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BankofMarquis (1832 KP) rated Casablanca (1942) in Movies
May 6, 2019
A Classic in Every Sense of the Word
"Of all the gin joints, in all the towns, in all the world, she walks into mine."
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sassy Brit (97 KP) rated Maybe For You in Books
Jun 5, 2019
Maybe For You by Nicole McLaughlin is a very emotional storyline. The theme allows readers to understand how to cope with loss and handle grief. It is also a friends to lover’s story.
Many say that a guy and gal cannot be friends. This story seems to prove that point. The different dynamic relationships play a part in how people react to each other. Friends usually are able to be direct and let their guards down without having to build walls. Usually these relationships are based on honesty where each person can show their true selves. Some of the best intimate relationships start off as friends. The heroine, Alexis, and the hero, Jake began their friendship as pen pals while she was deployed in Italy. They did not literally converse with a writing object, but used the modern way, a phone text. McLaughlin wanted “it to be a safer way to share feelings without being face to face or voice to voice. These two are able to share only when they feel like sharing.”
Alexis is not used to displaying her emotions, keeping everything close to the chest. Her parents died in an auto accident, she was raised by her older brother Dean, and now has lost her fiancé in a military helicopter accident. Anyone who has lost a loved one, especially when it is unexpected, can relate to this powerful quote, “Several times she had to talk herself out of just crawling back into bed… Moving on, healing, required putting one foot in front of the other. Even when it felt impossible.”
The story poignantly shows how those grieving can move on, that time heals. Yet, there are also instances when something can spur someone’s memory about a loved one, and that feeling of being hit in the gut returns. “I wanted to write about this because I experience it. I put in the book how sometimes the weight of the pain feels brand new. I lost my father when I was ten. I watched my mother and how she dealt with losing a partner. I think I put my own feelings in these scenes. My dad has been dead almost twenty-five years and every once in awhile a thought pops up in my head and I cry instantly. I think the grieving process is a long journey.”
But it is also a story of hope. After a year serving overseas Alexis returns to her home town in Kansas. Her brother offers her a job at the Stag Distillery he owns with two friends. But it also ended up becoming one of the most successful wedding and event venues in the Kansas City metro area. To promote their business one of the partners, Jake, travels on the road to find new clients. Realizing that Alex would be a good addition for making sells, it is decided that she will travel with him. Ready for a new challenge, Alexis agrees to accompany her new co-worker, Jake. Soon the casual relationship becomes intense where both realize they have strong feelings for each other.
“I wrote how their relationship was grounded in respect and friendship. Both needed someone that they cared for. They were able to tease and joke with each other, feeling very comfortable, because they started out as friends. They appear as opposites since Alexis is a survivor, strong, broken, vulnerable, determined, desperate for a family, and is very guarded. Jake is a player, a playboy, who always feels second best. As Alexis opens up to him about her feelings he listens, doesn’t pry or lecture about what she should be feeling. Slowly he transitions from a playboy to a partner.”
This is a very emotional story that will tug at the heart. There are many touching scenes with very likeable characters.
Many say that a guy and gal cannot be friends. This story seems to prove that point. The different dynamic relationships play a part in how people react to each other. Friends usually are able to be direct and let their guards down without having to build walls. Usually these relationships are based on honesty where each person can show their true selves. Some of the best intimate relationships start off as friends. The heroine, Alexis, and the hero, Jake began their friendship as pen pals while she was deployed in Italy. They did not literally converse with a writing object, but used the modern way, a phone text. McLaughlin wanted “it to be a safer way to share feelings without being face to face or voice to voice. These two are able to share only when they feel like sharing.”
Alexis is not used to displaying her emotions, keeping everything close to the chest. Her parents died in an auto accident, she was raised by her older brother Dean, and now has lost her fiancé in a military helicopter accident. Anyone who has lost a loved one, especially when it is unexpected, can relate to this powerful quote, “Several times she had to talk herself out of just crawling back into bed… Moving on, healing, required putting one foot in front of the other. Even when it felt impossible.”
The story poignantly shows how those grieving can move on, that time heals. Yet, there are also instances when something can spur someone’s memory about a loved one, and that feeling of being hit in the gut returns. “I wanted to write about this because I experience it. I put in the book how sometimes the weight of the pain feels brand new. I lost my father when I was ten. I watched my mother and how she dealt with losing a partner. I think I put my own feelings in these scenes. My dad has been dead almost twenty-five years and every once in awhile a thought pops up in my head and I cry instantly. I think the grieving process is a long journey.”
But it is also a story of hope. After a year serving overseas Alexis returns to her home town in Kansas. Her brother offers her a job at the Stag Distillery he owns with two friends. But it also ended up becoming one of the most successful wedding and event venues in the Kansas City metro area. To promote their business one of the partners, Jake, travels on the road to find new clients. Realizing that Alex would be a good addition for making sells, it is decided that she will travel with him. Ready for a new challenge, Alexis agrees to accompany her new co-worker, Jake. Soon the casual relationship becomes intense where both realize they have strong feelings for each other.
“I wrote how their relationship was grounded in respect and friendship. Both needed someone that they cared for. They were able to tease and joke with each other, feeling very comfortable, because they started out as friends. They appear as opposites since Alexis is a survivor, strong, broken, vulnerable, determined, desperate for a family, and is very guarded. Jake is a player, a playboy, who always feels second best. As Alexis opens up to him about her feelings he listens, doesn’t pry or lecture about what she should be feeling. Slowly he transitions from a playboy to a partner.”
This is a very emotional story that will tug at the heart. There are many touching scenes with very likeable characters.
Purple Phoenix Games (2266 KP) rated A Game of Thrones: Hand of the King in Tabletop Games
Jun 12, 2019
I’ll be honest with you. I’m a big A Game of Thrones fan. We watch it religiously on Sunday nights at my dad’s house. Now, when I say “we” I mean my brother Bryan, my dad, and me. My wife has zero interest in it, and it’s really not her style anyway. So imagine my surprise when she agreed to play this little card game featuring the IP and she didn’t hate it! She didn’t really love it either, as shown by her guest score on the graphic above.
A Game of Thrones: Hand of the King (that’s a lot to say/type) is a dueling set collection card game. To setup, you create a grid of randomized character cards that all belong to one of the seven houses (save for Varys, who is our pawn in all this). Also reveal six of the 14 provided companion cards to be used for this game. Each player will control Varys on their turn, spreading influence and intrigue throughout the houses.
On your turn you will announce the house you would like to influence (Stark, Greyjoy, etc), and then move the Varys card in any of the four cardinal directions to a character belonging to your announced house. Any character cards you pass along the way bearing the same house will be collected along with the card on which you stopped. If you now have simple majority of characters in that house, you claim the corresponding house banner and place it in front of you to taunt your opponent. Should you influence the last character of said house you will be able to recruit and use one of the companion cards that are available from the beginning of the game. These cards are game-changers sometimes and provide very powerful abilities. Play continues in this fashion until Varys has no more legal moves. And that’s the game. Each player is trying to have simple majority ownership of the house banners at the end of the game.
Components. This is easy. There are square character cards featuring excellent artwork from The Mico (who always does an amazing job IMO), smaller companion cards, and the house banners. The cards are of good quality, and the banners are good too. I have no complaints about the components at all.
Now, I have only played this with my wife and she can be pretty ruthless when gaming. That’s pretty much expected for a game of this IP. That being said, this is an easy and light filler card game that is enjoyable, but not overly strategic. You really do not have to make many choices, as the placement of characters mostly determine how you are going to attack the grid. The companions, however, make this game much more interesting because they can be loose cannons and otherwise monkey wrenches in your opponent’s plans. Outside of being a simple annoyance, there isn’t a lot of player interaction unless you are specifically hate-drafting (which we typically do not do). After all, it’s not similar to its cousin big boy board game that destroys friendships over a 6 hour+ slog. This one is light and quick and a good filler for two. My wife may not love it, but I don’t think I will be getting rid of it. Kind of a nice surprise from a game I was gifted (and it was not originally on my wish list).
That said, we at Purple Phoenix Games (with the help of my wife Kristin) give this one a 7 / 12. Not the best game based on this IP but worth keeping for a quick filler.
https://purplephoenixgames.wordpress.com/2019/03/13/a-game-of-thrones-hand-of-the-king-review/
A Game of Thrones: Hand of the King (that’s a lot to say/type) is a dueling set collection card game. To setup, you create a grid of randomized character cards that all belong to one of the seven houses (save for Varys, who is our pawn in all this). Also reveal six of the 14 provided companion cards to be used for this game. Each player will control Varys on their turn, spreading influence and intrigue throughout the houses.
On your turn you will announce the house you would like to influence (Stark, Greyjoy, etc), and then move the Varys card in any of the four cardinal directions to a character belonging to your announced house. Any character cards you pass along the way bearing the same house will be collected along with the card on which you stopped. If you now have simple majority of characters in that house, you claim the corresponding house banner and place it in front of you to taunt your opponent. Should you influence the last character of said house you will be able to recruit and use one of the companion cards that are available from the beginning of the game. These cards are game-changers sometimes and provide very powerful abilities. Play continues in this fashion until Varys has no more legal moves. And that’s the game. Each player is trying to have simple majority ownership of the house banners at the end of the game.
Components. This is easy. There are square character cards featuring excellent artwork from The Mico (who always does an amazing job IMO), smaller companion cards, and the house banners. The cards are of good quality, and the banners are good too. I have no complaints about the components at all.
Now, I have only played this with my wife and she can be pretty ruthless when gaming. That’s pretty much expected for a game of this IP. That being said, this is an easy and light filler card game that is enjoyable, but not overly strategic. You really do not have to make many choices, as the placement of characters mostly determine how you are going to attack the grid. The companions, however, make this game much more interesting because they can be loose cannons and otherwise monkey wrenches in your opponent’s plans. Outside of being a simple annoyance, there isn’t a lot of player interaction unless you are specifically hate-drafting (which we typically do not do). After all, it’s not similar to its cousin big boy board game that destroys friendships over a 6 hour+ slog. This one is light and quick and a good filler for two. My wife may not love it, but I don’t think I will be getting rid of it. Kind of a nice surprise from a game I was gifted (and it was not originally on my wish list).
That said, we at Purple Phoenix Games (with the help of my wife Kristin) give this one a 7 / 12. Not the best game based on this IP but worth keeping for a quick filler.
https://purplephoenixgames.wordpress.com/2019/03/13/a-game-of-thrones-hand-of-the-king-review/
Purple Phoenix Games (2266 KP) rated Tiny Epic Defenders in Tabletop Games
Jun 12, 2019
The Tiny Epic series. Where do we begin? They’re tiny and they’re epic – need I say more? Oh, I do have to say more? Ok then, here I go. Tiny Epic Defenders was the first of these games that I ever played, so I think it’s appropriate that it is the first one we review!
DISCLAIMER!! This review is for vanilla Tiny Epic Defenders, first edition. We have since added the second edition and The Dark War expansions, so we will revisit this game again including those additions for a nice contrast. -T
A kingdom at peace, finally, after years of war. All is calm across the lands, but the quiet never lasts. Reports start to come in of monsters spotted in the surrounding regions. If they manage to take over the Capital City, all will be lost. But there is still hope! A group of mighty warriors bands together to defend their kingdom at all costs! Only by working together can this group (the only line of defense between peace and destruction) defeat the monsters and save the realm!
In Tiny Epic Defenders, you play as one of the heroes trying to defend the kingdom. You and your comrades must travel between the outer regions of the kingdom and fend off the advancing monsters! Communication and cooperation are key – one small misstep could be the difference between victory and defeat. All of the heroes have unique special abilities, and all of the regions of the kingdom offer either a bonus or penalty for the heroes defending them. On your turn, you get 3 actions to either move, defend, or use a special ability. Once per round, there will be a group turn, where you must collectively decide how to best use the 3 actions between all players. New monsters surface every round, and eventually the Epic Foe will begin its final assault on the realm! If you manage to slay the Epic Foe before the Capital City falls, you win! But if you are overrun with monsters, unfortunately it’s game over for your kingdom.
The thing about Tiny Epic Defenders is that it starts off seemingly super easy, but then suddenly everything is on fire and you lose. I think that disparity comes from the turn order. The turn deck is shuffled anew every round, so the hero turns are not always evenly spaced throughout the deck. Sometimes all of the hero turns occur early in the round, which allow monsters who emerge later to attack undefended regions (players can move only on their turn), and overwhelm the heroes. The same happens if all the hero turns occur too late in the round – the monsters have already done their worst and the heroes must scramble to rectify the situation. And on top of that, a more menacing monster is added to the deck every round as well, so that just creates more of an imbalance between player turns and monster turns.
Even though the game can get a little overwhelming, I do really like the cooperative aspect of it! Everyone is working towards the same goal and all communication is open and free. Need advice for what to do on your turn? Just ask! Have an idea about how to deal with a certain monster? Tell the group! No single player bears all of the pressure because it really is a group effort!
Someday soon we will get the Second Edition to the table. And get that expansion added in too. But for the time being, our thoughts based solely on the original base game, Purple Phoenix Games give Tiny Epic Defenders a 16 / 24.
https://purplephoenixgames.wordpress.com/2018/12/05/tiny-epic-defenders-review/
DISCLAIMER!! This review is for vanilla Tiny Epic Defenders, first edition. We have since added the second edition and The Dark War expansions, so we will revisit this game again including those additions for a nice contrast. -T
A kingdom at peace, finally, after years of war. All is calm across the lands, but the quiet never lasts. Reports start to come in of monsters spotted in the surrounding regions. If they manage to take over the Capital City, all will be lost. But there is still hope! A group of mighty warriors bands together to defend their kingdom at all costs! Only by working together can this group (the only line of defense between peace and destruction) defeat the monsters and save the realm!
In Tiny Epic Defenders, you play as one of the heroes trying to defend the kingdom. You and your comrades must travel between the outer regions of the kingdom and fend off the advancing monsters! Communication and cooperation are key – one small misstep could be the difference between victory and defeat. All of the heroes have unique special abilities, and all of the regions of the kingdom offer either a bonus or penalty for the heroes defending them. On your turn, you get 3 actions to either move, defend, or use a special ability. Once per round, there will be a group turn, where you must collectively decide how to best use the 3 actions between all players. New monsters surface every round, and eventually the Epic Foe will begin its final assault on the realm! If you manage to slay the Epic Foe before the Capital City falls, you win! But if you are overrun with monsters, unfortunately it’s game over for your kingdom.
The thing about Tiny Epic Defenders is that it starts off seemingly super easy, but then suddenly everything is on fire and you lose. I think that disparity comes from the turn order. The turn deck is shuffled anew every round, so the hero turns are not always evenly spaced throughout the deck. Sometimes all of the hero turns occur early in the round, which allow monsters who emerge later to attack undefended regions (players can move only on their turn), and overwhelm the heroes. The same happens if all the hero turns occur too late in the round – the monsters have already done their worst and the heroes must scramble to rectify the situation. And on top of that, a more menacing monster is added to the deck every round as well, so that just creates more of an imbalance between player turns and monster turns.
Even though the game can get a little overwhelming, I do really like the cooperative aspect of it! Everyone is working towards the same goal and all communication is open and free. Need advice for what to do on your turn? Just ask! Have an idea about how to deal with a certain monster? Tell the group! No single player bears all of the pressure because it really is a group effort!
Someday soon we will get the Second Edition to the table. And get that expansion added in too. But for the time being, our thoughts based solely on the original base game, Purple Phoenix Games give Tiny Epic Defenders a 16 / 24.
https://purplephoenixgames.wordpress.com/2018/12/05/tiny-epic-defenders-review/
Kristy H (1252 KP) rated The Almost Sisters in Books
Jan 23, 2018
Great story with a strong cast of characters
Leia Birch Briggs is a self-professed nerd: a graphic novelist with a penchant for comic books, Wonder Woman, and online gaming. So it's not exactly surprising that, with the help of tequila, she'd fall for a handsome man in a Batman costume at a comics convention in Atlanta. What comes next is a bit more of a surprise: Leia is pregnant from that one-night stand, and it's up to her to tell her over-protective family and very Southern grandmother. To top it off, said Batman was African American: not exactly the easiest thing to tell your Baptist family with Southern roots. But before Leia can even tell her family, she gets some disturbing news from Alabama about her paternal grandmother, Birchie. As Leia rushes to Alabama to help Birchie, she also learns that her stepsister, Rachel, is struggling. So Leia and her teenage niece, Lavender, head to Alabama to assist Birchie and break Leia's big news. But it turns out Birchie has some pretty big news of her own. News that will change everything Leia has ever known about her family.
This is one of those ARCs that I don't remember requesting, but I'm really glad I did. It was a pleasant surprise - just a fun, warm novel, even with its serious (and extremely timely) subject matter. I warmed to nerdy Leia immediately (and not just because I have a cat named after said Princess): she's real and flawed and quite relatable. All of the women in Leia's life are well-written and their own people: sweet Lavender, trying to figure out her way in the world as her parents' marriage implodes; Rachel, Lavender's mom, a perfectionist struggling with a lot of imperfection; Wattie, Birchie's best friend, an African American woman living with her in Alabama; and then the amazing Birchie herself, written so impeccably that I could just see her stubborn, regal face pour vibrantly from every page. I fell hard for each of these women and their struggles became mine.
Sure, a lot of this book is a little predictable, but the racial tensions and struggles that Jackson writes about are not: they are real and true. Jackson captures the racial divisions so well - the sweet, kind sweet tea side of the South versus the dark, racist, segregated aspects. I could just picture Birchville and its townsfolk. The novel is excellent in that so much of the story is humorous, yet the serious side is very well-done, too.
Leia is a graphic novelist and portions of the book describe a graphic novel she'd written -- I'm not a huge graphic novel fan, so I wasn't completely into those pieces, but I was able to slide past them. The parallels in Leia's novel to the South didn't elude me, so I appreciated why that was included, even if I didn't always want to read a summary of a supposedly graphic novel. Some of the symbolism and metaphors may be a little too forced/spelled out for us at times, but I still enjoyed the novel very much. Pieces of it made me laugh out loud - Leia's sense of humor and her predicaments, Birchie's tough sensibility. Birchie and Wattie's dynamic was wonderful, and I really cared for those two.
In the end, I really enjoyed this one. There's a great story here as well a plot that doesn't gloss over racial discord. I appreciated both. The cast of characters is great -- real, funny, humorous, and heartbreaking. Certainly recommend.
I received a copy of this novel from the publisher and Librarything (thank you!) in return for an unbiased review.
This is one of those ARCs that I don't remember requesting, but I'm really glad I did. It was a pleasant surprise - just a fun, warm novel, even with its serious (and extremely timely) subject matter. I warmed to nerdy Leia immediately (and not just because I have a cat named after said Princess): she's real and flawed and quite relatable. All of the women in Leia's life are well-written and their own people: sweet Lavender, trying to figure out her way in the world as her parents' marriage implodes; Rachel, Lavender's mom, a perfectionist struggling with a lot of imperfection; Wattie, Birchie's best friend, an African American woman living with her in Alabama; and then the amazing Birchie herself, written so impeccably that I could just see her stubborn, regal face pour vibrantly from every page. I fell hard for each of these women and their struggles became mine.
Sure, a lot of this book is a little predictable, but the racial tensions and struggles that Jackson writes about are not: they are real and true. Jackson captures the racial divisions so well - the sweet, kind sweet tea side of the South versus the dark, racist, segregated aspects. I could just picture Birchville and its townsfolk. The novel is excellent in that so much of the story is humorous, yet the serious side is very well-done, too.
Leia is a graphic novelist and portions of the book describe a graphic novel she'd written -- I'm not a huge graphic novel fan, so I wasn't completely into those pieces, but I was able to slide past them. The parallels in Leia's novel to the South didn't elude me, so I appreciated why that was included, even if I didn't always want to read a summary of a supposedly graphic novel. Some of the symbolism and metaphors may be a little too forced/spelled out for us at times, but I still enjoyed the novel very much. Pieces of it made me laugh out loud - Leia's sense of humor and her predicaments, Birchie's tough sensibility. Birchie and Wattie's dynamic was wonderful, and I really cared for those two.
In the end, I really enjoyed this one. There's a great story here as well a plot that doesn't gloss over racial discord. I appreciated both. The cast of characters is great -- real, funny, humorous, and heartbreaking. Certainly recommend.
I received a copy of this novel from the publisher and Librarything (thank you!) in return for an unbiased review.
Kyera (8 KP) rated Princess of Thorns in Books
Feb 1, 2018
Princess of Thorns is a not-so-classic retelling of the Sleeping Beauty story. The main character is actually the daughter of the cursed princess, who awoke from a kiss. Her name is Aurora, like the Disney movie's princess and her mother's name is Rose. In the french version of the tale, Sleeping Beauty's daughter is named Aurore. I believe that her mother's is the shortened form of Briar Rose, like German version of her tale by the Brother's Grimm. If you are familiar with the Grimm and Perrault versions of the tale, not only the Disney one, then you will notice many similarities. In a few versions of the tale, there is an evil step-mother or mother-in-law who attempts to eat the leading lady's children.
The author makes use of these characters and plots in her novel. She chooses to include the ill-fated mother, brother and sister, as well as the villainous step-mother. Although that familial tie is not explicitly stated, the King was the children's father and he married the ogre. Thus, she would be their step-mother. And you thought you had a dysfunctional family?
In true fairytale fashion, there are ogres, witches, fairies, and ruffians. Not all are portrayed as you would expect. The ogres have evolved, or perhaps devolved depending upon who you ask. In the early years, the ogres were monstrous creatures that devoured souls whole. They did not control themselves, but feasted on the entire soul leaving nothing behind. As time went on, they were forced to change and limit how much they took. After a time, the ogres began to become smaller and take on much more human-like appearances. Their food source never changed and they prided themselves upon each soul they took, marking their bare skulls.
The Fae seem human, although they possess extra-human traits and magic. One may not think of fairies and immediately imagine a human-like creature with great dexterity, skill in battle, and a lack of guilt -but the Fair Folk are shown this way in the novel. A fairy can bestow a gift upon a human child, like beauty, courage, eloquence, obedience, or strength. But each blessing comes with a curse, as the magic always finds a way to turn the gift into a burden. There are untold consequences to the blessings that cannot be avoided. As such, the fairies stopped giving their gifts to human children.
As with most fairytales, there is an element of romance. The love story blossoms under unusual circumstances and not without its share of problems. The two characters get to know each other throughout the journey, but their are many secrets left untold. As they are discovered, the relationship is altered for good or bad. And in the end, a choice must be made.
Most importantly, the novel isn't entirely predictable (although the budding romance was expected). Generally, you expect good to triumph over evil in most modern retellings of the story - unlike their Grimm counterparts. The plot's climax was frankly a little anti-climactic, but enjoyable non-the-less.
I think the author showed an average amount of character development, although I usually think more would be incredibly beneficial. Certain aspects of the world were explained, but not vividly enough. The "show-don't-tell" method could have been employed here to create a richer, more immersive world. Overall, I was pleased with the author's lexicon, grammar, and spelling - which happens much less often than should reasonably be expected.
I would certainly read another novel by this author as I love stories based upon fairytales. If you read Alex Flinn, I would highly recommend this novel to you just keep in mind it is slightly darker. Readers of fantasy, romance, and the like will enjoy this book and should give it a chance. It seems to target the female demographic, but males should enjoy it as well.
The author makes use of these characters and plots in her novel. She chooses to include the ill-fated mother, brother and sister, as well as the villainous step-mother. Although that familial tie is not explicitly stated, the King was the children's father and he married the ogre. Thus, she would be their step-mother. And you thought you had a dysfunctional family?
In true fairytale fashion, there are ogres, witches, fairies, and ruffians. Not all are portrayed as you would expect. The ogres have evolved, or perhaps devolved depending upon who you ask. In the early years, the ogres were monstrous creatures that devoured souls whole. They did not control themselves, but feasted on the entire soul leaving nothing behind. As time went on, they were forced to change and limit how much they took. After a time, the ogres began to become smaller and take on much more human-like appearances. Their food source never changed and they prided themselves upon each soul they took, marking their bare skulls.
The Fae seem human, although they possess extra-human traits and magic. One may not think of fairies and immediately imagine a human-like creature with great dexterity, skill in battle, and a lack of guilt -but the Fair Folk are shown this way in the novel. A fairy can bestow a gift upon a human child, like beauty, courage, eloquence, obedience, or strength. But each blessing comes with a curse, as the magic always finds a way to turn the gift into a burden. There are untold consequences to the blessings that cannot be avoided. As such, the fairies stopped giving their gifts to human children.
As with most fairytales, there is an element of romance. The love story blossoms under unusual circumstances and not without its share of problems. The two characters get to know each other throughout the journey, but their are many secrets left untold. As they are discovered, the relationship is altered for good or bad. And in the end, a choice must be made.
Most importantly, the novel isn't entirely predictable (although the budding romance was expected). Generally, you expect good to triumph over evil in most modern retellings of the story - unlike their Grimm counterparts. The plot's climax was frankly a little anti-climactic, but enjoyable non-the-less.
I think the author showed an average amount of character development, although I usually think more would be incredibly beneficial. Certain aspects of the world were explained, but not vividly enough. The "show-don't-tell" method could have been employed here to create a richer, more immersive world. Overall, I was pleased with the author's lexicon, grammar, and spelling - which happens much less often than should reasonably be expected.
I would certainly read another novel by this author as I love stories based upon fairytales. If you read Alex Flinn, I would highly recommend this novel to you just keep in mind it is slightly darker. Readers of fantasy, romance, and the like will enjoy this book and should give it a chance. It seems to target the female demographic, but males should enjoy it as well.
Sutton and Ethan Montclair had the ideal life--a beautiful marriage, a gorgeous house, successful writing careers, and a beautiful baby son. But with the death of their baby, Dashiell, things started to crumble. Peering into the cracks, it was clear that Ethan's career isn't going well and Sutton was depressed and broken after Dashiell's death. So when Ethan wakes up and finds a note from Sutton telling him that she's left and not to look for her, he doesn't know what to think. Did she really run off, leaving her phone, laptop, credit cards, and ID behind? Or did something more sinister happen? As for Ethan and Sutton's friends--and the police--they quickly start to wonder if the something sinister is Ethan.
So in the years since [b:Gone Girl|19288043|Gone Girl|Gillian Flynn|https://images.gr-assets.com/books/1397056917s/19288043.jpg|13306276] has come out, I've seen so many books compared to that juggernaut and felt that so little truly were similar (and keep in mind that I wasn't one of those that *adored* the novel). However, reading LIE TO ME, I felt like this book really deserved the plot comparison to GONE GIRL -- wife missing, volatile marriage, husband under suspicion, unreliable narrators, etc. For a while, I was curious how [a:J.T. Ellison|1311949|J.T. Ellison|https://images.gr-assets.com/authors/1450824118p2/1311949.jpg] would differentiate her novel from GONE GIRL, but she pulled it off (more on that later).
<i>This novel was compulsively readable</i>; I read it basically in two sittings. I stayed up until midnight to finish it, which is no small feat considering my small children don't care how late I stay up! It slowly builds suspense with the unknown, dropping little hints as to bits and pieces of the story. We start with Ethan's piece of the story, eventually switch to Sutton, and then finish with both of them. Interspersed are various portions where an unknown "narrator" speaks directly to us, the reader, as well as the police. All of this <i>creates suspicion and tension</i> and lets us know that we certainly have unreliable narrators in both Ethan and Sutton. Who do we believe? Even the police--called in to investigate Sutton's disappearance--are confused. <i>I was completely hooked and, honestly, madly flipping the pages. </i>
The Sutton portion slowed things down slightly, but things rapidly picked back up. I won't lie (ha), I worked out some of the plot, but it certainly didn't diminish my enjoyment of the novel, and I definitely didn't figure out everything. <i>The book's a little crazy, with a slightly wild plot, but it's a fun and thrilling read.</i> The supporting cast is interesting--especially a policewoman itching to become a detective, and some of Sutton and Ethan's friends. As I mentioned, the plot is a little insane, but fun crazy, and Ellison weaves together all the pieces quite effectively.
This is my second novel by Ellison and I'm finding that I just enjoy the suspense and escapism of her novels. (You can read my review of her novel, NO ONE KNOWS, <a href="https://www.goodreads.com/review/show/1460145588?book_show_action=false&from_review_page=1">here</a>;). The book isn't always perfect, but it's a really enjoyable thriller, hence the 4-star rating--which makes it higher than GONE GIRL for me. Sacrilege for some, but I just enjoyed this one more.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 09/05/2017.
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So in the years since [b:Gone Girl|19288043|Gone Girl|Gillian Flynn|https://images.gr-assets.com/books/1397056917s/19288043.jpg|13306276] has come out, I've seen so many books compared to that juggernaut and felt that so little truly were similar (and keep in mind that I wasn't one of those that *adored* the novel). However, reading LIE TO ME, I felt like this book really deserved the plot comparison to GONE GIRL -- wife missing, volatile marriage, husband under suspicion, unreliable narrators, etc. For a while, I was curious how [a:J.T. Ellison|1311949|J.T. Ellison|https://images.gr-assets.com/authors/1450824118p2/1311949.jpg] would differentiate her novel from GONE GIRL, but she pulled it off (more on that later).
<i>This novel was compulsively readable</i>; I read it basically in two sittings. I stayed up until midnight to finish it, which is no small feat considering my small children don't care how late I stay up! It slowly builds suspense with the unknown, dropping little hints as to bits and pieces of the story. We start with Ethan's piece of the story, eventually switch to Sutton, and then finish with both of them. Interspersed are various portions where an unknown "narrator" speaks directly to us, the reader, as well as the police. All of this <i>creates suspicion and tension</i> and lets us know that we certainly have unreliable narrators in both Ethan and Sutton. Who do we believe? Even the police--called in to investigate Sutton's disappearance--are confused. <i>I was completely hooked and, honestly, madly flipping the pages. </i>
The Sutton portion slowed things down slightly, but things rapidly picked back up. I won't lie (ha), I worked out some of the plot, but it certainly didn't diminish my enjoyment of the novel, and I definitely didn't figure out everything. <i>The book's a little crazy, with a slightly wild plot, but it's a fun and thrilling read.</i> The supporting cast is interesting--especially a policewoman itching to become a detective, and some of Sutton and Ethan's friends. As I mentioned, the plot is a little insane, but fun crazy, and Ellison weaves together all the pieces quite effectively.
This is my second novel by Ellison and I'm finding that I just enjoy the suspense and escapism of her novels. (You can read my review of her novel, NO ONE KNOWS, <a href="https://www.goodreads.com/review/show/1460145588?book_show_action=false&from_review_page=1">here</a>;). The book isn't always perfect, but it's a really enjoyable thriller, hence the 4-star rating--which makes it higher than GONE GIRL for me. Sacrilege for some, but I just enjoyed this one more.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 09/05/2017.
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Kristy H (1252 KP) rated The Roanoke Girls in Books
Feb 1, 2018
Lane Roanoke is just a teenager when her mother commits suicide, and Lane is sent to live with her grandparents in Kansas. While Lane lived a sad life with her depressed, volatile mother, her wealthy grandparents represent a chance for a new start - and Lane can meet her cousin, Allegra, who is close to her age. But when Lane arrives in Kansas, while she quickly befriends Allegra and is amazed by the kindness of her grandfather, she also realizes not everything is as it seems.
Eleven years later, after Lane has fled the farm (and left her family there behind), Lane receives a call from her grandfather: Allegra is missing. Can she please come home? Reluctantly Lane returns to a place she vowed she'd never see again to search for her cousin, whom she has always felt bad about leaving behind. But returning only brings up bad memories, and Lane quickly worries that something terrible has happened to Allegra. Can Lane face her fears and figure out what happened to her cousin?
This book, oh this book. Wow. This is quite the novel! The story alternates between the present-day and that fateful summer (from Lane's point of view), with a few snippets from earlier generations of the other Roanoke girls thrown in. It's slightly confusing at first (you'll need easy access to the family tree at the beginning of the book), but quickly pulls you in and never lets you go. I was immediately captivated by this novel and read it in less than 24 hours. It's not some "feel good" novel, but it's amazingly well-written and just spellbinding. It starts off with a bombshell and then hooks you from there with the dark story of the twisted Roanoke family.
There is something completely alluring about how messed up and sick the Roanokes are. I couldn't turn away from them. The book is great because you become quickly intrigued and invested in the story of what happened to Allegra, but there's also a bit of suspense to the "then" storyline as Lane finds out something terrible about her family. Engel is remarkably talented because we know the secret already, and Lane knows it in the present-day portion of the book, but it's still enthralling watching it unravel as she's a teen. There's also just a pure fascination and horror at this family. There are also periodic shockers throughout the entire novel and several "wow" and "didn't see that coming" moments for me. The whole thing is extremely well-done.
I was extremely expressed by Engel's characters. For instance, Lane is a broken and damaged person who cannot trust or love. As such, she is frustrating with her guarded heart but still sympathetic. She drove me crazy, but I loved her. Engel did an excellent job with all of these characters. Even those that seemed (or were) absolutely awful; they all seemed so real. She also did a great job at portraying small towns and their tangled web of secrets. The broken Kansas town where the Roanokes lived was expertly done, with all of its bit characters and the descriptions of its streets and happenings.
Overall, I was incredibly impressed with this book. Its entire plot was creepy and twisted, and it was compulsively readable, with plenty of shocking moments. Yet it also had empathetic, well-written characters. It was an amazing dark look at the power of childhood, your parents, and your past. It's a mean and twisted novel and impeccably written, because you feel such a range of emotions for its characters. Definitely recommend.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/07/2017.
Eleven years later, after Lane has fled the farm (and left her family there behind), Lane receives a call from her grandfather: Allegra is missing. Can she please come home? Reluctantly Lane returns to a place she vowed she'd never see again to search for her cousin, whom she has always felt bad about leaving behind. But returning only brings up bad memories, and Lane quickly worries that something terrible has happened to Allegra. Can Lane face her fears and figure out what happened to her cousin?
This book, oh this book. Wow. This is quite the novel! The story alternates between the present-day and that fateful summer (from Lane's point of view), with a few snippets from earlier generations of the other Roanoke girls thrown in. It's slightly confusing at first (you'll need easy access to the family tree at the beginning of the book), but quickly pulls you in and never lets you go. I was immediately captivated by this novel and read it in less than 24 hours. It's not some "feel good" novel, but it's amazingly well-written and just spellbinding. It starts off with a bombshell and then hooks you from there with the dark story of the twisted Roanoke family.
There is something completely alluring about how messed up and sick the Roanokes are. I couldn't turn away from them. The book is great because you become quickly intrigued and invested in the story of what happened to Allegra, but there's also a bit of suspense to the "then" storyline as Lane finds out something terrible about her family. Engel is remarkably talented because we know the secret already, and Lane knows it in the present-day portion of the book, but it's still enthralling watching it unravel as she's a teen. There's also just a pure fascination and horror at this family. There are also periodic shockers throughout the entire novel and several "wow" and "didn't see that coming" moments for me. The whole thing is extremely well-done.
I was extremely expressed by Engel's characters. For instance, Lane is a broken and damaged person who cannot trust or love. As such, she is frustrating with her guarded heart but still sympathetic. She drove me crazy, but I loved her. Engel did an excellent job with all of these characters. Even those that seemed (or were) absolutely awful; they all seemed so real. She also did a great job at portraying small towns and their tangled web of secrets. The broken Kansas town where the Roanokes lived was expertly done, with all of its bit characters and the descriptions of its streets and happenings.
Overall, I was incredibly impressed with this book. Its entire plot was creepy and twisted, and it was compulsively readable, with plenty of shocking moments. Yet it also had empathetic, well-written characters. It was an amazing dark look at the power of childhood, your parents, and your past. It's a mean and twisted novel and impeccably written, because you feel such a range of emotions for its characters. Definitely recommend.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/07/2017.
The four Plumb siblings aren't exactly the most likable group of brothers and sisters. Is their rather despicable, hands-off mother, Francie, to blame? Further, the siblings can't agree on much, either, except how they are all looking forward to the inheritance they've deemed "The Nest." Their late father intended the money to simply be a small sum to help each of his children along late in life (they can't get the money until the youngest turns 40), but the money has been inflated by the stock market and wise investments, and now each sibling is seriously relying on the money in some way. But then, one evening at a wedding, the eldest brother Leo drunkenly gets behind the wheel of his Porsche, a young waitress from the party at his side, and crashes the car. The waitress is badly injured, and the children's mother dips deeply into The Nest to get Leo out of his jam. The other siblings are enraged as they are forced to confront their own financial problems. Melody, the youngest, needs to send her twins to college. Jack, the other brother, has been secretly borrowing against his vacation home, without telling his lawyer husband. And Bea, their sister, hasn't been able to follow up on the success of her early work and finish her novel: she even had to pay back the advance. Leo promises his siblings he will pay them back; but can their wayward older brother be trusted?
This novel received a lot of hype, so of course I avoided reading it for a while. As I was reading it, I thought for quite some time that I'd been duped, as it seemed to be about a bunch of greedy, hateful siblings who cared about nothing but money and appearances. But D'Aprix Sweeney has a deft way with words and somehow, amazingly, this book is compulsively readable and surprisingly enjoyable. After a while, you get to know each Plumb sibling fairly well. While some are pretty despicable (ahem, Leo, ahem), some are just people and parents trying to get by--albeit not always in the most reasonable fashion. I felt the worst for Bea and Melody.
The most interesting part about this novel is that D'Aprix Sweeney doesn't just focus on the four siblings, but she opens up the aperture to include a whole cast of supporting characters, and that is where the novel really shines. Everyone becomes connected somehow, but it doesn't feel trite. We hear from folks in the literary world who work (and love) Bea and Leo, for instance. Leo's love interest (and Bea's editor) Stephanie is my favorite. So while parts of the novel are predictable and I found myself wondering if I cared about any of the Plumbs whatsoever, it's the characters to whom they are connected that are interesting. It takes a talented author to make you want to read a story, even if you don't like the main characters, per se. However, you'll find yourself caught up in the story and wanting to find out what happens. The bonus of extending the characters beyond the four Plumbs is that you get several characters' perspective on an issue or event. In the end, things tie up and together, but again, not too neatly or annoyingly. The ending is perfect somehow--again, a testament to the author's skill.
Overall, the novel surprised me. I honestly usually am not a fan of the spoiled New Yorker novels, but this one was different. It really drew me in. There's a depth and a warmth behind the characters. Definitely worth reading.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This novel received a lot of hype, so of course I avoided reading it for a while. As I was reading it, I thought for quite some time that I'd been duped, as it seemed to be about a bunch of greedy, hateful siblings who cared about nothing but money and appearances. But D'Aprix Sweeney has a deft way with words and somehow, amazingly, this book is compulsively readable and surprisingly enjoyable. After a while, you get to know each Plumb sibling fairly well. While some are pretty despicable (ahem, Leo, ahem), some are just people and parents trying to get by--albeit not always in the most reasonable fashion. I felt the worst for Bea and Melody.
The most interesting part about this novel is that D'Aprix Sweeney doesn't just focus on the four siblings, but she opens up the aperture to include a whole cast of supporting characters, and that is where the novel really shines. Everyone becomes connected somehow, but it doesn't feel trite. We hear from folks in the literary world who work (and love) Bea and Leo, for instance. Leo's love interest (and Bea's editor) Stephanie is my favorite. So while parts of the novel are predictable and I found myself wondering if I cared about any of the Plumbs whatsoever, it's the characters to whom they are connected that are interesting. It takes a talented author to make you want to read a story, even if you don't like the main characters, per se. However, you'll find yourself caught up in the story and wanting to find out what happens. The bonus of extending the characters beyond the four Plumbs is that you get several characters' perspective on an issue or event. In the end, things tie up and together, but again, not too neatly or annoyingly. The ending is perfect somehow--again, a testament to the author's skill.
Overall, the novel surprised me. I honestly usually am not a fan of the spoiled New Yorker novels, but this one was different. It really drew me in. There's a depth and a warmth behind the characters. Definitely worth reading.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Goddess in the Stacks (553 KP) rated The City of Brass: Daevabad Trilogy in Books
Mar 25, 2018
Fantastic world-building (1 more)
Character Development
So much to say about this outstanding debut novel! First I'd like to address the issues around the author, then I'll delve into the book itself. (It's fantastic, though!)
So the book has been touted as an "own voices" novel, seemingly much to the author's chagrin. She is Muslim, but she's a white convert (Chakraborty is her married name). She has striven to correct the misconception about her ethnicity when she finds it, tweeting about it and talking about it in interviews. (This interview is a good example.) Because the book is pure fantasy, in a fantasy realm after the first few chapters, I'm not too worried about it not actually being written by a middle-eastern author. She does note in the interview I linked that she's not qualified to write some stories because of her ethnicity, and I appreciate that recognition of privilege. As far as I can tell, (as a white person myself) she did justice to the bits of mythology that she included. (Given the reception by people who were so excited about it being an Own Voices book, I think I'm probably right.) Her twitter (@SChakrabs) is FULL of links to minority authors and retweets about their books. I am very impressed by the level of her advocacy for minority authors.
So that aside, I LOVED THIS BOOK. I almost always enjoy fantasy inspired by non-western mythology: Children of Blood and Bone was fantastic, and though Forest of a Thousand Lanterns had a western fairytale at its heart, being reimagined through an Asian lense was really neat to read. The Bear and The Nightingale and The Girl in the Tower were Russian inspired, as were The Crown's Game/The Crown's Fate. I really do try to pick up non-western inspired fantasy when I can. City of Brass scratched that itch perfectly.
City of Brass opens in Cairo, where our heroine, Nahri, is a con-woman with small healing magics. When a ritual goes awry, she's thrust into the world of the djinn. It's when Nahri and her accidental bodyguard, Dara, arrive at the Djinns' city of Daevabad that the story really gets started.
I'm still a little confused about the difference between djinn and Daeva; Daeva seem to be one of the tribes but also the name for the entire race, and some of them get offended at being called djinn but some of them don't? I'm not really sure about that distinction. There is a clear line between djinn and Ifrit, though - Ifrit are immensely powerful, immortal beings who refused to subject themselves to punishment many centuries ago. I'm not sure I actually see a downside to being Ifrit, other than the djinn all think they're evil. The Ifrit, however, are out to get Nahri, and Dara's not having any of THAT.
I love Dara - he's a fascinating character, with a violent, mysterious backstory. I'm very eager to read more about him and figure out exactly what's up with his background. Nahri is also awesome - a little arrogant, but by the end of the book she's starting to learn she might need help from those around her. Unfortunately, also by the end of the book she doesn't know who to trust. The naive djinn prince, Ali, is the third main character of the book, and while I can see him having an interesting story, his personality is still a little flat. Hopefully the second book will see advancement in all three of these characters' personalities.
And I can't WAIT for the second book! City of Brass didn't exactly end on a cliffhanger, but it did leave many questions unanswered and our main characters' fates uncertain. Unfortunately, I can't find any information on the sequel, just that it's being edited. No release date or title yet.
Read this book. It's fantastic.
You can find all my reviews at http://goddessinthestacks.wordpress.com
So the book has been touted as an "own voices" novel, seemingly much to the author's chagrin. She is Muslim, but she's a white convert (Chakraborty is her married name). She has striven to correct the misconception about her ethnicity when she finds it, tweeting about it and talking about it in interviews. (This interview is a good example.) Because the book is pure fantasy, in a fantasy realm after the first few chapters, I'm not too worried about it not actually being written by a middle-eastern author. She does note in the interview I linked that she's not qualified to write some stories because of her ethnicity, and I appreciate that recognition of privilege. As far as I can tell, (as a white person myself) she did justice to the bits of mythology that she included. (Given the reception by people who were so excited about it being an Own Voices book, I think I'm probably right.) Her twitter (@SChakrabs) is FULL of links to minority authors and retweets about their books. I am very impressed by the level of her advocacy for minority authors.
So that aside, I LOVED THIS BOOK. I almost always enjoy fantasy inspired by non-western mythology: Children of Blood and Bone was fantastic, and though Forest of a Thousand Lanterns had a western fairytale at its heart, being reimagined through an Asian lense was really neat to read. The Bear and The Nightingale and The Girl in the Tower were Russian inspired, as were The Crown's Game/The Crown's Fate. I really do try to pick up non-western inspired fantasy when I can. City of Brass scratched that itch perfectly.
City of Brass opens in Cairo, where our heroine, Nahri, is a con-woman with small healing magics. When a ritual goes awry, she's thrust into the world of the djinn. It's when Nahri and her accidental bodyguard, Dara, arrive at the Djinns' city of Daevabad that the story really gets started.
I'm still a little confused about the difference between djinn and Daeva; Daeva seem to be one of the tribes but also the name for the entire race, and some of them get offended at being called djinn but some of them don't? I'm not really sure about that distinction. There is a clear line between djinn and Ifrit, though - Ifrit are immensely powerful, immortal beings who refused to subject themselves to punishment many centuries ago. I'm not sure I actually see a downside to being Ifrit, other than the djinn all think they're evil. The Ifrit, however, are out to get Nahri, and Dara's not having any of THAT.
I love Dara - he's a fascinating character, with a violent, mysterious backstory. I'm very eager to read more about him and figure out exactly what's up with his background. Nahri is also awesome - a little arrogant, but by the end of the book she's starting to learn she might need help from those around her. Unfortunately, also by the end of the book she doesn't know who to trust. The naive djinn prince, Ali, is the third main character of the book, and while I can see him having an interesting story, his personality is still a little flat. Hopefully the second book will see advancement in all three of these characters' personalities.
And I can't WAIT for the second book! City of Brass didn't exactly end on a cliffhanger, but it did leave many questions unanswered and our main characters' fates uncertain. Unfortunately, I can't find any information on the sequel, just that it's being edited. No release date or title yet.
Read this book. It's fantastic.
You can find all my reviews at http://goddessinthestacks.wordpress.com