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Ancient Secrets of the Mummy
Games, Education and Stickers
App
Unveil the mystery of ancient Egyptian mummification in your new favorite story-based Hidden Object...
CB
Cinema by Design: Art Nouveau, Modernism, and Film History
Book
Art Nouveau thrived from the late 1890s through the First World War. The international design...
Lyndsey Gollogly (2893 KP) rated Digging Up the Dead (The Gravedigger #3) in Books
Dec 1, 2020
200 of 200
Kindle
Digging up the Dead ( The Gravedigger book 2)
By Willie E. Dalton
Reapers, vampires, and… zombies?”
I wasn’t sure just how much more emotional upheaval I was capable of handling. I never knew this would still be an issue after death. I was still coping with the latest trauma, when my best friend, Grace came to me with startling news. Boude, her boyfriend, was missing.
Vampire affairs is something I try to avoid, after all, the vampire Rasputin had tried to kill me more than once, and had been the one to take Grace’s eye and disfigure the side of her lovely face. I had a sneaking suspicion he was also the one behind our missing friend.
Not one to sit idly by while my friend suffered, I started investigating the inner workings of the Vampire Quarter; a breathtaking and sinister area of the underworld.
In the fields of the dead, bodies were disappearing as fast as the other reapers and I could dig them up, and things at the Assignment Hall were profoundly more strange as all of the employees suddenly had fangs.
The deeper we kept digging into the bizarre events, a terrifying plot unfolded that could bring down the underworld as we knew it. And when the bodies in the field started clawing their way out of the graves, I realized we were up against something more powerful than we could ever have imagined.
Been a while since I read book 2 but was able to pick it up and remember exactly where it left off! I enjoy this series it’s a totally different take on how life in the afterlife is. I kinda wished they made more of the big bars death though. Also separating Hell and Soren hoping they find a way back to each other! I like the idea of Hell covering for Persephone as queen too!
Kindle
Digging up the Dead ( The Gravedigger book 2)
By Willie E. Dalton
Reapers, vampires, and… zombies?”
I wasn’t sure just how much more emotional upheaval I was capable of handling. I never knew this would still be an issue after death. I was still coping with the latest trauma, when my best friend, Grace came to me with startling news. Boude, her boyfriend, was missing.
Vampire affairs is something I try to avoid, after all, the vampire Rasputin had tried to kill me more than once, and had been the one to take Grace’s eye and disfigure the side of her lovely face. I had a sneaking suspicion he was also the one behind our missing friend.
Not one to sit idly by while my friend suffered, I started investigating the inner workings of the Vampire Quarter; a breathtaking and sinister area of the underworld.
In the fields of the dead, bodies were disappearing as fast as the other reapers and I could dig them up, and things at the Assignment Hall were profoundly more strange as all of the employees suddenly had fangs.
The deeper we kept digging into the bizarre events, a terrifying plot unfolded that could bring down the underworld as we knew it. And when the bodies in the field started clawing their way out of the graves, I realized we were up against something more powerful than we could ever have imagined.
Been a while since I read book 2 but was able to pick it up and remember exactly where it left off! I enjoy this series it’s a totally different take on how life in the afterlife is. I kinda wished they made more of the big bars death though. Also separating Hell and Soren hoping they find a way back to each other! I like the idea of Hell covering for Persephone as queen too!
Lenard (726 KP) rated Soul (2020) in Movies
Dec 26, 2020
There is a saying that even though you can't achieve greatness you can still inspire someone else to be great. Joe Gardner is a sometime jazz pianist who works as a part time middle school band teacher. On the day the principal hires him as a full-time teacher with all the benefits, Joe is invited to join a jazz quartet for their nightly club gigs. In his dazed excitement, he falls down an open manhole (the city will face a major lawsuit for that). His soul is transported onto the conveyor belt for the Great Beyond, but Joe escapes into the Great Before. There, in order to stall his forever death, he becomes a mentor to a "new" soul so that the nonbinary entity named 22 finds a spark to live. 22 has been mentored by all the greats from Archimedes to Copernicus to Mother Teresa never finding a reason to exist. That is, until a trip to the land of the lost souls ends with both Joe's soul and 22 inside corporeal beings. Joe teaches 22 that life has value whether it is a pursuit of music, a dream deferred like a raisin in the sun, or observing a leaf falling from a tree. In fact, Joe has influenced the lives of many of his students, like Curley, a jazz drummer in the Dorothea William Quartet, or current student Sonia, a master trombonist, who he privately teaches outside of school. While some people can see his dreams may not be his meal ticket, Joe will always be a mentor to other struggling musicians who may one day be successful.
On the technical aspects of the film, there is a lot to praise. While a Michael Giacchino score may have worked, the score by Trent Reznor and Atticus Ross counterposes the jazz score throughout. Music soothes all souls. The animation is masterful as usual. The "Terry" sequence and some of the character designs in the afterlife will influence future animators much like Joe's students.
On the technical aspects of the film, there is a lot to praise. While a Michael Giacchino score may have worked, the score by Trent Reznor and Atticus Ross counterposes the jazz score throughout. Music soothes all souls. The animation is masterful as usual. The "Terry" sequence and some of the character designs in the afterlife will influence future animators much like Joe's students.
Gareth von Kallenbach (980 KP) rated Rings (2017) in Movies
Jul 12, 2019
Going in I have to admit I had the lowest expectations for this movie. And indeed it starts off seeming like a complete joke with a scene on a plane that is reminiscent of “Snakes on Plane” but with an evil spirit, flies, and black sludge instead of snakes. The theater filled with laughter for the first five minutes.
A plot about a film that kills people who watch it is in itself offputtingly hokey. Previously I was never a fan of “The Ring” or “The Ring 2,” and I did not find either of them memorable to say the least. But, this sequel starts off in such a comedic fashion that most people will no longer have expectations to be scared. But this may not be a bad thing at all.
After the first few scenes something happens, and the film begins to be more artsy rather than hokey. Trippy effects like rain flowing upward or weird black liquid that almost looks like melted latex flowing out each time the evil spirit is coming, make this a surreal piece of entertainment. This film is actually best described as a modern day dark fairy tale and not a horror film.
Parts of the plot are very dark as you learn the complete story of Samara. Themes of captivity, murder, infanticide, and child molestation subtly peak into the plot. But it does not delve too far into these aspects which could have been truly twisted, instead it veers off into a more modern theme.
A college professor, Gabriel (Johnny Galecki), who teaches an experimental biology course and studies the afterlife, discovers the deadly film when he buys an old VCR. After watching it himself he comes up with a creative way of keeping himself and others who watch it alive. Hint – it involves a selfish pattern of sacrifice, which is a bit darkly comedic but also a realistic and shadowy reflection of human nature.
“Rings” is no horror masterpiece, but it is entertaining, unique, and a tad bit creepy.
A plot about a film that kills people who watch it is in itself offputtingly hokey. Previously I was never a fan of “The Ring” or “The Ring 2,” and I did not find either of them memorable to say the least. But, this sequel starts off in such a comedic fashion that most people will no longer have expectations to be scared. But this may not be a bad thing at all.
After the first few scenes something happens, and the film begins to be more artsy rather than hokey. Trippy effects like rain flowing upward or weird black liquid that almost looks like melted latex flowing out each time the evil spirit is coming, make this a surreal piece of entertainment. This film is actually best described as a modern day dark fairy tale and not a horror film.
Parts of the plot are very dark as you learn the complete story of Samara. Themes of captivity, murder, infanticide, and child molestation subtly peak into the plot. But it does not delve too far into these aspects which could have been truly twisted, instead it veers off into a more modern theme.
A college professor, Gabriel (Johnny Galecki), who teaches an experimental biology course and studies the afterlife, discovers the deadly film when he buys an old VCR. After watching it himself he comes up with a creative way of keeping himself and others who watch it alive. Hint – it involves a selfish pattern of sacrifice, which is a bit darkly comedic but also a realistic and shadowy reflection of human nature.
“Rings” is no horror masterpiece, but it is entertaining, unique, and a tad bit creepy.
Hiddensee: A Tale of the Once and Future Nutcracker
Book
From the author of the beloved #1 New York Times bestseller Wicked, the magical story of a toymaker,...
Fantasy
All This I Do for Glory by Colin Stetson
Album Watch
"All this I do for glory" is a reasoning and exploration of the machinations of ambition and legacy,...
alternative rock
Taking Heaven Lightly: A Near Death Experience Survivor's Story and Inspirational Guide to Living in the Light
Book
'A remarkable book ...Experiences like Roisin's have now been validated by hundreds of scientific...
Sonnets for an Old Century
Book
“Now we have a SPOON RIVER ANTHOLOGY to call our own, a work whose scope and insights begin to...
DaveySmithy (107 KP) rated Ghostbusters: Frozen Empire (2024) in Movies
Dec 4, 2024 (Updated Dec 4, 2024)
Fun moments
I went into Ghostbusters: Frozen Empire (2024) hoping it would build on the promise of Ghostbusters: Afterlife while carving out its own icy identity. Unfortunately, while the film has its moments of charm and spectacle, it left me feeling cold overall—pun intended.
The premise is intriguing: a mysterious, apocalyptic winter descending on New York City, with the Ghostbusters tasked to save the day. The visuals are striking—snow-covered cityscapes and frost-bitten ghosts make for some memorable scenes. The effects team clearly had a blast imagining what a frozen supernatural invasion would look like, and the frosty atmosphere feels like a fresh twist for the franchise.
The returning cast, especially Paul Rudd and Carrie Coon, are as likable as ever, but they’re not given much to do beyond reacting to the chaos. The younger characters, led by Mckenna Grace, are still charming, but the novelty of their “kid Ghostbusters” dynamic is starting to wear thin. The humor is hit-or-miss; while there are a few clever lines and fun moments, some of the jokes feel too forced, as though the film is trying too hard to mimic the original’s effortless wit.
One of the biggest disappointments for me was the pacing. The first half of the movie drags, spending too much time on exposition and setup without giving us the action or scares we came for. When the ghost-busting finally ramps up, it’s exciting, but it feels rushed and formulaic. The climactic battle is visually impressive but lacks emotional weight, relying more on spectacle than storytelling.
I also couldn’t help but feel that Frozen Empire leans too heavily on nostalgia. The callbacks to the original movies are fun at first, but they start to feel like a crutch, reminding us of the franchise’s glory days instead of moving it forward in a meaningful way.
Overall, Ghostbusters: Frozen Empire is a decent popcorn flick with some cool visuals and a few laughs, but it doesn’t live up to the potential of its concept or its legacy. It’s a 6/10 for me—fun in the moment, but not particularly memorable.
The premise is intriguing: a mysterious, apocalyptic winter descending on New York City, with the Ghostbusters tasked to save the day. The visuals are striking—snow-covered cityscapes and frost-bitten ghosts make for some memorable scenes. The effects team clearly had a blast imagining what a frozen supernatural invasion would look like, and the frosty atmosphere feels like a fresh twist for the franchise.
The returning cast, especially Paul Rudd and Carrie Coon, are as likable as ever, but they’re not given much to do beyond reacting to the chaos. The younger characters, led by Mckenna Grace, are still charming, but the novelty of their “kid Ghostbusters” dynamic is starting to wear thin. The humor is hit-or-miss; while there are a few clever lines and fun moments, some of the jokes feel too forced, as though the film is trying too hard to mimic the original’s effortless wit.
One of the biggest disappointments for me was the pacing. The first half of the movie drags, spending too much time on exposition and setup without giving us the action or scares we came for. When the ghost-busting finally ramps up, it’s exciting, but it feels rushed and formulaic. The climactic battle is visually impressive but lacks emotional weight, relying more on spectacle than storytelling.
I also couldn’t help but feel that Frozen Empire leans too heavily on nostalgia. The callbacks to the original movies are fun at first, but they start to feel like a crutch, reminding us of the franchise’s glory days instead of moving it forward in a meaningful way.
Overall, Ghostbusters: Frozen Empire is a decent popcorn flick with some cool visuals and a few laughs, but it doesn’t live up to the potential of its concept or its legacy. It’s a 6/10 for me—fun in the moment, but not particularly memorable.