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Kirk Bage (1775 KP) rated Höstsonaten (Autumn Sonata) (1978) in Movies

Jan 28, 2021

Höstsonaten (Autumn Sonata) (1978)

1978 | International, Drama

8.0

(1 Ratings)

Movie Rating

I have been familiar with Bergman for a long time, having seen Summer With Monika, Wild Strawberries and The Seventh Seal at a young age. They were more or less my first experience of foreign language art cinema that I sort of understood and liked. Something about the practical and economical way conversations happen in Bergman appeals to me. They tend to lack melodrama and romance, but are intellectually satisfying and often dramatically devastating. None more so than this mindbendingly sad tale of a mother and daughter in conflict. Bergman’s regular muses Ingmar Bergman and Liv Ullmann go head to head in a masterclass of acting that left me in utter awe. It reminded me of the first time I saw Gena Rowlands in A Woman Under the Influence – such soul-wrenching honest of emotion, it is almost unbearable. In a good way.

The fact that something is bleak has never put me off, and Bergman too is completely unafraid of leaving you entirely depressed. In fact, I wish Hollywood wasn’t so afraid of it. Very few films with personal conflicts this strong spring to mind – perhaps Blue Valentine is as close as it gets. But on the scale of rhetorical blows to the emotional solar plexus, that would be a 4 and Autumn Sonata would be a 9. Truthfully, I have seen few things so brutal and painful played out in film form. Guilt, blame, regret, denial, shame and loss cut to the bone, making the key scenes at the crescendo very hard to watch, but also brilliant because of it. Visually it is warm and cosy enough, but quite static, like a stage play, but of course Bergman was aware of this. He wants us to focus on the people, and so we do. A blindingly strong work of art all round. Just not something you want to revisit too often.

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Heather Cranmer (2721 KP) created a post

Sep 15, 2021

Sneak a peek at The Last Trial of T. Boone Pickens, a biography, by Chrysta Castañeda and Loren Steffy on my blog. This book sure does look interesting!

**BOOK SYNOPSIS**
T. Boone Pickens, legendary Texas oilman and infamous corporate raider from the 1980s, climbed the steps of the Reeves County courthouse in Pecos, Texas in early November 2016. He entered the solitary courtroom and settled into the witness stand for two days of testimony in what would be the final trial of his life.

Pickens, who was 88 by then, had made and lost billions over his long career, but he’d come to Pecos seeking justice from several other oil companies. He claimed they cut him out of what became the biggest oil play he’d ever invested in—in an oil-rich section of far West Texas that was primed for an unprecedented boom. After years of dealing with the media, shareholders and politicians, Pickens would need to win over a dozen West Texas jurors in one last battle.

To lead his legal fight, he chose an unlikely advocate—Chrysta Castañeda, a Dallas solo practitioner who had only recently returned to the practice of law after a hiatus borne of disillusionment with big firms. Pickens was a hardline Republican, while Castañeda had run for public office as a Democrat. But they shared an unwavering determination to win and formed a friendship that spanned their differences in age, politics, and gender.

In a town where frontier justice was once meted out by Judge Roy Bean—“The Law West of the Pecos”—Pickens would gird for one final courtroom showdown. Sitting through trial every day, he was determined to prevail, even at the cost of his health.

The Last Trial of T. Boone Pickens is a high-stakes courtroom drama told through the eyes of Castañeda. It’s the story of an American business legend still fighting in the twilight of his long career, and the lawyer determined to help him make one final stand for justice.