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Darren (1599 KP) rated Marauders (2016) in Movies
Jul 25, 2019
Story: Marauders starts when a bank robbery which leaves the bank manager executed, the president of the bank Hubert (Willis) has an excellent reputation and with the FBI investigating the robbery, Montgomery (Meloni) and his team Stockwell (Bautista) and newbie Wells (Grenier) try to put the clues together.
When the second heist happens, the fingers start pointing back at Hubert and a bigger conspiracy comes to the top with connection to a previous incident.
Thoughts on Marauders
Characters – Hubert is the bank president, he has always kept the face that the bank puts their customers first, but when his banks start getting robbed, he must deal with the fingers pointing back at him. Montgomery is the lead investigating from the FBI trying to get to the bottom of the heists, he has his own demons which haunt him everyday after the death of his wife and will not stop until he learns the truth. Stockwell is Montgomery’s trusted second, he is the tired cop figure, he is good at his job and hates people getting in his way. Wells is the rookie agent, with the qualifications to make him the best, he gets the jobs the others don’t want to do, while noticing things they miss.
Performances – The performances in the movie are mixed, we know that Bruce Willis is mostly mailing it in and it is a strange role for him. Christopher Meloni is the star of this movie, the determination and broken side of his character makes him stand out. Dave Bautista does get the funniest lines, some hit or than others, while Adrian Grenier starts strong but fades away in the biggest scenes of the middle of the movie.
Story – The story follows the effects of a brutal heist, the FBI must investigate the heist which brings us into the new web of conspiracies which could bring down a political powerhouse. This a story which does keep us guessing from start to finish, which is something I was surprised to see, as I thought this would be a lot messier. The positive of keeping us guessing, does leave the bigger question about just why the heists needed to be as brutal as they were because of certain injuries or deaths not needing to happen for the cause.
Action/Crime/Mystery – The action is brutal and often in your face when it comes to the gun sequences, the crime side of the film comes from the heists and just what they are aiming to achieve from the heists. The mystery is what draws us in because we don’t know what is happening which keeps us invested throughout.
Settings – The film is set in the city which shows how the panic of the robberies starts flying around we see how things get out of hand.
Scene of the Movie – The heists do feel very intense, which I did like.
That Moment That Annoyed Me – The last sequence.
Final Thoughts – This was a surprisingly entertaining film, having no expectations going in, this did become intense and kept you guessing even if things unravel in the final scene.
Overall: Enjoyable crime thriller.
When the second heist happens, the fingers start pointing back at Hubert and a bigger conspiracy comes to the top with connection to a previous incident.
Thoughts on Marauders
Characters – Hubert is the bank president, he has always kept the face that the bank puts their customers first, but when his banks start getting robbed, he must deal with the fingers pointing back at him. Montgomery is the lead investigating from the FBI trying to get to the bottom of the heists, he has his own demons which haunt him everyday after the death of his wife and will not stop until he learns the truth. Stockwell is Montgomery’s trusted second, he is the tired cop figure, he is good at his job and hates people getting in his way. Wells is the rookie agent, with the qualifications to make him the best, he gets the jobs the others don’t want to do, while noticing things they miss.
Performances – The performances in the movie are mixed, we know that Bruce Willis is mostly mailing it in and it is a strange role for him. Christopher Meloni is the star of this movie, the determination and broken side of his character makes him stand out. Dave Bautista does get the funniest lines, some hit or than others, while Adrian Grenier starts strong but fades away in the biggest scenes of the middle of the movie.
Story – The story follows the effects of a brutal heist, the FBI must investigate the heist which brings us into the new web of conspiracies which could bring down a political powerhouse. This a story which does keep us guessing from start to finish, which is something I was surprised to see, as I thought this would be a lot messier. The positive of keeping us guessing, does leave the bigger question about just why the heists needed to be as brutal as they were because of certain injuries or deaths not needing to happen for the cause.
Action/Crime/Mystery – The action is brutal and often in your face when it comes to the gun sequences, the crime side of the film comes from the heists and just what they are aiming to achieve from the heists. The mystery is what draws us in because we don’t know what is happening which keeps us invested throughout.
Settings – The film is set in the city which shows how the panic of the robberies starts flying around we see how things get out of hand.
Scene of the Movie – The heists do feel very intense, which I did like.
That Moment That Annoyed Me – The last sequence.
Final Thoughts – This was a surprisingly entertaining film, having no expectations going in, this did become intense and kept you guessing even if things unravel in the final scene.
Overall: Enjoyable crime thriller.
Darren (1599 KP) rated Point Blank (2019) in Movies
Jul 25, 2019
Story: Point Blank starts when emergency room nurse Paul (Mackie) is preparing to have his first child with his wife Taryn (Parris), she is due within weeks, but she gets kidnapped by Mateo (Cooke) who wants Paul to help his injured brother Abe (Grillo) escape from the emergency room after being accused of murdering the DA.
Paul and Abe go on the run with LT Lewis (Harden) tracking them down as we see just who was really behind the murder of the DA.
Thoughts on Point Blank
Characters – Paul is an emergency room nurse, he is married and about to start his family, his life is exactly where he wants it. His life takes a big change one this day when he gets forced to help a murder suspect escape from the hospital to save his pregnant wife, meaning he will need to start breaking the law to save her. Abe is the gun for hire that has been injured in the incident, he is the prime suspect and is being set up, where his brother is trying to help him escape, he is street smart and has connections in the criminal world which will help him stay ahead of the law. LT Lewis is the one trying to track down the pair trying to put away the person that killed the DA. Mateo is the brother of Abe that has gone to the extremes to try and get his brother out of custody.
Performances – Anthony Mackie and Frank Grillo do everything they can with this film, Grillo is starting make a name for himself in the trashing action films now, where he can play the bad boy with ease, Mackie doesn’t do much that you wouldn’t expect from him here though. Marcia Gay Harden gives us the basic cop figure, while Christian Cooke completes the main cast with a basic enough performance.
Story – The story here follows an emergency nurse that must help a murder suspect to save his kidnapped wife. This is a basic story which I always say is all you need for action at times, this is a remake of a French film, but we are lacking that one thing a good action film needs a villain that feels like a threat, we do get many suspects to who the villain might be because it is clear that Abe never committed a crime. We get moments of the unlikely couple needing to work together only for them to not have enough conflict about what is happening. This is basic storytelling that just never gets intense enough to the level it could do.
Action – The action involved in the film is the highlight of the film, even if a lot is basic, it does bring the film to life with the car chases involved.
Settings – The film is set in a big city which does help us understand how many people can be getting crimes done with ease.
Scene of the Movie – Big D
That Moment That Annoyed Me – Not enough villain potential.
Final Thoughts – This is a mostly by the book action film that just doesn’t get going.
Overall: Forgettable Action Film.
Paul and Abe go on the run with LT Lewis (Harden) tracking them down as we see just who was really behind the murder of the DA.
Thoughts on Point Blank
Characters – Paul is an emergency room nurse, he is married and about to start his family, his life is exactly where he wants it. His life takes a big change one this day when he gets forced to help a murder suspect escape from the hospital to save his pregnant wife, meaning he will need to start breaking the law to save her. Abe is the gun for hire that has been injured in the incident, he is the prime suspect and is being set up, where his brother is trying to help him escape, he is street smart and has connections in the criminal world which will help him stay ahead of the law. LT Lewis is the one trying to track down the pair trying to put away the person that killed the DA. Mateo is the brother of Abe that has gone to the extremes to try and get his brother out of custody.
Performances – Anthony Mackie and Frank Grillo do everything they can with this film, Grillo is starting make a name for himself in the trashing action films now, where he can play the bad boy with ease, Mackie doesn’t do much that you wouldn’t expect from him here though. Marcia Gay Harden gives us the basic cop figure, while Christian Cooke completes the main cast with a basic enough performance.
Story – The story here follows an emergency nurse that must help a murder suspect to save his kidnapped wife. This is a basic story which I always say is all you need for action at times, this is a remake of a French film, but we are lacking that one thing a good action film needs a villain that feels like a threat, we do get many suspects to who the villain might be because it is clear that Abe never committed a crime. We get moments of the unlikely couple needing to work together only for them to not have enough conflict about what is happening. This is basic storytelling that just never gets intense enough to the level it could do.
Action – The action involved in the film is the highlight of the film, even if a lot is basic, it does bring the film to life with the car chases involved.
Settings – The film is set in a big city which does help us understand how many people can be getting crimes done with ease.
Scene of the Movie – Big D
That Moment That Annoyed Me – Not enough villain potential.
Final Thoughts – This is a mostly by the book action film that just doesn’t get going.
Overall: Forgettable Action Film.
365Flicks (235 KP) rated Never Let Go (2017) in Movies
Nov 20, 2019
In truth, In my humble opinion this movie is actually way better than those Taken movies, I know I know I liked them when they first came out aswell, but this movie Never Let Go completely took me by surprise… In the best possible way. Ladies and Gents, Angela Bloody Dixon. This leading lady is fantastic, she grips the viewer by the balls and takes you on a Thrilling, Tour De Force leaving you wondering exactly how far would you go for your kids.
So I guess I should give the Pitch:
Lisa Brennan (Dixon) is a struggling single mother, her child is to a married man who is playing silly buggers with her. Lisa is having a pretty hard time of it all so decides to take a break to herself in Morroco (I know I could think of safer places too). From the outset in this country things seem a bit shady but this is due to some pretty fine camera work and we already know she is being medicated, so is this all just paranoia. It turns out not really because while relaxing on the beach Lisa is distracted for literally a minute by a looky looky man and **BOOM** her baby has been kidnapped. What follows is roughly 85 minutes of a mother who will do anything to get her daughter back in the harshest conditions. Add to this the local law enforcement are after her, The big bad is a massive sinister shit and the married man is a massive douche… However “she has a particular set of skills”.
Director Howard J Ford absolutely knocks this out of the park, by using the narrow streets and alleys of Morroco he really builds the tension with a deeper sense of paranoia and having this viewer feel a bit closed in. The camera work screams all the best action movements from the Bourne Saga. My only gripe about this is that it could at moments feel slightly disjointed in the way the Run Lola Run made me feel at times, you could say this was adding to the tension of the chase but it didnt always land with me.
Now there are 2 scenes in this movie that sold everything for me and I dont wanna do spoilers but I feel they deserve a quick mention. 1) Is the Kidnap of the child, my christ the erratic way this is shot (From the school of Tony Scott) and her instant reaction to chase them down and become a bad ass is visceral as hell. 2) There is a woman who try’s to help the child and pays the price for this, we get a 5 minute section of the movie where she is stumbling home and Lisa is stumbling through the desert and they end up meeting, this whole section is beautifully shot and the emotion of the two women hits you hard.
No surprises here, for me this is a solid recommend, you could do a hell of a lot worse for your money and for something that hasn’t had a lot of play this is most definitely a rare gem of a movie.
So I guess I should give the Pitch:
Lisa Brennan (Dixon) is a struggling single mother, her child is to a married man who is playing silly buggers with her. Lisa is having a pretty hard time of it all so decides to take a break to herself in Morroco (I know I could think of safer places too). From the outset in this country things seem a bit shady but this is due to some pretty fine camera work and we already know she is being medicated, so is this all just paranoia. It turns out not really because while relaxing on the beach Lisa is distracted for literally a minute by a looky looky man and **BOOM** her baby has been kidnapped. What follows is roughly 85 minutes of a mother who will do anything to get her daughter back in the harshest conditions. Add to this the local law enforcement are after her, The big bad is a massive sinister shit and the married man is a massive douche… However “she has a particular set of skills”.
Director Howard J Ford absolutely knocks this out of the park, by using the narrow streets and alleys of Morroco he really builds the tension with a deeper sense of paranoia and having this viewer feel a bit closed in. The camera work screams all the best action movements from the Bourne Saga. My only gripe about this is that it could at moments feel slightly disjointed in the way the Run Lola Run made me feel at times, you could say this was adding to the tension of the chase but it didnt always land with me.
Now there are 2 scenes in this movie that sold everything for me and I dont wanna do spoilers but I feel they deserve a quick mention. 1) Is the Kidnap of the child, my christ the erratic way this is shot (From the school of Tony Scott) and her instant reaction to chase them down and become a bad ass is visceral as hell. 2) There is a woman who try’s to help the child and pays the price for this, we get a 5 minute section of the movie where she is stumbling home and Lisa is stumbling through the desert and they end up meeting, this whole section is beautifully shot and the emotion of the two women hits you hard.
No surprises here, for me this is a solid recommend, you could do a hell of a lot worse for your money and for something that hasn’t had a lot of play this is most definitely a rare gem of a movie.
Phil Leader (619 KP) rated Perfect Genesis: Adolescence in Books
Nov 21, 2019
This is a book of many levels and many emotions. Superficially it is a far-future science fiction book where societies have been engineered by some planet-spanning intelligence to create stable and sustainable places for humans to live. Under this runs a strong current of philosophy and meta physics about exactly what this means for the individuals involved - and the news isn't good.
The plot follows Leonardo Khalid, a genetically engineered genius who has dedicated his life to improving life for mankind. However when he is taken critically ill he agrees to undergo a procedure to scan and record is brain. He is warned that during the process he will appear to inhabit a very real and long lasting dream as his brain is stimulated.
The dream is extremely vivid - so much so that we don't see it just from Leonardo's point of view. So is it a dream? Or a very real future world that he has somehow been projected into? Leonardo certainly believes he is in a dream, but does that condone some of his more morally questionable actions?
There are plenty of questions raised by this book. As Hogan says in a brief introduction, this book is supposed to stay with the reader long after they have read it, and it will certainly do that. At times it is an uncomfortable read - the dream societies place little value on human life and women in particular are treated very badly. Death, violence and sexual exploitation are daily hazards for the members of the societies described, but these are engineered places, not designed to benefit the individual human but to ensure the longevity of the society itself. They have been created with cold and clinical efficiency with no regard for the individual members of the citizenry.
This is a huge dichotomy and the heart of the book. The story itself - Leonardo exploring the land of his dream and overcoming the various obstacles that hinder him and his companions - skates along the top at a good pace, fizzing between plot points and twists, summoning the reader on to read just one more page. But underneath the dark heart will be throwing up awkward questions.
Exploitation of all sorts abounds, particularly sexual exploitation (not all of it men exploiting women). These sections can be an uncomfortable read but they are supposed to be - the questions around power and the abuse of power are valid and the reader is not supposed to be entirely sympathetic with any of the characters or their actions - even Leornardo. The civilisations are frequently brutal, either because of a dangerous environment or a ruthless ruler. People get hurt, people get abused, people die (sometimes horribly) but always the society lives on.
Read this book if you want to have a fantastic story exploring different places but at the same time have something to think about. By the end you will have seen what can happen if the concept of an ideal society is pursued to its limits. And it's not a utopia.
And yes this book will stay with me for a while. Definitely one of the best reads of 2014. Thoroughly recommended.
Rating: Sexual scenes, sexual violence and some torture.
The plot follows Leonardo Khalid, a genetically engineered genius who has dedicated his life to improving life for mankind. However when he is taken critically ill he agrees to undergo a procedure to scan and record is brain. He is warned that during the process he will appear to inhabit a very real and long lasting dream as his brain is stimulated.
The dream is extremely vivid - so much so that we don't see it just from Leonardo's point of view. So is it a dream? Or a very real future world that he has somehow been projected into? Leonardo certainly believes he is in a dream, but does that condone some of his more morally questionable actions?
There are plenty of questions raised by this book. As Hogan says in a brief introduction, this book is supposed to stay with the reader long after they have read it, and it will certainly do that. At times it is an uncomfortable read - the dream societies place little value on human life and women in particular are treated very badly. Death, violence and sexual exploitation are daily hazards for the members of the societies described, but these are engineered places, not designed to benefit the individual human but to ensure the longevity of the society itself. They have been created with cold and clinical efficiency with no regard for the individual members of the citizenry.
This is a huge dichotomy and the heart of the book. The story itself - Leonardo exploring the land of his dream and overcoming the various obstacles that hinder him and his companions - skates along the top at a good pace, fizzing between plot points and twists, summoning the reader on to read just one more page. But underneath the dark heart will be throwing up awkward questions.
Exploitation of all sorts abounds, particularly sexual exploitation (not all of it men exploiting women). These sections can be an uncomfortable read but they are supposed to be - the questions around power and the abuse of power are valid and the reader is not supposed to be entirely sympathetic with any of the characters or their actions - even Leornardo. The civilisations are frequently brutal, either because of a dangerous environment or a ruthless ruler. People get hurt, people get abused, people die (sometimes horribly) but always the society lives on.
Read this book if you want to have a fantastic story exploring different places but at the same time have something to think about. By the end you will have seen what can happen if the concept of an ideal society is pursued to its limits. And it's not a utopia.
And yes this book will stay with me for a while. Definitely one of the best reads of 2014. Thoroughly recommended.
Rating: Sexual scenes, sexual violence and some torture.
Sophia (Bookwyrming Thoughts) (530 KP) rated Siege and Storm in Books
Jan 23, 2020
I have completely mixed feelings about Leigh Bardugo's <i>Shadow and Bone trilogy.</i> So mixed, I was scared of reading <i>Siege and Storm</i>, despite the fact the librarian pretty much promised the entire series gets better by the book.
The second book in the <i>Grisha Trilogy</i> is certainly better than <i><a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank" rel="noopener">Shadow and Bone</a></i> – whereas Alina Starkov (aka Sun Summoner) was overly mopey for a good part of the first book (to the point where I started calling her Mopey), Alina is less mopey this time around. A fantastic turnaround, because I don't think I can handle Starkov being mopey for two books. Instead, our fabulous Sun Summoner "Saint" is a little more... overconfident. Spunky (but that's what I've always like about Alina). And definitely in control of the situation, even if it's not in her favor and there are unpleasant rumors about her floating among the Grisha and everyone else.
But even though Alina is in control of the situation for the most part, there's somehow not a love triangle, but a love <i>square</i> surrounding Saint Sun Summoner.
Boy #1 (Mal): My least favorite corner, Mal wasn't a terrible character back in <i>Shadow and Bone</i> – I actually liked Mal a little. I particularly liked his interactions and dialogue with Alina. In the sequel though... he turns into Adrian Ivashkov 1.0 (HOPEFULLY 1.0).
Boy #2 (Darkling): I shipped Alina and the Darkling back in book one... until the end. The Darkling doesn't grace us readers in <i>Siege and Storm</i> as much as he does in <i>Shadow and Bone,</i> but he's really just that one desperate dude with the way he constantly tells Alina that there's no else like them and that they "belong together."
Boy #3 (Nikolai): My third least favorite corner (aka my favorite corner), despite the fact Nikolai is probably going to end up as one of my favorite characters in the entire trilogy after I read <i>Ruin and Rising</i>. Nikolai's two things: arrogant and adorable. Arrogant because seeing as he's royalty, he'll obviously have a big head of sorts (but not too big). Adorable because of his conversations and dialogue with Alina – I pretty much ship them... even if Nikolai probably likes her for political purposes.
The world building, as it was in the first, is spectacular – Imperial Russia spectacularized into fantasy. The concept is phenomenal and a fantastic pitch – even though I have mixed feelings about the entire series altogether, the <i>Grisha Trilogy</i> definitely deserves the hype and praise.
The trilogy so far is essentially Alina running, getting caught, and running again (with attacks and whatnot in between) – if that's the case for the first and second book, I'm definitely scared of reading the last book now. It could go extremely ugly – down the rabbit hole – or extremely well – mind = blown.
<a href="https://bookwyrmingthoughts.com/review-siege-and-storm-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
The second book in the <i>Grisha Trilogy</i> is certainly better than <i><a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank" rel="noopener">Shadow and Bone</a></i> – whereas Alina Starkov (aka Sun Summoner) was overly mopey for a good part of the first book (to the point where I started calling her Mopey), Alina is less mopey this time around. A fantastic turnaround, because I don't think I can handle Starkov being mopey for two books. Instead, our fabulous Sun Summoner "Saint" is a little more... overconfident. Spunky (but that's what I've always like about Alina). And definitely in control of the situation, even if it's not in her favor and there are unpleasant rumors about her floating among the Grisha and everyone else.
But even though Alina is in control of the situation for the most part, there's somehow not a love triangle, but a love <i>square</i> surrounding Saint Sun Summoner.
Boy #1 (Mal): My least favorite corner, Mal wasn't a terrible character back in <i>Shadow and Bone</i> – I actually liked Mal a little. I particularly liked his interactions and dialogue with Alina. In the sequel though... he turns into Adrian Ivashkov 1.0 (HOPEFULLY 1.0).
Boy #2 (Darkling): I shipped Alina and the Darkling back in book one... until the end. The Darkling doesn't grace us readers in <i>Siege and Storm</i> as much as he does in <i>Shadow and Bone,</i> but he's really just that one desperate dude with the way he constantly tells Alina that there's no else like them and that they "belong together."
Boy #3 (Nikolai): My third least favorite corner (aka my favorite corner), despite the fact Nikolai is probably going to end up as one of my favorite characters in the entire trilogy after I read <i>Ruin and Rising</i>. Nikolai's two things: arrogant and adorable. Arrogant because seeing as he's royalty, he'll obviously have a big head of sorts (but not too big). Adorable because of his conversations and dialogue with Alina – I pretty much ship them... even if Nikolai probably likes her for political purposes.
The world building, as it was in the first, is spectacular – Imperial Russia spectacularized into fantasy. The concept is phenomenal and a fantastic pitch – even though I have mixed feelings about the entire series altogether, the <i>Grisha Trilogy</i> definitely deserves the hype and praise.
The trilogy so far is essentially Alina running, getting caught, and running again (with attacks and whatnot in between) – if that's the case for the first and second book, I'm definitely scared of reading the last book now. It could go extremely ugly – down the rabbit hole – or extremely well – mind = blown.
<a href="https://bookwyrmingthoughts.com/review-siege-and-storm-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Emma @ The Movies (1786 KP) rated Jojo Rabbit (2019) in Movies
Jan 11, 2020
If you asked me why I skipped seeing this one twice before it's UK release I wouldn't be able to give you a proper answer. I guess I just didn't fancy it, and the second time Odeon outdid Cineworld with a really early Parasite screening so that felt like the sensible choice instead.
Jojo wants to be a good German, but as he's about to go off to a Nazi Youth Camp he worries about how he'll do. Luckily he has a friend to help him through it, Adolf Hitler. The Fuhrer is always with him in spirit.
Recovering at home after an accident Jojo discovers that he's not alone in the house. He discovers Elsa hiding in a wall space upstairs, hidden by his mother. Jojo is torn, he should report her to the authorities but that could be bad news for him and his mother.
I was genuinely surprised about who was turning up to see this. There were a lot of family groups and groups of teenagers. It shouldn't really shock me, everyone has their own interests in a wide variety of things, but I wasn't expecting to see such young people coming to see it.
By far my favourite thing about this film was Sam Rockwell as Captain Klenzendorf, a little bitter with his situation and begrudgingly training the kids for the battles ahead, he's making the best of a bad situation. He's funny, and more importantly, glorious in battle. From the ridiculous to a surprisingly moving scene at the end, he was the performance of the whole film for me.
Child actors have their ups and downs, some have the knack right out of the gate but I didn't really get that from Roman Griffin Davis or Archie Yates. Both got some good moments out of the script but their delivery and the consistency of the characters didn't carry through it as a whole.
Thomasin McKenzie however brought a little something extra to her role of Elsa. I didn't mind her slightly more serious parts in this but it was difficult to get much more out of it when so much revolved around her and Jojo in scenes together. I don't like "awkward" and some of the scenes are *shudder*.
I can't really talk about the film without talking about Taika Waititi as Hitler. I found him quite amusing to begin with but when the character started to change as Jojo did I felt it was a little over the top.
Dramatic moments pop up when you really aren't expecting them, two in particular stuck with me afterwards. One, as I mentioned, with Sam Rockwell and the other with Scarlett Johansson. Rockwell's was a complete surprise, but ScarJo's, though unexpected, was overplayed a lot in the build up.
Jojo Rabbit is a very odd film, I didn't know what to expect at all really and the final result left me no wiser. Entertaining yes, but not something I would have to see again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jojo-rabbit-movie-review.html
Jojo wants to be a good German, but as he's about to go off to a Nazi Youth Camp he worries about how he'll do. Luckily he has a friend to help him through it, Adolf Hitler. The Fuhrer is always with him in spirit.
Recovering at home after an accident Jojo discovers that he's not alone in the house. He discovers Elsa hiding in a wall space upstairs, hidden by his mother. Jojo is torn, he should report her to the authorities but that could be bad news for him and his mother.
I was genuinely surprised about who was turning up to see this. There were a lot of family groups and groups of teenagers. It shouldn't really shock me, everyone has their own interests in a wide variety of things, but I wasn't expecting to see such young people coming to see it.
By far my favourite thing about this film was Sam Rockwell as Captain Klenzendorf, a little bitter with his situation and begrudgingly training the kids for the battles ahead, he's making the best of a bad situation. He's funny, and more importantly, glorious in battle. From the ridiculous to a surprisingly moving scene at the end, he was the performance of the whole film for me.
Child actors have their ups and downs, some have the knack right out of the gate but I didn't really get that from Roman Griffin Davis or Archie Yates. Both got some good moments out of the script but their delivery and the consistency of the characters didn't carry through it as a whole.
Thomasin McKenzie however brought a little something extra to her role of Elsa. I didn't mind her slightly more serious parts in this but it was difficult to get much more out of it when so much revolved around her and Jojo in scenes together. I don't like "awkward" and some of the scenes are *shudder*.
I can't really talk about the film without talking about Taika Waititi as Hitler. I found him quite amusing to begin with but when the character started to change as Jojo did I felt it was a little over the top.
Dramatic moments pop up when you really aren't expecting them, two in particular stuck with me afterwards. One, as I mentioned, with Sam Rockwell and the other with Scarlett Johansson. Rockwell's was a complete surprise, but ScarJo's, though unexpected, was overplayed a lot in the build up.
Jojo Rabbit is a very odd film, I didn't know what to expect at all really and the final result left me no wiser. Entertaining yes, but not something I would have to see again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jojo-rabbit-movie-review.html
Night Reader Reviews (683 KP) rated Fading in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Fading by Cindy Cipriano may not contain vampires or werewolves yet it still has a slightly supernatural/paranormal feel to it. This book is in a similar group as Twilight as a forbidden love book. Also, this is only the first book in a series that is expected to be three or four books long.
Leath is the typical seventeen-year-old high school girl. She has her mother’s full support after her father died and her two best friends Victor and Anamae. The three of them have been considering college visits and what the future may hold for them. Leath and Victor have always been close but when Victor starts showing interest in being more than just friends with Leath she resists him. Victor believes Leath is confused and will come around to recognizing her feelings for him but Leath is not too sure. Then while working in her guidance councilor's office Leath sees the transfer file for a new student, James.
As if fate put them together James and Leath run into each other on Jame’s first day and they instantly become inseparable. Leath feels as if she has known James for her entire life and James feels the same way about her. Leath wonders if James is the same boy that Leath has actually been having dreams about all her life. Is she prepared to make the huge sacrifice required for her to be with James? Leath must choose between her friends, family, and freedom, or James before he makes the decision for her.
What I liked best about the book was honestly James himself. Even if he seemed somewhat creepy at times he is a great guy. His willingness to live alone and possibly face the wrath of his race just to protect Leath from his societies traditions are commendable. What I didn’t really like was the abrupt change around chapter fifteen. I understand the need for it but it was a little rough at first. I also didn’t understand completely why the fading worked so well on Leath that time when it didn’t work the first time. The only difference I can really come up with was the medication Leath was on and everyone else forgetting James helping her forget as well.
Teens of all ages will find this book to be appealing as the language is mild and there isn’t really any inappropriate content. Readers of romance will defiantly enjoy this book more so than fans of other genres. I give this book a rating of 4 out of 4. Fans of teen romance will love this twist on a classic forbidden love story. The entire concept of fading allows for the story to move on without having messy explanations in the middle of everything.
https://www.facebook.com/nightreaderreviews
Leath is the typical seventeen-year-old high school girl. She has her mother’s full support after her father died and her two best friends Victor and Anamae. The three of them have been considering college visits and what the future may hold for them. Leath and Victor have always been close but when Victor starts showing interest in being more than just friends with Leath she resists him. Victor believes Leath is confused and will come around to recognizing her feelings for him but Leath is not too sure. Then while working in her guidance councilor's office Leath sees the transfer file for a new student, James.
As if fate put them together James and Leath run into each other on Jame’s first day and they instantly become inseparable. Leath feels as if she has known James for her entire life and James feels the same way about her. Leath wonders if James is the same boy that Leath has actually been having dreams about all her life. Is she prepared to make the huge sacrifice required for her to be with James? Leath must choose between her friends, family, and freedom, or James before he makes the decision for her.
What I liked best about the book was honestly James himself. Even if he seemed somewhat creepy at times he is a great guy. His willingness to live alone and possibly face the wrath of his race just to protect Leath from his societies traditions are commendable. What I didn’t really like was the abrupt change around chapter fifteen. I understand the need for it but it was a little rough at first. I also didn’t understand completely why the fading worked so well on Leath that time when it didn’t work the first time. The only difference I can really come up with was the medication Leath was on and everyone else forgetting James helping her forget as well.
Teens of all ages will find this book to be appealing as the language is mild and there isn’t really any inappropriate content. Readers of romance will defiantly enjoy this book more so than fans of other genres. I give this book a rating of 4 out of 4. Fans of teen romance will love this twist on a classic forbidden love story. The entire concept of fading allows for the story to move on without having messy explanations in the middle of everything.
https://www.facebook.com/nightreaderreviews
Emma @ The Movies (1786 KP) rated My Spy (2019) in Movies
Apr 4, 2020
Eleven months after first being slated for release we finally got My Spy in the cinema. With its predecessors like Playing With Fire, The Pacifier and The Game Plan leaving a very mixed tough guy/kid's movie playing field I wasn't expecting great things.
JJ has stepped over the line one too many times and now he's relegated to surveillance with Bobbi, the agency tech wizard. Their mission is to stay put and watch the wife and child of a man who was connected to the case.
When they get to their stakeout position the last thing they expect is to be made by the very person they're watching. Sophie may only be 9 but she's no fool and she's about to use her new found leverage to her benefit.
I absolutely loved this, it was looking a little rough at the start but I genuinely enjoyed myself once it hit its stride.
But it was a 12A? Honestly astounded to see that pop up at the beginning, I would have assumed it would be a PG, but that extra allowance gave the film a bit more colour.
This comedy felt perfect for Dave Bautista, I don't think I've seen him in a role that really felt suited to him, I like his humour but even the lovable Drax was always a bit off. Everest in Hotel Artemis was probably the best until I saw this. I love that he got a chance to do a mix of drama and comedy all in one film.
His pairing with Kristen Schaal as Bobbi was such fun. Their completely different approaches coupled with her to-the-point attitude make for a great team. Bobbi's adoration and desire to do more fieldwork is played off incredibly well.
I'm not usually a fan of child actors, it can seem forced and unnatural, but Chloe Coleman as Sophie is savage and I love it. Her standing up to JJ and her vulnerable side comes over so well, I genuinely enjoyed her acting and her comic timing, I can't wait to see her in more things.
The only actor I would query is Ken Jeong, he's funny and I find him generally amusing in most things he does but in this A) he wasn't entirely believable in the role and B) his humour was a step apart from the rest of the script, his parts in particular weren't in scenes designed for humour. It was the only part of the film that made me pause as I watched it, but it wasn't a massively negative impact on the whole.
We get some great settings and amazing action style sequences, the ones with both Bautista and Coleman had some real heart and humour. The whole storyline where he teaches her how to spy is amusing and well done.
I really did enjoy My Spy, that 12A totally helped it from being like those before it, the script could be aimed more at adults and the humour could cover both adult and children's amusement, it's a great stress-free film and I would absolutely watch it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/my-spy-movie-review.html
JJ has stepped over the line one too many times and now he's relegated to surveillance with Bobbi, the agency tech wizard. Their mission is to stay put and watch the wife and child of a man who was connected to the case.
When they get to their stakeout position the last thing they expect is to be made by the very person they're watching. Sophie may only be 9 but she's no fool and she's about to use her new found leverage to her benefit.
I absolutely loved this, it was looking a little rough at the start but I genuinely enjoyed myself once it hit its stride.
But it was a 12A? Honestly astounded to see that pop up at the beginning, I would have assumed it would be a PG, but that extra allowance gave the film a bit more colour.
This comedy felt perfect for Dave Bautista, I don't think I've seen him in a role that really felt suited to him, I like his humour but even the lovable Drax was always a bit off. Everest in Hotel Artemis was probably the best until I saw this. I love that he got a chance to do a mix of drama and comedy all in one film.
His pairing with Kristen Schaal as Bobbi was such fun. Their completely different approaches coupled with her to-the-point attitude make for a great team. Bobbi's adoration and desire to do more fieldwork is played off incredibly well.
I'm not usually a fan of child actors, it can seem forced and unnatural, but Chloe Coleman as Sophie is savage and I love it. Her standing up to JJ and her vulnerable side comes over so well, I genuinely enjoyed her acting and her comic timing, I can't wait to see her in more things.
The only actor I would query is Ken Jeong, he's funny and I find him generally amusing in most things he does but in this A) he wasn't entirely believable in the role and B) his humour was a step apart from the rest of the script, his parts in particular weren't in scenes designed for humour. It was the only part of the film that made me pause as I watched it, but it wasn't a massively negative impact on the whole.
We get some great settings and amazing action style sequences, the ones with both Bautista and Coleman had some real heart and humour. The whole storyline where he teaches her how to spy is amusing and well done.
I really did enjoy My Spy, that 12A totally helped it from being like those before it, the script could be aimed more at adults and the humour could cover both adult and children's amusement, it's a great stress-free film and I would absolutely watch it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/my-spy-movie-review.html
Emma @ The Movies (1786 KP) rated Apollo 11 (2019) in Movies
Apr 7, 2020
I was sad to miss this one at the cinema, I imagine having it up on the big screen would have been very impressive, but only one of the mainstream cinemas had it on.
Space documentaries are always interesting, to think that all of that technology was really in its infancy and we were making such big strides for humanity is mindblowing... and that's why this felt like a letdown.
It's wonderful that we're getting this unseen footage but they've turned it into a film, it's not really a documentary at all. In a documentary I expect to learn things I didn't know before, but here while I was seeing things I'd never seen it's actually not showing you a new angle on the story. It's great to see everything evolving as it did on the day and through the journey but that isn't new. With such a rich story of science and discovery behind space exploration I am at a loss as to why they would forego having a narrator.
Having a narrator adds an extra layer of information that really does add something and makes the footage accessible to new viewers. I've seen documentaries on things like this before and so some of what I was seeing on screen was recognisable, but there were still some shots where I didn't know what I was looking at. Some prompting would have been useful, it was like walking through a museum where they've taken down the labels on the exhibits.
The footage is generally well edited throughout, and as I said before, the feel is that of a film as opposed to a documentary. They're compiled picture, audio and video images together to follow the crew on and above the Earth and the fact they can line it up so well is impressive. There's a montage as the crew return to Earth and this was particularly good when paired with "Mother Country" by John Stewart.
Putting the footage together can't have been an easy task, but some of it suffered for the sake of a shot. At one point we get a slightly out of place split screen "Go" sequence which showed all the departments calling out. I liked it as an idea but the audio isn't the best quality as it carries through, and after the initial effect it's difficult to understand what's going on and that detracts from some of the impact.
I appreciate the fact they dug into the archives for everything, the studio even used their 1969 logo, and crafting music that would have been possible then was impressive... even if a lot of it wasn't as inspiring as the moments it accompanied.
While Apollo 11 itself is a mindblowing event the way this "documentary" has been produced is not. Well crafted, yes, but its lack of further detail and background had a heavy negative impact for me. If I was rating just for the event then it would absolutely be a 5 star review, as a newly produced bit of work it doesn't bring anything new to the table even with it all being new footage.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/apollo-11-movie-review.html
Space documentaries are always interesting, to think that all of that technology was really in its infancy and we were making such big strides for humanity is mindblowing... and that's why this felt like a letdown.
It's wonderful that we're getting this unseen footage but they've turned it into a film, it's not really a documentary at all. In a documentary I expect to learn things I didn't know before, but here while I was seeing things I'd never seen it's actually not showing you a new angle on the story. It's great to see everything evolving as it did on the day and through the journey but that isn't new. With such a rich story of science and discovery behind space exploration I am at a loss as to why they would forego having a narrator.
Having a narrator adds an extra layer of information that really does add something and makes the footage accessible to new viewers. I've seen documentaries on things like this before and so some of what I was seeing on screen was recognisable, but there were still some shots where I didn't know what I was looking at. Some prompting would have been useful, it was like walking through a museum where they've taken down the labels on the exhibits.
The footage is generally well edited throughout, and as I said before, the feel is that of a film as opposed to a documentary. They're compiled picture, audio and video images together to follow the crew on and above the Earth and the fact they can line it up so well is impressive. There's a montage as the crew return to Earth and this was particularly good when paired with "Mother Country" by John Stewart.
Putting the footage together can't have been an easy task, but some of it suffered for the sake of a shot. At one point we get a slightly out of place split screen "Go" sequence which showed all the departments calling out. I liked it as an idea but the audio isn't the best quality as it carries through, and after the initial effect it's difficult to understand what's going on and that detracts from some of the impact.
I appreciate the fact they dug into the archives for everything, the studio even used their 1969 logo, and crafting music that would have been possible then was impressive... even if a lot of it wasn't as inspiring as the moments it accompanied.
While Apollo 11 itself is a mindblowing event the way this "documentary" has been produced is not. Well crafted, yes, but its lack of further detail and background had a heavy negative impact for me. If I was rating just for the event then it would absolutely be a 5 star review, as a newly produced bit of work it doesn't bring anything new to the table even with it all being new footage.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/apollo-11-movie-review.html
Gareth von Kallenbach (980 KP) rated Snowpiercer (2013) in Movies
Aug 6, 2019
Korean director Joon-ho Bong takes us on a Science fiction ride with Snowpiercer. Based on the graphic novel Le Transperceneige, Snowpiercer is a story set on a train which acts as a human Noah’s Ark as it is the only place to survive after an attempt to stop global warming caused the planet to over freeze and become inhabitable. Not only is the train humanity’s last salvation, but it also mirrors human society as each portion of the train represents a different class structure. The poor and underprivileged are kept imprisoned in the back of the train, while the first class passengers are living in privilege in the front of the train. When the back of the train has finally had enough, they revolt and attempt to take control of the train and improve their place.
This is the film that Chris Evans chose to do in-between filming The Avengers and Captain America: Winter Soldier. In my opinion, he made a great choice. To me, Evans has always been just blah and one-dimensional. While he does not stray too far from how we have seen him act in the past, this film gives him a chance to show some depth and grit of character that we have not truly seen from him. Everyone looks at him as being the leader and you can see why. He embodies that character. I was impressed by his performance.
Along with Evans, Tilda Swinton helps carry this film from basic Sci-Fi ride to better than average film. She is fantastic in this film. She plays Mason, the governance of the train that helps keep things in order. She is the one that comes down from the front of the train and explains how and why the people in the back should keep their place. She steals the show with her presence every time she is on screen and gives a fantastic performance that causes us to both spite her, but also understand she is doing what is best for the train.
Without revealing too much about the story, the pacing of the film is great. It is not in a rush to get you from point A to point B, but rather takes the time to intertwine character development into story. The first half of the film is the revolt film where we see the dregs of life and the fight for freedom. The second half of the film is the reveal of wonderment where we see how the other side lives. In true Sci-Fi fashion, the story is a social commentary on our current place in society with regards to the richest 1% in the world. The revolt changes to a question of control which in turn changes to a question of true freedom, but at what cost?
I would recommend this film to any Sci-Fi fans or anyone looking for a thoughtful film and change of pace from the big summer blockbuster.
For a more in-depth discussion about the film, be sure to check out our podcast review.
This is the film that Chris Evans chose to do in-between filming The Avengers and Captain America: Winter Soldier. In my opinion, he made a great choice. To me, Evans has always been just blah and one-dimensional. While he does not stray too far from how we have seen him act in the past, this film gives him a chance to show some depth and grit of character that we have not truly seen from him. Everyone looks at him as being the leader and you can see why. He embodies that character. I was impressed by his performance.
Along with Evans, Tilda Swinton helps carry this film from basic Sci-Fi ride to better than average film. She is fantastic in this film. She plays Mason, the governance of the train that helps keep things in order. She is the one that comes down from the front of the train and explains how and why the people in the back should keep their place. She steals the show with her presence every time she is on screen and gives a fantastic performance that causes us to both spite her, but also understand she is doing what is best for the train.
Without revealing too much about the story, the pacing of the film is great. It is not in a rush to get you from point A to point B, but rather takes the time to intertwine character development into story. The first half of the film is the revolt film where we see the dregs of life and the fight for freedom. The second half of the film is the reveal of wonderment where we see how the other side lives. In true Sci-Fi fashion, the story is a social commentary on our current place in society with regards to the richest 1% in the world. The revolt changes to a question of control which in turn changes to a question of true freedom, but at what cost?
I would recommend this film to any Sci-Fi fans or anyone looking for a thoughtful film and change of pace from the big summer blockbuster.
For a more in-depth discussion about the film, be sure to check out our podcast review.