Gareth von Kallenbach (980 KP) rated Ghost Rider: Spirit of Vengeance (2012) in Movies
Aug 7, 2019
In this follow-up chapter to the 2007 film that first brought Marvel’s Ghost Rider to the big screen, Cage’s character has left the States to run from the demon inside him. His attempts to control the Rider work best when he is far from people, but his plans are derailed upon the entrance of a young boy and his attractive mother. The boy is the object of desire for Mephistopheles (the demon who turned Blaze into the Rider). The film takes you on a wild ride while Ghost Rider attempts to prevent the devil from getting his claws on the boy.
Lets cut right to the chase: this is, bar-none, one of the worst films I’ve seen in at least a decade. It’s right up there with D-Wars. While the first film had decent acting (minus Cage), a well-thought-out script, and special effects that made sense, the sequel is a complete failure even when compared to its predecessor.
The complete lack of a coherent script, the terrible acting, and the nonsensical actions of the Rider (not to mention the extremely cheesy dialog) make it clear that this film is an extremely poor attempt by Hollywood to capitalize on the recent success of other Marvel/DC titles. Unfortunately, this movie was cobbled together with one liners and special effects that weren’t convincing enough to pass the test.
Being a long time Marvel/DC comic fan, I always approach these films with low expectations, so I can be surprised when they’re done well — and at the very least, enjoy it. Despite this, I still feel like the hour and twenty minutes of my life spent watching Ghost Rider is time I can’t have back.
The only moment of hope this film had was Christopher Lambert as the tattooed monk.
I encourage all of you who wish to see it, even after reading this review, to wait until it’s available for cheap home viewing.
ClareR (6256 KP) rated The Sisters Grimm in Books
Feb 25, 2020
Sisters Grimm don’t actually know that that’s what they are. They may have vague memories (pre-puberty - and this is important) of playing in a fairytale wood, where they can do magical, amazing things, but they put it down to dreams later. That is until they approach their 18th birthdays, and some of these dream-like abilities start to manifest themselves.
This story is based around four girls who first met at 8 years old in the fairytale dream-world, Everwhere, forget one another after their 13th birthdays, and begin to remember closer to their impending 18th birthdays. They all have a different mother, but the same father who they will meet in Everwhere on the evening of their birthday. And it’s really important that they find one another again prior to this confrontation - where they will discover the truth about themselves.
I really enjoyed this. It says on Goodreads that it’s a Young Adult novel, and whilst it’s immaterial whether I agree with this or not, I do agree that it’s about reaching an age where you are finding out more about yourself and your impending independence, and that can’t be a bad thing for young people to read about.
I liked the darkness in this book - it’s no twee fairytale. There’s death, murder in fact, as a pretty major theme. And people aren’t necessarily nice. They lie, they’re selfish and they keep secrets that are best known.
The only negative I can think of, is that I really thought that this was going to be set up for the first part of a series. The end seemed quite rushed to me, and I’d love to know more about what happens afterwards. Well, that’s not really a negative, is it? That’ll be why I gave it top marks, to be honest - it’s a great book!
Many thanks to The Pigeonhole for serialising this book - another great choice!
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