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BankofMarquis (1832 KP) rated Jumanji: The Next Level (2019) in Movies
Dec 14, 2019
A "Game" Cast makes this fun film as good as the last one
Did you enjoy the previous JUMANJI film where Dwayne "The Rock" Johnson, Kevin Hart, Jack Black and Karen Gillan were video game avatars of 4 teens sucked into a video game? It was alot of fun, an unexpected big hit and, inevitably, spun a sequel.
Well...if you liked the last one, then you'll like this one, for JUMANJI: THE NEXT LEVEL pretty much delivers the same type of fun film, but avoids the cliches and lack of energy that a "quickie" sequel inevitably delivers.
Credit for this should go to returning Director Jake Kasdan and a "game" cast that are ALL back from the previous film. While the plot is fairly similar (4 teens are sucked into a real-life video game where they can be trapped forever if they cannot "win" the game), the twist of adding 2 old folks (played in the real world by Danny Glover and Danny DeVito) almost derails the fun, but this winning cast and passably exciting action sequences steers this film into an enjoyable entertainment activity.
I am a big Kevin Hart fan - and he does a great job of channeling Danny Glover in his character. He really brought the charm - and the funny - from the get go. He is ably assisted by Karen Gillan, who doesn't really have anything new to do, but brings the same "kick-butt action with a wink in the eye" characterization and energy as the first film. The surprise for me was Jack Black who I thought was very, very funny and energized. If anything, I thought his characterization was BETTER than the previous film. Only "The Rock" fails to equal his previous efforts - and he is just fine (he is "The Rock" after all). When you are talking about a team of actors playing against each other in an action/comedy and "The Rock" is the weak link, then you are in good shape.
A fine addition to the proceedings is the always watchable Awkwafina as another character in the game while Nick Jonas returns as the avatar Alex and Rory McCann (the Hound in GAME OF THRONES) is very fun as the "big bad" in this film.
The action scenes are fun, the characters are enjoyable to spend 2 hours with and the puzzle that they are trying to solve is clever (enough) that you will be able to pass a few enjoyable hours with your family this Holiday season.
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Well...if you liked the last one, then you'll like this one, for JUMANJI: THE NEXT LEVEL pretty much delivers the same type of fun film, but avoids the cliches and lack of energy that a "quickie" sequel inevitably delivers.
Credit for this should go to returning Director Jake Kasdan and a "game" cast that are ALL back from the previous film. While the plot is fairly similar (4 teens are sucked into a real-life video game where they can be trapped forever if they cannot "win" the game), the twist of adding 2 old folks (played in the real world by Danny Glover and Danny DeVito) almost derails the fun, but this winning cast and passably exciting action sequences steers this film into an enjoyable entertainment activity.
I am a big Kevin Hart fan - and he does a great job of channeling Danny Glover in his character. He really brought the charm - and the funny - from the get go. He is ably assisted by Karen Gillan, who doesn't really have anything new to do, but brings the same "kick-butt action with a wink in the eye" characterization and energy as the first film. The surprise for me was Jack Black who I thought was very, very funny and energized. If anything, I thought his characterization was BETTER than the previous film. Only "The Rock" fails to equal his previous efforts - and he is just fine (he is "The Rock" after all). When you are talking about a team of actors playing against each other in an action/comedy and "The Rock" is the weak link, then you are in good shape.
A fine addition to the proceedings is the always watchable Awkwafina as another character in the game while Nick Jonas returns as the avatar Alex and Rory McCann (the Hound in GAME OF THRONES) is very fun as the "big bad" in this film.
The action scenes are fun, the characters are enjoyable to spend 2 hours with and the puzzle that they are trying to solve is clever (enough) that you will be able to pass a few enjoyable hours with your family this Holiday season.
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
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<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2019/07/Book-Review-Banner-9.png?resize=1024%2C576&ssl=1"/>;
<b><i> DID NOT FINISH </i></b>
If you have been following my book journey for a while, you will know what I’m about to say. I don’t have rules about reading a certain book, but there is one thing I always stick to:
<i>I give a chance to every book that comes my way. If I have it in my physical library – it will be picked up at some point. </i>
Pagan Portals – Celtic Witchcraft is a book I won from a giveaway. It is not usually a genre I go for, but I do love witchcraft and spells. It intrigues me.
This book focuses on the Celtic Witchcraft and explains what it means to firstly, be a witch and what Celtic culture is all about – the beliefs, the customs etc.
After reading 30 pages, I decided that this book is not for me. This is, therefore, the second ”Did Not Finish” for 2019.
It starts very slow, gives detailed information of all things Celtic and the history of Celtic Witchcraft. It was a very boring introduction for me.
Then I got involved in a few life lessons without any added benefit really, and a full overview of a moon cycle followed by a detailed report on how the author’s behaviour changed during all these phases. This might be something you are interested in, but I felt like wasting my time reading someone’s daily moon diary. This was the moment I decided to close this book and move on.
I can understand why some might like this book, and you are valid! I am aware a lot of you will love and appreciate this book for what it is. And that’s okay. I just don’t seem to fit into this group. I love learning about witchcraft, witches and find out new things, but this book didn’t give me what I was looking for.
<b>Better luck next time!</b>
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2019/07/Book-Review-Banner-9.png?resize=1024%2C576&ssl=1"/>;
<b><i> DID NOT FINISH </i></b>
If you have been following my book journey for a while, you will know what I’m about to say. I don’t have rules about reading a certain book, but there is one thing I always stick to:
<i>I give a chance to every book that comes my way. If I have it in my physical library – it will be picked up at some point. </i>
Pagan Portals – Celtic Witchcraft is a book I won from a giveaway. It is not usually a genre I go for, but I do love witchcraft and spells. It intrigues me.
This book focuses on the Celtic Witchcraft and explains what it means to firstly, be a witch and what Celtic culture is all about – the beliefs, the customs etc.
After reading 30 pages, I decided that this book is not for me. This is, therefore, the second ”Did Not Finish” for 2019.
It starts very slow, gives detailed information of all things Celtic and the history of Celtic Witchcraft. It was a very boring introduction for me.
Then I got involved in a few life lessons without any added benefit really, and a full overview of a moon cycle followed by a detailed report on how the author’s behaviour changed during all these phases. This might be something you are interested in, but I felt like wasting my time reading someone’s daily moon diary. This was the moment I decided to close this book and move on.
I can understand why some might like this book, and you are valid! I am aware a lot of you will love and appreciate this book for what it is. And that’s okay. I just don’t seem to fit into this group. I love learning about witchcraft, witches and find out new things, but this book didn’t give me what I was looking for.
<b>Better luck next time!</b>
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
BankofMarquis (1832 KP) rated Bad Boys for Life (2020) in Movies
Jan 18, 2020
Entertaining "shoot-em-up" with 2 charismatic leads
Okay - I gotta admit, I never saw the first two BAD BOYS films starring Will Smith and Martin Lawrence, but I pretty much got the gist of it through the advertisements, so when these 2 re-united for a 3rd film (set 17 years after BAD BOYS II), I figured I would skip this one as well. But...as life would have it...I ended up attending this film - with a giant attitude of "this is gonna stink" to accompany me.
And...I was wrong. I was really, really entertained by this film.
BAD BOYS FOR LIFE presents Martin Lawrence's Det. Marcus Burnett and Will Smith's Det. Mike Lowry still "in the game". One wants to keep working and the other is looking to retire (if you take a look at the picture, you can figure out which one is which). The two battle like an old married couple while taking on some crooks in "shoot 'em up" action scenes.
And...what's not to like about that? Smith and Lawrence still have strong chemistry on the screen and the action scenes - staged by new (to me) Directors Adil and Bilall - keep things moving at a quick enough pace, not too fast that you get a headache, but not too slow that you start punching a hole in the plot.
And...as is typical of these types of films...the plot is paper thin and just is a reason to have these 2 banter and to have shoot-em-up scenes.
But that doesn't matter.
Ably helping the boys out is their put-upon Captain (the always watchable Joe Pantaliano reprising his role from the previous 2 films) and the members of the "AMMO SQUAD". These are young cops who are set up to replace our 2 heroes. Normally, this band of youngsters would be arrogant a-holes who end up being too cocky and are outwitted by our heroes, but this film puts that convention on it's ear and the "Ammo Squad" are actually a pretty good addition to this film series.
The filmmakers left the door wide open for BAD BOYS 4 and...I can't believe I'm saying this...I'm actually looking forward to it! Certainly not an Oscar contender, but an entertaining "blow-em-up" with 2 charismatic leads that play off each other well. Everyone involved knew exactly what type of film they were making - so they made that movie, with no apologies.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...I was wrong. I was really, really entertained by this film.
BAD BOYS FOR LIFE presents Martin Lawrence's Det. Marcus Burnett and Will Smith's Det. Mike Lowry still "in the game". One wants to keep working and the other is looking to retire (if you take a look at the picture, you can figure out which one is which). The two battle like an old married couple while taking on some crooks in "shoot 'em up" action scenes.
And...what's not to like about that? Smith and Lawrence still have strong chemistry on the screen and the action scenes - staged by new (to me) Directors Adil and Bilall - keep things moving at a quick enough pace, not too fast that you get a headache, but not too slow that you start punching a hole in the plot.
And...as is typical of these types of films...the plot is paper thin and just is a reason to have these 2 banter and to have shoot-em-up scenes.
But that doesn't matter.
Ably helping the boys out is their put-upon Captain (the always watchable Joe Pantaliano reprising his role from the previous 2 films) and the members of the "AMMO SQUAD". These are young cops who are set up to replace our 2 heroes. Normally, this band of youngsters would be arrogant a-holes who end up being too cocky and are outwitted by our heroes, but this film puts that convention on it's ear and the "Ammo Squad" are actually a pretty good addition to this film series.
The filmmakers left the door wide open for BAD BOYS 4 and...I can't believe I'm saying this...I'm actually looking forward to it! Certainly not an Oscar contender, but an entertaining "blow-em-up" with 2 charismatic leads that play off each other well. Everyone involved knew exactly what type of film they were making - so they made that movie, with no apologies.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Leanne Crabtree (480 KP) rated In the Arms of the Elite (Rich Boys of Burberry Prep, #4) in Books
Jan 9, 2020
I know this series has some issues that people will struggle with. The bullying is pretty bad at times and some of the stuff these kids got up to when they were 15? I cringe remembering but this is the fourth and final book of the series so something about it has kept me hooked.
Marnye is entering her final year of Burberry Prep. She wants to graduate the top of her class and head off to her dream university, Bornstead. If the five boys she's torn between follow her there then that's a bonus for her. Her mission is to bring down the remaining Bluebloods and to stop bullying at the school and the Infinity Clubs influence. Nothing is ever easy, though. I'm also not going to go into any more detail as it will totally spoil the story for you.
I'll hold my hand up and say that the two Z's - Zach and Zayd have always been my favourites but we see a softer side to all of them in this and I truly - FINALLY! - believe that the boys care for her. Even Tristan, who's cold and stiff most of the time, had a really nice scene in this with Marnye and I actually softened a lot towards him. Creed is still the "look bored while totally caring" one but he did have a few cute scenes with Maryne, too. And then finally Windsor, the Prince. I'd liked him all along but I never quite understood his fascination with Marnye when he finally arrived at the school so he was never going to be top of my list. Above is probably my preferred order of the boys, which is a little strange BUT at the end of the book there's an Author's Note where she mentions being interested in doing an older series following this group as they head off to University as there little group of six and I have to say I am interested in that!
So, yeah. The series has grown on me a lot since that first one where when I started the second book it was all about Marnye getting her revenge on the Idols for the crap they'd pulled.
My rating is only a 3.5 for this as I do feel a bit like the ending wasn't entirely finished, though Harper du Pont did get what she deserved.
This is a little messed up initially but if you like bully romances and reverse harem books then you should totally give this a go and stick it out after the slightly cringe-worthy sex scenes and evil plots.
Marnye is entering her final year of Burberry Prep. She wants to graduate the top of her class and head off to her dream university, Bornstead. If the five boys she's torn between follow her there then that's a bonus for her. Her mission is to bring down the remaining Bluebloods and to stop bullying at the school and the Infinity Clubs influence. Nothing is ever easy, though. I'm also not going to go into any more detail as it will totally spoil the story for you.
I'll hold my hand up and say that the two Z's - Zach and Zayd have always been my favourites but we see a softer side to all of them in this and I truly - FINALLY! - believe that the boys care for her. Even Tristan, who's cold and stiff most of the time, had a really nice scene in this with Marnye and I actually softened a lot towards him. Creed is still the "look bored while totally caring" one but he did have a few cute scenes with Maryne, too. And then finally Windsor, the Prince. I'd liked him all along but I never quite understood his fascination with Marnye when he finally arrived at the school so he was never going to be top of my list. Above is probably my preferred order of the boys, which is a little strange BUT at the end of the book there's an Author's Note where she mentions being interested in doing an older series following this group as they head off to University as there little group of six and I have to say I am interested in that!
So, yeah. The series has grown on me a lot since that first one where when I started the second book it was all about Marnye getting her revenge on the Idols for the crap they'd pulled.
My rating is only a 3.5 for this as I do feel a bit like the ending wasn't entirely finished, though Harper du Pont did get what she deserved.
This is a little messed up initially but if you like bully romances and reverse harem books then you should totally give this a go and stick it out after the slightly cringe-worthy sex scenes and evil plots.
Jesters_folly (230 KP) rated The Banana Splits Movie (2019) in Movies
Jan 3, 2020
Contains spoilers, click to show
The Banana Splits Movie
Isn’t it nice when a network tries to reboot an old children’s favourite? It seems to be happening a lot these days with Netflix reviving Voltron, She-Ra and the Dark Crystal. They have taken a different approach with the Banana Splits though. The starting premise is that the Banana Splits show was never cancelled and, for his ninth birthday Harley is taken to a live filming of the show. Drooper, Fleegle, Snorky and Bingo are all there but the actors have been replaced with animatronics and they have three human friends they interact with (Paige, Stevie and Thadd). The show is still the same as when it first started way back in the 1960s with silly sketches, fun catchphrases and an assault course for the kids although the show has gathered a cult following (as it would in real life) and half the audience are adults.
As the live filming gets under way the actors are informed that this will be the final show as the network has cancelled it, this news is met with mixed reactions from the crew. The Banana splits however only have one reaction, they are programmed that ‘The Show Must Go On’ so, during the back stage tour they begin to make sure that it will never stop. They kidnap all the children, after all the show will always need an audience, and they start to kill or torture all the adults.
Yes, that’s right, someone took a beloved children’s show and added a splash of the ‘Child's Play’ remake and a whole ton of ‘Five Nights At Freddy’s’. To be clear this is a horror/slasher that’s rated 18 (R rated in the USA) that features a group of 60’s children’s characters going on a killing spree because their show got cancelled. It’s campy, it’s dark, it actually builds up to the kills and it has some really good characters and scenes, I especially like Poppy’s story line.
So, we have a film based on a 60’s children’s series that’s been turned into a horror whilst still sticking to its roots that is defiantly not for kids and isn’t a total pile of rubbish.
As a side note I did read that the Banana Splits movie came about because Warner Bros wanted to make a ‘Five Nights At Freddie’s’ movie but they couldn’t get the rights so they made this. not sure how true it is but there are similarities.
Isn’t it nice when a network tries to reboot an old children’s favourite? It seems to be happening a lot these days with Netflix reviving Voltron, She-Ra and the Dark Crystal. They have taken a different approach with the Banana Splits though. The starting premise is that the Banana Splits show was never cancelled and, for his ninth birthday Harley is taken to a live filming of the show. Drooper, Fleegle, Snorky and Bingo are all there but the actors have been replaced with animatronics and they have three human friends they interact with (Paige, Stevie and Thadd). The show is still the same as when it first started way back in the 1960s with silly sketches, fun catchphrases and an assault course for the kids although the show has gathered a cult following (as it would in real life) and half the audience are adults.
As the live filming gets under way the actors are informed that this will be the final show as the network has cancelled it, this news is met with mixed reactions from the crew. The Banana splits however only have one reaction, they are programmed that ‘The Show Must Go On’ so, during the back stage tour they begin to make sure that it will never stop. They kidnap all the children, after all the show will always need an audience, and they start to kill or torture all the adults.
Yes, that’s right, someone took a beloved children’s show and added a splash of the ‘Child's Play’ remake and a whole ton of ‘Five Nights At Freddy’s’. To be clear this is a horror/slasher that’s rated 18 (R rated in the USA) that features a group of 60’s children’s characters going on a killing spree because their show got cancelled. It’s campy, it’s dark, it actually builds up to the kills and it has some really good characters and scenes, I especially like Poppy’s story line.
So, we have a film based on a 60’s children’s series that’s been turned into a horror whilst still sticking to its roots that is defiantly not for kids and isn’t a total pile of rubbish.
As a side note I did read that the Banana Splits movie came about because Warner Bros wanted to make a ‘Five Nights At Freddie’s’ movie but they couldn’t get the rights so they made this. not sure how true it is but there are similarities.
JT (287 KP) rated Halloween (1978) in Movies
Mar 10, 2020
Without a doubt Halloween was one of the finest horror films ever made, John Carpenter was spot on with his portrayal of a serial killer descending on a small American town.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
LeftSideCut (3776 KP) rated The Invisible Man (2020) in Movies
Mar 11, 2020
I've always found the premise of The Invisible Man damn scary. Someone watching you, stood next to you, whilst you carry on obliviously. It's the kind of scariness that gets under the skin, honestly, just like this movie does. For the first time in a while, I felt truly uncomfortable and genuinely scared throughout a fair chunk of the run time.
The movie starts with leading lady Cecilia (Elisabeth Moss) quietly and frantically leaving her house in the dead of night, to get away from her abusive relationship with partner Adrian (Oliver Jackson-Cohen).
This opening scene sets the tone nicely. It's dimly lit, it's mostly silent, it's tense, and climaxes frantically with a swelling of orchestral score (the original score by Benjamin Wallfisch is fantastic throughout).
Finally free and living with friends, Cecilia is somewhat comforted by the news that Adrian has subsequently committed suicide, and is no longer a threat to her.
Before long though, she is being stalked by an unseen presence, and she quickly becomes convinced that Adrian as alive and well, and has perfected his work in the optics field to turn himself invisible, and systematically ruin her life.
Once it becomes apparent that Cecilia is not alone is where the movie really shines. We're subjected to wide shot after wide shot of her going about her daily routines, with plenty of empty camera space, where we as the audience are prompted to search the shot for clues, to see if we can see where The Invisible Man is in the moment. It's a simple and hugely effective tactic that had me squirming. The constant under current of dread is really quite horrible.
Elisabeth Moss is great from start to finish. The torment that she is out through is portrayed really well, and it doesn't take a lot to sympathise with her, and the yearning for everyone else to see she isn't crazy is strong.
Towards the final act, the tension predictably takes a bit of a backseat for a more fast faced finale, which mostly works, but it's hard to ignore a few glaring plot holes, and a late twist that feels like it was thrown in just for the sake of it. It's not enough to ruin what is undoubtedly a pretty solid edge-of-your-seat thriller though.
If Universal had perhaps approached The Mummy with a similar style, then we could be in the midst of a great Dark Universe franchise, but if all the seperate entries end up being as strong as The Invisible Man, then it's no loss.
The movie starts with leading lady Cecilia (Elisabeth Moss) quietly and frantically leaving her house in the dead of night, to get away from her abusive relationship with partner Adrian (Oliver Jackson-Cohen).
This opening scene sets the tone nicely. It's dimly lit, it's mostly silent, it's tense, and climaxes frantically with a swelling of orchestral score (the original score by Benjamin Wallfisch is fantastic throughout).
Finally free and living with friends, Cecilia is somewhat comforted by the news that Adrian has subsequently committed suicide, and is no longer a threat to her.
Before long though, she is being stalked by an unseen presence, and she quickly becomes convinced that Adrian as alive and well, and has perfected his work in the optics field to turn himself invisible, and systematically ruin her life.
Once it becomes apparent that Cecilia is not alone is where the movie really shines. We're subjected to wide shot after wide shot of her going about her daily routines, with plenty of empty camera space, where we as the audience are prompted to search the shot for clues, to see if we can see where The Invisible Man is in the moment. It's a simple and hugely effective tactic that had me squirming. The constant under current of dread is really quite horrible.
Elisabeth Moss is great from start to finish. The torment that she is out through is portrayed really well, and it doesn't take a lot to sympathise with her, and the yearning for everyone else to see she isn't crazy is strong.
Towards the final act, the tension predictably takes a bit of a backseat for a more fast faced finale, which mostly works, but it's hard to ignore a few glaring plot holes, and a late twist that feels like it was thrown in just for the sake of it. It's not enough to ruin what is undoubtedly a pretty solid edge-of-your-seat thriller though.
If Universal had perhaps approached The Mummy with a similar style, then we could be in the midst of a great Dark Universe franchise, but if all the seperate entries end up being as strong as The Invisible Man, then it's no loss.
Gareth von Kallenbach (980 KP) rated The End Of The Tour (2015) in Movies
Aug 6, 2019
The End of the Tour tells the story of the five-day interview between Rolling Stone reporter and novelist David Lipsky (Jesse Eisenberg) and acclaimed novelist David Foster Wallace (Jason Segel), which took place right after the 1996 publication of Wallace’s groundbreaking epic novel, Infinite Jest. The film is based on Lipsky’s critically acclaimed memoir about this unforgettable encounter, written following Wallace’s 2008 suicide.
So there is the summary. And it tells you what this movie is about. However what that summary does not tell you is the depth of emotion to which both Jason Segel and Jesse Eisenberg deliver in their performances.
Jesse Eisenberg gives a performance that we come to expect from the Oscar nominated actor. Not only can you feel, but you can also and understand his curiosity and jealousy towards Segel’s success. A less successful writer, he wants the notoriety that Segel has. So much so, that he is constantly trying to find the holes in Segel’s persona under the guise of an interview and yet is forced to ponder the things that Segel is saying to him.
Jason Segel’s portrayal of David Foster Wallace is not understated by the word phenomenal. I was skeptical that Segel would not be able to deliver a dramatic performance of this caliber, but I am glad to say I was wrong. He steals every scene he is in and his performance is so deep and thoughtful that Jason Segel himself disappears and we are instead left with a performance of what I will always believe David Foster Wallace was like in real life. This performance is one of the best I have seen this year and I believe he will receive an Oscar nomination for this role. I was fascinated with Segel’s performance that I actually downloaded David Foster Wallace’s book Infinite Jest on my drive home.
Performances aside, this movie is not for everyone. If you are looking for an inactive cinematic experience then this film is not for you. This film makes you think. It is like being a part of a deep conversation with friends trying to make sense of the world. It brings perspective to the society we live in and the loneliness we find ourselves trying to avoid while clinging to meaningless things that bring us simple pleasure. A simple way of living where we go from A to B to C to find meaning, only to obtain those things and then not knowing what we do next. But for those who are looking to escape the mundane summer blockbusters and want to see stellar performances, be sure to check this one out.
So there is the summary. And it tells you what this movie is about. However what that summary does not tell you is the depth of emotion to which both Jason Segel and Jesse Eisenberg deliver in their performances.
Jesse Eisenberg gives a performance that we come to expect from the Oscar nominated actor. Not only can you feel, but you can also and understand his curiosity and jealousy towards Segel’s success. A less successful writer, he wants the notoriety that Segel has. So much so, that he is constantly trying to find the holes in Segel’s persona under the guise of an interview and yet is forced to ponder the things that Segel is saying to him.
Jason Segel’s portrayal of David Foster Wallace is not understated by the word phenomenal. I was skeptical that Segel would not be able to deliver a dramatic performance of this caliber, but I am glad to say I was wrong. He steals every scene he is in and his performance is so deep and thoughtful that Jason Segel himself disappears and we are instead left with a performance of what I will always believe David Foster Wallace was like in real life. This performance is one of the best I have seen this year and I believe he will receive an Oscar nomination for this role. I was fascinated with Segel’s performance that I actually downloaded David Foster Wallace’s book Infinite Jest on my drive home.
Performances aside, this movie is not for everyone. If you are looking for an inactive cinematic experience then this film is not for you. This film makes you think. It is like being a part of a deep conversation with friends trying to make sense of the world. It brings perspective to the society we live in and the loneliness we find ourselves trying to avoid while clinging to meaningless things that bring us simple pleasure. A simple way of living where we go from A to B to C to find meaning, only to obtain those things and then not knowing what we do next. But for those who are looking to escape the mundane summer blockbusters and want to see stellar performances, be sure to check this one out.
Gareth von Kallenbach (980 KP) rated The Woman in Black (2012) in Movies
Aug 7, 2019
“During afternoon tea, there’s a shift in the air. A bone-trembling chill that tells you she’s there. There are those who believe the whole town is cursed. But the house in the marsh is by far the worst. What she wants is unknown, but she always comes back. The specter of darkness, the Woman in Black.”
Arthur Kipps (Daniel Radcliff) is a young lawyer who lost his wife during the birth of his son. He is a hardworking man who will do anything to take care of his family. Duty calls when he is ordered to go to the home of a recently diseased woman who lives in a remote marsh. When the local town catches wind that Mr. Kipps will be working at the remote house they start to fear what he might uncover while he works within the walls of the creepy home. He soon starts hearing noises and seeing shadows of an old woman in black. The town seems to think that it is somehow cursed as children keep dying unexpectedly and in bizarre circumstances. Is this the result of a woman scorned or is it just a superstition? Without the help from the town Mr. Kipps races to find out what the secret of the Woman in Black is.
Daniel Radcliff picked the perfect project to stray away from the Harry Potter series and I am glad he did. Now don’t get me wrong; the Harry Potter series is pretty awesome but the fact of the matter is most child actors don’t go very far within their acting careers. Take Shirley Temple for instance, she ended up not getting any major roles after growing out of her child faze. In any case it was a perfect decision on his part to take the chance on this character and just proves that we will be seeing much more of him throughout the coming years.
If you enjoy a good ghost story from time to time, The Woman in Black is such a treat to watch. Finally a really good ghost story that is not filmed like a home movie or a documentary but encompasses what a good ghost story should. The movie also has tidbits of British humor which I am a big fan of. Really good ghost stories like this one will chill you to the bone and startle your senses. Not an award winning movie but an excellent spine tingling story without the gore and special effects we have all become anesthetized to. Don’t miss this one in theaters I promise you won’t be disappointed.
Arthur Kipps (Daniel Radcliff) is a young lawyer who lost his wife during the birth of his son. He is a hardworking man who will do anything to take care of his family. Duty calls when he is ordered to go to the home of a recently diseased woman who lives in a remote marsh. When the local town catches wind that Mr. Kipps will be working at the remote house they start to fear what he might uncover while he works within the walls of the creepy home. He soon starts hearing noises and seeing shadows of an old woman in black. The town seems to think that it is somehow cursed as children keep dying unexpectedly and in bizarre circumstances. Is this the result of a woman scorned or is it just a superstition? Without the help from the town Mr. Kipps races to find out what the secret of the Woman in Black is.
Daniel Radcliff picked the perfect project to stray away from the Harry Potter series and I am glad he did. Now don’t get me wrong; the Harry Potter series is pretty awesome but the fact of the matter is most child actors don’t go very far within their acting careers. Take Shirley Temple for instance, she ended up not getting any major roles after growing out of her child faze. In any case it was a perfect decision on his part to take the chance on this character and just proves that we will be seeing much more of him throughout the coming years.
If you enjoy a good ghost story from time to time, The Woman in Black is such a treat to watch. Finally a really good ghost story that is not filmed like a home movie or a documentary but encompasses what a good ghost story should. The movie also has tidbits of British humor which I am a big fan of. Really good ghost stories like this one will chill you to the bone and startle your senses. Not an award winning movie but an excellent spine tingling story without the gore and special effects we have all become anesthetized to. Don’t miss this one in theaters I promise you won’t be disappointed.
ClareR (5996 KP) rated The Ninth Child in Books
May 1, 2020
Victorian Scotland, where reality meets myth.
The Ninth Child is a mesmerising mix of reality and fairytale. Neither of them are the pretty version, either. The story itself is set in Glasgow and the Trossachs between 1856 and 1859, where Isabel Aird is the wife of a young doctor. She has miscarried all seven of the babies she has carried so far, and is struggling to find meaning in her life. Her husband is very protective of her, but she can’t seem to forgive him for his apparent ability to shake off the loss of their babies.
We also get little glimpses in to the private lives of Queen Victoria and Albert, and the reason for this becomes clear as the story progresses. The link between the two families seems to be a strange character called Robert Kirke. Strange things seem to have been happening since the digging and tunnelling began. Isabel meets this strange man not long after she moves near to the site of the Loch Katrine Waterworks. This is no place for a lady brought up in all the comforts of a well-to-do Glaswegian home. But Isabel finds solace in the wildness, and the descriptions of the lochs and landscapes makes it easy to understand why.
This was such a surprising book, it wasn’t at all what I was expecting. I WAS expecting a good story - I loved The Sealwoman’s Gift. The mix of real, hard life and the fairy elements were really well done, and I loved that these weren’t the pretty, twee, friendly fairies that we seem to hear of so much of these days. I like my fairies to be tricksters, untrustworthy, always looking for an angle that they can work, a little grotesque.
I really enjoyed this book, and seemed to read it far too quickly. I’m a lover of history, myths and the unexplained, and this certainly delivered in these areas. The writing is gorgeous - the descriptions are such that you feel you’re there. We were supposed to be going on holiday this year to the Highlands, and this has made me hope even more that we’ll still be able to go. It’s one thing reading a description, it’s quite another to be there, experiencing the landscape for yourself.
This is a wonderful book, and one to tell my friends about!
Many thanks to NetGalley and Two Roads for my copy of this book to read and review.
We also get little glimpses in to the private lives of Queen Victoria and Albert, and the reason for this becomes clear as the story progresses. The link between the two families seems to be a strange character called Robert Kirke. Strange things seem to have been happening since the digging and tunnelling began. Isabel meets this strange man not long after she moves near to the site of the Loch Katrine Waterworks. This is no place for a lady brought up in all the comforts of a well-to-do Glaswegian home. But Isabel finds solace in the wildness, and the descriptions of the lochs and landscapes makes it easy to understand why.
This was such a surprising book, it wasn’t at all what I was expecting. I WAS expecting a good story - I loved The Sealwoman’s Gift. The mix of real, hard life and the fairy elements were really well done, and I loved that these weren’t the pretty, twee, friendly fairies that we seem to hear of so much of these days. I like my fairies to be tricksters, untrustworthy, always looking for an angle that they can work, a little grotesque.
I really enjoyed this book, and seemed to read it far too quickly. I’m a lover of history, myths and the unexplained, and this certainly delivered in these areas. The writing is gorgeous - the descriptions are such that you feel you’re there. We were supposed to be going on holiday this year to the Highlands, and this has made me hope even more that we’ll still be able to go. It’s one thing reading a description, it’s quite another to be there, experiencing the landscape for yourself.
This is a wonderful book, and one to tell my friends about!
Many thanks to NetGalley and Two Roads for my copy of this book to read and review.