing after the slow beginning. I really liked the way the author described Sark, the streets, the houses, the people, it is visible that she knows a lot about life on an island. I also really liked the horror element and the folk stories used in this book, it was very interesting to read about them, and the unexplained chilling creatures gave this mysterious vibe about the whole island.
The writing style of this book is very pleasant and easy to read, even though the author used quite a few French names in it, which I had no idea how to pronounce. 😀 At times, the novel felt a little like a cosy mystery, but towards the end, this changed drastically. I really liked the surprising and unexpected ending of the book, it rounded this novel extremely well. The chapters were quite long at times, but new findings and plenty of action later on in the book helped, and the pages just flew by.
So, to conclude, even though this is a second book, it can be read as a stand alone easily. The setting and the characters are very well picked for this novel, and the plot thickens as you carry on reading. It is a good book full of small island life, unexpected discoveries, twists, and I really liked it.
BookInspector (124 KP) rated Sleeper in Books
Sep 24, 2020
The protagonist in this book is Will, he is a sixteen-year-old spy, and the whole book is set in 1941, during the Second World War. I loved that this book is telling an action-filled story but during WWII! I loved how the author described everything, from guns, cars to buildings and streets.
This story was told from single, Will’s, perspective but it was fully sufficient for me, as this story was trying to keep the secrets and give out all the findings slowly. I really liked how J. D. Fennell chose the characters for this novel. The character’s personalities fitted them really well, and all the characters were very interesting to read about. I really liked Will, I think he is very suitable to be a protagonist, he has these super cool qualities, but at the same time, he is very human-like, where he gets injured and suffers from tiredness.
I read this book after a slow one, so all the pace and action was very needed for me. The story keeps moving in every chapter, Will is always on the run, so the setting is constantly changing, but I absolutely loved how the author described wartime London. J.D Fennell transferred the view and the spirit of that time perfectly to me. I felt like I was next to Will during his adventures. 😀 I liked that this story carries a lot of feelings, friendships, loss, and it is very interesting to see how Will is dealing with all of this.
I found the writing style easy and pleasant to read, the chapters are pretty short and it made the whole reading experience quite fast. The ending was very well deserved and left me fully satisfied. So, to conclude, if you like stories like Bourne or Maze Runner, I think you will enjoy this one as well. The characters are very well developed, and the plot is constantly moving. I think this book would be an amazing action/adventure film, and I hope it will come to screens someday. I strongly recommend this book, and I hope you will enjoy it as much as I did…
This story was told from single, Will’s, perspective but it was fully sufficient for me, as this story was trying to keep the secrets and give out all the findings slowly. I really liked how J. D. Fennell chose the characters for this novel. The character’s personalities fitted them really well, and all the characters were very interesting to read about. I really liked Will, I think he is very suitable to be a protagonist, he has these super cool qualities, but at the same time, he is very human-like, where he gets injured and suffers from tiredness.
I read this book after a slow one, so all the pace and action was very needed for me. The story keeps moving in every chapter, Will is always on the run, so the setting is constantly changing, but I absolutely loved how the author described wartime London. J.D Fennell transferred the view and the spirit of that time perfectly to me. I felt like I was next to Will during his adventures. 😀 I liked that this story carries a lot of feelings, friendships, loss, and it is very interesting to see how Will is dealing with all of this.
I found the writing style easy and pleasant to read, the chapters are pretty short and it made the whole reading experience quite fast. The ending was very well deserved and left me fully satisfied. So, to conclude, if you like stories like Bourne or Maze Runner, I think you will enjoy this one as well. The characters are very well developed, and the plot is constantly moving. I think this book would be an amazing action/adventure film, and I hope it will come to screens someday. I strongly recommend this book, and I hope you will enjoy it as much as I did…
Kate (493 KP) rated Taking The Reins in Books
Oct 20, 2020
I liked the blurb on this book but as I started reading I realised it was intended for a much younger audience but I continued anyway. I like to read a book and give an honest review. Some may read the review and decide it is a book they would like to read. It is based in an all girls school and from Brooklyn's first interation with her soon-to-be soon friends I expected the worst. This could be because I am an old reader and know how life, books, tv shows and films usually go. The girls in these books, etc can usually be bitchy and end up being mean to each other espcially when they have a new girl at the school. Brooklyn is the new girl. Due to my expectations of how I thought the book/story was going to play out I was always on edge.
It was a story of realtionships - friendship and romantic relationships. It was nice for the book to end up being a nice story. It was nice to see girls working together and there was a good sense of camaraderie.
I wasn't gripped and this could be because I was not the target audience. The book is part of a series and it would of been nice to have a book prior to this to get a feeling of How Brooklyn used to be. She does try to explain what the old her would of done/said in situations and what the new Brooklyn did/said but I couldn't get a real feel of how she used to be. But the series is called the The Rosewoods so all books would have to be based at the school.
As this was part of a series the story ended up abruptly. I thought it may of ended at the end of the school year but no it ended before Halloween which is not lomger after school starts.
This is a great book for a young audience of I would say early teens.
It was a story of realtionships - friendship and romantic relationships. It was nice for the book to end up being a nice story. It was nice to see girls working together and there was a good sense of camaraderie.
I wasn't gripped and this could be because I was not the target audience. The book is part of a series and it would of been nice to have a book prior to this to get a feeling of How Brooklyn used to be. She does try to explain what the old her would of done/said in situations and what the new Brooklyn did/said but I couldn't get a real feel of how she used to be. But the series is called the The Rosewoods so all books would have to be based at the school.
As this was part of a series the story ended up abruptly. I thought it may of ended at the end of the school year but no it ended before Halloween which is not lomger after school starts.
This is a great book for a young audience of I would say early teens.
Leanne Crabtree (480 KP) rated To Seduce a Witch's Heart (Love and Magic, #1) in Books
Jan 11, 2021
3.5 stars.
I've avoided paranormal romances for quite a while as I don't always want the romance to be the main part of my paranormal reads. This one, however, focused more on the romance between our witch, Merle, and our demon, Rhun. Note: I didn't realise this was a paranormal romance when I downloaded it.
It starts with Merle summoning Rhun from the Shadows - a land full of shadows, obviously - where he has been kept prisoner for the last twenty years. He comes back starving for the three things his demon needs - pleasure, pain and blood. He's very good at the charm and persuades Merle to give him two of three before finding out why she'd summoned him. Her sister, Maeve, has been taken by another demon of his kind and she is frantic to find her as she is the only remaining relative of hers.
I liked that the sexual tension between our characters happened from pretty much the first chapter. It was instant physical attraction but done well, in my opinion. He was just using her, initially, to get his powers back and she wasn't willing to let him go after anyone else when she'd been the one to summon him and feelings began to emerge the more they got to know each other/spent time together.
I did feel like the book was a tad overly long. They spent more time in bed together than they did searching for her sister - which made me get a little fed up at times, and also why it's taken me about a week to read this. Don't get me wrong, though. I did enjoy the interactions between our two characters. They had a lovely camaraderie once they got to know each other and I grew to really like them both.
Considering how I wasn't entirely invested in the story, I found myself getting a little emotional towards the end of this. I actually shed a tear when Rhun was forced back into the Shadows. It was so unfair. Of course, it would be a crappy ending to the book if they didn't get their HEA and of course they do (thank God!).
I've avoided paranormal romances for quite a while as I don't always want the romance to be the main part of my paranormal reads. This one, however, focused more on the romance between our witch, Merle, and our demon, Rhun. Note: I didn't realise this was a paranormal romance when I downloaded it.
It starts with Merle summoning Rhun from the Shadows - a land full of shadows, obviously - where he has been kept prisoner for the last twenty years. He comes back starving for the three things his demon needs - pleasure, pain and blood. He's very good at the charm and persuades Merle to give him two of three before finding out why she'd summoned him. Her sister, Maeve, has been taken by another demon of his kind and she is frantic to find her as she is the only remaining relative of hers.
I liked that the sexual tension between our characters happened from pretty much the first chapter. It was instant physical attraction but done well, in my opinion. He was just using her, initially, to get his powers back and she wasn't willing to let him go after anyone else when she'd been the one to summon him and feelings began to emerge the more they got to know each other/spent time together.
I did feel like the book was a tad overly long. They spent more time in bed together than they did searching for her sister - which made me get a little fed up at times, and also why it's taken me about a week to read this. Don't get me wrong, though. I did enjoy the interactions between our two characters. They had a lovely camaraderie once they got to know each other and I grew to really like them both.
Considering how I wasn't entirely invested in the story, I found myself getting a little emotional towards the end of this. I actually shed a tear when Rhun was forced back into the Shadows. It was so unfair. Of course, it would be a crappy ending to the book if they didn't get their HEA and of course they do (thank God!).
Leanne Crabtree (480 KP) rated The Darkest Promise (Lords of the Underworld, #13) in Books
Jan 12, 2021
So I've recently read The Darkest Torment and back in May I read The Darkest Touch, both of which have led to Cameo and Lazarus' story - and I'll admit I am looking forward to reading this one because they have shared some steamy scenes before.
This starts with Cameo using the artefacts to head back to Lazarus in his realm after having snippets of memory of a man that she craved but unable to remember him thanks to her demon. She only knows it was Lazarus thanks to conversations she's had with her friends. She literally falls from the sky and destroys a few organs as she lands on the ground, leaving her in agony until she heals. She eventually manages to get to her feet and wanders the land until she finds Lazarus' kingdom.
I read the first hundred pages in one sitting, I was getting that pulled into this. I was intrigued by their relationship and how they could be together when her demon would never allow her any joy and when her closeness was heralding his death. Their relationship was passionate and Lazarus seemed to know a lot about her and her demon, knowing how to overcome the sadness it always made her feel. He himself, was a bit of a mystery. We knew very little about him but that changed as the book progressed.
I did enjoy this. All the gang are included in this again and I loved seeing their closeness once more. There is one scene that had me smiling like an idiot: a mud fight. Lazarus starts it with Cameo but before long everyone is joining in and it made me a little warm and fuzzy to see all these warriors having fun with their females.
I did feel like something was missing, though. I didn't enjoy it as much as I thought I would when I started this. I even skipped a lot of the sex scenes towards the end, they just weren't working for me anymore.
I do have book 14 to read, Gilly and Puck's story, but I think I'm going to give this series a little break for now.
This starts with Cameo using the artefacts to head back to Lazarus in his realm after having snippets of memory of a man that she craved but unable to remember him thanks to her demon. She only knows it was Lazarus thanks to conversations she's had with her friends. She literally falls from the sky and destroys a few organs as she lands on the ground, leaving her in agony until she heals. She eventually manages to get to her feet and wanders the land until she finds Lazarus' kingdom.
I read the first hundred pages in one sitting, I was getting that pulled into this. I was intrigued by their relationship and how they could be together when her demon would never allow her any joy and when her closeness was heralding his death. Their relationship was passionate and Lazarus seemed to know a lot about her and her demon, knowing how to overcome the sadness it always made her feel. He himself, was a bit of a mystery. We knew very little about him but that changed as the book progressed.
I did enjoy this. All the gang are included in this again and I loved seeing their closeness once more. There is one scene that had me smiling like an idiot: a mud fight. Lazarus starts it with Cameo but before long everyone is joining in and it made me a little warm and fuzzy to see all these warriors having fun with their females.
I did feel like something was missing, though. I didn't enjoy it as much as I thought I would when I started this. I even skipped a lot of the sex scenes towards the end, they just weren't working for me anymore.
I do have book 14 to read, Gilly and Puck's story, but I think I'm going to give this series a little break for now.
LeftSideCut (3776 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Emma @ The Movies (1786 KP) rated Murder on the Orient Express (2017) in Movies
Sep 25, 2019
It is 1934, and our moustachioed detective has just solved a theft in Jerusalem. He looks forward to resting in Istanbul, but his break is interrupted with the news that he must return to London for a case. It seems like Poirot's luck is in, having just met his friend who is director of the Orient Express.
Once on board Poirot catches the attention of the businessman, Samuel Ratchett. Ratchett has received threatening letters, and wishes to hire the detective as his bodyguard during their journey, but the offer is politely declined.
That night an avalanche derails he train and the passengers are stranded. In the morning Ratchett is found dead, stabbed a dozen times. Poirot and Bouc, the train director, investigate the passengers as repairs begin. Poirot discovers a partially destroyed note connecting Ratchett to the kidnapping of Daisy Armstrong, a child who was abducted from her bedroom and held for ransom. After the ransom was paid, Daisy was found murdered. Ratchett is identified as John Cassetti, Daisy’s kidnapper and murderer.
First off, let me address the elephant in the room... that'll be Kenneth Branagh as Poirot. David Suchet will always be my Poirot, he's perfect. Branagh, for me, has an overacting issue. And that moustache, it's just ridiculous. That's not even taking into account the scene where Poirot is laying in bed and he doesn't have his night-time moustache cosy on. Crazy.
Agatha Christie's tale has definitely been given the Hollywood treatment. It's gone from the quite dark Suchet version, to something quite farcical in comparison. I can understand remaking some things, but when you have such a definitive portrayal of a character why would you recast them?
Having just rewatched the 2010 version I will say that the story line in the movie is probably easier to understand. It's also more suitable for a younger audience.
As a passing comment to everyone who was surprised to hear they were going to do Death On The Nile next... no shit, Poirot! It was dropped in at the end of the film.
Once on board Poirot catches the attention of the businessman, Samuel Ratchett. Ratchett has received threatening letters, and wishes to hire the detective as his bodyguard during their journey, but the offer is politely declined.
That night an avalanche derails he train and the passengers are stranded. In the morning Ratchett is found dead, stabbed a dozen times. Poirot and Bouc, the train director, investigate the passengers as repairs begin. Poirot discovers a partially destroyed note connecting Ratchett to the kidnapping of Daisy Armstrong, a child who was abducted from her bedroom and held for ransom. After the ransom was paid, Daisy was found murdered. Ratchett is identified as John Cassetti, Daisy’s kidnapper and murderer.
First off, let me address the elephant in the room... that'll be Kenneth Branagh as Poirot. David Suchet will always be my Poirot, he's perfect. Branagh, for me, has an overacting issue. And that moustache, it's just ridiculous. That's not even taking into account the scene where Poirot is laying in bed and he doesn't have his night-time moustache cosy on. Crazy.
Agatha Christie's tale has definitely been given the Hollywood treatment. It's gone from the quite dark Suchet version, to something quite farcical in comparison. I can understand remaking some things, but when you have such a definitive portrayal of a character why would you recast them?
Having just rewatched the 2010 version I will say that the story line in the movie is probably easier to understand. It's also more suitable for a younger audience.
As a passing comment to everyone who was surprised to hear they were going to do Death On The Nile next... no shit, Poirot! It was dropped in at the end of the film.
Emma @ The Movies (1786 KP) rated A Wrinkle in Time (2018) in Movies
Sep 25, 2019
After the disappearance of her scientist father, three peculiar beings send Meg, her brother, and her friend to space in order to find him.
There aren't enough good words to describe how much I love this film. I've sat staring at this screen for twenty minutes trying to work out how to sum it up, and it's really difficult. It will sound ridiculous, but I was left with such a feeling of well being. It sounds daft doesn't it? But it really gave me a sense of perspective that is so easily forgotten. I'm kind of paraphrasing the film but just think about how many decisions the universe had to make to make you... and if you think about that for a while, it's kind of a wow moment.
There are two moments in the film that I love. The first being the moment where they see the universe as it is, and all the things we can't perceive about someone's life. It's poignant and quite emotional. The second is when Charles Wallace goes to the dark side... that kid is amazing and truly demonic, and I loved every second of it.
The only reason that this didn't get five stars is because of the casting. I found Reid and Miller very frustrating to watch, and a little awkward.
It feels spiritual, and I understand that the book has a significant Christian leaning. There are still elements in the film that come across in that way. The Mrs all have a very angel-like, but there's no specific moments that would make you think "bible". There are plenty though that make you think about self and your own place in the universe.
Quite frankly this film made me think more beyond the film than anything else has. My stance is that I always go into a film to not think, the idea is that you're breaking from reality, to unwind, to enjoy yourself. So it usually isn't until a second watching that I might look beyond what's presented, but this one really didn't give me that option, and I liked it.
There aren't enough good words to describe how much I love this film. I've sat staring at this screen for twenty minutes trying to work out how to sum it up, and it's really difficult. It will sound ridiculous, but I was left with such a feeling of well being. It sounds daft doesn't it? But it really gave me a sense of perspective that is so easily forgotten. I'm kind of paraphrasing the film but just think about how many decisions the universe had to make to make you... and if you think about that for a while, it's kind of a wow moment.
There are two moments in the film that I love. The first being the moment where they see the universe as it is, and all the things we can't perceive about someone's life. It's poignant and quite emotional. The second is when Charles Wallace goes to the dark side... that kid is amazing and truly demonic, and I loved every second of it.
The only reason that this didn't get five stars is because of the casting. I found Reid and Miller very frustrating to watch, and a little awkward.
It feels spiritual, and I understand that the book has a significant Christian leaning. There are still elements in the film that come across in that way. The Mrs all have a very angel-like, but there's no specific moments that would make you think "bible". There are plenty though that make you think about self and your own place in the universe.
Quite frankly this film made me think more beyond the film than anything else has. My stance is that I always go into a film to not think, the idea is that you're breaking from reality, to unwind, to enjoy yourself. So it usually isn't until a second watching that I might look beyond what's presented, but this one really didn't give me that option, and I liked it.