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Amanda Palmer recommended Asylum by The Legendary Pink Dots in Music (curated)
Night Reader Reviews (683 KP) rated Secrets in Books
Nov 18, 2020
Interesting book
Secrets by Victoria E Kuhnhardt is an interesting book about spies and you guessed it, secrets. A young teen’s world is turned upside down and she no longer knows who to trust or who anyone is for that matter. As it is a relatively short book the avid reader could finish it within a week easily.
Posy Waiters’s is a fifteen year old girl who has always questioned her parent’s love for her. This is mainly because she hardly knows them since they travel all the time for work and rarely see her. Sometimes they even forget to send her a card on her birthday. Posy lives all alone except for the live-in nanny who is only there for the money Posy’s parents are paying her. One day all this suddenly changes.
Posy’s parents tragically die and leave Posy to their friends whom Posy has never even heard of let alone met. Her greedy nanny doesn't even stick around to help her pack after hearing the news. Now Posy is living in San Francisco with the Forests but things are not quite what she thinks. While exploring the cellar of her new home Posy discovers something that will change her life forever.
I just loved how many twists there were in this book, some of which actually surprised me. One of the biggest surprises actually appeared at the very end of the book and was a real shocker (though it left a bunch of questions I feel will go unanswered as I don’t believe there is a sequel coming). I also enjoyed the loyalty and non-judgmental attitude for the friends, a rare trait anymore. There are quite a few errors in the book but that is not my largest complaint. My main issue is just how oblivious Posy and Alex are frequently. I also felt like the author occasionally forgot how old (or young) the characters are, such as when a sixteen year old Posy buys a cocktail dress.
Teens to young adults would probably like this book the most. This is largely because it doesn't go into a lot of detail. I also don’t believe the unanswered questions will bother younger readers as much. However, incest is a big subject in this book (and sex is hinted at) and those unable to handle it should refrain from reading this book. I rate this book 2 out of 4 or 3 out of 5. The book would have been much better if it answered ore of the question that it created. That along with the errors and age appropriate behavior (or lack there of) of the characters really damaged my view of the book. If going off of the plot alone I would say the book is extremely good.
Posy Waiters’s is a fifteen year old girl who has always questioned her parent’s love for her. This is mainly because she hardly knows them since they travel all the time for work and rarely see her. Sometimes they even forget to send her a card on her birthday. Posy lives all alone except for the live-in nanny who is only there for the money Posy’s parents are paying her. One day all this suddenly changes.
Posy’s parents tragically die and leave Posy to their friends whom Posy has never even heard of let alone met. Her greedy nanny doesn't even stick around to help her pack after hearing the news. Now Posy is living in San Francisco with the Forests but things are not quite what she thinks. While exploring the cellar of her new home Posy discovers something that will change her life forever.
I just loved how many twists there were in this book, some of which actually surprised me. One of the biggest surprises actually appeared at the very end of the book and was a real shocker (though it left a bunch of questions I feel will go unanswered as I don’t believe there is a sequel coming). I also enjoyed the loyalty and non-judgmental attitude for the friends, a rare trait anymore. There are quite a few errors in the book but that is not my largest complaint. My main issue is just how oblivious Posy and Alex are frequently. I also felt like the author occasionally forgot how old (or young) the characters are, such as when a sixteen year old Posy buys a cocktail dress.
Teens to young adults would probably like this book the most. This is largely because it doesn't go into a lot of detail. I also don’t believe the unanswered questions will bother younger readers as much. However, incest is a big subject in this book (and sex is hinted at) and those unable to handle it should refrain from reading this book. I rate this book 2 out of 4 or 3 out of 5. The book would have been much better if it answered ore of the question that it created. That along with the errors and age appropriate behavior (or lack there of) of the characters really damaged my view of the book. If going off of the plot alone I would say the book is extremely good.
BookInspector (124 KP) rated The Whisper Man in Books
Sep 24, 2020
This novel was told from multiple perspectives, but the main characters in this book were Jake and his dad Tom. They move to a new town after Tom’s wife dies. The town is quite ordinary, except for the fact that they moved to a house locally called “the scary house”, and that a child disappeared and was found murdered, and then Jake starts to hear the whispers just outside his window… 😮
I really enjoyed this book and the story. The characters chosen for this novel are quite ordinary, but at the same time incredibly mysterious. I really enjoy reading multiple perspectives, and especially when the murderer’s thoughts are incorporated as well, and this book didn’t disappoint me with that. I really liked how the author delivered the characters, he concentrated on the important ones, and I was able to find out more about them. My favourite character has to be Jake, he is smart, sweet, interesting, and he truly shines in this book. I really enjoyed the variety of characters as well.
The narrative of this novel is very creatively crafted, it has plenty of twists and surprises, and I really liked the way Alex North was building up the suspense throughout this novel. This book had not only chills and thrills, but also some very deep and insightful monologues as well. The characters discussed such topics as loss and how they are dealing with it, how fathers influence their sons, alcoholism and it’s consequences, single parent struggles, and many more. Even though there are female characters in this novel, the author concentrates more on Father-Son bond and relationships, and it feels quite masculine at times, and I really liked reading about it.
I enjoyed the writing style of this book, the book was very well composed and delivered. The chapters are short, so it was very hard to put it down. There are some very disturbing scenes in this book related to dead seven-year-old children, so it is not for faint-hearted readers. Even though this story is very gripping, I was expecting something more from the culmination, it was good, but it could’ve been even better. I liked how this book ended, I think it rounded the story very nicely. There is not much information about the author himself, but I believe it was his debut novel, and I truly hope that there will be more coming in the near future. 🙂
So, to conclude, it was a true page turner for me, that left me scared at night. I loved the complex characters, unexpected discoveries, and always lingering fear and creepiness. I thoroughly enjoyed this book, and I strongly recommend it to all mystery and thriller fans. There are rumours that there will be a film, and I absolutely can’t wait to see, how it will be adapted to the big screen.
I really enjoyed this book and the story. The characters chosen for this novel are quite ordinary, but at the same time incredibly mysterious. I really enjoy reading multiple perspectives, and especially when the murderer’s thoughts are incorporated as well, and this book didn’t disappoint me with that. I really liked how the author delivered the characters, he concentrated on the important ones, and I was able to find out more about them. My favourite character has to be Jake, he is smart, sweet, interesting, and he truly shines in this book. I really enjoyed the variety of characters as well.
The narrative of this novel is very creatively crafted, it has plenty of twists and surprises, and I really liked the way Alex North was building up the suspense throughout this novel. This book had not only chills and thrills, but also some very deep and insightful monologues as well. The characters discussed such topics as loss and how they are dealing with it, how fathers influence their sons, alcoholism and it’s consequences, single parent struggles, and many more. Even though there are female characters in this novel, the author concentrates more on Father-Son bond and relationships, and it feels quite masculine at times, and I really liked reading about it.
I enjoyed the writing style of this book, the book was very well composed and delivered. The chapters are short, so it was very hard to put it down. There are some very disturbing scenes in this book related to dead seven-year-old children, so it is not for faint-hearted readers. Even though this story is very gripping, I was expecting something more from the culmination, it was good, but it could’ve been even better. I liked how this book ended, I think it rounded the story very nicely. There is not much information about the author himself, but I believe it was his debut novel, and I truly hope that there will be more coming in the near future. 🙂
So, to conclude, it was a true page turner for me, that left me scared at night. I loved the complex characters, unexpected discoveries, and always lingering fear and creepiness. I thoroughly enjoyed this book, and I strongly recommend it to all mystery and thriller fans. There are rumours that there will be a film, and I absolutely can’t wait to see, how it will be adapted to the big screen.
Lottie disney bookworm (1056 KP) rated The Kingdom in Books
Sep 20, 2020
“Where Happily Ever After is not just a promise, but a rule”
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
Joe Goodhart (27 KP) rated Ultimate Comics Spider-Man by Brian Michael Bendis, Volume 1 in Books
Nov 30, 2020
So, before I begin my review of ULTIMATE COMICS: SPIDER-MAN Vol. 1, I feel the need to confess something: there was a point in life where I was a lot less liberal, a lot less "forward thinking". I felt heroes like Miles Morales were unnecessary, examples of "lazy writing". I felt that instead of creating a non-white Spider-Man, he should have been a newly created hero, not a copy of one already in existence.
Since that time, I have experienced what I can think of no word to better describe it other than an <I>awakening</I>. Much of it was the ignorance I was raised in - a racist father, a mother who followed his ideals because she was co-dependent, lacking any autonomy. It's like a veil was lifted from my eyes and I can see/think a lot more clearly. Far more acceptance and understanding now in my life, and I quite like me much more.
Now, that said, since my <I>awakening</I>, I went and checked out the first volume, as it was on sale on Comixology. Can't think of a better reason to check out what was previously, for me, a much overlooked tpb!
Man, I just want to say that I share many of the others' feelings: this was a fun series! The 616 Spider-Man hasn't been that much fun in far too long a time! He captured the youthful innocence of the character, but also exhibiting maturity and sense of honor that was not common for his age.
Those who have known me are aware that I am not a fan of Brian Michael Bendis. I felt he excelled more with his own characters (like SCARLETT, which I loved immensely) than taking on the task of writing for existing characters. However, here, I felt that he was top of his game, offering us a Spider-Man that this world truly needs!
I don't really want to do this, as 95% of the book was beyond awesome, but the inclusion of ULTIMATE FALLOUT #4 (of 6) was the only negative thing I can offer about this book. The story is awkward as it shows us Miles already in costume, already testing out his newfound powers and abilities. I felt that it made reading Miles' story after it confusing at first. It really brought nothing to the story.
Other than that, the book was solid! Bendis' writing was hot as heck, fun yet not as overly wordy as he can be known for. And assigning Sara Pichelli the task of illustrating Miles' adventures was gold! Her pencils are always tight, giving each character their own distinct visual persona! All across the board, this book was so much win!
Don't be like I used to be: read this book, because you, too, will believe in Heroes again!
Since that time, I have experienced what I can think of no word to better describe it other than an <I>awakening</I>. Much of it was the ignorance I was raised in - a racist father, a mother who followed his ideals because she was co-dependent, lacking any autonomy. It's like a veil was lifted from my eyes and I can see/think a lot more clearly. Far more acceptance and understanding now in my life, and I quite like me much more.
Now, that said, since my <I>awakening</I>, I went and checked out the first volume, as it was on sale on Comixology. Can't think of a better reason to check out what was previously, for me, a much overlooked tpb!
Man, I just want to say that I share many of the others' feelings: this was a fun series! The 616 Spider-Man hasn't been that much fun in far too long a time! He captured the youthful innocence of the character, but also exhibiting maturity and sense of honor that was not common for his age.
Those who have known me are aware that I am not a fan of Brian Michael Bendis. I felt he excelled more with his own characters (like SCARLETT, which I loved immensely) than taking on the task of writing for existing characters. However, here, I felt that he was top of his game, offering us a Spider-Man that this world truly needs!
I don't really want to do this, as 95% of the book was beyond awesome, but the inclusion of ULTIMATE FALLOUT #4 (of 6) was the only negative thing I can offer about this book. The story is awkward as it shows us Miles already in costume, already testing out his newfound powers and abilities. I felt that it made reading Miles' story after it confusing at first. It really brought nothing to the story.
Other than that, the book was solid! Bendis' writing was hot as heck, fun yet not as overly wordy as he can be known for. And assigning Sara Pichelli the task of illustrating Miles' adventures was gold! Her pencils are always tight, giving each character their own distinct visual persona! All across the board, this book was so much win!
Don't be like I used to be: read this book, because you, too, will believe in Heroes again!
Joe Goodhart (27 KP) rated Batman: The Court of Owls in Books
Nov 30, 2020
I'm going to be upfront here. When I saw this available as an ebook for my Kindle, I was like "Hmmmm..", but then I was thinking "Greg Cox is quite good, but did I really want to read a prose adaptation of Snyder's <i>Court of Owls</i> story from BATMAN?". Reading users' reviews on here told me that it was not an adaptation, but an original tale involving Bats and yet another confrontation involving the Court of Owls. So, yup, I was sold on that point alone!
****
Cox does a brilliant job with Batman! Seriously, I wish <u>he</u> had been writing BATMAN instead of Tom King! The characterization is one that shows us the "I'm Batman!" version, as well as allowing us to see a side of him not always presented well in the comics of late: he has a human side, but he also has a dedication to see cases/mysteries through to the end, as it is what he feels he has to do for the city of Gotham, as well as her citizens. The great thing with the way Cox presented both sides was balanced, neither too much of one or the other.
I also quite liked how Cox returned to the Court of Owl's previous "lair", the one with that marbleized labyrinth and that huge marble owl statue in its center. Reading throughout, it really seemed as if Cox had spent more than enough time reading the source material, taking all of it in, and then presenting his addition to Batman's dealings with the Court of Owls. So, so brilliant!
And, while she was not in it as much as Bats, the little bit that Batgirl/Barbara Gordon appeared was spot on. Her dialogue interactions with Bats are tense, in relation to the case, as well as fun and playful, when the situation called for it. Again, just as his treatment of Batman's character, Cox presents us with a balanced Barbara Gordon, making her inclusion a welcome treat!
As much as I loved seeing both Bats and Barbara, I was equally invested in the supporting characters. No one felt like cardboard or trope-ish. Everyone had roles to play within the story, and the roles were played well and memorable, even after the book was finished! Definitely well appreciated of all the effort invested in both the main characters, as well as the not-so-main folks!
I don't know that this would be considered canonical as far as Batman and the Court of Owls, but it should be! The story flows well, offering an edgy, exciting adventure that succeeds in being memorable as well as being taken as canonical! Good stuff, folks, and one not to be missed! Unless, of course, you don't like Batman, and then, well, it would just be a lot of suck! Just sayin'..
****
Cox does a brilliant job with Batman! Seriously, I wish <u>he</u> had been writing BATMAN instead of Tom King! The characterization is one that shows us the "I'm Batman!" version, as well as allowing us to see a side of him not always presented well in the comics of late: he has a human side, but he also has a dedication to see cases/mysteries through to the end, as it is what he feels he has to do for the city of Gotham, as well as her citizens. The great thing with the way Cox presented both sides was balanced, neither too much of one or the other.
I also quite liked how Cox returned to the Court of Owl's previous "lair", the one with that marbleized labyrinth and that huge marble owl statue in its center. Reading throughout, it really seemed as if Cox had spent more than enough time reading the source material, taking all of it in, and then presenting his addition to Batman's dealings with the Court of Owls. So, so brilliant!
And, while she was not in it as much as Bats, the little bit that Batgirl/Barbara Gordon appeared was spot on. Her dialogue interactions with Bats are tense, in relation to the case, as well as fun and playful, when the situation called for it. Again, just as his treatment of Batman's character, Cox presents us with a balanced Barbara Gordon, making her inclusion a welcome treat!
As much as I loved seeing both Bats and Barbara, I was equally invested in the supporting characters. No one felt like cardboard or trope-ish. Everyone had roles to play within the story, and the roles were played well and memorable, even after the book was finished! Definitely well appreciated of all the effort invested in both the main characters, as well as the not-so-main folks!
I don't know that this would be considered canonical as far as Batman and the Court of Owls, but it should be! The story flows well, offering an edgy, exciting adventure that succeeds in being memorable as well as being taken as canonical! Good stuff, folks, and one not to be missed! Unless, of course, you don't like Batman, and then, well, it would just be a lot of suck! Just sayin'..
Phillip McSween (751 KP) rated Solo: A Star Wars Story (2018) in Movies
Oct 27, 2020
Fun Ride
Solo: A Star Wars Story is the origin story of Han Solo before his life with the Rebel Alliance. What I expected to be a cheesy and lame attempt to cash in on a successful series actually turned out to be a pretty fun romp.
Acting: 10
Solid cast here with Alden Ehrenreich playing the leading man Han. He captures the vibe and feel of the character perfectly and has a charisma perfect for the screen. The rest of the cast carries their weight as well. I especially loved the voice performance of Phoebe Waller-Bridge lending her voice to the awesome droid L3-37. Her comedic timing is spot-on.
Beginning: 10
The story jumps in with a harrowing escape from the sewers of an alien planet. You are quickly thrown into the adventure at a moment’s notice and things continue to ramp up from there. My worry of this being a bad movie started to dissipate after the first ten minutes.
Characters: 10
L3-37 aside, other great characters help carry the movie as well. Paul Bettany’s Dryden Vos is a dashing antagonist, a madman who definitely puts off infinite creepy vibes. He adds flare to the story for sure. It’s also refreshing to meet a young Lando Calrissian (Donald Glover) who seems to be just as suave now as he is in the future. The creative characters fill the story with more depth than I was expecting.
Cinematography/Visuals: 10
Conflict: 10
The action is nonstop and very entertaining, never letting up for longer than a few moments. Between the numerous chase scenes and blaster battles there is always something to keep you entertained. I especially loved the train heist, so fun and heartracing at the same time.
Entertainment Value: 9
Memorability: 5
Pace: 10
Plot: 7
Outside of a couple twists and turns, the story is pretty straightforward. Don’t get me wrong, it’s still a fun ride, there was just nothing storywise that blew my mind. I do appreciate Han’s journey and his maturation as the story progresses. It makes the story worth telling. My biggest gripe was with one major coincidence in the story thrown in for the sake of advancing the plot. I won’t give anything away, I’ll just say there were better ways they could have made that connection.
Resolution: 7
Decent ending. Not in love with how it ended, but I knew things had to transpire this way in order to pave the way for future happenings in other movies. Still, I was hoping for a bit more.
Overall: 88
If you’re facing Star Wars overload and still wondering as to whether or not you want to add more movies into the mix, Solo: A Star Wars Story is a blast. I was pleasantly surprised by how well done it was done. A fun adventure from beginning to end.
Acting: 10
Solid cast here with Alden Ehrenreich playing the leading man Han. He captures the vibe and feel of the character perfectly and has a charisma perfect for the screen. The rest of the cast carries their weight as well. I especially loved the voice performance of Phoebe Waller-Bridge lending her voice to the awesome droid L3-37. Her comedic timing is spot-on.
Beginning: 10
The story jumps in with a harrowing escape from the sewers of an alien planet. You are quickly thrown into the adventure at a moment’s notice and things continue to ramp up from there. My worry of this being a bad movie started to dissipate after the first ten minutes.
Characters: 10
L3-37 aside, other great characters help carry the movie as well. Paul Bettany’s Dryden Vos is a dashing antagonist, a madman who definitely puts off infinite creepy vibes. He adds flare to the story for sure. It’s also refreshing to meet a young Lando Calrissian (Donald Glover) who seems to be just as suave now as he is in the future. The creative characters fill the story with more depth than I was expecting.
Cinematography/Visuals: 10
Conflict: 10
The action is nonstop and very entertaining, never letting up for longer than a few moments. Between the numerous chase scenes and blaster battles there is always something to keep you entertained. I especially loved the train heist, so fun and heartracing at the same time.
Entertainment Value: 9
Memorability: 5
Pace: 10
Plot: 7
Outside of a couple twists and turns, the story is pretty straightforward. Don’t get me wrong, it’s still a fun ride, there was just nothing storywise that blew my mind. I do appreciate Han’s journey and his maturation as the story progresses. It makes the story worth telling. My biggest gripe was with one major coincidence in the story thrown in for the sake of advancing the plot. I won’t give anything away, I’ll just say there were better ways they could have made that connection.
Resolution: 7
Decent ending. Not in love with how it ended, but I knew things had to transpire this way in order to pave the way for future happenings in other movies. Still, I was hoping for a bit more.
Overall: 88
If you’re facing Star Wars overload and still wondering as to whether or not you want to add more movies into the mix, Solo: A Star Wars Story is a blast. I was pleasantly surprised by how well done it was done. A fun adventure from beginning to end.
Kristy H (1252 KP) rated The Furies in Books
Sep 26, 2019
Violet joins Elm Hollow after the death of her little sister and father. It's a private girls school that has a history of magic and witchcraft thanks to an association with the 17th century witch trials. Violet finds herself drawn to three girls--Robin, Grace, and Alex. She becomes close with them, particularly Robin, and finds herself invited to an advanced study group led by their art teacher, Annabel, which goes into more depth about the witchcraft practiced at the school so long ago. The girls seem to think the magic is real, and that they can harness it. Always lurking in the background is Emily Frost--Robin's former best friend--who died before Violet came to Elm Hollow. She and Violet look very similar. As time passes, Violet starts to wonder if the witchcraft is real. And what really happened to Emily?
The girl is found dead on a swing on a playground on Elm Hollow Academy property--no known cause of death. That's how this novel opens, and then we have Violet, who tells us the story looking back, recounting her time at Elm Hollow. So the story opens dramatically and we know something has terrible happened. And that Violet makes it out okay.
"Inconclusive, they said, as though that changed the fact of it, which was this: a sixteen-year-old girl, dead on school property, without a single clue to suggest why or how."
This book should be been really good--I'm a sucker for private school tales (I thought it was a boarding school one, as well, but it wasn't)--but it just didn't work for me. I thought about putting it aside several times, but I just couldn't. I need to work on my DNF skills.
There is a lot here: two dead girls; witchcraft and the occult; mythology; friendship and coming of age--and none of it feels fully explored. A lot of the book focuses on mythology as Annabel teaches some of it to the girls (I felt myself skimming over that, and I like mythology). There's the focus on witchcraft, but it never seems fully embraced. There's a lot of violence (won't go too far for spoilers) but there are never really any consequences. It's very strange, and honestly, not the sort of YA book I'd encourage for teens.
And, then, I just didn't care for these characters. Robin is hateful, and I couldn't form a bond with Violet, our narrator. That would be all well and good if the action was enough to keep my interest, but it wasn't. The book just felt jumbled, and I wasn't interested in picking it up. Even a few late twists didn't really redeem things for me.
Lots of others have found the story powerful, however, so if you like mean girls with a side of possible witchcraft, you may enjoy this more. 2 stars.
The girl is found dead on a swing on a playground on Elm Hollow Academy property--no known cause of death. That's how this novel opens, and then we have Violet, who tells us the story looking back, recounting her time at Elm Hollow. So the story opens dramatically and we know something has terrible happened. And that Violet makes it out okay.
"Inconclusive, they said, as though that changed the fact of it, which was this: a sixteen-year-old girl, dead on school property, without a single clue to suggest why or how."
This book should be been really good--I'm a sucker for private school tales (I thought it was a boarding school one, as well, but it wasn't)--but it just didn't work for me. I thought about putting it aside several times, but I just couldn't. I need to work on my DNF skills.
There is a lot here: two dead girls; witchcraft and the occult; mythology; friendship and coming of age--and none of it feels fully explored. A lot of the book focuses on mythology as Annabel teaches some of it to the girls (I felt myself skimming over that, and I like mythology). There's the focus on witchcraft, but it never seems fully embraced. There's a lot of violence (won't go too far for spoilers) but there are never really any consequences. It's very strange, and honestly, not the sort of YA book I'd encourage for teens.
And, then, I just didn't care for these characters. Robin is hateful, and I couldn't form a bond with Violet, our narrator. That would be all well and good if the action was enough to keep my interest, but it wasn't. The book just felt jumbled, and I wasn't interested in picking it up. Even a few late twists didn't really redeem things for me.
Lots of others have found the story powerful, however, so if you like mean girls with a side of possible witchcraft, you may enjoy this more. 2 stars.
Gareth von Kallenbach (980 KP) rated The Foreigner (2017) in Movies
Jul 11, 2019
STX Films is releasing the film The Foreigner this weekend, and stars Jackie Chan and Pierce Brosnan. It is directed by Martin Campbell who also directed Casino Royale.
This film is full of action from the first few minutes on. It made me actually tear up within the first 20 minutes, when Quan, the main character, loses his daughter in a bombing.
The bombing is politically motivated, and is under investigation by British officials both in London and in Ireland. Quan just wants the names of those responsible, in order to exact revenge on the death his daughter.
Quan zeros in on Liam Hennesy (Pierce Brosnan), an ex IRA leader and current high ranking official Irish Diplomat who answers to the British government. Hennesy claims to have no knowledge of who committed the crime, but investigation reveals that the parts of the bombs are stolen from old weapons stores that only his group would have knowledge of.
Quan demands names, Hennesy repeatedly refuses, and Quan reverts to desperate and ingenious measures. He rigs up bombs out of what looks like regular groceries, inside Hennessey’s business offices and rattles Hennesy into fleeing / retreating to his farm in the countryside.
Quan follows and consistently picks off Hennessey’s men, always beating the odds in creative ways to come out ahead in the fight against men that are younger and outnumber him, at times 10 to 1.
Hennesy, meanwhile, is actually actively trying to figure out who set off the bombs, and sets up a plan to try and catch the bombers the next time they attempt a bombing, but somehow the next bomb goes off without any of the given code words that were assigned, which leads Hennesy to discover that at least one of the perpetrators is in fact directly tied to him, and helping the terrorist group.
Hennesy and the British police track down the bombers holed up in an apartment building, but Quan gets to them first and takes care of business, leaving one bomber to be able to tell the Brits where the last bomb is, and where its headed.
Whether they manage to get to the last bomb I will leave for you to find out……
I really liked the film, as did my husband. I thought that some of the Irish accents were a bit horrid, but overall the film was enjoyable, full of action, and we thought that it had a good storyline too. It had enough twists to be interesting and a few “AH HAH” moments, but not so convoluted as to be annoying.
The fact that Jackie Chan is still able to pull off hose stunts was amazing to us and we loved watching him get his revenge and overcoming seemingly impossible odds.
The only part we both we taken aback by was how “quiet” the very end of the film was. It wasn’t a big deal, but after the action of the movie it was definitely a different “feel”
This film is full of action from the first few minutes on. It made me actually tear up within the first 20 minutes, when Quan, the main character, loses his daughter in a bombing.
The bombing is politically motivated, and is under investigation by British officials both in London and in Ireland. Quan just wants the names of those responsible, in order to exact revenge on the death his daughter.
Quan zeros in on Liam Hennesy (Pierce Brosnan), an ex IRA leader and current high ranking official Irish Diplomat who answers to the British government. Hennesy claims to have no knowledge of who committed the crime, but investigation reveals that the parts of the bombs are stolen from old weapons stores that only his group would have knowledge of.
Quan demands names, Hennesy repeatedly refuses, and Quan reverts to desperate and ingenious measures. He rigs up bombs out of what looks like regular groceries, inside Hennessey’s business offices and rattles Hennesy into fleeing / retreating to his farm in the countryside.
Quan follows and consistently picks off Hennessey’s men, always beating the odds in creative ways to come out ahead in the fight against men that are younger and outnumber him, at times 10 to 1.
Hennesy, meanwhile, is actually actively trying to figure out who set off the bombs, and sets up a plan to try and catch the bombers the next time they attempt a bombing, but somehow the next bomb goes off without any of the given code words that were assigned, which leads Hennesy to discover that at least one of the perpetrators is in fact directly tied to him, and helping the terrorist group.
Hennesy and the British police track down the bombers holed up in an apartment building, but Quan gets to them first and takes care of business, leaving one bomber to be able to tell the Brits where the last bomb is, and where its headed.
Whether they manage to get to the last bomb I will leave for you to find out……
I really liked the film, as did my husband. I thought that some of the Irish accents were a bit horrid, but overall the film was enjoyable, full of action, and we thought that it had a good storyline too. It had enough twists to be interesting and a few “AH HAH” moments, but not so convoluted as to be annoying.
The fact that Jackie Chan is still able to pull off hose stunts was amazing to us and we loved watching him get his revenge and overcoming seemingly impossible odds.
The only part we both we taken aback by was how “quiet” the very end of the film was. It wasn’t a big deal, but after the action of the movie it was definitely a different “feel”