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Purple Phoenix Games (2266 KP) rated Strife: Legacy of the Eternals in Tabletop Games
Jun 12, 2019
I cannot tell you how hard it is to organize a game night with the full group. And I probably don’t have to – I’m sure you understand the struggle too. So for those times when only 2 of us are available, it’s always nice to have 2-player only games to play. But sometimes deciding on a game can cause a bit of strife…
War rages across the land as the Eternals (immortal beings) fight each other for dominance over the realm. Calling forth their chosen Champions, battle after battle is fought until one Eternal emerges victorious. Will your Champions aid you on your quest for supremacy, or will you be forced to cede to another Eternal in the end? Choose your Champions wisely, and may your legacy and power reign supreme!
Strife: Legacy of the Eternals is a competitive two-player game of perfect information – each player has an identical hand of 10 cards from which to play. At its core, Strife is like War – players simultaneously reveal their chosen card and the highest number wins that battle. Players earn Victory Points for battles won. But there’s a twist. Each card has a unique ability (Battle Ability) that, when played, can influence the total power of either your or your opponent’s card for the given turn. And that’s not all – each card also has a secondary ability (Legacy Ability) that can be used the turn after it was initially played to also influence the total power for that next turn. Strategy is key! How can you play your cards in a way that both the initial and secondary powers can benefit you? One power is immediate and one is delayed by a turn, so think carefully about how to best combo your cards/powers! Don’t forget, as a game of perfect information you also know exactly what your opponent is working with too! Use your deduction skills to determine which card they might play and figure out how to use your remaining cards to undermine their total power. The game is played over the course of 3 rounds, and the player with the most Victory Points at the end is the winner!
For a game that seems so simple, Strife actually has a steep learning curve. Every card in your hand has a unique Battle Ability AND Legacy Ability that you have to learn to successfully play. You can’t just pick this game up and play if you don’t know the powers and understand how they work. It might be a little easier to learn if there was a player reference guide for all of the powers so you could just look in one place, but there isn’t one. So I’m left flipping through all of my cards trying to find a power that I thought I saw that could maybe combo with a power on a different card. The rule sheet suggests using ONLY Legacy Abilities your first game to get a feel for the flow, which I appreciate. But when you finally add in the Battle Abilities, you have to be paying attention to 2 different powers on 2 different cards each turn and it can be confusing if you don’t fully know all of those powers.
That being said, I think this game would be great if it used ONLY a Battle Ability or ONLY a Legacy Ability. Having both just feels like too much to me. Until you understand all of the abilities, it’s hard to decide on a strategy since you don’t really know how certain powers will work with each other across different cards. I have played this game multiple times, but since I don’t play 2-player only games often, I haven’t had the opportunity to totally learn all of the powers. And if you play with someone that has never played Strife before, it feels a little unfair if YOU know the abilities and how they work while your opponent is totally in the dark. It would be a much easier game to grasp if there was only 1 power on 1 card to consider for each turn.
I got Strife from Travis when he was doing a small purge of his collection, and I can see why he was getting rid of it. It’s a part of my collection, but I can’t guarantee how long it’ll stay there. In theory, it’s a cool game. But in actual execution, it’s just a little too complicated for what I feel it should be. Give Strife a try if you want, but I don’t really think you’re missing much if you don’t. That’s why Purple Phoenix Games gives Strife a 4/12.
https://purplephoenixgames.wordpress.com/2019/03/20/strife-legacy-of-the-eternals-review/
War rages across the land as the Eternals (immortal beings) fight each other for dominance over the realm. Calling forth their chosen Champions, battle after battle is fought until one Eternal emerges victorious. Will your Champions aid you on your quest for supremacy, or will you be forced to cede to another Eternal in the end? Choose your Champions wisely, and may your legacy and power reign supreme!
Strife: Legacy of the Eternals is a competitive two-player game of perfect information – each player has an identical hand of 10 cards from which to play. At its core, Strife is like War – players simultaneously reveal their chosen card and the highest number wins that battle. Players earn Victory Points for battles won. But there’s a twist. Each card has a unique ability (Battle Ability) that, when played, can influence the total power of either your or your opponent’s card for the given turn. And that’s not all – each card also has a secondary ability (Legacy Ability) that can be used the turn after it was initially played to also influence the total power for that next turn. Strategy is key! How can you play your cards in a way that both the initial and secondary powers can benefit you? One power is immediate and one is delayed by a turn, so think carefully about how to best combo your cards/powers! Don’t forget, as a game of perfect information you also know exactly what your opponent is working with too! Use your deduction skills to determine which card they might play and figure out how to use your remaining cards to undermine their total power. The game is played over the course of 3 rounds, and the player with the most Victory Points at the end is the winner!
For a game that seems so simple, Strife actually has a steep learning curve. Every card in your hand has a unique Battle Ability AND Legacy Ability that you have to learn to successfully play. You can’t just pick this game up and play if you don’t know the powers and understand how they work. It might be a little easier to learn if there was a player reference guide for all of the powers so you could just look in one place, but there isn’t one. So I’m left flipping through all of my cards trying to find a power that I thought I saw that could maybe combo with a power on a different card. The rule sheet suggests using ONLY Legacy Abilities your first game to get a feel for the flow, which I appreciate. But when you finally add in the Battle Abilities, you have to be paying attention to 2 different powers on 2 different cards each turn and it can be confusing if you don’t fully know all of those powers.
That being said, I think this game would be great if it used ONLY a Battle Ability or ONLY a Legacy Ability. Having both just feels like too much to me. Until you understand all of the abilities, it’s hard to decide on a strategy since you don’t really know how certain powers will work with each other across different cards. I have played this game multiple times, but since I don’t play 2-player only games often, I haven’t had the opportunity to totally learn all of the powers. And if you play with someone that has never played Strife before, it feels a little unfair if YOU know the abilities and how they work while your opponent is totally in the dark. It would be a much easier game to grasp if there was only 1 power on 1 card to consider for each turn.
I got Strife from Travis when he was doing a small purge of his collection, and I can see why he was getting rid of it. It’s a part of my collection, but I can’t guarantee how long it’ll stay there. In theory, it’s a cool game. But in actual execution, it’s just a little too complicated for what I feel it should be. Give Strife a try if you want, but I don’t really think you’re missing much if you don’t. That’s why Purple Phoenix Games gives Strife a 4/12.
https://purplephoenixgames.wordpress.com/2019/03/20/strife-legacy-of-the-eternals-review/
kitty ♡ (68 KP) rated Thirteen Reasons Why in Books
Feb 15, 2018
Unsettling. Troubling. Heart-breaking.
Contains spoilers, click to show
Thirteen Reasons Why is a heart-wrenching story of young tragedy and all of the ways a girl's death could have been prevented.
When I first read this book, I was 18 years old, and feeling exactly like how Hannah was feeling: depressed and alone. I could hardly get out of bed and drag myself to school, often times wishing I was dead. Despite constantly being around people, I didn't feel loved. I didn't feel like people really wanted me around. So, when I first read this book, I absolutely loved it because I felt exactly how she felt.
After being discontented with the series Netflix released in 2017, I decided to revisit this book, with the criticisms the Internet had given the show and book in mind. Those criticisms didn't make me hate the book or the concept, it just simply opened my mind to how harmful it may be, and it also helped me focus on the true intent of the book: to show people how their actions affect others.
I will agree that this book glamorizes suicide. It does. If you look at the surface of the premise, it basically reads as: "Girl kills herself and makes the tapes to get revenge on those who've hurt her and contributed to her pain. So, if you want to get back at your bullies, kill yourself and blame it on them." There's a lot of finger pointing happening in the book, even beyond the surface, but like I said, the intent of the book is to show people how their actions affect others, and it does. While it's not as explicit, since it was limited to Clay's point of view, there are little hints that show how the other characters, the other people on the tape, are affected. A character (Alex, I think?) was being pushed against a locker, Tyler's window was a target for people throwing rocks, Marcus going out and watching others target Tyler.
Clay Jensen is an incredibly realistic character, and Jay Asher's done a great job of writing his and Hannah's voice. Clay's the perfect in-between character because that's where he stands in school. Unpopular, but still known, he's welcomed at parties, yet he doesn't always go to them. A "nerdy" type but not entirely stuck with that label. What I love most about this book was Clay's part on the tapes, and how even Hannah claims he doesn't deserve this, that he doesn't belong on the list. But he's on it because she needs to tell the story fully.
When it comes to the potential of a Clay/Hannah romance, the most realistic quote is: "What if you weren't the person I hoped you were?" That particular quote resonated with me because I'm sure we've all felt the same at one point or another. We've all had these crushes for someone we don't know, and so we absorb the little information (most likely rumors) that float around about them, and hope that they're the person we come to think they are. I'm guilty of doing this, which made the Clay and Hannah relationship more painful. Because she wasn't like that, and he never got the chance.
There was something about the ending that got me. How Clay picked up on all of Skye's signs, and so after the tapes, he calls her name and he (from what we can presume) acts kindly toward her. He wants to be there for her so the same thing that happened to Hannah wouldn't happen to her. He feels hopeful that maybe he can help Skye, which is nice.
Overall, I did enjoy my revisit of this book. Jay Asher has created some of the most interesting characters, from Clay and Hannah, to Skye, Jessica, Justin, Sherry, Marcus, and Courtney. A lot of their actions are realistic, which is what is haunting about the book. I hate reading those criticisms talking about what they (the critics) would've done, because you don't know! You're not sure! While I do wish Hannah hadn't actually committed suicide, that there had been a plot twist, this book certainly resonated with me because I know exactly how Hannah felt. I may not have been bullied to such an extent, but the exhaustion, the desperate need to let go, I felt that.
P.s. Please don't say that this book or the Netflix series helped you to realize that you need to be nice to people. If you needed a book or a series to realize that, I hope you get the help you need.
When I first read this book, I was 18 years old, and feeling exactly like how Hannah was feeling: depressed and alone. I could hardly get out of bed and drag myself to school, often times wishing I was dead. Despite constantly being around people, I didn't feel loved. I didn't feel like people really wanted me around. So, when I first read this book, I absolutely loved it because I felt exactly how she felt.
After being discontented with the series Netflix released in 2017, I decided to revisit this book, with the criticisms the Internet had given the show and book in mind. Those criticisms didn't make me hate the book or the concept, it just simply opened my mind to how harmful it may be, and it also helped me focus on the true intent of the book: to show people how their actions affect others.
I will agree that this book glamorizes suicide. It does. If you look at the surface of the premise, it basically reads as: "Girl kills herself and makes the tapes to get revenge on those who've hurt her and contributed to her pain. So, if you want to get back at your bullies, kill yourself and blame it on them." There's a lot of finger pointing happening in the book, even beyond the surface, but like I said, the intent of the book is to show people how their actions affect others, and it does. While it's not as explicit, since it was limited to Clay's point of view, there are little hints that show how the other characters, the other people on the tape, are affected. A character (Alex, I think?) was being pushed against a locker, Tyler's window was a target for people throwing rocks, Marcus going out and watching others target Tyler.
Clay Jensen is an incredibly realistic character, and Jay Asher's done a great job of writing his and Hannah's voice. Clay's the perfect in-between character because that's where he stands in school. Unpopular, but still known, he's welcomed at parties, yet he doesn't always go to them. A "nerdy" type but not entirely stuck with that label. What I love most about this book was Clay's part on the tapes, and how even Hannah claims he doesn't deserve this, that he doesn't belong on the list. But he's on it because she needs to tell the story fully.
When it comes to the potential of a Clay/Hannah romance, the most realistic quote is: "What if you weren't the person I hoped you were?" That particular quote resonated with me because I'm sure we've all felt the same at one point or another. We've all had these crushes for someone we don't know, and so we absorb the little information (most likely rumors) that float around about them, and hope that they're the person we come to think they are. I'm guilty of doing this, which made the Clay and Hannah relationship more painful. Because she wasn't like that, and he never got the chance.
There was something about the ending that got me. How Clay picked up on all of Skye's signs, and so after the tapes, he calls her name and he (from what we can presume) acts kindly toward her. He wants to be there for her so the same thing that happened to Hannah wouldn't happen to her. He feels hopeful that maybe he can help Skye, which is nice.
Overall, I did enjoy my revisit of this book. Jay Asher has created some of the most interesting characters, from Clay and Hannah, to Skye, Jessica, Justin, Sherry, Marcus, and Courtney. A lot of their actions are realistic, which is what is haunting about the book. I hate reading those criticisms talking about what they (the critics) would've done, because you don't know! You're not sure! While I do wish Hannah hadn't actually committed suicide, that there had been a plot twist, this book certainly resonated with me because I know exactly how Hannah felt. I may not have been bullied to such an extent, but the exhaustion, the desperate need to let go, I felt that.
P.s. Please don't say that this book or the Netflix series helped you to realize that you need to be nice to people. If you needed a book or a series to realize that, I hope you get the help you need.
Heather Cranmer (2721 KP) rated A Brand New Ending in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I really wanted to enjoy this book especially since I enjoy books that are set in an asylum. For the first half, I really enjoyed the book, but the second half read more like an erotica, and I just couldn't finish it once I got to about 71%.
After being abused by her step-father since 15, Phoenix attempts to kill herself after jumping off a bridge. She is placed in an asylum to make sure she gets better. There she meets Braeden and feels drawn to him. Braeden also feels drawn to Phoenix and doesn't know why.
I thought the title was an interesting one. It definitely caught my attention! I love it!
The cover is a bit bland, but it still caught my attention. The lost girl on the front is what I loved about it.
I think the world building would have been a lot better had there not been insta-love. Phoenix and Braeden instantly feel drawn to each other, and they're automatically in love. This really annoyed me! Also, if an aide in an asylum pursues a relationship with a patient, that aide could/would be fired for misconduct. However, Braeden never gets in trouble even though a lot of people know about him and Phoenix.
The pacing goes back and forth between being slow and decent. For the most part, it is decent, but there were a few bits where the pacing slows down a lot, especially as we keep getting told how much Braeden and Phoenix "love" each other. Their feelings for each other are mentioned a lot which I felt was quite redundant.
The plot of the damsel in distress and the knight in shining armor has been done before, and I liked the fact it was set in an asylum. I'm always intrigued by mental disorders and what not. That was the plot for the first half of the book. In the second half of the book, the plot just went to how much sex could Braeden and Phoenix have.
In the second half, all Braeden and Phoenix did was have sex...graphically!! I felt like I was reading a whole different book! I felt like this book went from a sweet contemporary romance to an erotica book! It seemed every other sentences was about them having sex or thinking sexual thoughts. This is what really put me off the book, so at 71%, during another erotic sex scene, I stopped reading. I don't do erotica books. I really wish I had known this book has very graphic sex scenes and a lot of them because then I wouldn't have even bothered wasting my time.
I couldn't really connect to the characters. I kind of liked Phoenix, but there was just something missing with her. I really couldn't feel anything emotionally when it came to her. I did at the beginning, but she just became sort of a dull character. Braeden just annoyed me for some reason. Maybe it was the fact that his swearing was over the top or that he abused his position of authority. He tried to hard to come across as a bad boy a lot of the time, and it just wasn't working. I did like Rain though, and I would've loved to hear more about her.
The dialogue wasn't working. There was way too much swearing, and most of it didn't feel natural. Braeden was the one who swore the most, and it was like every other word was the f word. Braeden's friends swore, Phoenix swore, the doctor/Braeden's father swore...practically every character mentioned in this book swore. With all the swearing, the majority of the dialogue felt very forced and very fake.
Overall, A Brand New Ending by S.A. Rolls just didn't do it for me. The dialogue felt too forced, and I felt like I had picked up an erotica novel even though it's not labelled as such. However, this book has got a lot of great reviews, so perhaps I'm just too much of a prude.
I'd only recommend this book to those who are 18+ who enjoy reading erotica.
<b>I'd give A Brand New Ending by S.A. Rolls a 1.5 out of 5. </b>
(I received a free ecopy of this book in exchange for a fair and honest review).
I really wanted to enjoy this book especially since I enjoy books that are set in an asylum. For the first half, I really enjoyed the book, but the second half read more like an erotica, and I just couldn't finish it once I got to about 71%.
After being abused by her step-father since 15, Phoenix attempts to kill herself after jumping off a bridge. She is placed in an asylum to make sure she gets better. There she meets Braeden and feels drawn to him. Braeden also feels drawn to Phoenix and doesn't know why.
I thought the title was an interesting one. It definitely caught my attention! I love it!
The cover is a bit bland, but it still caught my attention. The lost girl on the front is what I loved about it.
I think the world building would have been a lot better had there not been insta-love. Phoenix and Braeden instantly feel drawn to each other, and they're automatically in love. This really annoyed me! Also, if an aide in an asylum pursues a relationship with a patient, that aide could/would be fired for misconduct. However, Braeden never gets in trouble even though a lot of people know about him and Phoenix.
The pacing goes back and forth between being slow and decent. For the most part, it is decent, but there were a few bits where the pacing slows down a lot, especially as we keep getting told how much Braeden and Phoenix "love" each other. Their feelings for each other are mentioned a lot which I felt was quite redundant.
The plot of the damsel in distress and the knight in shining armor has been done before, and I liked the fact it was set in an asylum. I'm always intrigued by mental disorders and what not. That was the plot for the first half of the book. In the second half of the book, the plot just went to how much sex could Braeden and Phoenix have.
In the second half, all Braeden and Phoenix did was have sex...graphically!! I felt like I was reading a whole different book! I felt like this book went from a sweet contemporary romance to an erotica book! It seemed every other sentences was about them having sex or thinking sexual thoughts. This is what really put me off the book, so at 71%, during another erotic sex scene, I stopped reading. I don't do erotica books. I really wish I had known this book has very graphic sex scenes and a lot of them because then I wouldn't have even bothered wasting my time.
I couldn't really connect to the characters. I kind of liked Phoenix, but there was just something missing with her. I really couldn't feel anything emotionally when it came to her. I did at the beginning, but she just became sort of a dull character. Braeden just annoyed me for some reason. Maybe it was the fact that his swearing was over the top or that he abused his position of authority. He tried to hard to come across as a bad boy a lot of the time, and it just wasn't working. I did like Rain though, and I would've loved to hear more about her.
The dialogue wasn't working. There was way too much swearing, and most of it didn't feel natural. Braeden was the one who swore the most, and it was like every other word was the f word. Braeden's friends swore, Phoenix swore, the doctor/Braeden's father swore...practically every character mentioned in this book swore. With all the swearing, the majority of the dialogue felt very forced and very fake.
Overall, A Brand New Ending by S.A. Rolls just didn't do it for me. The dialogue felt too forced, and I felt like I had picked up an erotica novel even though it's not labelled as such. However, this book has got a lot of great reviews, so perhaps I'm just too much of a prude.
I'd only recommend this book to those who are 18+ who enjoy reading erotica.
<b>I'd give A Brand New Ending by S.A. Rolls a 1.5 out of 5. </b>
(I received a free ecopy of this book in exchange for a fair and honest review).
Housewife of Horror (12 KP) rated The Canal (2014) in Movies
Aug 25, 2018
Contains spoilers, click to show
The Canal (2014)
Platform: Shudder
Genre: Horror
Country: Ireland (IFB)
Running Time: 92 minutes
Written and Directed by: Ivan Kavanagh
Release Date: April 18th 2014 (Tribeca Film Festival)
Cast: Rupert Evans; Steve Oram; Antonia Campbell-Hughes; Hannah Hoekstra
After found footage, psychological horror films are a favorite of mine. I love how they pull you into the story, how up is down, left is right, I love to be enveloped by the plot. That tingly feeling I get on the back of my neck, the hairs standing up, I know then it has me in it’s clutches. I had that feeling with The Canal.
David (Rupert Evans) works as a film archivist, he is given a reel of footage from the police archives to watch and subsequently archive by his work colleague and close friend Claire (Antonia Campbell-Hughes), which turns out to be old crime scene footage of he and his wife’s current home. It was the scene of a shocking crime in 1902, the brutal murder of a cheating wife, their children and the nanny by the enraged father.
David suspects his wife Alice (Hannah Hoekstra) of having an affair, so he decides to follow her one night, only to unfortunately confirm his suspicions. He watches Alice while she is with her lover, and then picking up a hammer, he appears to mull over the idea of using it, only to quickly come to his senses. Walking away, he throws the hammer in to the canal on the way back to their marital home, where he has left their young son asleep in bed, alone in the house.
David, feeling sick from what he witnessed, as well as what he had considered doing about it, runs into the (quite dirty) canal-side public toilets. He hears something or someone coming in after him, and then see’s them, their feet, under the stall door, followed by fingers appearing to creep over the top of the door. He then proceeds to suffer from quite nightmarish visions that include the man, the husband, from the 1902 crime scene footage. He seems to be taunting David, whispering things to him. David, in a state of distress, manages to crawl outside, where he then witnesses what appears to be his wife being thrown into the canal; he just can’t see it very clearly or coherently. He later comes round on the floor of the bathroom, unnerved and disheveled, and makes his way home. The next morning, when he realises that Alice has not come home that night, David goes to the local police station to report her missing. Obviously, the police suspect David, “It’s always the husband” says the (inept) detective on the case.
The plot twists and turns, is it David? Is it the entity? Some great revelations about the grim history of the house come up throughout. It’s an interesting watch that comes to a disturbing conclusion.
A great little scene, that made me believe David was the killer, was during one of his viewings of the old footage. He stood up, in front of the projector, silhouetting him in front of the screen, making him appear to be a dark shadow. To me, this was the directors’ nod to David’s darkness within.
The Canal is a great psychological horror; it does very well to dig itself under your skin as you watch, and drag you in to this nightmare that David’s life has turned into. I was really impressed with the performance of Rupert Evans, tormented and devastated, he made David’s pain almost tangible. Watching him seemingly fall further into madness as the story progressed was quite frightening. I really felt for the nanny, she is a totally innocent girl who just wants to protect David and Alice’s son Billy, and can’t leave even when she knows she should. She gets dragged deeper and deeper in to the madness; everyone close to David is brought into this waking nightmare.
The ending is well, quite creepy and rather disturbing as I have said earlier. The story feels to me to have come full circle, and you can envision that it is a tormenting nightmare that will repeat itself over and over with future residents of the house for years to come.
4/5 – It’s rather worth a look if you like a good psychological horror
Lesley-Ann (Housewife of Horror)
Platform: Shudder
Genre: Horror
Country: Ireland (IFB)
Running Time: 92 minutes
Written and Directed by: Ivan Kavanagh
Release Date: April 18th 2014 (Tribeca Film Festival)
Cast: Rupert Evans; Steve Oram; Antonia Campbell-Hughes; Hannah Hoekstra
After found footage, psychological horror films are a favorite of mine. I love how they pull you into the story, how up is down, left is right, I love to be enveloped by the plot. That tingly feeling I get on the back of my neck, the hairs standing up, I know then it has me in it’s clutches. I had that feeling with The Canal.
David (Rupert Evans) works as a film archivist, he is given a reel of footage from the police archives to watch and subsequently archive by his work colleague and close friend Claire (Antonia Campbell-Hughes), which turns out to be old crime scene footage of he and his wife’s current home. It was the scene of a shocking crime in 1902, the brutal murder of a cheating wife, their children and the nanny by the enraged father.
David suspects his wife Alice (Hannah Hoekstra) of having an affair, so he decides to follow her one night, only to unfortunately confirm his suspicions. He watches Alice while she is with her lover, and then picking up a hammer, he appears to mull over the idea of using it, only to quickly come to his senses. Walking away, he throws the hammer in to the canal on the way back to their marital home, where he has left their young son asleep in bed, alone in the house.
David, feeling sick from what he witnessed, as well as what he had considered doing about it, runs into the (quite dirty) canal-side public toilets. He hears something or someone coming in after him, and then see’s them, their feet, under the stall door, followed by fingers appearing to creep over the top of the door. He then proceeds to suffer from quite nightmarish visions that include the man, the husband, from the 1902 crime scene footage. He seems to be taunting David, whispering things to him. David, in a state of distress, manages to crawl outside, where he then witnesses what appears to be his wife being thrown into the canal; he just can’t see it very clearly or coherently. He later comes round on the floor of the bathroom, unnerved and disheveled, and makes his way home. The next morning, when he realises that Alice has not come home that night, David goes to the local police station to report her missing. Obviously, the police suspect David, “It’s always the husband” says the (inept) detective on the case.
The plot twists and turns, is it David? Is it the entity? Some great revelations about the grim history of the house come up throughout. It’s an interesting watch that comes to a disturbing conclusion.
A great little scene, that made me believe David was the killer, was during one of his viewings of the old footage. He stood up, in front of the projector, silhouetting him in front of the screen, making him appear to be a dark shadow. To me, this was the directors’ nod to David’s darkness within.
The Canal is a great psychological horror; it does very well to dig itself under your skin as you watch, and drag you in to this nightmare that David’s life has turned into. I was really impressed with the performance of Rupert Evans, tormented and devastated, he made David’s pain almost tangible. Watching him seemingly fall further into madness as the story progressed was quite frightening. I really felt for the nanny, she is a totally innocent girl who just wants to protect David and Alice’s son Billy, and can’t leave even when she knows she should. She gets dragged deeper and deeper in to the madness; everyone close to David is brought into this waking nightmare.
The ending is well, quite creepy and rather disturbing as I have said earlier. The story feels to me to have come full circle, and you can envision that it is a tormenting nightmare that will repeat itself over and over with future residents of the house for years to come.
4/5 – It’s rather worth a look if you like a good psychological horror
Lesley-Ann (Housewife of Horror)
Chris Sawin (602 KP) rated Antikörper (Antibodies) (2007) in Movies
Jun 18, 2019
A serial killer named Gabriel Engel (André Hennicke, Pandorum) that the police have been after for months has finally been captured. This is where most stories would end happily ever after, but instead this is how Antibodies begins. Michael Martens (Wotan Wilke Möhring, Valkyrie), a cop from a small, rural town had an unsolved case from a year ago concerning a 12-year-old girl named Lucia Flieder and Michael intends to interrogate Gabriel in hopes of a confession for her murder.
Gabriel already admitted to being in the area around the time of Lucia’s death, but her murder doesn’t entirely fit his M.O. But Michael plays right into Gabriel’s hands and becomes the pawn in his sick, psychological game as he’s able to get into Michael’s head from the moment they meet and remains there until the credits roll. The question isn’t, “Will Michael be able to find what he’s looking for?” but is instead, “Will Michael be able to survive the cerebral hedge maze Gabriel has thrown him into?”
Written and directed by Christian Alvart (Case 39, Pandorum), Antibodies is a German crime drama thriller that is worth seeing for André Hennicke’s performance alone. His portrayal of Gabriel is psychotic, disturbing, and extraordinarily mesmerizing as he steals nearly every scene he’s in. Hennicke embodies Gabriel and brings the character to life in all of his monstrously disquieting glory. There’s a brief sequence where Gabriel is drawing in his cell and he slowly starts pulling out his hair. There’s no dialogue, but Hennicke is able to pull it off with such terrifying elegance that it is incredible to witness.
Wotan Wilke Möhring is also quite impressive as Michael Martens. Michael struggles with the mental obstacles Gabriel throws at him throughout the film. Möhring is fantastically efficient at portraying a man who devoted his life to being an abiding citizen that is also committed to his religion. He cares deeply about his family and is now slowly losing his grip on his so-called perfect life. The interrogation scenes between Michael and Gabriel seem to simultaneously be homage to The Silence of the Lambs while also offering something different with its complete mastery of tension and Gabriel’s ulterior motives ring loudly upon the audience yet fall on deaf ears to a gullible Michael.
The religious parallels are incredibly interesting and deserve recognition, as well. The film has a tendency to not only reveal these parallels, but dives into them in a way that is easy to understand for the audience; the similarities between Michael and the archangel Gabriel are uncanny. The ending involving the test Gabriel gives Michael is all a part of a twisted game Gabriel plays and the web he’s spun has managed to get Michael tangled up in it. The film makes you think you know where it’s headed before it takes an unexpected detour and ends up going in the opposite direction.
Perhaps the most unusual aspect of the film is the involvement of Norman Reedus. The Wikipedia entry for Antibodies is still so bare, but apparently Reedus did his part in the film for free. Before The Walking Dead came along, Reedus was known best for his roles in The Boondock Saints, 8MM, Blade II, and the John Carpenter directed Masters of Horror episode, “Cigarette Burns.” Reedus has always taken part in projects that are unusual, but typically turn out to be fairly awesome. It was a great change of pace to see him show up and speak a few lines of German without a crossbow or a motorcycle.
Antibodies isn’t without its flaws as its script is often juvenile with the way it references sex and pleasuring yourself way more often than it should. The German thriller is still able to capitalize on a wonderfully tense and magnificently unsettling atmosphere with two incredibly strong leads that make the whole journey worthwhile. The story is riveting despite a few hiccups, the cast is top notch, the cinematography is excellent, and its unpredictable outcome is brilliant.
Antibodies is currently streaming on Amazon Video and Vudu for $2.99. The 2-disc special edition DVD is available for $24.98 on Amazon while the standard DVD is between $19.99 and $43.41. The film is available on DVD for various prices on eBay with the best offers being a pre-owned version of the single disc edition for $5.39 (10% off its normal $5.99 price) and the two-disc edition for $18.24; both have free shipping.
Gabriel already admitted to being in the area around the time of Lucia’s death, but her murder doesn’t entirely fit his M.O. But Michael plays right into Gabriel’s hands and becomes the pawn in his sick, psychological game as he’s able to get into Michael’s head from the moment they meet and remains there until the credits roll. The question isn’t, “Will Michael be able to find what he’s looking for?” but is instead, “Will Michael be able to survive the cerebral hedge maze Gabriel has thrown him into?”
Written and directed by Christian Alvart (Case 39, Pandorum), Antibodies is a German crime drama thriller that is worth seeing for André Hennicke’s performance alone. His portrayal of Gabriel is psychotic, disturbing, and extraordinarily mesmerizing as he steals nearly every scene he’s in. Hennicke embodies Gabriel and brings the character to life in all of his monstrously disquieting glory. There’s a brief sequence where Gabriel is drawing in his cell and he slowly starts pulling out his hair. There’s no dialogue, but Hennicke is able to pull it off with such terrifying elegance that it is incredible to witness.
Wotan Wilke Möhring is also quite impressive as Michael Martens. Michael struggles with the mental obstacles Gabriel throws at him throughout the film. Möhring is fantastically efficient at portraying a man who devoted his life to being an abiding citizen that is also committed to his religion. He cares deeply about his family and is now slowly losing his grip on his so-called perfect life. The interrogation scenes between Michael and Gabriel seem to simultaneously be homage to The Silence of the Lambs while also offering something different with its complete mastery of tension and Gabriel’s ulterior motives ring loudly upon the audience yet fall on deaf ears to a gullible Michael.
The religious parallels are incredibly interesting and deserve recognition, as well. The film has a tendency to not only reveal these parallels, but dives into them in a way that is easy to understand for the audience; the similarities between Michael and the archangel Gabriel are uncanny. The ending involving the test Gabriel gives Michael is all a part of a twisted game Gabriel plays and the web he’s spun has managed to get Michael tangled up in it. The film makes you think you know where it’s headed before it takes an unexpected detour and ends up going in the opposite direction.
Perhaps the most unusual aspect of the film is the involvement of Norman Reedus. The Wikipedia entry for Antibodies is still so bare, but apparently Reedus did his part in the film for free. Before The Walking Dead came along, Reedus was known best for his roles in The Boondock Saints, 8MM, Blade II, and the John Carpenter directed Masters of Horror episode, “Cigarette Burns.” Reedus has always taken part in projects that are unusual, but typically turn out to be fairly awesome. It was a great change of pace to see him show up and speak a few lines of German without a crossbow or a motorcycle.
Antibodies isn’t without its flaws as its script is often juvenile with the way it references sex and pleasuring yourself way more often than it should. The German thriller is still able to capitalize on a wonderfully tense and magnificently unsettling atmosphere with two incredibly strong leads that make the whole journey worthwhile. The story is riveting despite a few hiccups, the cast is top notch, the cinematography is excellent, and its unpredictable outcome is brilliant.
Antibodies is currently streaming on Amazon Video and Vudu for $2.99. The 2-disc special edition DVD is available for $24.98 on Amazon while the standard DVD is between $19.99 and $43.41. The film is available on DVD for various prices on eBay with the best offers being a pre-owned version of the single disc edition for $5.39 (10% off its normal $5.99 price) and the two-disc edition for $18.24; both have free shipping.
Darren (1599 KP) rated A Scanner Darkly (2006) in Movies
Jun 20, 2019
Story: A Scanner Darkly starts by introducing us to Charles Freck (Cochrane) a man being pestered by bugs while on a new drug. Calling a friend James Barris (Downey Jr) for advice they plan to meet to look at the bugs. Skip to the Police who are trying to crack down on narcotics with a new undercover suit worn b Officer Fred (Reeves) as he goes undercover to fight the war on narcotics. Substance D is the new drug on the streets that they are most trying to stop taking a hold on the users.
Officer Fred is undercover with dealer Donna (Ryder) using his alias Bob Arctor who is a suspect he is meant to be after, he also knows Charles and James along with follower stoner Ernie Luckman (Harrelson). We watch as Officer Fred starts to lose his mind as he struggles to deal with the different realities the drug world is leaving him in. Fred has to work out who to trust and why the police are after him as well as why Barris is trying to sell him out.
A Scanner Darkly is one of those films that really pulls you in to start with but in the end fizzles out, it is a shame because the idea was a good concept but it doesn’t give us enough potential surprises like who Hank is, it is clear who early on. The subject looks at how the drugs can affect the people who are just undercover rather than the ones who are who are the stoners. I think more focus on who and what is really going on should have been had because the end feels empty rather than concluded. (6/10)
Actor Review
Robert Downey Jr: James Barris one of the stoners who believes he is smarter than the rest of them. He wants to out one of his group not knowing he is the guy undercover. Robert does a good job in what was one of his recovery roles. (7/10)
robert
Keanu Reeves: Bob Arctor/Officer Fred the undercover cop whose identity is a secret to the force while he gets close to the dealers. Keanu does a good job in a role you wouldn’t imagine him in. (7/10)
keanu
Winona Ryder: Donna Hawthorne main dealer and girlfriend of Bob, she keeps the guys hooked up. Winona does a good job but doesn’t get enough screen time. (6/10)
winoan
Woody Harrelson: Ernie Luckman one of the stoners who gets all philosophical whenever high. Woody makes for a solid supporting character but needed more screen time. (5/10)
Rory Cochrane: Charles Freck the man who gets most affected by the substance D who starts seeing things before anybody else and is always the fear of what the group could become. Rory does a good job and as for that opening scene that really pulls you in and you want to see more of his character. (8/10)
rory
Support Cast: A Scanner Darkly only has supporting characters working in the police be it officers or doctors checking on Fred. They all help try to show his better side rather than his drug side.
Director Review: Richard Linklater – Richard has become one of the biggest names in Hollywood this year and this showed that he is a visionary director. (8/10)
Animation: A Scanner Darkly is very original with its style of animation which makes the story be able to go in direction that wouldn’t be possible if it was just one or the other. (9/10)
Mystery: A Scanner Darkly tries to keep you guessing but sadly doesn’t keep it up enough of the way through the film. (6/10)
Thriller: A Scanner Darkly keeps you wondering but never pushes you to the edge like it could. (6/10)
Settings: A Scanner Darkly settings are created well throughout the film. (7/10)
Special Effects: A Scanner Darkly uses both brilliant special effects and animation to create a unique look for the film. (8/10)
Suggestion: A Scanner Darkly is one to try it isn’t the most perfect film but the visual could be rewarding. (Try It)
Best Part: Visuals.
Worst Part: Fizzles out near the end.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Box Office: $7.6 Million
Budget: $8.5 Million
Runtime: 1 Hour 40 Minutes
Tagline: Everything Is Not Going To Be OK
Overall: Brave Idea
https://moviesreview101.com/2015/02/28/a-scanner-darkly-2006/
Officer Fred is undercover with dealer Donna (Ryder) using his alias Bob Arctor who is a suspect he is meant to be after, he also knows Charles and James along with follower stoner Ernie Luckman (Harrelson). We watch as Officer Fred starts to lose his mind as he struggles to deal with the different realities the drug world is leaving him in. Fred has to work out who to trust and why the police are after him as well as why Barris is trying to sell him out.
A Scanner Darkly is one of those films that really pulls you in to start with but in the end fizzles out, it is a shame because the idea was a good concept but it doesn’t give us enough potential surprises like who Hank is, it is clear who early on. The subject looks at how the drugs can affect the people who are just undercover rather than the ones who are who are the stoners. I think more focus on who and what is really going on should have been had because the end feels empty rather than concluded. (6/10)
Actor Review
Robert Downey Jr: James Barris one of the stoners who believes he is smarter than the rest of them. He wants to out one of his group not knowing he is the guy undercover. Robert does a good job in what was one of his recovery roles. (7/10)
robert
Keanu Reeves: Bob Arctor/Officer Fred the undercover cop whose identity is a secret to the force while he gets close to the dealers. Keanu does a good job in a role you wouldn’t imagine him in. (7/10)
keanu
Winona Ryder: Donna Hawthorne main dealer and girlfriend of Bob, she keeps the guys hooked up. Winona does a good job but doesn’t get enough screen time. (6/10)
winoan
Woody Harrelson: Ernie Luckman one of the stoners who gets all philosophical whenever high. Woody makes for a solid supporting character but needed more screen time. (5/10)
Rory Cochrane: Charles Freck the man who gets most affected by the substance D who starts seeing things before anybody else and is always the fear of what the group could become. Rory does a good job and as for that opening scene that really pulls you in and you want to see more of his character. (8/10)
rory
Support Cast: A Scanner Darkly only has supporting characters working in the police be it officers or doctors checking on Fred. They all help try to show his better side rather than his drug side.
Director Review: Richard Linklater – Richard has become one of the biggest names in Hollywood this year and this showed that he is a visionary director. (8/10)
Animation: A Scanner Darkly is very original with its style of animation which makes the story be able to go in direction that wouldn’t be possible if it was just one or the other. (9/10)
Mystery: A Scanner Darkly tries to keep you guessing but sadly doesn’t keep it up enough of the way through the film. (6/10)
Thriller: A Scanner Darkly keeps you wondering but never pushes you to the edge like it could. (6/10)
Settings: A Scanner Darkly settings are created well throughout the film. (7/10)
Special Effects: A Scanner Darkly uses both brilliant special effects and animation to create a unique look for the film. (8/10)
Suggestion: A Scanner Darkly is one to try it isn’t the most perfect film but the visual could be rewarding. (Try It)
Best Part: Visuals.
Worst Part: Fizzles out near the end.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Box Office: $7.6 Million
Budget: $8.5 Million
Runtime: 1 Hour 40 Minutes
Tagline: Everything Is Not Going To Be OK
Overall: Brave Idea
https://moviesreview101.com/2015/02/28/a-scanner-darkly-2006/
Jessica - Where the Book Ends (15 KP) rated The Astonishing Color of After in Books
Jan 30, 2019
FEELS!!!!!!!! ALL THE FEELS!!!!!!!!!! The Astonishing Color of After brought to light feelings for me that I didn’t know I was feeling. I cried tears I didn’t know I needed to cry. This book resonated with me in ways I’ve never experience before while reading. This book rebroke my heart but it also healed it in ways I couldn’t heal myself.
Let me start at the beginning… Leigh’s mother commits suicide. Her mom’s name is Dorothy and goes by Dory for short. While my mom didn’t commit suicide, she did die unexpectedly in August of 2016. I know, I know you’re thinking what does this have to do with the book but just put your patient pants on. My mom’s name was Doria, and she went by Dory. While Leigh was lucky enough to be the one that didn’t find her mom, I wasn’t lucky enough to have the same luxury. I could relate to how Leigh was feeling on so many levels. So much so, it felt like the author had interviewed me and then written the book based on that interview. Leigh feels like she is to blame partly for her mother’s death. She feels like if she would have only done x better, if only she’d been in y place at z time she would have been able to save her mom. I know because I had these same thoughts and still do until this day. After reading this book and realizing there just wasn’t anything I could have done to change the outcome of what was destined to happen. But just because my mom isn’t physically here anymore doesn’t mean she’s gone forever. I still see her in myself every time I look in the mirror. She is always with me.
The magical realism aspect of this book brought the journey and the imagery to life for me. I could picture this big beautiful red bird soaring around Leigh. The more I read of this book the more I found myself looking to the sky to see what is out there for me, and then I realized that looking to the sky is something that I’ve done since the day my mom died. I find myself looking around at the clouds and the sky seeing if there is a trace of her looking down on me. Now my favorite time to look to the sky is at night and I imagine her as one of the stars looming overhead keeping an eye on me.
The characters in this book are so real. Leigh, her grandparents, her dad, and Axel. Though, I must admit I feel as though the story could have been just as good without Axel. Sometimes he just seemed to crowd the story and take away from what was happening. I think my most favorite character was Feng, and all the she represents. I absolutely loved this aspect of the book. I also loved Ghost Month as this was something I had never heard of before and it and it reminds me of one of my other favorite holidays El Dia de los Muertos. I loved learning about the Taiwanese culture.
The way the author wove this story together through her words brought the magic and the storytelling to life. Her writing style worked extremely well for the subject of this story and I can’t wait to see what she is going to write in the future. The only aspect of this story that just didn’t mesh for me was all the colors sprinkled throughout the story. Honestly though, that is such a minute detail that it’s barely worth mentioning.
As you can see this story hit me very close to home, and I am so incredibly grateful to the author for writing it. It rebroke my heart and then helped to heal that same broken heart.
Now, on to the important bits… Suicide… If you are ever in a position where you feel that you just absolutely can’t go on do me one solid. Pause. Pick up your phone, and text HELP to 741741. This is the number for the Crisis Text Line. You will be connected to one of their trained Crisis Counselors. I am a trained Crisis Counselor on the CTL and I can guarantee you that you are not alone in how you’re feeling. Ask for help, we’re here to listen, we’re trained to help you. You are not alone. Just remember 741741 and HELP. That’s all it takes and someone will be there for you.
Let me start at the beginning… Leigh’s mother commits suicide. Her mom’s name is Dorothy and goes by Dory for short. While my mom didn’t commit suicide, she did die unexpectedly in August of 2016. I know, I know you’re thinking what does this have to do with the book but just put your patient pants on. My mom’s name was Doria, and she went by Dory. While Leigh was lucky enough to be the one that didn’t find her mom, I wasn’t lucky enough to have the same luxury. I could relate to how Leigh was feeling on so many levels. So much so, it felt like the author had interviewed me and then written the book based on that interview. Leigh feels like she is to blame partly for her mother’s death. She feels like if she would have only done x better, if only she’d been in y place at z time she would have been able to save her mom. I know because I had these same thoughts and still do until this day. After reading this book and realizing there just wasn’t anything I could have done to change the outcome of what was destined to happen. But just because my mom isn’t physically here anymore doesn’t mean she’s gone forever. I still see her in myself every time I look in the mirror. She is always with me.
The magical realism aspect of this book brought the journey and the imagery to life for me. I could picture this big beautiful red bird soaring around Leigh. The more I read of this book the more I found myself looking to the sky to see what is out there for me, and then I realized that looking to the sky is something that I’ve done since the day my mom died. I find myself looking around at the clouds and the sky seeing if there is a trace of her looking down on me. Now my favorite time to look to the sky is at night and I imagine her as one of the stars looming overhead keeping an eye on me.
The characters in this book are so real. Leigh, her grandparents, her dad, and Axel. Though, I must admit I feel as though the story could have been just as good without Axel. Sometimes he just seemed to crowd the story and take away from what was happening. I think my most favorite character was Feng, and all the she represents. I absolutely loved this aspect of the book. I also loved Ghost Month as this was something I had never heard of before and it and it reminds me of one of my other favorite holidays El Dia de los Muertos. I loved learning about the Taiwanese culture.
The way the author wove this story together through her words brought the magic and the storytelling to life. Her writing style worked extremely well for the subject of this story and I can’t wait to see what she is going to write in the future. The only aspect of this story that just didn’t mesh for me was all the colors sprinkled throughout the story. Honestly though, that is such a minute detail that it’s barely worth mentioning.
As you can see this story hit me very close to home, and I am so incredibly grateful to the author for writing it. It rebroke my heart and then helped to heal that same broken heart.
Now, on to the important bits… Suicide… If you are ever in a position where you feel that you just absolutely can’t go on do me one solid. Pause. Pick up your phone, and text HELP to 741741. This is the number for the Crisis Text Line. You will be connected to one of their trained Crisis Counselors. I am a trained Crisis Counselor on the CTL and I can guarantee you that you are not alone in how you’re feeling. Ask for help, we’re here to listen, we’re trained to help you. You are not alone. Just remember 741741 and HELP. That’s all it takes and someone will be there for you.
Chris Sawin (602 KP) rated Black Swan (2010) in Movies
Jun 21, 2019 (Updated Jun 23, 2019)
Darren Aronofsky has been circling movie news sites pretty frequently as of late. He recently signed on to direct the stand-alone sequel to Wolverine (appropriately titled The Wolverine). He also developed a rather large and devoted fanbase over the course of directing fantastically surreal films such as Pi, Requiem for a Dream, and The Wrestler, but his psychological thriller Black Swan has also been gaining quite a bit of steam leading up to its December 3rd release. Despite Aronofsky's already well-established reputation and the rather high anticipation for the film, Black Swan still delivers a product that is even better than expected.
Like most ballerinas, Nina (Portman) lives, breathes, and is completely devoted to dance. Artistic director Thomas Leroy (Cassel) is preparing a new spring production of his interpretation of Swan Lake. Nina is next in line to become prima ballerina after the former dancer to hold that spot, Beth Macintyre (Ryder), reluctantly retires. Everything seems to be shifting in that direction until a rather unorthodox, provocative, and unstable (in a dangerous kind of way) dancer named Lily (Kunis) arrives. Lily seems to have an eye for Nina's spot as soon as she walks through the door. Thomas begins to see Nina as the White Swan, which signifies innocence and perfection and Lily as the Black Swan, which is more sensual and deceptive. The problem is that one dancer is required to play both parts. Other than the stiff competition she has to deal with, The Swan Queen role begins to take its toll on Nina who begins to think Lily wants even more than her spot in the production. Nina's obsessive behavior leads to her releasing her dark side that she must now struggle to control.
Aronofsky has always had an exceptional eye for cinematography in his films. His use of micro-photography in The Fountain made the entire film a visually stunning spectacle that will stand the test of time while something like a someone's pupil dilating or a drug deal gone bad in Requiem for a Dream is memorable because of the way and angle Aronofsky shot it rather than relying on its disturbing content to make the scene a classic. Black Swan is no different. Being placed behind Nina whenever she heads to the dance venue gives the viewer a rather unique third person perspective that also gives the impression that you're walking right behind the main character of the film. The intense dream sequences are also shot in a way that flawlessly blur the line between reality and hallucination. Is this really happening or is it all a figment of Nina's deteriorating imagination? Figuring that out is half the film's charm.
The extraordinary main cast is the main ingredient to the film being as great as it is though. The key players all seem to have this twisted side to them that is nearly the exact opposite of the way they first appear to be, which coincides with the Swan Lake theme. Winona Ryder steals most of the screen time she's given whether she's trashing her dressing room, yelling obscenities in Portman's face, or sitting in a hospital room. Even though Mila Kunis seems to play nothing more than her role in Forgetting Sarah Marshall to the most extreme degree on the surface, it's the edge she's given that results in unpredictablity for her character. While Vincent Cassel's performance is strong thanks to his sensual reputation with his dancers and Barbara Hersey is both charming and disturbing as Nina's mother who seems to secretly be trying to live in her daughter's dance shoes after a missed opportunity in her past, it's no surprise to hear that Natalie Portman is the heart of the film. Nina is so consumed with dance that she keeps pushing herself even when her mind and body begin to show her that she's had enough. Her breakdowns are heartbreaking and engaging to watch while her transformation by the end of the film can best be described as a monstrous beauty. It's all thanks to Portman's powerful, phenomenal, tour de force performance.
While some might not be surprised that Aronofsky has created another masterpiece, this may be his most solid and well-rounded film to date. Black Swan is a beautiful, disturbing, and captivating work of art that features gorgeous camera work, an excellent and mindbending story, and one of Natalie Portman's best performances.
Like most ballerinas, Nina (Portman) lives, breathes, and is completely devoted to dance. Artistic director Thomas Leroy (Cassel) is preparing a new spring production of his interpretation of Swan Lake. Nina is next in line to become prima ballerina after the former dancer to hold that spot, Beth Macintyre (Ryder), reluctantly retires. Everything seems to be shifting in that direction until a rather unorthodox, provocative, and unstable (in a dangerous kind of way) dancer named Lily (Kunis) arrives. Lily seems to have an eye for Nina's spot as soon as she walks through the door. Thomas begins to see Nina as the White Swan, which signifies innocence and perfection and Lily as the Black Swan, which is more sensual and deceptive. The problem is that one dancer is required to play both parts. Other than the stiff competition she has to deal with, The Swan Queen role begins to take its toll on Nina who begins to think Lily wants even more than her spot in the production. Nina's obsessive behavior leads to her releasing her dark side that she must now struggle to control.
Aronofsky has always had an exceptional eye for cinematography in his films. His use of micro-photography in The Fountain made the entire film a visually stunning spectacle that will stand the test of time while something like a someone's pupil dilating or a drug deal gone bad in Requiem for a Dream is memorable because of the way and angle Aronofsky shot it rather than relying on its disturbing content to make the scene a classic. Black Swan is no different. Being placed behind Nina whenever she heads to the dance venue gives the viewer a rather unique third person perspective that also gives the impression that you're walking right behind the main character of the film. The intense dream sequences are also shot in a way that flawlessly blur the line between reality and hallucination. Is this really happening or is it all a figment of Nina's deteriorating imagination? Figuring that out is half the film's charm.
The extraordinary main cast is the main ingredient to the film being as great as it is though. The key players all seem to have this twisted side to them that is nearly the exact opposite of the way they first appear to be, which coincides with the Swan Lake theme. Winona Ryder steals most of the screen time she's given whether she's trashing her dressing room, yelling obscenities in Portman's face, or sitting in a hospital room. Even though Mila Kunis seems to play nothing more than her role in Forgetting Sarah Marshall to the most extreme degree on the surface, it's the edge she's given that results in unpredictablity for her character. While Vincent Cassel's performance is strong thanks to his sensual reputation with his dancers and Barbara Hersey is both charming and disturbing as Nina's mother who seems to secretly be trying to live in her daughter's dance shoes after a missed opportunity in her past, it's no surprise to hear that Natalie Portman is the heart of the film. Nina is so consumed with dance that she keeps pushing herself even when her mind and body begin to show her that she's had enough. Her breakdowns are heartbreaking and engaging to watch while her transformation by the end of the film can best be described as a monstrous beauty. It's all thanks to Portman's powerful, phenomenal, tour de force performance.
While some might not be surprised that Aronofsky has created another masterpiece, this may be his most solid and well-rounded film to date. Black Swan is a beautiful, disturbing, and captivating work of art that features gorgeous camera work, an excellent and mindbending story, and one of Natalie Portman's best performances.
Chris Sawin (602 KP) rated Messengers 2: The Scarecrow (2009) in Movies
Jun 22, 2019
John Rollins is a guy who's just trying to catch a break. He lives on a farm with his wife and two children, but his crops just won't grow. His cornfield is infested with crows and his water pump won't work. Stress and fatigue don't begin to describe what John is currently going through. He's a man of faith that's just trying to figure out how he can support his family with no income. He's pretty much lost all hope until he stumbles upon the scarecrow in his barn. After being convinced by his neighbor, he puts the scarecrow up in his cornfield. Besides, he has nothing to lose and everything to gain. John wakes up to a field full of dead crows and his water pump begins working again. Everything looks to finally be turning in John's favor, but there's two sides to every coin. People that get in the way of John's crops or his family begin to turn up dead. What makes matters worse is that John finds possessions of the victims in his cornfield and he is the only person all the evidence points to. Once he realizes that the scarecrow is the root of his newfound problems and that he could wind up losing his family, John knows he has to get rid of it but he may already be too late...
In my movie watching experience, I've learned that it's usually important to watch an original film before its sequel. With this day and age though where sequels are actually prequels and we get prequel trilogies sixteen years AFTER the original trilogy, there aren't really any guidelines to follow when it comes to watching films anymore. So being somebody who had no interest in seeing The Messengers, the sequel didn't really interest me until they announced Norman Reedus in the title role. Since Reedus had been impressive in films such as The Boondock Saints, Blade II, and even his brief (but rather incredible) cameo in Antibodies, I felt it was my obligation to at least give this film a chance. The results are pretty much what you'd expect for a direct to DVD horror film.
The acting isn't terrible, but doesn't really do much to stand out. Norman Reedus, Heather Stephens, and Richard Riehle are pretty much the cream of the crop as far as acting goes. Reedus does a good job of acting like a farmer who's going through troubled times and just wants to support his family. He was easy to relate to since just about everyone is either going through tough times or has so in the past. Stephens played the concerned wife and was able to portray the widest range of emotions in the film. Riehle always seemed to show up to encourage John Rollins to do mischievous things, so the seeds are planted from the get-go that something isn't quite right with him. The boy who played John's son, Michael, is the only actor in the film that could really be considered atrocious as his lines are delivered so nonchalantly.
The way the rest of the film plays out just feels like it borrowed heavily from Jeepers Creepers 2 and the Children of the Corn films. The scarecrow drags its scythe on the ground as it's stalking its victims, which was a nice touch but was really the only enjoyable part of the scarecrow. Once it reveals itself at the end of the film and starts walking around, it makes pterodactyl sounds and trust me, that's just as incredible as it sounds. The film actually starts going downhill in the second half, which is when the cheesy effects come in and unanswered questions begin. The latter half of the film is filled with a lot of moments that will leave you scratching your head wondering why you even decided to watch this film to begin with.
Messengers 2: The Scarecrow isn't exactly the greatest film to watch, but it isn't the worst either. While it does have its fair share of blood and isn't half bad at times, it doesn't really offer anything most horror fans haven't seen before. Messengers 2 is really only recommended for die hard fans of Norman Reedus since it's basically just a rehash of Jeepers Creepers 2 with a lower budget. It's the type of film that's a decent watch at 3 o' clock in the morning when you stumble across it channel surfing, but isn't worth deliberately tracking down on DVD.
In my movie watching experience, I've learned that it's usually important to watch an original film before its sequel. With this day and age though where sequels are actually prequels and we get prequel trilogies sixteen years AFTER the original trilogy, there aren't really any guidelines to follow when it comes to watching films anymore. So being somebody who had no interest in seeing The Messengers, the sequel didn't really interest me until they announced Norman Reedus in the title role. Since Reedus had been impressive in films such as The Boondock Saints, Blade II, and even his brief (but rather incredible) cameo in Antibodies, I felt it was my obligation to at least give this film a chance. The results are pretty much what you'd expect for a direct to DVD horror film.
The acting isn't terrible, but doesn't really do much to stand out. Norman Reedus, Heather Stephens, and Richard Riehle are pretty much the cream of the crop as far as acting goes. Reedus does a good job of acting like a farmer who's going through troubled times and just wants to support his family. He was easy to relate to since just about everyone is either going through tough times or has so in the past. Stephens played the concerned wife and was able to portray the widest range of emotions in the film. Riehle always seemed to show up to encourage John Rollins to do mischievous things, so the seeds are planted from the get-go that something isn't quite right with him. The boy who played John's son, Michael, is the only actor in the film that could really be considered atrocious as his lines are delivered so nonchalantly.
The way the rest of the film plays out just feels like it borrowed heavily from Jeepers Creepers 2 and the Children of the Corn films. The scarecrow drags its scythe on the ground as it's stalking its victims, which was a nice touch but was really the only enjoyable part of the scarecrow. Once it reveals itself at the end of the film and starts walking around, it makes pterodactyl sounds and trust me, that's just as incredible as it sounds. The film actually starts going downhill in the second half, which is when the cheesy effects come in and unanswered questions begin. The latter half of the film is filled with a lot of moments that will leave you scratching your head wondering why you even decided to watch this film to begin with.
Messengers 2: The Scarecrow isn't exactly the greatest film to watch, but it isn't the worst either. While it does have its fair share of blood and isn't half bad at times, it doesn't really offer anything most horror fans haven't seen before. Messengers 2 is really only recommended for die hard fans of Norman Reedus since it's basically just a rehash of Jeepers Creepers 2 with a lower budget. It's the type of film that's a decent watch at 3 o' clock in the morning when you stumble across it channel surfing, but isn't worth deliberately tracking down on DVD.
Chris Sawin (602 KP) rated The Hills Run Red (2009) in Movies
Jun 22, 2019
Wilson Wyler Concannon was a director who made a horror film twenty years ago that was said to be so gory, so disturbing, and so traumatizing that it was pulled from theaters after only a handful of people got to see it. Now, in the present day, Tyler is obsessed with The Hills Run Red even though a copy of the complete film doesn't seem to exist. After doing countless hours of research on this lost horror gem and seeing the trailer more times than he can count, Tyler decides to make a documentary as he, his best friend Lalo, and girlfriend Serina travel outside the city. Tyler only has one lead to fall back on and that's Alexa Concannon, the daughter of Wilson Wyler Concannon. Tyler feels like this is the break he's been waiting for as he thinks he'll either get to meet the director he's grown to admire or see this lost classic in its entirety to see if it lives up to the hype. But is there really light at the end of this tunnel? For what reason would a film not be released for twenty years? How does the killer, Babyface, fit into all of this? As stated earlier on in the film, some films should stay buried.
Going by the DVD cover and title alone, The Hills Run Red looks like it's just capitalizing on the success of The Hills Have Eyes remake from 2006. So going into the film, that's pretty much what I was expecting. Since it's a horror film that was released straight to DVD, expectations should never be high since they're usually released that way for a reason. Surprisingly though, that wasn't the case this time around as this turned out to be a pretty solid little horror flick. The film winds up bearing little resemblance to the Alexandre Aja directed The Hills Have Eyes as it delivers a fairly original concept and a satisfying experience overall.
The film will pretty much reel any horror fan in with the opening sequence as the atmosphere for the film is set up early on and doesn't shy away from blood and gore. Lack of nudity and sexual content isn't an issue either as there is plenty of that to go around. With all that in mind, this pretty much has everything any horror fan could ask for already: lots of blood and tons of T&A. The acting is also a bar above what you're probably expecting for a release like this. To be honest, it's pretty decent and there really isn't much to complain about in that department. Although, I do think William Sadler steals the show but he's also probably the only recognizable actor in the film. Babyface actually turned out to be quite sadistic and better than his origin let on. When you're shown how he got his name and who he really is, it's kind of lame at first. The concept eventually grows on you though and is pretty original as far as serial killers from slasher films go.
If you ever saw Behind the Mask: The Rise of Leslie Vernon, one of its peaks was that it not only pointed out cliche moments in other horror films and dissected them but also wound up breaking most of them while going in a different direction. The Hills Run Red touches on this a bit, as well. Some examples are cell phones actually work out in secluded areas, a gun is brought just in case they run into trouble, and flares are brought in case flashlights don't work. Horror movies need to be as fresh as possible as it seems like just about everything has been done, which is probably one of the reasons remakes are so popular right now. It's just refreshing to see a movie not follow the same generic formula.
You can't always rely on your first impression as The Hills Run Red seemed like nothing more than a copycat horror film that was rushed straight to DVD. In all actuality, however, it turns out to be a sexy, blood-splattering wet dream for horror fans with a better than expected storyline, above par acting, and what could be a new face in the horror franchise. If you like films like this, give this one a go. You may be pleasantly surprised and be sure to catch the extra scene in the middle of the credits at the end.
Going by the DVD cover and title alone, The Hills Run Red looks like it's just capitalizing on the success of The Hills Have Eyes remake from 2006. So going into the film, that's pretty much what I was expecting. Since it's a horror film that was released straight to DVD, expectations should never be high since they're usually released that way for a reason. Surprisingly though, that wasn't the case this time around as this turned out to be a pretty solid little horror flick. The film winds up bearing little resemblance to the Alexandre Aja directed The Hills Have Eyes as it delivers a fairly original concept and a satisfying experience overall.
The film will pretty much reel any horror fan in with the opening sequence as the atmosphere for the film is set up early on and doesn't shy away from blood and gore. Lack of nudity and sexual content isn't an issue either as there is plenty of that to go around. With all that in mind, this pretty much has everything any horror fan could ask for already: lots of blood and tons of T&A. The acting is also a bar above what you're probably expecting for a release like this. To be honest, it's pretty decent and there really isn't much to complain about in that department. Although, I do think William Sadler steals the show but he's also probably the only recognizable actor in the film. Babyface actually turned out to be quite sadistic and better than his origin let on. When you're shown how he got his name and who he really is, it's kind of lame at first. The concept eventually grows on you though and is pretty original as far as serial killers from slasher films go.
If you ever saw Behind the Mask: The Rise of Leslie Vernon, one of its peaks was that it not only pointed out cliche moments in other horror films and dissected them but also wound up breaking most of them while going in a different direction. The Hills Run Red touches on this a bit, as well. Some examples are cell phones actually work out in secluded areas, a gun is brought just in case they run into trouble, and flares are brought in case flashlights don't work. Horror movies need to be as fresh as possible as it seems like just about everything has been done, which is probably one of the reasons remakes are so popular right now. It's just refreshing to see a movie not follow the same generic formula.
You can't always rely on your first impression as The Hills Run Red seemed like nothing more than a copycat horror film that was rushed straight to DVD. In all actuality, however, it turns out to be a sexy, blood-splattering wet dream for horror fans with a better than expected storyline, above par acting, and what could be a new face in the horror franchise. If you like films like this, give this one a go. You may be pleasantly surprised and be sure to catch the extra scene in the middle of the credits at the end.