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Purple Phoenix Games (2266 KP) rated Festival! in Tabletop Games
Nov 24, 2020
Remember music festivals, or concerts of any kind? I most certainly do. I used to perform almost every weekend with my band pre-COVID. Well, I haven’t performed in over eight months as of this writing. I miss it so much. So when I heard that a designer was working on a game about musicians putting on music festivals I just had to check it out.
Festival! is a competitive set collection game for larger groups, three to seven players. It is set in a medieval kingdom and the game lasts for four festivals. During the game players will be collecting sets of cards to be scored immediately and collecting other cards to be scored at the game’s end.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, but give an idea of how the game plays. You are invited to download the rulebook, back the game through the forthcoming Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup, place the board in the middle of the table. Each player chooses a color of pawn to represent them and places one pawn on the 0 space upon the scoring track and the other pawn in the Festival! area upon the board. The game comes with four different types of cards and each type will be shuffled and placed face-down in stacks as in the photo below. Place the festival marker on either the 0 or 4 space (the rules are not clear, but it is to track the number of festivals, so just choose one) and give the first player busteeple to the youngest player. The game may now begin.
Festival! is played over several turns, but the first three turns will see players taking turns to travel to the different areas of the board and collect cards once they arrive. The initial Festival! area is located between the City and Village areas so a player can choose to move their pawn into either of those areas. As is printed on the board areas themselves, when players arrive in the Country they will immediately draw three Ensemble (green) cards to their hand and their turn is over. A trip to the Village affords the player two Ensemble cards to be drawn, while a visit to the City will allow a player to either draw one Ensemble card OR play as many cards from their hand as they choose. Finally, should the player’s wanderlust urge them to the Palace, they may draw a Palace card to be played to their tableau immediately. Movement from one area to the next is always done to the adjacent area. So if in the Village a player may only move to either the Country or the City. If in the Country a player may only move to the Village.
As I mentioned, the first three turns are head start rounds where players are merely collecting cards to amass a hand (of limit 7) of cards that can be played in sets in their personal tableau. These cards are divided into Exotic, Percussion, Melodic, and Choir cards. Players may play as many cards as they like when in the City, but will score bonus set and superset points if they are able to lay down multiple unique cards in each group. For example, a Horn card is worth one VP alone, but with three other unique Melodic cards earns bonus points for the entire set.
After the first three turns have been played, the first player will then flip a Festival card (stacked on the game board) at the beginning of each turn. It is from this stack that the four “Festival!” cards are located, and they are the time trackers for the game. If the result is “Preparation,” the turns continue as normal with no change. However, should the flipped card be a “Festival!” face, then players within range of the Festival Stages may claim a stage and participate in the festival. Participation in the festival simply means that players may play cards as normally played in the City, but then are entitled to one of the drawn Finale cards. These cards are scored at the end of the game and typically award bonus points for various reasons.
Play continues in this fashion of traveling the board areas to collect cards, performing in festivals, and earning the most amount of VP at game end, which is immediately following the fourth festival. The player with the most VP is the winner!
Components. Again, this is a prototype copy of the game, so the components may be different upon completion of a successful Kickstarter campaign. What we were provided, however, is a good-looking, though muted, game board, a ton of cards, and some painted wooden tokens. The tokens are fine, and I am sure will look different once the game is finalized. The cards are good, an interesting dimension, and the art upon them is good and simple. In fact, the cards’ art remind me of several computer icon sets, specifically Shadow or Sardi (though I use Sweet-Rainbow).
But how does it play? Okay, every time I get a new game I always play it solo multi-handed. During this initial play I had several questions for the designer about scenarios and other oddities that were not covered in the rulebook. He graciously, and immediately, answered my questions and the next play through ran quite smoothly. So I am sure the rulebook will be tweaked quite a bit before final production.
Once I was playing the right way the game ran smoothly and quickly. I found myself planning my turn in advance, however your success truly is dependent on the cards you draw. Ensemble cards are just the instruments, voices, and Minstrel (wild) cards, while the Palace cards are the rule-breaking fun cards. They allow increased travel, protection from certain cards in the deck, and other goodies I won’t spoil here. So having a nice collection of Palace cards can alleviate a lot of the random card draw issues that will plague players who refuse to grab the Palace cards. As I played more and more I found that I generally follow one strategy, but have to switch up tactics depending on my card draws. This is good and okay (not “bad”). Going in with a plan of attack is great, and being able to become flexible mid-game is enjoyable.
Overall this one is surprising to me because I was initially frustrated with the vague rulebook, but once I truly knew the real rules and how everything played together I found a real fondness for it. Festival! will probably never make it close to my Top 10 Games of All Time list, but for larger groups who are tiring of the hidden traitor or social deduction games, this one is a breath of fresh air. It can handle up to seven players, and is an easier teach than many other games for mid-to-large groups.
So if you are looking for something different for a weird player count, and you need some more medieval rock star games in your collection please check out Festival!. (Do I need the period there or am I covered with the exclamation point from the title of the game? I was not an English major.) I think you will be pleasantly surprised at how this unassuming set collection game (with aspects of take-that which I did not explore here) will perform. I am looking forward to following the Kickstarter campaign set to launch in Spring 2021, so keep it on your radars, people.
Festival! is a competitive set collection game for larger groups, three to seven players. It is set in a medieval kingdom and the game lasts for four festivals. During the game players will be collecting sets of cards to be scored immediately and collecting other cards to be scored at the game’s end.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, but give an idea of how the game plays. You are invited to download the rulebook, back the game through the forthcoming Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup, place the board in the middle of the table. Each player chooses a color of pawn to represent them and places one pawn on the 0 space upon the scoring track and the other pawn in the Festival! area upon the board. The game comes with four different types of cards and each type will be shuffled and placed face-down in stacks as in the photo below. Place the festival marker on either the 0 or 4 space (the rules are not clear, but it is to track the number of festivals, so just choose one) and give the first player busteeple to the youngest player. The game may now begin.
Festival! is played over several turns, but the first three turns will see players taking turns to travel to the different areas of the board and collect cards once they arrive. The initial Festival! area is located between the City and Village areas so a player can choose to move their pawn into either of those areas. As is printed on the board areas themselves, when players arrive in the Country they will immediately draw three Ensemble (green) cards to their hand and their turn is over. A trip to the Village affords the player two Ensemble cards to be drawn, while a visit to the City will allow a player to either draw one Ensemble card OR play as many cards from their hand as they choose. Finally, should the player’s wanderlust urge them to the Palace, they may draw a Palace card to be played to their tableau immediately. Movement from one area to the next is always done to the adjacent area. So if in the Village a player may only move to either the Country or the City. If in the Country a player may only move to the Village.
As I mentioned, the first three turns are head start rounds where players are merely collecting cards to amass a hand (of limit 7) of cards that can be played in sets in their personal tableau. These cards are divided into Exotic, Percussion, Melodic, and Choir cards. Players may play as many cards as they like when in the City, but will score bonus set and superset points if they are able to lay down multiple unique cards in each group. For example, a Horn card is worth one VP alone, but with three other unique Melodic cards earns bonus points for the entire set.
After the first three turns have been played, the first player will then flip a Festival card (stacked on the game board) at the beginning of each turn. It is from this stack that the four “Festival!” cards are located, and they are the time trackers for the game. If the result is “Preparation,” the turns continue as normal with no change. However, should the flipped card be a “Festival!” face, then players within range of the Festival Stages may claim a stage and participate in the festival. Participation in the festival simply means that players may play cards as normally played in the City, but then are entitled to one of the drawn Finale cards. These cards are scored at the end of the game and typically award bonus points for various reasons.
Play continues in this fashion of traveling the board areas to collect cards, performing in festivals, and earning the most amount of VP at game end, which is immediately following the fourth festival. The player with the most VP is the winner!
Components. Again, this is a prototype copy of the game, so the components may be different upon completion of a successful Kickstarter campaign. What we were provided, however, is a good-looking, though muted, game board, a ton of cards, and some painted wooden tokens. The tokens are fine, and I am sure will look different once the game is finalized. The cards are good, an interesting dimension, and the art upon them is good and simple. In fact, the cards’ art remind me of several computer icon sets, specifically Shadow or Sardi (though I use Sweet-Rainbow).
But how does it play? Okay, every time I get a new game I always play it solo multi-handed. During this initial play I had several questions for the designer about scenarios and other oddities that were not covered in the rulebook. He graciously, and immediately, answered my questions and the next play through ran quite smoothly. So I am sure the rulebook will be tweaked quite a bit before final production.
Once I was playing the right way the game ran smoothly and quickly. I found myself planning my turn in advance, however your success truly is dependent on the cards you draw. Ensemble cards are just the instruments, voices, and Minstrel (wild) cards, while the Palace cards are the rule-breaking fun cards. They allow increased travel, protection from certain cards in the deck, and other goodies I won’t spoil here. So having a nice collection of Palace cards can alleviate a lot of the random card draw issues that will plague players who refuse to grab the Palace cards. As I played more and more I found that I generally follow one strategy, but have to switch up tactics depending on my card draws. This is good and okay (not “bad”). Going in with a plan of attack is great, and being able to become flexible mid-game is enjoyable.
Overall this one is surprising to me because I was initially frustrated with the vague rulebook, but once I truly knew the real rules and how everything played together I found a real fondness for it. Festival! will probably never make it close to my Top 10 Games of All Time list, but for larger groups who are tiring of the hidden traitor or social deduction games, this one is a breath of fresh air. It can handle up to seven players, and is an easier teach than many other games for mid-to-large groups.
So if you are looking for something different for a weird player count, and you need some more medieval rock star games in your collection please check out Festival!. (Do I need the period there or am I covered with the exclamation point from the title of the game? I was not an English major.) I think you will be pleasantly surprised at how this unassuming set collection game (with aspects of take-that which I did not explore here) will perform. I am looking forward to following the Kickstarter campaign set to launch in Spring 2021, so keep it on your radars, people.
Charlie Cobra Reviews (1840 KP) rated Coming 2 America (2021) in Movies
Mar 16, 2021 (Updated Mar 27, 2021)
Almost all of the original cast returns for this sequel (2 more)
Lots of laughs
Eddie Murphy and Arsenio Hall reprising many of the roles where they played multiple characters again.
Terrible character development (2 more)
Plot doesn't make sense at times or feels like missing scenes or plot development
Some jokes fall flat or feel forced and the trailer spoils some
Lots of Laughs and Callbacks But Not Enough Substance
Prince Akeem of Zamunda (Eddie Murphy) is visited by General Izzi (Wesley Snipes) who pushes for Akeem's eldest daughter Meeka (Kiki Layne) to marry his foppish son, Idi (Rotimi). Nexdoria is a hostile militaristic neighbor nation ruled by General Izzi, who is also the brother of Akeem's original arranged bride-to-be. Izzi threatens Akeem and says that it is better to be bound by blood and family then divided by blood and war. This occurs on the very day that Zamunda is celebrating the 30th anniversary of Prince Akeem and Lisa's wedding. King Jaffe Joffer (James Earl Jones) summons Akeem and Semmi (Arsenio Hall) and reminds them that only a male heir can inherit his kingdom. He summons his shaman Baba and they reveal that Akeem has a long lost son in America that he must retrieve in order to avoid a hostile takeover by Nexdoria.
I enjoyed this movie when I saw it the first time and thought that it was pretty funny. It definitely isn't a great movie but when compared to several other sequels that happen years after the original, I felt that it did better than most. It was for the most part a lesser version of the original but it's been years since I've seen the original and I didn't let my nostalgia for it to skew my opinion on this one. I do plan on re-watching the original soon though so I can see how much they differ. A big difference was that the original Coming to America is rated R and this sequel was PG-13. I usually hate when a company chooses to do this because I always feel what the fans/audience gets is a watered down version of the original but it's hard to say this time around. This movie was full of laughs and I was surprised how much they got away with it for being a PG-13 movie, however some of the jokes fell flat and a lot of them were given away in the trailer. Also there were somethings in the trailer that I didn't see in the movie; like the Wakanda joke in the barbershop. Wesley Snipes character General Izzi was quite a character and you could feel he was having fun portraying him. I also enjoyed Akeem's three daughters in the movie. I really liked the opening scene which showed Prince Akeem sparring with his daughters and stick fighting like the original movie. The middle daughter Princess Omma who had glasses was actually Eddie Murphy's daughter in real life, Bella Murphy. And I also heard that most of the palace scenes in Zamunda were actually filmed in rapper Rick Ross' house. As much as I liked this movie it also felt very thin and didn't have a lot of character development or much of a plot to speak of. It also felt like quite a few things didn't make sense and that characters that came out in the first movie were quite different personality wise or just by their actions. I feel like I should give this movie a lower score but I'm not sure if it's nostalgia again or the fact that since it's a comedy I'm not really letting some of those things bother me as much. I'll go over my many reasons for scoring it so low in the spoiler section but for now I give this movie a 6/10. I would say it's worth getting a free trial of Amazon Prime if you want to see it in good quality and for free, or if you already have Amazon Prime you should give it a shot if you're looking for some laughs, but if not you can totally wait to see this movie.
-------------------------------------------------------
Spoiler Section Review:
Alright so let's get to it. Like I said I enjoyed this movie and thought that it delivered on the laughs even if some of them were forced or fell flat. I also felt that it was pretty thin on the plot and from what I remember of the first movie some of the characters were off or acted very different personality wise. I loved how the movie began with Prince Akeem training with his daughters and doing the stick fighting which was one of many call backs to the original film. The conflict begins in the beginning of the movie when General Izzi visits Akeem and tries to arrange a marriage between his son and Akeem's oldest daughter, Princess Meeka. You can tell that Akeem doesn't like General Izzi's son Idi but doesn't say anything other than his daughter didn't find him suitable. General Izzi threatens him after making a comment about the King being dead or near death and Akeem not having any male heirs. I still don't understand the conflict between the two nations and felt that this would have benefitted the plot more if they would have explained it better. Why would he need an heir so soon if he himself hadn't even inherited the kingdom from his father yet? Also the only explanation between the conflict of the nations was that Nexdoria was poor and Zamunda was rich. Anyways then Akeem is summoned to see his father and his shaman Baba and is told that he has an illegitimate son in America after a tryst with a woman while being drugged. I thought this was pretty funny scene where they did a flashback to when it happened. So now Akeem and Semmi must travel to America to retrieve his son so that he can take the princely tests and become heir to the kingdom. This totally doesn't make any sense to me plot wise other than this is how they wanted the movie to go. Akeem was totally a person who went against his father's wishes and traditions in the first film to find his wife Lisa and doesn't make sense that he would get this "son" to be his heir even if he was blood without getting to know him first. However I ignored that while watching because I figured he would get to know him while they met and he went back to Zamunda with them. Also before the leave there is a pretty cool scene where King Jaffe Joffer decides to have his funeral while he's alive and it was very lavish and elegant and full of cameos from great artists and performers. It was funny to see the barbershop scene and how Eddie Murphy and Arsenio Hall reprised their roles of some of the barbershop characters when they arrive in America but I felt that the funny parts were already spoiled in the trailer. Also the part about Wakanda wasn't even in the movie. From there they find out that his son is selling tickets near Madison Square when they're told about the mascot being a thunderbird that was part of Baba's vision. That was a cool details that I wish would have been developed more to make it more interesting. It would have been cool for them to have struggled to find his son but instead the first place they go tells them exactly where he is. Also when he meets his son Lavelle, it didn't even come off as awkward enough and Lavelle totally takes him back to his house to meet everyone or ask his mom. I didn't see this as realistic or how it would have played out in real life. Leslie Jones was a pretty annoying character but I feel she fit the job of the role she played and that people are too harsh on her as an actor for this role but I do feel that she is like Kevin Hart or The Rock in basically being the same character in every role. She admits that Akeem could be Lavelle's father and just like that they are whisked away to Zamunda. No paternity test, no lie detector test, no witnesses like her friend in the club saying yes it was true. This was very unrealistic to me because anybody would say yes to inherit the riches of Zamunda. When he returns Princess Lisa confronts him about him having a son and the particulars of how it occurred and she was shocked to find out that he brought not only his son but the son's mother back with him as well. General Izzi returns to Zamunda as soon as Prince Lavelle returns and makes it known that he has a daughter that he wishes for him to marry and Prince Akeem un-characteristically allows this arranged marriage to take place. Prince Lavelle must now pass the 3 princely tests first, which consist of knowledge of his ancestors/predecessors, getting the whiskers of a lion, and also one which involved ritual circumcision. I felt like there wasn't enough character development during these scenes and also the ones where Lavelle interacted with Mirembe, his royal barber to warrant the closeness that they all experienced. Princess Meeka, Akeem's oldest daughter is very upset about being passes up as heir for being a woman and rightly dislikes Lavelle and it totally seems out of character for her to aid him in passing his test to get the lion whiskers. They only had a small exchange about being written off or being judged for how they look or talk. And I felt that Lavelle also didn't have enough rapport with his barber Mirembe to be falling in love with her in under a week, or if they did it wasn't shown enough to us. There was a lot that didn't make sense or I feel was cut from the movie or even worse, just bad writing and poor plot development and it wasn't done right. The worse had to have been seeing Akeem's character become the opposite of who he was in the first movie. He passes over his daughter to give the throne to a stranger because he is a man and even when he loses his patience with a drunk or inebriated Lisa and tells her to shut her mouth after the celebration of the upcoming wedding between Lavelle and Bopoto, General Izzi's daughter. All in all I have to say that for me personally this movie was full of laughs but just had so much wrong with it that I should really be rating it a 5 or just an average movie. However there are so many sequels that happen 5 years or more after the original that are far worse or just as bad that I feel since this one was 30 years later it wasn't as bad as others are judging it. But maybe if I had seen the original right before seeing this one I would have changed by rating but for now I'm not sure if it's nostalgia or just bias but I rate this movie a 6/10. If you thought the original was funny then you more than likely will like this movie but if the original is a special movie to you that holds a special place in your heart then you might just think this sequel is utter trash.
https://youtu.be/-tT8Wy3YeI4
I enjoyed this movie when I saw it the first time and thought that it was pretty funny. It definitely isn't a great movie but when compared to several other sequels that happen years after the original, I felt that it did better than most. It was for the most part a lesser version of the original but it's been years since I've seen the original and I didn't let my nostalgia for it to skew my opinion on this one. I do plan on re-watching the original soon though so I can see how much they differ. A big difference was that the original Coming to America is rated R and this sequel was PG-13. I usually hate when a company chooses to do this because I always feel what the fans/audience gets is a watered down version of the original but it's hard to say this time around. This movie was full of laughs and I was surprised how much they got away with it for being a PG-13 movie, however some of the jokes fell flat and a lot of them were given away in the trailer. Also there were somethings in the trailer that I didn't see in the movie; like the Wakanda joke in the barbershop. Wesley Snipes character General Izzi was quite a character and you could feel he was having fun portraying him. I also enjoyed Akeem's three daughters in the movie. I really liked the opening scene which showed Prince Akeem sparring with his daughters and stick fighting like the original movie. The middle daughter Princess Omma who had glasses was actually Eddie Murphy's daughter in real life, Bella Murphy. And I also heard that most of the palace scenes in Zamunda were actually filmed in rapper Rick Ross' house. As much as I liked this movie it also felt very thin and didn't have a lot of character development or much of a plot to speak of. It also felt like quite a few things didn't make sense and that characters that came out in the first movie were quite different personality wise or just by their actions. I feel like I should give this movie a lower score but I'm not sure if it's nostalgia again or the fact that since it's a comedy I'm not really letting some of those things bother me as much. I'll go over my many reasons for scoring it so low in the spoiler section but for now I give this movie a 6/10. I would say it's worth getting a free trial of Amazon Prime if you want to see it in good quality and for free, or if you already have Amazon Prime you should give it a shot if you're looking for some laughs, but if not you can totally wait to see this movie.
-------------------------------------------------------
Spoiler Section Review:
Alright so let's get to it. Like I said I enjoyed this movie and thought that it delivered on the laughs even if some of them were forced or fell flat. I also felt that it was pretty thin on the plot and from what I remember of the first movie some of the characters were off or acted very different personality wise. I loved how the movie began with Prince Akeem training with his daughters and doing the stick fighting which was one of many call backs to the original film. The conflict begins in the beginning of the movie when General Izzi visits Akeem and tries to arrange a marriage between his son and Akeem's oldest daughter, Princess Meeka. You can tell that Akeem doesn't like General Izzi's son Idi but doesn't say anything other than his daughter didn't find him suitable. General Izzi threatens him after making a comment about the King being dead or near death and Akeem not having any male heirs. I still don't understand the conflict between the two nations and felt that this would have benefitted the plot more if they would have explained it better. Why would he need an heir so soon if he himself hadn't even inherited the kingdom from his father yet? Also the only explanation between the conflict of the nations was that Nexdoria was poor and Zamunda was rich. Anyways then Akeem is summoned to see his father and his shaman Baba and is told that he has an illegitimate son in America after a tryst with a woman while being drugged. I thought this was pretty funny scene where they did a flashback to when it happened. So now Akeem and Semmi must travel to America to retrieve his son so that he can take the princely tests and become heir to the kingdom. This totally doesn't make any sense to me plot wise other than this is how they wanted the movie to go. Akeem was totally a person who went against his father's wishes and traditions in the first film to find his wife Lisa and doesn't make sense that he would get this "son" to be his heir even if he was blood without getting to know him first. However I ignored that while watching because I figured he would get to know him while they met and he went back to Zamunda with them. Also before the leave there is a pretty cool scene where King Jaffe Joffer decides to have his funeral while he's alive and it was very lavish and elegant and full of cameos from great artists and performers. It was funny to see the barbershop scene and how Eddie Murphy and Arsenio Hall reprised their roles of some of the barbershop characters when they arrive in America but I felt that the funny parts were already spoiled in the trailer. Also the part about Wakanda wasn't even in the movie. From there they find out that his son is selling tickets near Madison Square when they're told about the mascot being a thunderbird that was part of Baba's vision. That was a cool details that I wish would have been developed more to make it more interesting. It would have been cool for them to have struggled to find his son but instead the first place they go tells them exactly where he is. Also when he meets his son Lavelle, it didn't even come off as awkward enough and Lavelle totally takes him back to his house to meet everyone or ask his mom. I didn't see this as realistic or how it would have played out in real life. Leslie Jones was a pretty annoying character but I feel she fit the job of the role she played and that people are too harsh on her as an actor for this role but I do feel that she is like Kevin Hart or The Rock in basically being the same character in every role. She admits that Akeem could be Lavelle's father and just like that they are whisked away to Zamunda. No paternity test, no lie detector test, no witnesses like her friend in the club saying yes it was true. This was very unrealistic to me because anybody would say yes to inherit the riches of Zamunda. When he returns Princess Lisa confronts him about him having a son and the particulars of how it occurred and she was shocked to find out that he brought not only his son but the son's mother back with him as well. General Izzi returns to Zamunda as soon as Prince Lavelle returns and makes it known that he has a daughter that he wishes for him to marry and Prince Akeem un-characteristically allows this arranged marriage to take place. Prince Lavelle must now pass the 3 princely tests first, which consist of knowledge of his ancestors/predecessors, getting the whiskers of a lion, and also one which involved ritual circumcision. I felt like there wasn't enough character development during these scenes and also the ones where Lavelle interacted with Mirembe, his royal barber to warrant the closeness that they all experienced. Princess Meeka, Akeem's oldest daughter is very upset about being passes up as heir for being a woman and rightly dislikes Lavelle and it totally seems out of character for her to aid him in passing his test to get the lion whiskers. They only had a small exchange about being written off or being judged for how they look or talk. And I felt that Lavelle also didn't have enough rapport with his barber Mirembe to be falling in love with her in under a week, or if they did it wasn't shown enough to us. There was a lot that didn't make sense or I feel was cut from the movie or even worse, just bad writing and poor plot development and it wasn't done right. The worse had to have been seeing Akeem's character become the opposite of who he was in the first movie. He passes over his daughter to give the throne to a stranger because he is a man and even when he loses his patience with a drunk or inebriated Lisa and tells her to shut her mouth after the celebration of the upcoming wedding between Lavelle and Bopoto, General Izzi's daughter. All in all I have to say that for me personally this movie was full of laughs but just had so much wrong with it that I should really be rating it a 5 or just an average movie. However there are so many sequels that happen 5 years or more after the original that are far worse or just as bad that I feel since this one was 30 years later it wasn't as bad as others are judging it. But maybe if I had seen the original right before seeing this one I would have changed by rating but for now I'm not sure if it's nostalgia or just bias but I rate this movie a 6/10. If you thought the original was funny then you more than likely will like this movie but if the original is a special movie to you that holds a special place in your heart then you might just think this sequel is utter trash.
https://youtu.be/-tT8Wy3YeI4
Paul Kellett (118 KP) rated Descent: Journeys in the Dark (Second Edition) in Tabletop Games
May 4, 2019
Plenty of expansions (1 more)
Decent quality miniatures
App can be buggy (1 more)
One side can snowball after a couple of wins
Descent: Journeys In The Dark has been around a long time now, starting as a huge dungeon crawler and morphing into a tactical skirmish / objective-based campaign game. It is supposed to be played with 2-5 players with 1 player being the "Overlord", controlling all the monsters and playing nasty cards on the other players playing the group of heroes (at least 2 heroes required). The game is a fun dice-chucker with a decent amount of strategy and on the whole, well balanced.
With a couple of big-box and half a dozen small-box expansions, not to mention the various hero & monster packs, there is a ton of stuff available and if you own everything, you will be able to choose from 72 heroes with 22 different class decks; fight against 45 different monster types, and encounter around 15 lieutenants over a total of 182 different scenarios. That's plenty to keep you quiet for a while.
So many cards...
Descent: An Overview In The Dark
Descent is a scenario-based game where you work through a tree of different missions, choosing the next one based on whether the heroes or the Overlord worn the last. Each scenario will have specific objectives - anything from stealing an item and reaching the exit to interrogating prisoners and defeating a fearsome Lieutenant of the Overlord. Some of the monsters to be encountered are specified in the scenario text with other free groups able to be chosen from traits specific to that scenario. This gives some variety meaning you will never face exactly the same monsters if you replay the scenarios.
The good players choose a hero from the stack of basic skill types - Fighter, Healer, Scout or Mage and then choose from one of the many class decks for each type so the Fighter could be a Knight or a Berzerker, the Mage a Necromancer and the Healer a Bard, etc. These decks give each hero their skills and form their general strategy.
Meanwhile, the Overlord player chooses one of two Basic decks of cards that will form the base of his defence against the heroes. One deck is more about springing traps while the other has more things to enhance monster attacks. After choosing the basic deck, the Overlord can choose a specialist deck. These can be used to fine tune the Overlord's strategy and at first, only one card is available, the others will be purchased with experience points after each scenario. Finally, if the relevant expansion packs are available, the Overlord can choose a Lieutenant deck which adds further depth to his strategy and also offers the chance to bring a powerful figure into play later in the campaign.
Solo? How So? Redjak has the answer.
With all that going on, it sounds like a fairly daunting if not impossible task to play a solo game of Descent but a fan going by the name of Redjak created two card-driven AI decks - Redjak's Automated Monster Variant (RAMV) and Redjak's Automated Overlord Variant (RAOV). These decks both allow a player, or group of players to play the game as a fully co-operative experience with the cards replacing the Overlord player.
I will say that it is preferable if you have a grasp of the basic rules before jumping into these variants as there can be a lot going on if you are trying to learn the game and the solo rules at the same time. It's probably best to only choose two heroes at first as playing four heroes is more involved but ultimately more rewarding.
These variants are available to download and print out and are also available from the Printer Studio website if you search, although if you are not in the US, then shipping gets expensive.
RAMV
The Monster AI deck is the simpler of the two AI's, being just concerned with the monster actions and leaving out all the Overlord's cards. I haven't played much with this variant but the rules are fairly straightforward. You will set up 4 decks - an Event deck, a Dark Influence deck, a Conditions deck and a Monster deck.
After choosing a scenario to play, you draw cards from the Monster deck, finding ones with icons matching those of the current scenario. This keeps things random and you will always have different things to fight. The selected monster groups will then be placed in "Teams" underneath a row of team cards that will give them their activation order. Finally you will place the encounter objective card for the current scenario. This will give you specific things for each monster group to focus on in terms of stopping you from winning.
You will take your turn alternating hero and monster groups, drawing cards at various points when the monsters should react to attacks, certain scenario triggers ond other in-game events.
It is a fairly simple system but it works really well, giving a solid, straightforward dungeon crawl feel of exploring a map and fighting monsters while trying to complete your quest. Definitely a good starting point and good if you want a 'quick' dungeon crawl.
RAOV
This is the meat, the full experience. Although daunting at first, if you are familiar with the game rules (and have possibly played RAMV a bit), then it will make sense once you get stuck in.
RAOV differs over RAMV in only having one deck, but the rule book is more in depth describing how everything gets played.
You set up as normal, decide on what decks the Overlord will be playing with, draw his starting hand of cards placing them face up on the table. (This variant uses D10 dice anytime you have to make selections)
and take all your heroes actions. If at any point one of your actions would trigger an Overlord card, then that card is played and discarded. Having an open hand means that there are fewer surprises and the Overlord cant be as evil as a human player would be, but it is still tricky and knowing what cards might trigger forces you to think about your strategy in a different way.
Once the heroes have all activated, then the Overlord take its turn, playing any cards that would trigger at the start of the turn. Then, you flip over the top card of the AI deck and activate the first monster group. These cards have a primary target, shown by the corresponding hero symbol and several secondary targets. This gives the monster a focus for its actions. The main text of the card is a list of actions and essentially you work down the list doing whatever actions you are able. Each monster that activates will draw a new card and follow it's orders.
That in a nutshell is it. The Overlord's cards will trigger at the first available opportunity and the monsters will follow a list of options. Once you get used to it, it flows really well and doesn't feel too fiddly at all.
An Open Dungeon
As well as the two AI variants, Redjak also created Delven Deep - a deck of cards each displaying a different map tile that you can use to play a completely randomly generated dungeon crawl. I have yet to try this out, but it is another option if you don't fancy playing through a scripted scenario and just want to explore a random map, killing things.
For The Digital Generation
Fantasy Flight Games have also released an official, free companion app on Android, Steam and IOS that will take control of the Overlord player. This app comes with, I think 2 campaigns - a short training story and a larger, full campaign. Other campaigns a random dungeon generator are available to purchase in the app. None of the printed scenarios are playable using this app and it doesn't use any of the overlord cards, plot decks, event cards or encounter cards.
I will say that I am not a fan of apps for board games and it was actually this app in particular that soured me on the whole idea. Many people really enjoy this app and it has breathed a new lease of life into the game, but unfortunately on my first playthrough, it decided to crash near to the end of a campaign and I essentially lost 6 hours of gaming. I would have had to start all over again from the beginning. That was not a fun experience and put me off completely.
The app borrows heavily from Redjak's work, giving you a list of options to work through when activating the monsters, and various other triggers. Unlike the printed scenarios, all the maps in the digital stories are hidden until you explore them, so you never know what you will encounter. Also, there is a hidden timer in the program that means if you take too long exploring, fighting or whatever, then the game will start throwing nastier and nastier events at you. This makes the game much more of a race than its cardboard cousin and ramps up the difficulty at a fast pace making you feel like you never have enough time to do what you want.
In My opinion, RAOV is the best way to play Descent solo. It uses absolutely everything in the box and gives the most realistic feeling of playing the complete game.
With a couple of big-box and half a dozen small-box expansions, not to mention the various hero & monster packs, there is a ton of stuff available and if you own everything, you will be able to choose from 72 heroes with 22 different class decks; fight against 45 different monster types, and encounter around 15 lieutenants over a total of 182 different scenarios. That's plenty to keep you quiet for a while.
So many cards...
Descent: An Overview In The Dark
Descent is a scenario-based game where you work through a tree of different missions, choosing the next one based on whether the heroes or the Overlord worn the last. Each scenario will have specific objectives - anything from stealing an item and reaching the exit to interrogating prisoners and defeating a fearsome Lieutenant of the Overlord. Some of the monsters to be encountered are specified in the scenario text with other free groups able to be chosen from traits specific to that scenario. This gives some variety meaning you will never face exactly the same monsters if you replay the scenarios.
The good players choose a hero from the stack of basic skill types - Fighter, Healer, Scout or Mage and then choose from one of the many class decks for each type so the Fighter could be a Knight or a Berzerker, the Mage a Necromancer and the Healer a Bard, etc. These decks give each hero their skills and form their general strategy.
Meanwhile, the Overlord player chooses one of two Basic decks of cards that will form the base of his defence against the heroes. One deck is more about springing traps while the other has more things to enhance monster attacks. After choosing the basic deck, the Overlord can choose a specialist deck. These can be used to fine tune the Overlord's strategy and at first, only one card is available, the others will be purchased with experience points after each scenario. Finally, if the relevant expansion packs are available, the Overlord can choose a Lieutenant deck which adds further depth to his strategy and also offers the chance to bring a powerful figure into play later in the campaign.
Solo? How So? Redjak has the answer.
With all that going on, it sounds like a fairly daunting if not impossible task to play a solo game of Descent but a fan going by the name of Redjak created two card-driven AI decks - Redjak's Automated Monster Variant (RAMV) and Redjak's Automated Overlord Variant (RAOV). These decks both allow a player, or group of players to play the game as a fully co-operative experience with the cards replacing the Overlord player.
I will say that it is preferable if you have a grasp of the basic rules before jumping into these variants as there can be a lot going on if you are trying to learn the game and the solo rules at the same time. It's probably best to only choose two heroes at first as playing four heroes is more involved but ultimately more rewarding.
These variants are available to download and print out and are also available from the Printer Studio website if you search, although if you are not in the US, then shipping gets expensive.
RAMV
The Monster AI deck is the simpler of the two AI's, being just concerned with the monster actions and leaving out all the Overlord's cards. I haven't played much with this variant but the rules are fairly straightforward. You will set up 4 decks - an Event deck, a Dark Influence deck, a Conditions deck and a Monster deck.
After choosing a scenario to play, you draw cards from the Monster deck, finding ones with icons matching those of the current scenario. This keeps things random and you will always have different things to fight. The selected monster groups will then be placed in "Teams" underneath a row of team cards that will give them their activation order. Finally you will place the encounter objective card for the current scenario. This will give you specific things for each monster group to focus on in terms of stopping you from winning.
You will take your turn alternating hero and monster groups, drawing cards at various points when the monsters should react to attacks, certain scenario triggers ond other in-game events.
It is a fairly simple system but it works really well, giving a solid, straightforward dungeon crawl feel of exploring a map and fighting monsters while trying to complete your quest. Definitely a good starting point and good if you want a 'quick' dungeon crawl.
RAOV
This is the meat, the full experience. Although daunting at first, if you are familiar with the game rules (and have possibly played RAMV a bit), then it will make sense once you get stuck in.
RAOV differs over RAMV in only having one deck, but the rule book is more in depth describing how everything gets played.
You set up as normal, decide on what decks the Overlord will be playing with, draw his starting hand of cards placing them face up on the table. (This variant uses D10 dice anytime you have to make selections)
and take all your heroes actions. If at any point one of your actions would trigger an Overlord card, then that card is played and discarded. Having an open hand means that there are fewer surprises and the Overlord cant be as evil as a human player would be, but it is still tricky and knowing what cards might trigger forces you to think about your strategy in a different way.
Once the heroes have all activated, then the Overlord take its turn, playing any cards that would trigger at the start of the turn. Then, you flip over the top card of the AI deck and activate the first monster group. These cards have a primary target, shown by the corresponding hero symbol and several secondary targets. This gives the monster a focus for its actions. The main text of the card is a list of actions and essentially you work down the list doing whatever actions you are able. Each monster that activates will draw a new card and follow it's orders.
That in a nutshell is it. The Overlord's cards will trigger at the first available opportunity and the monsters will follow a list of options. Once you get used to it, it flows really well and doesn't feel too fiddly at all.
An Open Dungeon
As well as the two AI variants, Redjak also created Delven Deep - a deck of cards each displaying a different map tile that you can use to play a completely randomly generated dungeon crawl. I have yet to try this out, but it is another option if you don't fancy playing through a scripted scenario and just want to explore a random map, killing things.
For The Digital Generation
Fantasy Flight Games have also released an official, free companion app on Android, Steam and IOS that will take control of the Overlord player. This app comes with, I think 2 campaigns - a short training story and a larger, full campaign. Other campaigns a random dungeon generator are available to purchase in the app. None of the printed scenarios are playable using this app and it doesn't use any of the overlord cards, plot decks, event cards or encounter cards.
I will say that I am not a fan of apps for board games and it was actually this app in particular that soured me on the whole idea. Many people really enjoy this app and it has breathed a new lease of life into the game, but unfortunately on my first playthrough, it decided to crash near to the end of a campaign and I essentially lost 6 hours of gaming. I would have had to start all over again from the beginning. That was not a fun experience and put me off completely.
The app borrows heavily from Redjak's work, giving you a list of options to work through when activating the monsters, and various other triggers. Unlike the printed scenarios, all the maps in the digital stories are hidden until you explore them, so you never know what you will encounter. Also, there is a hidden timer in the program that means if you take too long exploring, fighting or whatever, then the game will start throwing nastier and nastier events at you. This makes the game much more of a race than its cardboard cousin and ramps up the difficulty at a fast pace making you feel like you never have enough time to do what you want.
In My opinion, RAOV is the best way to play Descent solo. It uses absolutely everything in the box and gives the most realistic feeling of playing the complete game.
Kristy H (1252 KP) rated The Blackbird Season in Books
Dec 24, 2017
character-driven (2 more)
well-written
compelling
Complicated character-driven mystery
It's just another day in Mount Oanoke, Pennsylvania when the birds start to fall. Hundreds of dead starlings, dropping from the sky during a baseball game. It seems like the birds started it all, but really the secrets and lies began much earlier. Nate Winters, high school teacher and baseball coach, is beloved in the town. That is, until a reporter, in town to cover the birds, catches Nate hugging a student at a local motel. Suddenly, the birds are forgotten, and the story becomes much juicier: Nate; his student, Lucia; and their supposed affair. Lucia fuels the fire by affirming the affair and suddenly Nate and his wife, Alecia, are swept up in the story. The only who believes in Nate's innocence, even a sliver, is his friend and co-worker, Bridget. As Lucia's creative writing teacher, she has unique insight into the girl's mind. But when Lucia suddenly goes missing--with Nate as the prime suspect in her disappearance--not even Bridget may be able to save Nate. But is there more to Lucia's disappearance than an affair with her teacher?
Wow, I was really impressed by this novel. It's a complicated novel that is just as much a character-driven study as it is a mystery. It's incredibly well-written, and Moretti expertly embodies the voice of each of her characters, from beleaguered Alecia, who is worn down from mothering her autistic son, Gabe; to the cast of teenager characters; to Bridget, who lost her husband to cancer a year ago. It's so well-done that often with each chapter (which skip from various points of view -- Bridget, Kate, Lucia, Nate, etc.), I found my myself veering between whom I preferred or believed, constantly second-guessing my allegiances or what happened. This is very rare for me: typically I find my "person" in a novel and stick with them, no matter what.
But here, I was confused, wondering. Was Nate really a cad, who cheated on his wife every second he got, or was he the sweet, affable teacher and baseball coach that the whole town admired and adored? And Alecia--was she more than just a weary mom, broken down by years of staying at home with her autistic son, Gabe, unable to give to anyone beyond him? Did she push Nate away, into the arms of others? Or was the truth more complicated that all of this? I have to hand it to Moretti--she was excellent at creating confusion and doubt. In addition to different perspectives, the novel shifts in time (before the birds fell, after the birds fell, before Lucia disappeared, etc.). It's a little tough to keep track of, but it also keeps you on your toes and always wondering, as you piece various parts of the puzzle together.
For me--even more than the mystery of what exactly happened with Lucia--the strength of this novel was the writing and the characters. I felt for them, even when I was frustrated with them. Moretti captures the angst and meanness of high school extremely well, portraying the cliques of a small town quite superbly. (I was reminded of WHEN WE WERE WORTHY, which I just finished.) I loved the juxtaposition of this being a small town, so the idea is that everyone knows everyone and everything, and yet there are so many secrets, so much unknown. Being a witness to Alecia and Nate's marriage is amazing-- you see firsthand how the events affect them and how they've reached this point. It's an incredibly realistic portrayal of marriage and of motherhood.
As you probably tell, I just really liked this novel. It's very well-written, with quite compelling characters. I worked out some of the plot, but it didn't stop me from reading at all. I think some of the emphasis on character development slows the story at places, but not in any detrimental way. This one will make you think, as well as intrigue you with what happened to Lucia. Quite worth the read.
Wow, I was really impressed by this novel. It's a complicated novel that is just as much a character-driven study as it is a mystery. It's incredibly well-written, and Moretti expertly embodies the voice of each of her characters, from beleaguered Alecia, who is worn down from mothering her autistic son, Gabe; to the cast of teenager characters; to Bridget, who lost her husband to cancer a year ago. It's so well-done that often with each chapter (which skip from various points of view -- Bridget, Kate, Lucia, Nate, etc.), I found my myself veering between whom I preferred or believed, constantly second-guessing my allegiances or what happened. This is very rare for me: typically I find my "person" in a novel and stick with them, no matter what.
But here, I was confused, wondering. Was Nate really a cad, who cheated on his wife every second he got, or was he the sweet, affable teacher and baseball coach that the whole town admired and adored? And Alecia--was she more than just a weary mom, broken down by years of staying at home with her autistic son, Gabe, unable to give to anyone beyond him? Did she push Nate away, into the arms of others? Or was the truth more complicated that all of this? I have to hand it to Moretti--she was excellent at creating confusion and doubt. In addition to different perspectives, the novel shifts in time (before the birds fell, after the birds fell, before Lucia disappeared, etc.). It's a little tough to keep track of, but it also keeps you on your toes and always wondering, as you piece various parts of the puzzle together.
For me--even more than the mystery of what exactly happened with Lucia--the strength of this novel was the writing and the characters. I felt for them, even when I was frustrated with them. Moretti captures the angst and meanness of high school extremely well, portraying the cliques of a small town quite superbly. (I was reminded of WHEN WE WERE WORTHY, which I just finished.) I loved the juxtaposition of this being a small town, so the idea is that everyone knows everyone and everything, and yet there are so many secrets, so much unknown. Being a witness to Alecia and Nate's marriage is amazing-- you see firsthand how the events affect them and how they've reached this point. It's an incredibly realistic portrayal of marriage and of motherhood.
As you probably tell, I just really liked this novel. It's very well-written, with quite compelling characters. I worked out some of the plot, but it didn't stop me from reading at all. I think some of the emphasis on character development slows the story at places, but not in any detrimental way. This one will make you think, as well as intrigue you with what happened to Lucia. Quite worth the read.
Haley Mathiot (9 KP) rated Once Dead, Twice Shy (Madison Avery, #1) in Books
Apr 27, 2018
Madison Avery doesn't believe in fate—until a combination of fate and free will brings her to live with her dad (which her mom thinks is a good thing for her since she can't stay out of trouble at home), gets her a pity-date ("you got your boss to get his son to ask me out? what?"), and kills her (at her junior prom. On her seventeenth birthday. of all the luck.). Now, after having claimed the amulet of the timekeeper who killed her (which is the only thing that keeps her looking like she's alive), she has to learn how to live with death. If that's even possible.
But the dark timekeeper who killed her isn't happy, because she's got his amulet, and she's not all the way dead (just sort of dead). Teaming up with Barnabas—who may or may not be a fallen angel—and the light time keeper, Chronos (or Ron for short), a guardian angel (who she forces to guard someone else) and enlisting the human help of her ex-prom date Josh (who she didn't realize she had a crush on), she has to attempt to save her soul.
All in a day's work for a dead high-schooler… right?
This was the second time I've read Once Dead, Twice Shy. I still can't figure out what the title means. Whatever it means, it was a pretty exciting book. There wasn't a second of "down-time." Madison was always up to something, learning something, running to—or from—something, or saving someone. Every chapter had little pieces of the puzzle, and the way it all fit together at the end, was priceless, hilarious, and promising.
I will say that I don't like where the story picks up. I think Harrison should have actually included the beginning of the story, where she gets killed. I read it before I read this book and I would have been rather lost without it. It was a short story included in Prom Nights from Hell. I don't care if this is technically a "book 1" in the series. It should have been book 2, or at least had the beginning of the story included in it.
I really liked Madison. I liked her character (though not some of her choices—but hey, if I was a dead seventeen year old trying to keep her dad from knowing that she could bend time, I probably would have made those same choices) and I liked her interior monologue. She was serious enough to be nerve-wracking and exciting, but sarcastic enough to give everything a touch of comic relief. I really didn't like Josh in the short prequel to this book, but as his character began to be more clear, I really started to like him. I hope things turn out well between him and Madison. I would have liked a little more romantic tension between them, but what was there was clean and innocent—a little too innocent for Madison Avery.
I don't particularly like Kim Harrison's writing style. It's very casual, it has those dreaded fragments, and it's nothing out of the ordinary. However, her way of describing both physical images and emotional feelings was very good, and I could see everything, hear everything, and feel everything her characters were experiencing. As I mentioned above, I liked the comic relief. I also liked her lack of language through the story. Madison had her own set of "words" and phrases that she used that weren't offensive in any way, and it made the story much more enjoyable. However, the only word I can think of to describe her writing is mediocre, and that and the lack of tension between Madison and Josh are the only reasons I don't give this book five stars.
Content: clean of language, violence, and sexuality of any kind. Thank you Harrison, for writing clean YA fiction!
Recommendation: Ages 12+ to lovers of sci-fi, fantasy, and general YA fiction.
This review is copyright Haley Mathiot and Night Owl Reviews.
But the dark timekeeper who killed her isn't happy, because she's got his amulet, and she's not all the way dead (just sort of dead). Teaming up with Barnabas—who may or may not be a fallen angel—and the light time keeper, Chronos (or Ron for short), a guardian angel (who she forces to guard someone else) and enlisting the human help of her ex-prom date Josh (who she didn't realize she had a crush on), she has to attempt to save her soul.
All in a day's work for a dead high-schooler… right?
This was the second time I've read Once Dead, Twice Shy. I still can't figure out what the title means. Whatever it means, it was a pretty exciting book. There wasn't a second of "down-time." Madison was always up to something, learning something, running to—or from—something, or saving someone. Every chapter had little pieces of the puzzle, and the way it all fit together at the end, was priceless, hilarious, and promising.
I will say that I don't like where the story picks up. I think Harrison should have actually included the beginning of the story, where she gets killed. I read it before I read this book and I would have been rather lost without it. It was a short story included in Prom Nights from Hell. I don't care if this is technically a "book 1" in the series. It should have been book 2, or at least had the beginning of the story included in it.
I really liked Madison. I liked her character (though not some of her choices—but hey, if I was a dead seventeen year old trying to keep her dad from knowing that she could bend time, I probably would have made those same choices) and I liked her interior monologue. She was serious enough to be nerve-wracking and exciting, but sarcastic enough to give everything a touch of comic relief. I really didn't like Josh in the short prequel to this book, but as his character began to be more clear, I really started to like him. I hope things turn out well between him and Madison. I would have liked a little more romantic tension between them, but what was there was clean and innocent—a little too innocent for Madison Avery.
I don't particularly like Kim Harrison's writing style. It's very casual, it has those dreaded fragments, and it's nothing out of the ordinary. However, her way of describing both physical images and emotional feelings was very good, and I could see everything, hear everything, and feel everything her characters were experiencing. As I mentioned above, I liked the comic relief. I also liked her lack of language through the story. Madison had her own set of "words" and phrases that she used that weren't offensive in any way, and it made the story much more enjoyable. However, the only word I can think of to describe her writing is mediocre, and that and the lack of tension between Madison and Josh are the only reasons I don't give this book five stars.
Content: clean of language, violence, and sexuality of any kind. Thank you Harrison, for writing clean YA fiction!
Recommendation: Ages 12+ to lovers of sci-fi, fantasy, and general YA fiction.
This review is copyright Haley Mathiot and Night Owl Reviews.
Kaysee Hood (83 KP) rated The Inquisition (Summoner, Book 2) in Books
May 1, 2018
Justice for Fletcher (3 more)
Past uncovered
Return of Othello, Sylva
Gremlins, Blue
It got better!
Once more I’m impressed with the Summoner books because even though I am late to the game on this series so the suspense of Fletcher’s fate was not as intense it was still thrilling to see how he would escape these false accusations and unfair trails. One can argue Fletcher has sort of put himself in this tight spot, but due to his actions in the previous book he has friends and teachers who stand by knowing there is more to what he is being accused of than what the other side would like to admit. Fletcher has become to center of a far bigger game because of who he is and the power he holds in his attempts to tie races together. Furthermore, without spoiling anything for anyone else, due to a charge which does threaten his life Fletcher is able to learn who he truly is, but he will always be Berdon’s son.
Despite the fact Fletcher was in imprisonment for a year he is game to accept a new mission that will aid Hominum in the war with the Orcs. He’s even willing to accept the challenge that comes with it to prove Elves and Dwarfs can work together in the hopes it will fix the strain on the Dwarven and Elven ties with Humans due to events that took place while he is in the hole. Results he does not doubt the Triumvirate had their hands in. All Fletcher and his friends have to do is go into Orc lands with three other teams to put an end to a Goblin breed.
It can never be easy for Fletcher.
Now, that’s all I really want to cover as important points in [i]The Inquisition[/i] because it should pull you in if my next words do not. To circle back I enjoyed the second book far more than [i]The Novice[/i] yet found a new appreciation for the first book as I realize now all the set up there is the reason the second summoner book is successful and was able to focus on the race issue a bit more
To circle back, my enjoyment of the second summoner book is due to the writing by Matharu because of how he set up [i]The Novice[/i] and there is more appreciation to be had for the first book of the series because it is after the second I realized how much had been done for [i]The Inquisition[/i] to be successful. It is within the first summoner book we’re introduced to key characters, plots (minor and major), lives of the characters, and the issues which will drive Fletcher in the second. If anything, [i]The Novice[/i] was an thick introduction to the events to come in [i]The Inquisition[/i]. So I would say be mindful if you’re thinking to begin the series of what occurs and how it will relate later.
However I want to say the character growth is still alive, for better or worse. We’re even given new characters and demons to grow fond of, or hate. Somehow 350+ pages were not enough and yet were perfect to convey where we needed to go then set up the points for the third book. And I have to say there are some twists in here I did not catch, which is nice for someone who had read so much and can predict so much to come. Even though there is some betrayal to me it was worth it as due to Fletcher’s nature we’re able to gain perspective from another race no one has probably given much thought to.
So, if you have yet to get into the Summoner Books then I suggest you go if you’re for fantasy and magic. If you’ve yet to pick up [i]The Inquisition[/i] then I have to say I have no clue what you are doing because I’m peeved at myself for not getting to it sooner. Honestly, it’s a good series to get lost in and yet think about real world issues we have today even if they’re painted a little bit different.
Despite the fact Fletcher was in imprisonment for a year he is game to accept a new mission that will aid Hominum in the war with the Orcs. He’s even willing to accept the challenge that comes with it to prove Elves and Dwarfs can work together in the hopes it will fix the strain on the Dwarven and Elven ties with Humans due to events that took place while he is in the hole. Results he does not doubt the Triumvirate had their hands in. All Fletcher and his friends have to do is go into Orc lands with three other teams to put an end to a Goblin breed.
It can never be easy for Fletcher.
Now, that’s all I really want to cover as important points in [i]The Inquisition[/i] because it should pull you in if my next words do not. To circle back I enjoyed the second book far more than [i]The Novice[/i] yet found a new appreciation for the first book as I realize now all the set up there is the reason the second summoner book is successful and was able to focus on the race issue a bit more
To circle back, my enjoyment of the second summoner book is due to the writing by Matharu because of how he set up [i]The Novice[/i] and there is more appreciation to be had for the first book of the series because it is after the second I realized how much had been done for [i]The Inquisition[/i] to be successful. It is within the first summoner book we’re introduced to key characters, plots (minor and major), lives of the characters, and the issues which will drive Fletcher in the second. If anything, [i]The Novice[/i] was an thick introduction to the events to come in [i]The Inquisition[/i]. So I would say be mindful if you’re thinking to begin the series of what occurs and how it will relate later.
However I want to say the character growth is still alive, for better or worse. We’re even given new characters and demons to grow fond of, or hate. Somehow 350+ pages were not enough and yet were perfect to convey where we needed to go then set up the points for the third book. And I have to say there are some twists in here I did not catch, which is nice for someone who had read so much and can predict so much to come. Even though there is some betrayal to me it was worth it as due to Fletcher’s nature we’re able to gain perspective from another race no one has probably given much thought to.
So, if you have yet to get into the Summoner Books then I suggest you go if you’re for fantasy and magic. If you’ve yet to pick up [i]The Inquisition[/i] then I have to say I have no clue what you are doing because I’m peeved at myself for not getting to it sooner. Honestly, it’s a good series to get lost in and yet think about real world issues we have today even if they’re painted a little bit different.
graveyardgremlin (7194 KP) rated Circus Galacticus in Books
Feb 15, 2019
Have you ever wanted to run away and join the circus? How about a galaxy-traveling circus complete with your very own Doctor Who-like Ringmaster and spaceship? Sounds pretty awesome, right? While you sadly may not be able to do that in real life, Deva Fagan's Circus Galacticus takes the reader on a voyage through the stars. Okay, so maybe reading instead of experiencing those adventures isn't quite as fun, but it's still a grand ride to hop on while I impatiently wait for my very own Doctor to show up and whisk me away to galaxies unknown and unimagined.
Meet the Earther Beatrix "Trix" Ling: miserable, friendless orphan, you know, the usual. On the surface that is. Seriously unhappy at her boarding school, she often gets into trouble due to the fact she's quick to rile and doesn't think things through before acting or speaking. After a few weird events happen to Trix, such as some strange dude breaking into her room and her hair deciding it'd like to be a cotton candy pink, the Circus Galacticus comes to town promising her some answers. Here is where the journey for Trix and the reader begins. Aliens and gadgets abound, as do allies with their own special Tinker power and enemies trying to suppress that power, a spaceship that's alive with many mysterious corridors, and too much to even begin to cover, and really, they'd be better serviced by reading the book instead of this review. This book is like Doctor Who, The X-Men, and Charlie and the Chocolate Factory all tossed into a blender to make one scrump-diddly-umptous concoction. Smoothly written, the book moves at a swift pace as Trix struggles to find somewhere she belongs, make and keep friends, and to believe she deserves it. I don't believe there's a person out there that hasn't felt like an outsider at one time or another, though some more-so than others perhaps, and while Trix may make mistakes and may not always follow rules, that only makes her all the more full-bodied as a character. Except a little with the Ringmaster and the circus tent spaceship, Big Top (as much a character as anyone, if not more), the others aren't delved into as much but they each add their own quirks to make the book well-rounded.
And while I'd heartily recommend Circus Galacticus with no reservations, it isn't a perfect book by any means. Trix's age is never mentioned and at one time she describes the others as her age or a few years older. Umm, okay, I don't even know how old you are, chica, so how am I supposed to know how old everyone else is? At first, I surmised she was somewhere between 12-16 until unneeded curse words popped up, so she's probably a teenager. I finally found out how old Trix was by going to the author's site. She's 15. Call me odd, but I like to know the main character's age. The book could also have stood to have a little more meat on its bones, even as little as fifty pages tacked on. This was like a sampler platter and I wanted a full-course meal. With dessert. So many questions were left unanswered and it is just begging for a sequel to explore these more fully. And as I said before, the curse words really added absolutely nothing to the context of the scenes they were in. Other words could have been substituted easily and been more fitting. Sure there weren't many, but this is intended for middle-grade students and except for the cursing, it's good, clean fun. I'm not naive enough to think that children don't come across foul language from many sources, and even use it themselves, but that doesn't mean that books tailored for their age range should include them either.
However, I had a blast travelling through space with the crew of the Big Top. If there is a sequel, and I truly hope there is, you can be sure I'll be there for the next adventure of Circus Galacticus.
If interested, the author has up illustrations of the main characters: http://devafagan.com/circus-galacticus-characters/
Meet the Earther Beatrix "Trix" Ling: miserable, friendless orphan, you know, the usual. On the surface that is. Seriously unhappy at her boarding school, she often gets into trouble due to the fact she's quick to rile and doesn't think things through before acting or speaking. After a few weird events happen to Trix, such as some strange dude breaking into her room and her hair deciding it'd like to be a cotton candy pink, the Circus Galacticus comes to town promising her some answers. Here is where the journey for Trix and the reader begins. Aliens and gadgets abound, as do allies with their own special Tinker power and enemies trying to suppress that power, a spaceship that's alive with many mysterious corridors, and too much to even begin to cover, and really, they'd be better serviced by reading the book instead of this review. This book is like Doctor Who, The X-Men, and Charlie and the Chocolate Factory all tossed into a blender to make one scrump-diddly-umptous concoction. Smoothly written, the book moves at a swift pace as Trix struggles to find somewhere she belongs, make and keep friends, and to believe she deserves it. I don't believe there's a person out there that hasn't felt like an outsider at one time or another, though some more-so than others perhaps, and while Trix may make mistakes and may not always follow rules, that only makes her all the more full-bodied as a character. Except a little with the Ringmaster and the circus tent spaceship, Big Top (as much a character as anyone, if not more), the others aren't delved into as much but they each add their own quirks to make the book well-rounded.
And while I'd heartily recommend Circus Galacticus with no reservations, it isn't a perfect book by any means. Trix's age is never mentioned and at one time she describes the others as her age or a few years older. Umm, okay, I don't even know how old you are, chica, so how am I supposed to know how old everyone else is? At first, I surmised she was somewhere between 12-16 until unneeded curse words popped up, so she's probably a teenager. I finally found out how old Trix was by going to the author's site. She's 15. Call me odd, but I like to know the main character's age. The book could also have stood to have a little more meat on its bones, even as little as fifty pages tacked on. This was like a sampler platter and I wanted a full-course meal. With dessert. So many questions were left unanswered and it is just begging for a sequel to explore these more fully. And as I said before, the curse words really added absolutely nothing to the context of the scenes they were in. Other words could have been substituted easily and been more fitting. Sure there weren't many, but this is intended for middle-grade students and except for the cursing, it's good, clean fun. I'm not naive enough to think that children don't come across foul language from many sources, and even use it themselves, but that doesn't mean that books tailored for their age range should include them either.
However, I had a blast travelling through space with the crew of the Big Top. If there is a sequel, and I truly hope there is, you can be sure I'll be there for the next adventure of Circus Galacticus.
If interested, the author has up illustrations of the main characters: http://devafagan.com/circus-galacticus-characters/
Debbiereadsbook (1197 KP) rated Saved (Breaking Free #1) in Books
Mar 7, 2019
totally blew me away!
I was shared this book, via Amazon's family and friends thingie.
I will be honest here, cos that's what reviewing is all about. I only picked this book to read as a "palette cleanser" an easy read, just for fun, between two heavier books. It sounded just what I needed so I jumped in, expecting a light fluffy read, that wasn't very long.
How wrong I was, because I started this book at 10.15pm and did not stop til I ran out of at 130 am and I had to be up for work at 6am!
I freaking LOVED this book! It totally came out of left field and blew me away! I mean, so much so, I made sure I had book two, which was also shared with me, and I purchased books three and four, so I was ready to go! I haven't come across this author before, but by God they are on my hit list now!
This book is set in the Omegaverse, there are no females and only certain pairings can produce children: alphas and omegas. But omegas are treated badly, as second class citizens, and Braun and his brother Kell suffer. First at the hands of their father, and later, Kell at the hands of his husband.
So it's understandable that Braun be scared of Tarek and what he represents: a lot of suffering for Braun. But Tarek is of a growing breed of Alpha, those who believe omegas should be treasured, not trod down. After all, their race would die out in two generations without any omegas. And Tarek LISTENS to Braun, wants to know if he can help when his heat hits. And Braun tells him: come ONLY when called for, NO knotting and condoms every time. And when Tarek abides by Braun's wishes, Braun knows he can be a trusted ally. The omegas rescued from the group home need one. Braun's brother needs one, and the newborn, but missing nephew of Braun needs one too.
Like I said WAAAAAAAAAAAAAAAAAAY outta left field and totally blew me away!
It's dark: carries a strong abuse line, both from a parent and a spouse. The abuse Kell suffers goes far beyond the beatings Braun knows about (the full story doesn't come clear til Kell's book, I've already read that one on writing this review, and it is horrific) But so well told, sensitively. Tarek knows this happens, what happens to omegas at the hands of their spouses but he hates that it does. He knows he needs to help, starting with Braun.
It's emotional: the abuse line not withstanding, what Braun starts to feel very early for Tarek, as the bonds develop between them, hits him hard and he fights! He fights it so bloody hard! To be fair, they both do, and it's quite hard reading, what they go through before they get there.
It's sexy: I mean two guys? Always gonna float my boat! But refer to above: just because it's hot and heavy, doesn't mean it doesn't have the emotions along with it. Once Braun and Tarek give in to the bonds, they are IN, totally, emotionally and physically.
Both Braun and Tarek have a say, and their voices are strong and clear and so very well written.
I'm starting to gush and I don't want to, but just know this:
I FREAKING LOVED THIS BOOK! I am not ashamed to admit I was wrong, what I expected from this book was so very NOT what I got out of it, and I mean that in a very positive way!
But it's not an easy read, at all, and you need to be prepared for what is here. Some readers might have triggers, I don't, but some points made for difficult reading. Not the writing, just the level of abuse that is systematic for the omegas in this world. But with Tarek and his friends, maybe, just maybe, they can start to change things.
I gotta stop, I'll be writing all day!
5 very unexpected, but bloody amazing stars!
**same worded review will appear elsewhere**
I will be honest here, cos that's what reviewing is all about. I only picked this book to read as a "palette cleanser" an easy read, just for fun, between two heavier books. It sounded just what I needed so I jumped in, expecting a light fluffy read, that wasn't very long.
How wrong I was, because I started this book at 10.15pm and did not stop til I ran out of at 130 am and I had to be up for work at 6am!
I freaking LOVED this book! It totally came out of left field and blew me away! I mean, so much so, I made sure I had book two, which was also shared with me, and I purchased books three and four, so I was ready to go! I haven't come across this author before, but by God they are on my hit list now!
This book is set in the Omegaverse, there are no females and only certain pairings can produce children: alphas and omegas. But omegas are treated badly, as second class citizens, and Braun and his brother Kell suffer. First at the hands of their father, and later, Kell at the hands of his husband.
So it's understandable that Braun be scared of Tarek and what he represents: a lot of suffering for Braun. But Tarek is of a growing breed of Alpha, those who believe omegas should be treasured, not trod down. After all, their race would die out in two generations without any omegas. And Tarek LISTENS to Braun, wants to know if he can help when his heat hits. And Braun tells him: come ONLY when called for, NO knotting and condoms every time. And when Tarek abides by Braun's wishes, Braun knows he can be a trusted ally. The omegas rescued from the group home need one. Braun's brother needs one, and the newborn, but missing nephew of Braun needs one too.
Like I said WAAAAAAAAAAAAAAAAAAY outta left field and totally blew me away!
It's dark: carries a strong abuse line, both from a parent and a spouse. The abuse Kell suffers goes far beyond the beatings Braun knows about (the full story doesn't come clear til Kell's book, I've already read that one on writing this review, and it is horrific) But so well told, sensitively. Tarek knows this happens, what happens to omegas at the hands of their spouses but he hates that it does. He knows he needs to help, starting with Braun.
It's emotional: the abuse line not withstanding, what Braun starts to feel very early for Tarek, as the bonds develop between them, hits him hard and he fights! He fights it so bloody hard! To be fair, they both do, and it's quite hard reading, what they go through before they get there.
It's sexy: I mean two guys? Always gonna float my boat! But refer to above: just because it's hot and heavy, doesn't mean it doesn't have the emotions along with it. Once Braun and Tarek give in to the bonds, they are IN, totally, emotionally and physically.
Both Braun and Tarek have a say, and their voices are strong and clear and so very well written.
I'm starting to gush and I don't want to, but just know this:
I FREAKING LOVED THIS BOOK! I am not ashamed to admit I was wrong, what I expected from this book was so very NOT what I got out of it, and I mean that in a very positive way!
But it's not an easy read, at all, and you need to be prepared for what is here. Some readers might have triggers, I don't, but some points made for difficult reading. Not the writing, just the level of abuse that is systematic for the omegas in this world. But with Tarek and his friends, maybe, just maybe, they can start to change things.
I gotta stop, I'll be writing all day!
5 very unexpected, but bloody amazing stars!
**same worded review will appear elsewhere**
Lee (2222 KP) rated Long Shot (2019) in Movies
May 9, 2019
I'm always wary heading into comedies, and the majority of my reviews for the genre usually open with some intro along those lines. On the whole I'm usually disappointed with what I see, particularly as the trailers tend to show literally every single laugh out loud moment from the film, leaving very little else to enjoy. Mrs B joined me for this particular cinema trip, and we have a bit of a track record recently for picking movies to go and see together which then turn out to be a disappointment, so I was doubly worried. Coincidentally, as we pulled into the cinema car park, an ad for Long Shot played on the radio. It's outrageously funny! Absolutely hilarious! The funniest movie in years! Etc etc... All the usual claims, and mighty big words to live up to.
Seth Rogen is Fred Vlarsky, a scruffy investigative journalist who we first meet while working undercover at a white supremacist meeting. The meeting naturally doesn't go well, especially as Fred is a jew, and things only go from bad to worse when Fred finds himself out of work the next day. Meanwhile, we're introduced to Charlotte Field (Charlize Theron), Secretary of State with plans to run for president in the next election. She leads a very hectic life, barely getting chance for any downtime in-between working on improving her popularity score, constant phone call interviews and trying to deal with her bumbling, clueless boss, the president (played by Bob Odenkirk).
Fred's best friend Lance attempts to cheer him up by taking him to a swanky party where Boyz II Men are performing, and it's during this party that Fred and Charlotte both notice each other from across the room. Fred recounts to Lance an embarrassing story from when he was 13 and a 16 year old Charlotte babysat for him one evening. When the two meet up again at the party soon after, they immediately hit it off.
Charlotte is on the lookout for a writer to help write her speeches and hopefully boost her popularity score, so she decides to hire Fred on the basis that he's likely to know her a lot better than anyone else and therefore likely to write better material for her. Fred immediately joins the team, travelling the world at Charlotte's side and getting to know more about her in order to come up with great speeches.
Being a rom-com, it's not really a spoiler to say that our two main characters eventually get together romantically. That being said, I felt the trailer for Long Shot pretty much gave away the majority of key plot points, as seems to be the norm these days, and I was left with very little that actually felt like a surprise when I saw it. Luckily, the final twenty minutes or so contain plenty of unseen material and themes, which despite becoming slightly absurd, actually contain some of the funniest and most charming moments of the movie.
How much hilarity you find in Long Shot is really going to depend on how much you like Seth Rogen and his particular style of comedy. If an overdose of f-bombs, dick jokes and drug related humour are your thing, you'll be fine. To be honest, I'm not usually a big fan of his, although I do like a few of his movies. But thankfully, in this he wasn't too overbearing, allowing Charlize Theron to shine through with her own fair share of funny lines and moments. Their characters, and most importantly their chemistry together, is totally believable, and makes the movie that much more enjoyable. Supporting cast consist of Andy Serkis as a creepy Rupert Murdoch/Donald Trump hybrid, but this is primarily all about the unlikely relationship between Fred and Charlotte, and for the most part it works extremely well.
I'm a big fan of the TV show Madam Secretary, which also features a strong lead performance from Téa Leoni as Secretary of State. Her character is also currently considering running for president, in a show with some tight, well written and at times witty, political story-lines. I couldn't really help but compare Long Shot to that, and as a movie I felt it struggled at times to balance the tone and keep the pace, feeling way too long as well.
Seth Rogen is Fred Vlarsky, a scruffy investigative journalist who we first meet while working undercover at a white supremacist meeting. The meeting naturally doesn't go well, especially as Fred is a jew, and things only go from bad to worse when Fred finds himself out of work the next day. Meanwhile, we're introduced to Charlotte Field (Charlize Theron), Secretary of State with plans to run for president in the next election. She leads a very hectic life, barely getting chance for any downtime in-between working on improving her popularity score, constant phone call interviews and trying to deal with her bumbling, clueless boss, the president (played by Bob Odenkirk).
Fred's best friend Lance attempts to cheer him up by taking him to a swanky party where Boyz II Men are performing, and it's during this party that Fred and Charlotte both notice each other from across the room. Fred recounts to Lance an embarrassing story from when he was 13 and a 16 year old Charlotte babysat for him one evening. When the two meet up again at the party soon after, they immediately hit it off.
Charlotte is on the lookout for a writer to help write her speeches and hopefully boost her popularity score, so she decides to hire Fred on the basis that he's likely to know her a lot better than anyone else and therefore likely to write better material for her. Fred immediately joins the team, travelling the world at Charlotte's side and getting to know more about her in order to come up with great speeches.
Being a rom-com, it's not really a spoiler to say that our two main characters eventually get together romantically. That being said, I felt the trailer for Long Shot pretty much gave away the majority of key plot points, as seems to be the norm these days, and I was left with very little that actually felt like a surprise when I saw it. Luckily, the final twenty minutes or so contain plenty of unseen material and themes, which despite becoming slightly absurd, actually contain some of the funniest and most charming moments of the movie.
How much hilarity you find in Long Shot is really going to depend on how much you like Seth Rogen and his particular style of comedy. If an overdose of f-bombs, dick jokes and drug related humour are your thing, you'll be fine. To be honest, I'm not usually a big fan of his, although I do like a few of his movies. But thankfully, in this he wasn't too overbearing, allowing Charlize Theron to shine through with her own fair share of funny lines and moments. Their characters, and most importantly their chemistry together, is totally believable, and makes the movie that much more enjoyable. Supporting cast consist of Andy Serkis as a creepy Rupert Murdoch/Donald Trump hybrid, but this is primarily all about the unlikely relationship between Fred and Charlotte, and for the most part it works extremely well.
I'm a big fan of the TV show Madam Secretary, which also features a strong lead performance from Téa Leoni as Secretary of State. Her character is also currently considering running for president, in a show with some tight, well written and at times witty, political story-lines. I couldn't really help but compare Long Shot to that, and as a movie I felt it struggled at times to balance the tone and keep the pace, feeling way too long as well.
Hadley (567 KP) rated Handbook of Paranormal Powers in Books
Jun 2, 2019
I have always believed in the paranormal, but I am careful not to take everything at face value. When I picked up this book, I unfortunately took it at its face value, thinking that it was about how people developed these paranormal abilities and the things that they achieved with them.
But this book seems to have been written by a skeptic that disguised it as a book from a believer in the paranormal, which to say is a pretty clever way to sell a book when the belief in the paranormal is at an all time high. The author spends much of the book detailing people who have exhibited paranormal abilities just to quickly tear them down. I will say that Brian Haughton did a wonderful job on researching for this book, bringing up not only the history of paranormal abilities, but also self proclaimed psychics that readers may not have even heard of, such as Florence Cook, who had her abilities tested by none other than William Crookes( the discoverer of the element thallium).
Haughton's 'Handbook of Paranormal Powers' should have been titled something else, mostly because it's a history lesson in ESP and also, obviously, from the point-of-view of a skeptic. Yet, it doesn't lack for reading by believers; one such part I found interesting was a part on dowsing- the supernatural ability to find hidden objects, substances, geographic features, or sometimes even people- which you may have seen someone doing by holding two rods to find underground water. This part was about when dowsing became popular in the seventeenth-century France, and was being considered 'evil': ". . .with the dowser Baroness de Beausoleil and her husband, a mining expert, journeying across Europe and allegedly locating ore deposits of iron, gold, and silver. The couple established a thriving mineral company, but when their methods of locating metal ores became known they were accused of practicing the 'black arts' and imprisoned for the rest of their lives. " Readers learn that it wasn't until the nineteenth century, with the rise of spiritualism, that dowsing was no longer considered 'evil.'
Another one that interested me concerned the comedian Andy Kaufman, and his pursuit to rid himself of a rare lung cancer with psychic healing: "In March 1984, US comedian Andy Kaufman traveled to the Philippines for a six- week course of psychic surgery after being diagnosed with a rare lung cancer. The surgeon, Jun Labo, performed the operation, and claimed that he had removed large cancerous tumors from Kaufman's body. On May 16, 1984, Kaufman died from renal failure as a consequence of a metastatic lung cancer. "
I hate, but also love this book, not because Haughton backs up all of the skeptic claims with scientific research and tests, but because he claimed this to be a handbook or paranormal powers. If you glance at the cover, just below the title is: 'discover the secrets of mind readers, mediums, and more' - this can be taken that it's written by someone who believes in the paranormal, as well as someone who may have had personal experiences with the unknown, but with that said, I did learn a lot about the history of paranormal powers as well as people I had never heard of.
To prove the skepticism in Haughton's writing, we can turn to page 173, where he writes about how to test whether or not a self-proclaimed psychic surgeon is real. But even before this page and throughout this book, Haughton explains someone doing an extraordinary thing only to quickly explain away why it was fake to begin with. The 'Handbook of Paranormal Powers' reads a lot like a college thesis, that I found myself getting bored with the matter-of-fact tone. Some readers may enjoy reading essay-type books, but for me, it becomes repetitive enough that I don't remember much of the information I had just read.
Also, readers may come away with the feeling that Haughton doesn't care about the slight chance that some paranormal powers may be real, but instead he'd rather read about the scientific facts. I would only recommend this book to people who want to do a light reading on paranormal history, meaning mostly what made headlines in the news. For believers, I would suggest you go elsewhere.
But this book seems to have been written by a skeptic that disguised it as a book from a believer in the paranormal, which to say is a pretty clever way to sell a book when the belief in the paranormal is at an all time high. The author spends much of the book detailing people who have exhibited paranormal abilities just to quickly tear them down. I will say that Brian Haughton did a wonderful job on researching for this book, bringing up not only the history of paranormal abilities, but also self proclaimed psychics that readers may not have even heard of, such as Florence Cook, who had her abilities tested by none other than William Crookes( the discoverer of the element thallium).
Haughton's 'Handbook of Paranormal Powers' should have been titled something else, mostly because it's a history lesson in ESP and also, obviously, from the point-of-view of a skeptic. Yet, it doesn't lack for reading by believers; one such part I found interesting was a part on dowsing- the supernatural ability to find hidden objects, substances, geographic features, or sometimes even people- which you may have seen someone doing by holding two rods to find underground water. This part was about when dowsing became popular in the seventeenth-century France, and was being considered 'evil': ". . .with the dowser Baroness de Beausoleil and her husband, a mining expert, journeying across Europe and allegedly locating ore deposits of iron, gold, and silver. The couple established a thriving mineral company, but when their methods of locating metal ores became known they were accused of practicing the 'black arts' and imprisoned for the rest of their lives. " Readers learn that it wasn't until the nineteenth century, with the rise of spiritualism, that dowsing was no longer considered 'evil.'
Another one that interested me concerned the comedian Andy Kaufman, and his pursuit to rid himself of a rare lung cancer with psychic healing: "In March 1984, US comedian Andy Kaufman traveled to the Philippines for a six- week course of psychic surgery after being diagnosed with a rare lung cancer. The surgeon, Jun Labo, performed the operation, and claimed that he had removed large cancerous tumors from Kaufman's body. On May 16, 1984, Kaufman died from renal failure as a consequence of a metastatic lung cancer. "
I hate, but also love this book, not because Haughton backs up all of the skeptic claims with scientific research and tests, but because he claimed this to be a handbook or paranormal powers. If you glance at the cover, just below the title is: 'discover the secrets of mind readers, mediums, and more' - this can be taken that it's written by someone who believes in the paranormal, as well as someone who may have had personal experiences with the unknown, but with that said, I did learn a lot about the history of paranormal powers as well as people I had never heard of.
To prove the skepticism in Haughton's writing, we can turn to page 173, where he writes about how to test whether or not a self-proclaimed psychic surgeon is real. But even before this page and throughout this book, Haughton explains someone doing an extraordinary thing only to quickly explain away why it was fake to begin with. The 'Handbook of Paranormal Powers' reads a lot like a college thesis, that I found myself getting bored with the matter-of-fact tone. Some readers may enjoy reading essay-type books, but for me, it becomes repetitive enough that I don't remember much of the information I had just read.
Also, readers may come away with the feeling that Haughton doesn't care about the slight chance that some paranormal powers may be real, but instead he'd rather read about the scientific facts. I would only recommend this book to people who want to do a light reading on paranormal history, meaning mostly what made headlines in the news. For believers, I would suggest you go elsewhere.