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Darren (1599 KP) rated The Gunman (2015) in Movies
Jul 25, 2019
Story: The Gunman starts as we meet Terrier (Penn) a mercenary whose cover as a humanitarian working in Congo who assignment was to kill the new minster of mining whose new policy could bring the country to its knees again. With the mission being a success, Terrier is forced to flee the country for his own safety. Years past and Terrier believes he is being followed and turns to his old friends who worked on that last mission, Stanley (Winstone), Terrance (Rylance) and Felix (Bardem) to see if anyone leaked the information about the hit.
Not knowing who to trust Terrier must race against tie to figure out the truth with his own life and loved ones lives on the line as the past continues to come back and haunt him.
Thoughts on The Gunman
Characters – Terrier is a sniper mercenary who poses as a humanitarian, he knows how to make connections and uses them to complete jobs, though his latest job turns out to be his last as he goes into hiding. Learning his life is in danger he goes in search for answers about who is after him, giving him a chance to see his love once again. Annie is the woman that Terrier must leave when he goes into hiding, the woman he loved, she has moved on though she still does love Terrier even after all these years. Felix is one of the connections from the job, he had always been jealous of the relationship Terrier and Annie had, leaving him to make his move once Terrier is out of the picture. Stanley is the connection in London that is a good friend that will help out where needed. Terrance is the one of the group which continued his success and knows who is still in the loop.
Performances – When it comes to performances we need to face the reality that Sean Penn is trying his luck at the Liam Neeson style of action film, he just doesn’t have the same levels of action in him and for the most part he doesn’t do anything to make us truly care about his character. When we look at the supporting cast on the male side we get four big-names we know do solid enough supporting roles, while Jasmine Trinca is solid enough as the love interest for Terrier.
Story – The story follows a mercenary that finds his previous job exposed to the people it has effective, but soon needs to learn who released the information. The was sold to be a fast paced action thriller, though the story is slow burning political thriller which focuses on the ideas that have been put forward when the rich try to control countries for their own means. The slow pace takes us out of the story because things just become boring for the most part.
Action/Crime – For an action film we get the very basic levels of shooting and combat which are covering up the bigger crime going on between the men.
Settings – The film takes us from growing African country that the Europeans and Americans are looking to take advantage off, to Europe as we get the locations that are designed to show us the hiding places are in every city.
Special Effects – The effects come from how the wounds look and that is about it, for the most part they are the strongest part of the film.
Scene of the Movie – Sniper time.
That Moment That Annoyed Me – The pacing.
Final Thoughts – This is a slow burning action crime thriller that lacks any tension, suspicious about who the villain is and ends up playing out like a paint by numbers cliché.
Overall: Cliched and boring.
Not knowing who to trust Terrier must race against tie to figure out the truth with his own life and loved ones lives on the line as the past continues to come back and haunt him.
Thoughts on The Gunman
Characters – Terrier is a sniper mercenary who poses as a humanitarian, he knows how to make connections and uses them to complete jobs, though his latest job turns out to be his last as he goes into hiding. Learning his life is in danger he goes in search for answers about who is after him, giving him a chance to see his love once again. Annie is the woman that Terrier must leave when he goes into hiding, the woman he loved, she has moved on though she still does love Terrier even after all these years. Felix is one of the connections from the job, he had always been jealous of the relationship Terrier and Annie had, leaving him to make his move once Terrier is out of the picture. Stanley is the connection in London that is a good friend that will help out where needed. Terrance is the one of the group which continued his success and knows who is still in the loop.
Performances – When it comes to performances we need to face the reality that Sean Penn is trying his luck at the Liam Neeson style of action film, he just doesn’t have the same levels of action in him and for the most part he doesn’t do anything to make us truly care about his character. When we look at the supporting cast on the male side we get four big-names we know do solid enough supporting roles, while Jasmine Trinca is solid enough as the love interest for Terrier.
Story – The story follows a mercenary that finds his previous job exposed to the people it has effective, but soon needs to learn who released the information. The was sold to be a fast paced action thriller, though the story is slow burning political thriller which focuses on the ideas that have been put forward when the rich try to control countries for their own means. The slow pace takes us out of the story because things just become boring for the most part.
Action/Crime – For an action film we get the very basic levels of shooting and combat which are covering up the bigger crime going on between the men.
Settings – The film takes us from growing African country that the Europeans and Americans are looking to take advantage off, to Europe as we get the locations that are designed to show us the hiding places are in every city.
Special Effects – The effects come from how the wounds look and that is about it, for the most part they are the strongest part of the film.
Scene of the Movie – Sniper time.
That Moment That Annoyed Me – The pacing.
Final Thoughts – This is a slow burning action crime thriller that lacks any tension, suspicious about who the villain is and ends up playing out like a paint by numbers cliché.
Overall: Cliched and boring.
Sophia (Bookwyrming Thoughts) (530 KP) rated Black Bird of the Gallows in Books
Jan 23, 2020
<b><i>The author/publisher provided a free copy of the book for review purposes - thank you! Receiving a review copy does not guarantee a positive review and therefore do not affect the opinion or content of the review.</i></b>
"I'm going to sleep!” says reviewer, as she furiously types on the keyboard. The next time she looks up, an hour has passed, leaving her with one less hour of sleep and an 8 am class looming closer.
Obviously, I am a complete night owl because all of my decent reviews (aka my usual self and not some half hearted attempt of I THINK THIS IS A REVIEW BUT MY BRAIN IS CRYING SO I GIVE UP *presses schedule*) are all written after all the other souls in the house are sleeping soundly.
<b>There's only one other soul 99% of the time.</b>
Also, I read this weeks ago and completely forgot about the release date being last week, so I started writing other reviews and reading other books and poor Meg Kassel’s debut just sat there crying at me silently, “Are you going to review me?”
<h3 style="text-align: center;"><b>Five Things about Black Bird of the Gallows</b></h3>
At the same time, I had high expectations for Kassel’s debut novel, I also didn't, for some weird and odd reason my brain won't conjure up (the brain is strange, very strange). Here are some things to be aware of before/when picking up the book:
<b>Death is a theme, but used differently </b>- the few novels I've read with a death theme always have something in common: there's probably a grim reaper, and the grim reaper collects souls. Kassel uses a similar theme, but <b>it's not the exact same theme</b>. Honestly, I'm curious if this has mythology ties - is it okay if I kind of regret dropping myth and folklore senior year? I sacrificed it for college credit in speech instead (that's okay, right?).
<b>I am in love with gorgeous lines, and Kassel delivers</b> - I mean, they're not enough that I want to <i>draw </i>them (this is a rare thing to happen), but there are lovely lines and descriptions! And there's humor. I think I enjoyed the humor more often.
<blockquote class="tr_bq">Suddenly, I notice the light steam coming off his skin—the same coming from my mouth when I speak. It feels like I’m sitting next to an attractive, boy-shaped wood stove.</blockquote>
<b>There's a music aspect</b> - As a once upon a violin player, music is important! Okay, maybe not important in my life as much as books are, but music books are cute. Music plays a major role in <i>Black Bird of the Gallows</i> when it comes to character development. When we first meet Angie, she's not as confident with her music as she eventually becomes later in the book.
<b>
</b> <b>Birds! (Okay, Crows)</b> - It's probably a bad idea for me to read another book involving birds after <i>Shatter Me</i>, but I'm fine with birds in this one. The crows are also one of my favorite parts of the book - the crows aren't directly involved with death, but they play a role as well.
<b>It gets dark </b>- <i>Black Bird of the Gallows </i>might be less dark at the beginning, but it gets dark, VERY dark near the end. (Secretly my evil little heart likes this. I'm worried.)
Overall: <i>Black Bird of the Gallows</i> is perfect for those who enjoy books about death but are looking for something different than what we usually see.
<a href="https://bookwyrmingthoughts.com/black-bird-of-gallows-by-meg-kassel-arc-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
"I'm going to sleep!” says reviewer, as she furiously types on the keyboard. The next time she looks up, an hour has passed, leaving her with one less hour of sleep and an 8 am class looming closer.
Obviously, I am a complete night owl because all of my decent reviews (aka my usual self and not some half hearted attempt of I THINK THIS IS A REVIEW BUT MY BRAIN IS CRYING SO I GIVE UP *presses schedule*) are all written after all the other souls in the house are sleeping soundly.
<b>There's only one other soul 99% of the time.</b>
Also, I read this weeks ago and completely forgot about the release date being last week, so I started writing other reviews and reading other books and poor Meg Kassel’s debut just sat there crying at me silently, “Are you going to review me?”
<h3 style="text-align: center;"><b>Five Things about Black Bird of the Gallows</b></h3>
At the same time, I had high expectations for Kassel’s debut novel, I also didn't, for some weird and odd reason my brain won't conjure up (the brain is strange, very strange). Here are some things to be aware of before/when picking up the book:
<b>Death is a theme, but used differently </b>- the few novels I've read with a death theme always have something in common: there's probably a grim reaper, and the grim reaper collects souls. Kassel uses a similar theme, but <b>it's not the exact same theme</b>. Honestly, I'm curious if this has mythology ties - is it okay if I kind of regret dropping myth and folklore senior year? I sacrificed it for college credit in speech instead (that's okay, right?).
<b>I am in love with gorgeous lines, and Kassel delivers</b> - I mean, they're not enough that I want to <i>draw </i>them (this is a rare thing to happen), but there are lovely lines and descriptions! And there's humor. I think I enjoyed the humor more often.
<blockquote class="tr_bq">Suddenly, I notice the light steam coming off his skin—the same coming from my mouth when I speak. It feels like I’m sitting next to an attractive, boy-shaped wood stove.</blockquote>
<b>There's a music aspect</b> - As a once upon a violin player, music is important! Okay, maybe not important in my life as much as books are, but music books are cute. Music plays a major role in <i>Black Bird of the Gallows</i> when it comes to character development. When we first meet Angie, she's not as confident with her music as she eventually becomes later in the book.
<b>
</b> <b>Birds! (Okay, Crows)</b> - It's probably a bad idea for me to read another book involving birds after <i>Shatter Me</i>, but I'm fine with birds in this one. The crows are also one of my favorite parts of the book - the crows aren't directly involved with death, but they play a role as well.
<b>It gets dark </b>- <i>Black Bird of the Gallows </i>might be less dark at the beginning, but it gets dark, VERY dark near the end. (Secretly my evil little heart likes this. I'm worried.)
Overall: <i>Black Bird of the Gallows</i> is perfect for those who enjoy books about death but are looking for something different than what we usually see.
<a href="https://bookwyrmingthoughts.com/black-bird-of-gallows-by-meg-kassel-arc-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Night Reader Reviews (683 KP) rated The Boy Who Talks to Animals in Books
Feb 29, 2020
Honest Review for Free Copy of Book
The Boy Who Talks To Animals by Nic Carey is a hard book to describe. The best way I can come up with is to offer a quote from the book:
“Where does legend end and reality begin? Perhaps all reality has root in legend and the two are intertwined.” - Professor Lofthouse page 140
Ben has worked at the zoo for years and had always wanted to be a zookeeper ever since he was a child. He loves animals and has dedicated his life to their care and happiness. Sometimes this means going into work super early and at times staying all night long. One night he started to notice strange things happening at the zoo restaurant, making him believe someone is breaking in and getting into the food. Concerned about the security of the zoo and the safety of not only the animals but also for the person breaking in, Ben sets a trap and waits to see who it is.
Much to Ben’s surprise, the culprit is a young boy about twelve years old. This boy appears to be a runaway and has been getting his food from the zoo for quite a while now. Slowly Ben befriends the boy and discovers something odd and wondrous about him. While this boy either can’t or won’t talk to people, he can talk to animals. All the animals in the zoo love this boy, even the most dangerous ones consider him to be one of their own. The people that spend a lot of time around the boy also start to notice some changes within themselves. Now all Be can hope for is that the zoo can offer this special boy the shelter, protection, love, and life that he deserves.
What I liked best was the Professor's description of hidden skills and his explanation of Autism was one of the best I have ever heard. He suggests that our ancestors had abilities like the boy in the story but since we lost our connection with the planet we lost those abilities. At times that extra chromosome shows up, giving a person access to these ancient abilities, but they must give up something else such as the ability to speak in order to access it. Honestly, my biggest problem occurs before the book actually starts. There is a four-page synopsis at the beginning of the book. While a synopsis in itself is not a problem this one was so long and detailed that after reading it I lost interest in reading the book. This was because the synopsis contains major spoilers and tells the reader how the book ends. I highly recommend if anyone decides to read this book that you do not read the synopsis.
Content-wise this book is safe for just about anyone to read. Aside from kissing the only thing that could be classified as inappropriate is a primate grabbing at a woman’s butt in one short area. The book is a bit long which may discourage some younger readers. I rate this book 2 out of 4. The story itself is really good but the delivery isn’t all that great. Besides the synopsis (which ruined the book for me) inside the book which tells everything of importance that happens. Also, the book drags, nothing really happens until the last few chapters and the first half of the book is really slow to progress.
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“Where does legend end and reality begin? Perhaps all reality has root in legend and the two are intertwined.” - Professor Lofthouse page 140
Ben has worked at the zoo for years and had always wanted to be a zookeeper ever since he was a child. He loves animals and has dedicated his life to their care and happiness. Sometimes this means going into work super early and at times staying all night long. One night he started to notice strange things happening at the zoo restaurant, making him believe someone is breaking in and getting into the food. Concerned about the security of the zoo and the safety of not only the animals but also for the person breaking in, Ben sets a trap and waits to see who it is.
Much to Ben’s surprise, the culprit is a young boy about twelve years old. This boy appears to be a runaway and has been getting his food from the zoo for quite a while now. Slowly Ben befriends the boy and discovers something odd and wondrous about him. While this boy either can’t or won’t talk to people, he can talk to animals. All the animals in the zoo love this boy, even the most dangerous ones consider him to be one of their own. The people that spend a lot of time around the boy also start to notice some changes within themselves. Now all Be can hope for is that the zoo can offer this special boy the shelter, protection, love, and life that he deserves.
What I liked best was the Professor's description of hidden skills and his explanation of Autism was one of the best I have ever heard. He suggests that our ancestors had abilities like the boy in the story but since we lost our connection with the planet we lost those abilities. At times that extra chromosome shows up, giving a person access to these ancient abilities, but they must give up something else such as the ability to speak in order to access it. Honestly, my biggest problem occurs before the book actually starts. There is a four-page synopsis at the beginning of the book. While a synopsis in itself is not a problem this one was so long and detailed that after reading it I lost interest in reading the book. This was because the synopsis contains major spoilers and tells the reader how the book ends. I highly recommend if anyone decides to read this book that you do not read the synopsis.
Content-wise this book is safe for just about anyone to read. Aside from kissing the only thing that could be classified as inappropriate is a primate grabbing at a woman’s butt in one short area. The book is a bit long which may discourage some younger readers. I rate this book 2 out of 4. The story itself is really good but the delivery isn’t all that great. Besides the synopsis (which ruined the book for me) inside the book which tells everything of importance that happens. Also, the book drags, nothing really happens until the last few chapters and the first half of the book is really slow to progress.
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Audrey Miller moves from New York City to Washington, DC after receiving a dream job offer at a museum--running their social media accounts. She rents an apartment sight unseen and finds herself in a creepy English basement unit, with a faulty lock and watched constantly by her landlord's sketchy nephew. She feels isolated, as she only knows two people in the city--her old college friend, Cat, now a busy lawyer, and her former boyfriend, Nick, whom she broke up with when she moved to New York. But on Audrey's Instagram, she presents a bright and perfect life. For that, she's rewarded with over a million followers, constant comments, and free items from brands. She shares everything with her fans--pictures, her locations, her thoughts, and more. Little does she know that there's someone out there who has been soaking up those thoughts for years, since Audrey started her first blog. And now that Audrey has moved to his city, he's determined it is fate. He's going to use advice garnered on the dark web to make Audrey his--no matter what.
The first word I can think of to describe this book is "menacing." It's definitely creepy at times, but it mostly projects a sinister feel, as Audrey's stalker--who tells bits and pieces of his side in a POV entitled "Him"--moves closer and closer into her private world. Our other two POVs are Audrey herself and her friend Cat, her socially inept lawyer friend, who begs Audrey to move in with her as Audrey's own apartment becomes increasingly unsafe.
"But the internet can reveal just as much as it can obfuscate."
It's hard not to compare this book to Caroline Kepnes' YOU. But the portions from "Him" are slim, and I just didn't find the narration as creepy and engaging as Joe's. When I read YOU, I literally felt watched, the book was so convincing. This book feels more like a cautionary tale about oversharing on social media.
And in that facet, it does a great job. Our friend Audrey: she shares it all. Instagram stories, photos, and more. Audrey getting her daily coffee? On insta. Her latest exercise class? Shared. And, of course, her move from New York City to Washington, DC is carefully catalogued. It's easy, we realize, to track Audrey's precise location and schedules. But Audrey seems blissfully unaware, living for the adoration the internet provides her. And it gets you thinking, wondering how much we all share across social media. And why...
"Comments from my followers were hands down my favorite part of living my life on the internet... With a million friends at the palm of your hand, how could anyone ever feel truly alone?"
Audrey goes through a lot in this book, but she's not always easy to like. There are no real likeable characters here. The power is in the escalating narrative. As incidents pile up against Audrey (remember: menacing!), you are kept guessing. There's a handful of characters who could be "Him," and Barber does a good job of letting you wonder who it could be. I would settle on someone and then something would happen, and I'd start to waver, changing my mind.
I really liked the commentary on social media and oversharing, combined with the need to be liked, even if virtually. And while the character of "Him" didn't have the personality I really wanted in his sections, they did capture his desperation and his seeming lack of understanding that what he was doing was wrong.
The ending for this one was rather bizarre and bit tough to swallow. I saw some of it coming and it all happened a little quickly after all the buildup. It was definitely twisty, though! Overall, this was a very captivating thriller--perhaps not as deep as I had hoped, but definitely worth a read. 3.5 stars, rounded up here.
The first word I can think of to describe this book is "menacing." It's definitely creepy at times, but it mostly projects a sinister feel, as Audrey's stalker--who tells bits and pieces of his side in a POV entitled "Him"--moves closer and closer into her private world. Our other two POVs are Audrey herself and her friend Cat, her socially inept lawyer friend, who begs Audrey to move in with her as Audrey's own apartment becomes increasingly unsafe.
"But the internet can reveal just as much as it can obfuscate."
It's hard not to compare this book to Caroline Kepnes' YOU. But the portions from "Him" are slim, and I just didn't find the narration as creepy and engaging as Joe's. When I read YOU, I literally felt watched, the book was so convincing. This book feels more like a cautionary tale about oversharing on social media.
And in that facet, it does a great job. Our friend Audrey: she shares it all. Instagram stories, photos, and more. Audrey getting her daily coffee? On insta. Her latest exercise class? Shared. And, of course, her move from New York City to Washington, DC is carefully catalogued. It's easy, we realize, to track Audrey's precise location and schedules. But Audrey seems blissfully unaware, living for the adoration the internet provides her. And it gets you thinking, wondering how much we all share across social media. And why...
"Comments from my followers were hands down my favorite part of living my life on the internet... With a million friends at the palm of your hand, how could anyone ever feel truly alone?"
Audrey goes through a lot in this book, but she's not always easy to like. There are no real likeable characters here. The power is in the escalating narrative. As incidents pile up against Audrey (remember: menacing!), you are kept guessing. There's a handful of characters who could be "Him," and Barber does a good job of letting you wonder who it could be. I would settle on someone and then something would happen, and I'd start to waver, changing my mind.
I really liked the commentary on social media and oversharing, combined with the need to be liked, even if virtually. And while the character of "Him" didn't have the personality I really wanted in his sections, they did capture his desperation and his seeming lack of understanding that what he was doing was wrong.
The ending for this one was rather bizarre and bit tough to swallow. I saw some of it coming and it all happened a little quickly after all the buildup. It was definitely twisty, though! Overall, this was a very captivating thriller--perhaps not as deep as I had hoped, but definitely worth a read. 3.5 stars, rounded up here.
Darren (1599 KP) rated Journeyman (2017) in Movies
Aug 5, 2019
Verdict: Sensational and Eye Opening
Story: Journeyman starts as Matty Burton (Considine) has finally won middleweight boxing championship, he now has everything with his wife Emma (Whittaker) and new born baby Mia, he is preparing for his first defence of his title against the undefeated Andre Bryte (Welsh) who believes Matty is just a lucky champion.
After Matty wins the fight he returns home to celebrate with Emma, only to collapse from a head injury that he suffered during the fight, he has suffered a serious brain injury. After the operations, Matty isn’t the man he once was, needing Emma to help him around the house with everyday activities
Thoughts on Journeyman
Characters – Matty Burton is a champion boxer, he has spent his career working up to the title and now he has it, he must prepare to defend it and defend it he does. This fight leaves him with a brain injury, which sees everyday function gone, he can’t remember how to do the basics of everyday life and is left feeling helpless, acting out against his wife who is trying to help him. Emma is Matty’s wife, she has always supported his career and with this new injury, she must adapt to life with his brain injury, she is also trying to raise their daughter, with Matty unable to help the way he once did, leaving her in the difficult situation of who she can give more time and care too. Jackie and Richie are the friends from the ring, they start by staying away, but they turn into the only one that can help Matty rediscover himself.
Performances – Paddy Considine gives us a career best performance, where you see him as a nice guy that must deal with such a sudden change and the pain it causes him is shown on every expressions, he gives us. Jodie Whittaker is wonderful in the supporting role which sees her needing to remain strong through the film. Paul Popplewell and Tony Pitts complete the main cast where they are all both great supporting performers.
Story – The story here follows a boxer that wins his title defence only to suffer a serious brain injury that makes everyday of his life difficult as he must relearn how to do the basics and must prove he is safe enough to raise a baby around. This is one of the most eye-opening stories you will see, it does show the danger in boxing and how suddenly a punch could change a career and life forever, even in a competitive situation. We don’t focus too much on the boxing, only the aftereffects which shows the difficult early days, weeks or months on the road to recover and how that person might never be fixed, only able to learn to live with their injuries. This is one for the boxing fans to watch or any sports or even anyone that wants to see how difficult brain injuries can be on a family.
Sports – The sports side of the film shows us how the boxing can effect the lives of the competitors when it comes to brain injuries, we do only see one fight, but it is the routine of boxing which helps recovery process.
Settings – The film is set in the midlands, it does put us in a realistic boxing community, instead of a flashy rich home like we often see in boxing movies.
Scene of the Movie – The return to the boxing club.
That Moment That Annoyed Me – Nothing.
Final Thoughts – This is a wonderful look at how boxing can change a life through injury and how people need to learn to adapt to the change in life.
Overall: Paddy Considine gives a career best.
Rating
Story: Journeyman starts as Matty Burton (Considine) has finally won middleweight boxing championship, he now has everything with his wife Emma (Whittaker) and new born baby Mia, he is preparing for his first defence of his title against the undefeated Andre Bryte (Welsh) who believes Matty is just a lucky champion.
After Matty wins the fight he returns home to celebrate with Emma, only to collapse from a head injury that he suffered during the fight, he has suffered a serious brain injury. After the operations, Matty isn’t the man he once was, needing Emma to help him around the house with everyday activities
Thoughts on Journeyman
Characters – Matty Burton is a champion boxer, he has spent his career working up to the title and now he has it, he must prepare to defend it and defend it he does. This fight leaves him with a brain injury, which sees everyday function gone, he can’t remember how to do the basics of everyday life and is left feeling helpless, acting out against his wife who is trying to help him. Emma is Matty’s wife, she has always supported his career and with this new injury, she must adapt to life with his brain injury, she is also trying to raise their daughter, with Matty unable to help the way he once did, leaving her in the difficult situation of who she can give more time and care too. Jackie and Richie are the friends from the ring, they start by staying away, but they turn into the only one that can help Matty rediscover himself.
Performances – Paddy Considine gives us a career best performance, where you see him as a nice guy that must deal with such a sudden change and the pain it causes him is shown on every expressions, he gives us. Jodie Whittaker is wonderful in the supporting role which sees her needing to remain strong through the film. Paul Popplewell and Tony Pitts complete the main cast where they are all both great supporting performers.
Story – The story here follows a boxer that wins his title defence only to suffer a serious brain injury that makes everyday of his life difficult as he must relearn how to do the basics and must prove he is safe enough to raise a baby around. This is one of the most eye-opening stories you will see, it does show the danger in boxing and how suddenly a punch could change a career and life forever, even in a competitive situation. We don’t focus too much on the boxing, only the aftereffects which shows the difficult early days, weeks or months on the road to recover and how that person might never be fixed, only able to learn to live with their injuries. This is one for the boxing fans to watch or any sports or even anyone that wants to see how difficult brain injuries can be on a family.
Sports – The sports side of the film shows us how the boxing can effect the lives of the competitors when it comes to brain injuries, we do only see one fight, but it is the routine of boxing which helps recovery process.
Settings – The film is set in the midlands, it does put us in a realistic boxing community, instead of a flashy rich home like we often see in boxing movies.
Scene of the Movie – The return to the boxing club.
That Moment That Annoyed Me – Nothing.
Final Thoughts – This is a wonderful look at how boxing can change a life through injury and how people need to learn to adapt to the change in life.
Overall: Paddy Considine gives a career best.
Rating
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Lottie disney bookworm (1056 KP) rated The Wolf Den in Books
Jun 17, 2021
(As you may expect from the subject matter of this book, I am highlighting trigger warnings of rape, sexual abuse, violence, slavery and suicide.)
“May I know love’s power, if never its sweetness.”
The Wolf Den is a magnifying glass into the world of Pompeii’s prostitutes: forgotten women who are owned and controlled by both men and society. This no-holds-barred novel follows Amara, a beautiful and educated doctor’s daughter who was enslaved after the death of her father and now is a she-wolf, a prostitute in Pompeii’s largest brothel, The Wolf Den.
Elodie Harper’s novel is told entirely from Amara’s perspective. This gives our main character a rare sense of power, the power to provide names to these previously nameless women and to make the reader care for these women, becoming entirely invested in their story. Alongside Amara; Dido, Victoria, Cressa, Beronice and Britannica experience violence, desperation, pain and loss but also highlight the power of friendship. This is not an easy read at all but Harper’s characters are so captivating it was impossible to put this book down.
Amara herself is such a complex character: she has an overwhelming amount of inner strength as she accepts her fate as a slave. At times this is heart-breaking when you gain glimpses of her previous life but accepting her fate does not mean Amara ever stops striving for freedom. She may have to change her idea of what happily ever after consists of but Amara will never stop working towards it, no matter the cost.
By no means is Amara perfect, there are definitely some questionable actions by our protagonist. However, Harper paints the she-wolves lives so acutely and tragically that the reader can never blame Amara: we don’t always agree with her actions but you can see that she has to protect herself because she literally has no one else to do it for her.
Amara is also clever, sometimes too clever for her owner Felix who is quick to punish her for speaking out of turn. However, once Amara proves that her previous education can be profitable, Felix is on board, taking Amara down a new path and raising the reader’s hopes of a happy outcome for our favourite she-wolf. This is a credit to the characterisation within this novel: that as the readers witness possible happy endings being ripped away, our sheer desperation increases with Amara’s.
Despite her fascinating characters, Elodie Harper does not rest on her laurels and completely immerses her readers in the landscape of Pompeii. From the filthy cobbled streets to the graffiti to the shops, inns and sellers in the forum, everything is described in the most magnificent historical detail.
Harper also entrenches her characters in the class system, whereby a customer of a higher social status is often a target but seemingly out of reach for the she-wolves: a lower class of man is easy to attract but can often be violent. And love? Well that is just a fantasy!
Initially I have to tell you that I was slightly disappointed by the ending of The Wolf Den: the chapters leading up to the finale were so emotional and action-packed that the final lines almost fell flat. HOWEVER, this was all turned on its head when I was told The Wolf Den is merely the first in a trilogy! Now that I know Amara will be back I am eager to see what else she has in store for us.
Thank you to Netgalley for the opportunity to read this e-ARC in exchange for an honest review.
“May I know love’s power, if never its sweetness.”
The Wolf Den is a magnifying glass into the world of Pompeii’s prostitutes: forgotten women who are owned and controlled by both men and society. This no-holds-barred novel follows Amara, a beautiful and educated doctor’s daughter who was enslaved after the death of her father and now is a she-wolf, a prostitute in Pompeii’s largest brothel, The Wolf Den.
Elodie Harper’s novel is told entirely from Amara’s perspective. This gives our main character a rare sense of power, the power to provide names to these previously nameless women and to make the reader care for these women, becoming entirely invested in their story. Alongside Amara; Dido, Victoria, Cressa, Beronice and Britannica experience violence, desperation, pain and loss but also highlight the power of friendship. This is not an easy read at all but Harper’s characters are so captivating it was impossible to put this book down.
Amara herself is such a complex character: she has an overwhelming amount of inner strength as she accepts her fate as a slave. At times this is heart-breaking when you gain glimpses of her previous life but accepting her fate does not mean Amara ever stops striving for freedom. She may have to change her idea of what happily ever after consists of but Amara will never stop working towards it, no matter the cost.
By no means is Amara perfect, there are definitely some questionable actions by our protagonist. However, Harper paints the she-wolves lives so acutely and tragically that the reader can never blame Amara: we don’t always agree with her actions but you can see that she has to protect herself because she literally has no one else to do it for her.
Amara is also clever, sometimes too clever for her owner Felix who is quick to punish her for speaking out of turn. However, once Amara proves that her previous education can be profitable, Felix is on board, taking Amara down a new path and raising the reader’s hopes of a happy outcome for our favourite she-wolf. This is a credit to the characterisation within this novel: that as the readers witness possible happy endings being ripped away, our sheer desperation increases with Amara’s.
Despite her fascinating characters, Elodie Harper does not rest on her laurels and completely immerses her readers in the landscape of Pompeii. From the filthy cobbled streets to the graffiti to the shops, inns and sellers in the forum, everything is described in the most magnificent historical detail.
Harper also entrenches her characters in the class system, whereby a customer of a higher social status is often a target but seemingly out of reach for the she-wolves: a lower class of man is easy to attract but can often be violent. And love? Well that is just a fantasy!
Initially I have to tell you that I was slightly disappointed by the ending of The Wolf Den: the chapters leading up to the finale were so emotional and action-packed that the final lines almost fell flat. HOWEVER, this was all turned on its head when I was told The Wolf Den is merely the first in a trilogy! Now that I know Amara will be back I am eager to see what else she has in store for us.
Thank you to Netgalley for the opportunity to read this e-ARC in exchange for an honest review.
Kirk Bage (1775 KP) rated What We Do in the Shadows in TV
Jan 22, 2021
Anyone who watched and enjoyed the entirely silly, but mostly genius, original film version of this, written and directed by the same partnership of Jermaine Clement and Taika Waititi, should not miss this show! Although Clement and Waititi step down from acting duties (aside from cameo appearences), they are replaced by the ideal, if not actually better, pairing of Matt Berry and Kayvan Novak, whose previous experience in left-field comedy with an improvisational edge leaves them perfectly placed to make this comedy fly like a startled bat!
The lead duo are joined in all 20 episodes over 2 seasons so far by relative unknowns Natasia Demetriou, Harvey Guillén and Mark Proksch. The first two do adequate jobs of keeping the laughs rolling and the mood steady. But it is Proksch, who brings some knowledge of a working mockumentary farce from his role as Nate is the US version of The Office, who is the stand-out as Colin the energy vampire, who bores his victims to death, or leaves them drained of the will to live. The many ways that single joke is varied to hilarious effect is a thing of true comedic beauty at all times.
The fine balance between the bizarre and ridiculous world of vampires and other monsters with a situation of utter mundanity like flatsharing affords some wonderful moments of laugh out loud insanity. The writing is terrific all the way through, and the bite sized episode lengths ensure it zips along and the joke only wears thin if you gorge on too many in one go. In fact I would strongly recommend not bingeing this one, but rather savouring 2 or 3 in a sitting then leaving it a while. There is something about missing it and coming back to the joke after a break that works better for me.
Some of the things I love about it are the details of the visual world they live in. The paraphernalia of the flat they live in and the clothes they wear is joyous and ever rewarding. There will be things to spot in the background that you missed first time for sure – and that is a sign to me that they wanted to create a classic here and not something disposable. I also adore the opening credit sequence, and sing along every single time.
Then there is the fabulous use of creative swearing, that manages to reach new and surprising heights episode to episode. Berry is especially proficient in this art, leaving me spitting out my tea many times with the use of a profane phrase off the cuff. It is as much the way he says it as what he says, so it is no surprise to me he has been singled out at recent TV awards shows. I hope he gets the recognition he deserves with a shiny trophy or two.
The fact that it was nominated for 8 Emmys for season 2, after only two nods for season 1, also shows that this is an entity that gets better if you stick with it. At first the pattern of the humour may not gel, but the more you get used to it, the character quirks and various relationships, the rewards as a viewer are exponentially good. And if you watch long enough there are also some tasty cameo parts that turn up… but I won’t spoil the surprises here.
Is it a joke that can run and run? No probably not. But I would like to at least see a third season, to wrap it all up. Especially as season 2 ends on somewhat of a cliffhanger, as much as a puerile comedy like this can do. I am a fan. And I imagine I’ll always be able to go back and enjoy an episode here and there to cheer me up. Brilliant stuff, that has its heart and its funny bones in all the right places. Go on, stick your teeth into it!
The lead duo are joined in all 20 episodes over 2 seasons so far by relative unknowns Natasia Demetriou, Harvey Guillén and Mark Proksch. The first two do adequate jobs of keeping the laughs rolling and the mood steady. But it is Proksch, who brings some knowledge of a working mockumentary farce from his role as Nate is the US version of The Office, who is the stand-out as Colin the energy vampire, who bores his victims to death, or leaves them drained of the will to live. The many ways that single joke is varied to hilarious effect is a thing of true comedic beauty at all times.
The fine balance between the bizarre and ridiculous world of vampires and other monsters with a situation of utter mundanity like flatsharing affords some wonderful moments of laugh out loud insanity. The writing is terrific all the way through, and the bite sized episode lengths ensure it zips along and the joke only wears thin if you gorge on too many in one go. In fact I would strongly recommend not bingeing this one, but rather savouring 2 or 3 in a sitting then leaving it a while. There is something about missing it and coming back to the joke after a break that works better for me.
Some of the things I love about it are the details of the visual world they live in. The paraphernalia of the flat they live in and the clothes they wear is joyous and ever rewarding. There will be things to spot in the background that you missed first time for sure – and that is a sign to me that they wanted to create a classic here and not something disposable. I also adore the opening credit sequence, and sing along every single time.
Then there is the fabulous use of creative swearing, that manages to reach new and surprising heights episode to episode. Berry is especially proficient in this art, leaving me spitting out my tea many times with the use of a profane phrase off the cuff. It is as much the way he says it as what he says, so it is no surprise to me he has been singled out at recent TV awards shows. I hope he gets the recognition he deserves with a shiny trophy or two.
The fact that it was nominated for 8 Emmys for season 2, after only two nods for season 1, also shows that this is an entity that gets better if you stick with it. At first the pattern of the humour may not gel, but the more you get used to it, the character quirks and various relationships, the rewards as a viewer are exponentially good. And if you watch long enough there are also some tasty cameo parts that turn up… but I won’t spoil the surprises here.
Is it a joke that can run and run? No probably not. But I would like to at least see a third season, to wrap it all up. Especially as season 2 ends on somewhat of a cliffhanger, as much as a puerile comedy like this can do. I am a fan. And I imagine I’ll always be able to go back and enjoy an episode here and there to cheer me up. Brilliant stuff, that has its heart and its funny bones in all the right places. Go on, stick your teeth into it!
Kristina (502 KP) rated It Ends With Us in Books
Dec 7, 2020
Holy mother of God. I don't know where to start, honestly. Colleen is very good at stunning me into silence, so it's difficult to put my emotions into words - which is why you'll notice I either have no reviews or pretty vague reviews for her books. But I just can't do that with this one. There's no way. What I read wrung me dry and had me staring at the wall for a full 5 minutes before I could even move. What Lily experiences is so real and raw, so emotional, I felt like I was her. Her thoughts were true to who she was and honest. As I read Lily's diary entries, I felt a kinship, because I had experienced some of the same growing up. I felt her fear, her worry, her anger, her curiosity. To watch your mother go through that is no fun. I found it endearing that Lily wrote her diary in the form of letters to Ellen DeGeneres - she's an awesome woman. I fell in love twice in the span of one book. Even though I hoped I was wrong, I had a strong premonition, and I was right about it. I truly wish I wasn't. After reading the Author's note, I completely agree with Colleen. I kind of wish she had written it differently; I kind of wish she hadn't used the plot that she did. But, as she also said, it would have ruined the whole point of writing this story, and I understand that. I still love the story, because it's beautiful (yet heartbreaking) in all its glory, and it gets the meaning across just the way Colleen meant it to. I'm ashamed to say I was like many of the others: "Why doesn't she just leave?" Sure, I questioned the opposite spouse, but this question has always been the first to enter my mind. After reading It Ends With Us, I feel even worse that I've ever had that thought. It's true, life isn't just black and white, and niether is any situation. We never truly know what it's like for anyone unless we were in that same situation - and no two situations are exactly alike. All I can say is that while I fell in love twice, my heart broke a million times, and it still didn't feel completely whole by the time the story ended. I do hope Colleen decides to write a short novella about Lily's future, because I feel like I need more closure. My heart needs more closure. Nothing could have prepared me for this book and I have absolutely no regrets about going in blind. The Queen never ceases to amaze me. Once again, I'm adding a CoHo book to my favorites shelf. Bravo, Colleen.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.