Claes Bang is indisputably very good as the Count, mixing cool flippancy with genuine menace. The rest of it is a bit of a curate's egg, with brilliant moments mixed thoroughly with things that don't quite work. If you like Moffat and Gatiss' approach to scripting - sketch show and conjuring performance in equal measures, with big set pieces and reveals taking precedence over logic and cohesion - then you will obviously enjoy this. Otherwise, then the sound of Dracula is not so much the music of the children of the night, as that of the writers winking at the audience non-stop for four and a half hours.
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Mark @ Carstairs Considers (2293 KP) rated Torn Asunder in Books
Apr 25, 2024
Obviously, Julia begins to make connections soon, and this book gave me major Agatha Christie vibes. I do mean that as a compliment. The suspects were strong, and I had a hard time putting the book down until things came to a logical and surprising climax. I love the characters in this series, and it was great to spend time with them again, even if some of the regulars only had cameos. There are five more recipes at the end of the book to enjoy later. I laughed and teared up a time or two as I was reading this book. Series fans will put this one down very satisfied. If you haven’t started the series yet, you need to fix that today. This is a great series.

LeftSideCut (3776 KP) rated Death on the Nile (2022) in Movies
Feb 15, 2022
There's glimpses of something good there. Kenneth Branagh can be hit or miss as far as I'm concerned. For every Belfast (soaringly wonderful) there's an Artemis Fowl (what I imagine a lobotomy feels like). This is somewhere in the middle. There are moments of promise sprinkled here and there, but they struggle to break through all the bloated hot air that is draped over everything.
All of the characters are ridiculous. I get that's part of it, but it just falls flat here. It's hard to enjoy comic relief when everyone is comic relief. Gal Gadot seems like she is half-arsing every line. Russell Brand feels jarringly out of place. I traditionally enjoy French & Saunders but they also feel alien in every scene they're in. I know this shouldn't really impact my view, but Armie Hammer look like he just wants to eat everyone he talks to. Even the usually reliable Annette Benning comes across completely disinterested. There's no chemistry anywhere, and it all just feels a bit odd. Branagh is pretty great as Poirot to his credit. He just about holds proceedings together along with Sophie Okonedo, and they both manage to inject some charisma when things become arduous, which is farily regularly.
A bit of a misfire then, but not a complete disaster. I can firmly file Death on the Nile under "films I don't really like, but would probably watch again if it was on TV, or maybe on Christmas day at my Mums house".