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ClareR (5911 KP) rated A Shadowed Livery (Inspector James Given Investigations #1) in Books
Sep 16, 2019
A really well written police procedural
A Shadowed Livery is a police procedural very much in the vein of an Agatha Christie novel. It’s set in 1938, just as the rumblings of war begin and National Socialism and Fascism raise their heads in Germany. DI James Givens has been pulled off the case that he was working on (the murder of a Jewish butcher - the guilty men have been hanged, but there’s still work to be done) and sent to a small village in the English countryside, to wrap up the deaths of three people (mother, son and fiancée) at Grovestock House, where Sir Arthur Barleigh and his family live. DI Given has been told that it’s a simple case of murder/ suicide, but of course it develops into anything but that.
I very much enjoyed this - the style in which it was written felt just right for the time period, and there was great attention to detail. I liked how Given’s background is revealed as the story progresses, and how relevant it was to the time in history.
The mystery itself had me guessing up to the end, and it has a great ending! I love it when I’m kept guessing to the final pages. DI Given is a very likeable character, if a little naive in some ways - but that’s rather nice really. It lends him that human touch.
I’ll be interested to see what happens in the second book as we edge closer to war. I’d like to see how DI Given gets on!
Many thanks to Sapere Books for my copy of this book to read and review. I will be preordering the next book for when it comes out next month (October 2019)!
I very much enjoyed this - the style in which it was written felt just right for the time period, and there was great attention to detail. I liked how Given’s background is revealed as the story progresses, and how relevant it was to the time in history.
The mystery itself had me guessing up to the end, and it has a great ending! I love it when I’m kept guessing to the final pages. DI Given is a very likeable character, if a little naive in some ways - but that’s rather nice really. It lends him that human touch.
I’ll be interested to see what happens in the second book as we edge closer to war. I’d like to see how DI Given gets on!
Many thanks to Sapere Books for my copy of this book to read and review. I will be preordering the next book for when it comes out next month (October 2019)!
Pretty Killer
10.0
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Revenge is served. Twelve people bound by a secret arrive for an exclusive dinner only to find...
Death In Provence
10.0
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The first entry in a clever, lighthearted mystery series set in modern Provence—a delightful blend...
Fiction Contemporary Cultural France Cozy Mystery
A Shadowed Livery (Inspector James Given Investigations #1)
7.0
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The first book in a page-turning historical mystery series! Perfect for fans of Agatha Christie,...
Historical Fiction Pre-World War 2
Christina Haynes (148 KP) rated The Hazel Wood in Books
Feb 24, 2018 (Updated Feb 24, 2018)
The Hazel Wood
The Hazel Wood
By Melissa Albert
Review: Christina Haynes
Have you ever wanted to go into the world of fairytales. To see their stories unfold, to learn more about them and not just through the pages of a book?
Alice used to want to know more about them. When your Grandmother is the famous author of the ‘Hinterland’. A world where Fairytales are dark like the story of ‘Alice three times’ of course you would want to know more. Especially when you haven’t met the woman and your mother never talks about her.
But when you do finally enter the Hinderland you see that it’s not all it’s cracked up to be.
Alice and her mother Ella have been on the run all of Alice’s life. Ella grew up on fairytales and Alice grew up on highways. They have both been running from this bad luck that always seems to follow them wherever they go. Which Ella believes comes from her mother, Althea.
Althea Properpine was traveling with a man and when their affair ended she vanished. Alike with Agatha Christie, she returned and no one knew where she had been. Unlike Agatha she remembered – she was in the Hinterland. A place where her stories began.
Althea’s books cannot be found anywhere, she has a huge fan base who never reveal the pages of her book. Everything about her is a mystery, even her home, The Hazel Wood.
Her only known interview was with Vanity Fair and even then no one could say where she lived. Her first husband Ella’s father died when she was young, she then married Greek royalty and then vanished to her home at The Hazel Wood. At eighteen Ella left home with her baby Alice and never stopped running.
One day Ella receives a letter in the post informing her of Althea’s death. To which Ella believes is a miracle, because now her bad luck won’t exist. So she marries and settles down, creates a home they both longed for. Until one day, the bad luck finds them and Ella is taken away, by the Hinterland. Ella leaves Alice a message “STAY AWAY FROM THE HAZEL WOOD” This is the start of the Fairytale that Alice joins.
Alice seeks the help of a boy at school, Ellery Finch who is a super fan of Althea and her stories. Together they travel to where The Hazel Wood is. But is Ellery a friend or just a super fan.
“Look until the leaves turn red, sew the worlds up with thread. If your journey’s left undone, fear the rising of the sun.”
4 ☕ – I REALLY LIKED IT
Love, Christina ?
By Melissa Albert
Review: Christina Haynes
Have you ever wanted to go into the world of fairytales. To see their stories unfold, to learn more about them and not just through the pages of a book?
Alice used to want to know more about them. When your Grandmother is the famous author of the ‘Hinterland’. A world where Fairytales are dark like the story of ‘Alice three times’ of course you would want to know more. Especially when you haven’t met the woman and your mother never talks about her.
But when you do finally enter the Hinderland you see that it’s not all it’s cracked up to be.
Alice and her mother Ella have been on the run all of Alice’s life. Ella grew up on fairytales and Alice grew up on highways. They have both been running from this bad luck that always seems to follow them wherever they go. Which Ella believes comes from her mother, Althea.
Althea Properpine was traveling with a man and when their affair ended she vanished. Alike with Agatha Christie, she returned and no one knew where she had been. Unlike Agatha she remembered – she was in the Hinterland. A place where her stories began.
Althea’s books cannot be found anywhere, she has a huge fan base who never reveal the pages of her book. Everything about her is a mystery, even her home, The Hazel Wood.
Her only known interview was with Vanity Fair and even then no one could say where she lived. Her first husband Ella’s father died when she was young, she then married Greek royalty and then vanished to her home at The Hazel Wood. At eighteen Ella left home with her baby Alice and never stopped running.
One day Ella receives a letter in the post informing her of Althea’s death. To which Ella believes is a miracle, because now her bad luck won’t exist. So she marries and settles down, creates a home they both longed for. Until one day, the bad luck finds them and Ella is taken away, by the Hinterland. Ella leaves Alice a message “STAY AWAY FROM THE HAZEL WOOD” This is the start of the Fairytale that Alice joins.
Alice seeks the help of a boy at school, Ellery Finch who is a super fan of Althea and her stories. Together they travel to where The Hazel Wood is. But is Ellery a friend or just a super fan.
“Look until the leaves turn red, sew the worlds up with thread. If your journey’s left undone, fear the rising of the sun.”
4 ☕ – I REALLY LIKED IT
Love, Christina ?
What am I Still Doing Here?: My Life as Me
Book
'Unremittingly glorious. I and the world demand more and we shall thump our tin mugs on the table...
Emma @ The Movies (1786 KP) rated Knives Out (2019) in Movies
Nov 4, 2019
Knives Out was probably my most anticipated film of the festival, so much so that I brought a ticket to see it rather than deal with the hassle of the press screening.
If you take Clue, add some Agatha Christie and maybe a large helping of A-list cast you'll find yourself at the feet of Knives Out. I don't have a problem with any of that at all, the problem I had is that what we got was predictable. That can work, predictable is comforting, but here I watched and felt like I'd seen it before. It felt like I was watching a remake of something. It was Clue without being as fun and Agatha Christie without being as intriguing. Would it have been better had I not been so excited to see it? Potentially, though we'll never know now.
There are definitely things to like though.
We get the classic interview phase with each family member questioned alone, the whole scene has a wonderful flow to it. With the script, the actors and the clips of each character edited together so well you get the perfect comedic timing on everything.
Marta was an interesting character but Ana de Armas (Blade Runner 2049 and No Time To Die) gave what I felt was an almost forgettable performance, which is incredible considering Marta has a severe problem with lying that leads to hilarious situations. It's a solid performance, I don't want to say she did a bad job, but the other characters are larger than life and it would have been nice to see a little more of that in her. I know she's supposed to be the meek and mild help but you see little glimmers of it in there yet it doesn't come to anything.
Benoit Blanc is Knives Out's Poirot, though he's much more of a crossbreed of Poirot and Hastings. Excellent with the deductions and yet just a little oblivious. Daniel Craig plays him just slightly frustrating, which again is something you'd expect in this sort of thing but I wasn't entirely convinced. I did like Blanc's interactions with Marta, though only from his side of things, it did something interesting to his character but somehow made no impact on Marta's.
A brief special mention should go to Lakeith Stanfield and Noah Segan, their appearances felt fleeting but they were always amusing.
I thought the rest of the cast was good, as you'd expect, that might seems rather dismissive but how am I supposed to feel about it? A-listers in main roles... fantastic, A-listers in cameos... fantastic, but the rest of the characters in this was filled with powerful actors all in bit parts. When that went through my head all I could think was "please sir, I want some more." Toni Collette, Chris Evans, Jamie Lee Curtis, Michael Shannon... great performances but I'd happily have had an encore.
I did enjoy it, but as I sat in the audience and everyone around me roared with laughter at things I thought were just okay I had to wonder what I'd missed. Was it because I was so hyped for it in the first place? Was it festival fatigue? Or have I just seen so much of this that I just couldn't appreciate their take on the classic? I wish I knew.
Cineworld are putting on an Unlimited Screening of this a few days before it goes on general release, I'll definitely be checking it out again and I'm hoping that a second viewing will make me feel differently about it. In the meantime though it's nice to see so many people rating this one highly.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/knives-out-movie-review.html
If you take Clue, add some Agatha Christie and maybe a large helping of A-list cast you'll find yourself at the feet of Knives Out. I don't have a problem with any of that at all, the problem I had is that what we got was predictable. That can work, predictable is comforting, but here I watched and felt like I'd seen it before. It felt like I was watching a remake of something. It was Clue without being as fun and Agatha Christie without being as intriguing. Would it have been better had I not been so excited to see it? Potentially, though we'll never know now.
There are definitely things to like though.
We get the classic interview phase with each family member questioned alone, the whole scene has a wonderful flow to it. With the script, the actors and the clips of each character edited together so well you get the perfect comedic timing on everything.
Marta was an interesting character but Ana de Armas (Blade Runner 2049 and No Time To Die) gave what I felt was an almost forgettable performance, which is incredible considering Marta has a severe problem with lying that leads to hilarious situations. It's a solid performance, I don't want to say she did a bad job, but the other characters are larger than life and it would have been nice to see a little more of that in her. I know she's supposed to be the meek and mild help but you see little glimmers of it in there yet it doesn't come to anything.
Benoit Blanc is Knives Out's Poirot, though he's much more of a crossbreed of Poirot and Hastings. Excellent with the deductions and yet just a little oblivious. Daniel Craig plays him just slightly frustrating, which again is something you'd expect in this sort of thing but I wasn't entirely convinced. I did like Blanc's interactions with Marta, though only from his side of things, it did something interesting to his character but somehow made no impact on Marta's.
A brief special mention should go to Lakeith Stanfield and Noah Segan, their appearances felt fleeting but they were always amusing.
I thought the rest of the cast was good, as you'd expect, that might seems rather dismissive but how am I supposed to feel about it? A-listers in main roles... fantastic, A-listers in cameos... fantastic, but the rest of the characters in this was filled with powerful actors all in bit parts. When that went through my head all I could think was "please sir, I want some more." Toni Collette, Chris Evans, Jamie Lee Curtis, Michael Shannon... great performances but I'd happily have had an encore.
I did enjoy it, but as I sat in the audience and everyone around me roared with laughter at things I thought were just okay I had to wonder what I'd missed. Was it because I was so hyped for it in the first place? Was it festival fatigue? Or have I just seen so much of this that I just couldn't appreciate their take on the classic? I wish I knew.
Cineworld are putting on an Unlimited Screening of this a few days before it goes on general release, I'll definitely be checking it out again and I'm hoping that a second viewing will make me feel differently about it. In the meantime though it's nice to see so many people rating this one highly.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/knives-out-movie-review.html
The Lying Game
7.8
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From the instant New York Times bestselling author of blockbuster thrillers In a Dark, Dark Wood and...
What scares you the most? Ghouls, vampires, slime-fanged aliens ...or something terrible that truly could happen? For me it's definitely the latter.
Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
The Ghost of Hollow House
8.0
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Mina Scarletti returns in her most thrilling mystery yet! Perfect for fans of Sherlock Holmes,...
Ghosts Suspense Historical Fiction