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Cillian Murphy recommended Scarecrow (2002) in Movies (curated)
Phillip Youmans recommended Dog Day Afternoon (1975) in Movies (curated)
Dean (6921 KP) rated Heat (1995) in Movies
Aug 18, 2017
All star cast (2 more)
Intriguing story from both sides of the law
Amazing shoot out scene
A finely crafted heist film
A brilliant crime thriller/ heist movie with an amazing cast. Al Pacino and Robert Deniro are great as the brains behind operations on opposing sides of the law. Turn up the surround sound for the shoot out, awsome scene that raised the bar for the genre.
Sonofdel (6251 KP) rated Hangman (2017) in Movies
Feb 24, 2019
Not bad for the genre
Contains spoilers, click to show
I watched this as i am a fan of the genre and when i watch these sort of films i inadvertently end up comparing them to one of the best films of the genre, namely Seven. This is not a patch on that but it is worth watching. Al pacino as the retired cop is always the one to watch, but he is well supported by Karl Urban and Brittany Snow. The idea behind the film is a clever one and its done well though i can imagine a lot of people trying to figure out what the hangman word is and what it has to do with the film. None of this becomes apparent until the end five minutes and its a little convoluted. i would give this a watch if you like your serial killer films
Mickey Rourke recommended The Godfather (1972) in Movies (curated)
Matthew Krueger (10051 KP) rated Scent of a Woman (1992) in Movies
Nov 29, 2020
Woo-Ah!!!
When you look up thansgiving movies, Scent of a Women comes up. Yes even though it takes over thanksgiving break, it is far from a thanksgiving movie. Its depressing, sad, motived, caring and heartwarming. Its a excellent movie, but man its very depressing and sad. Both Al Pacino and Chris O'Donnell are excellent.
The plot: Frank is a retired Lt. Col. in the US army. He's blind and impossible to get along with. Charlie is at school and is looking forward to going to college. To help pay for a trip home for Christmas, he agrees to look after Frank over Thanksgiving. Frank's niece says this will be easy money, but she didn't reckon on Frank spending his Thanksgiving in New York.
Pacino painstakingly researched his part in Scent of a Woman. To understand what it feels like to be blind, he met with clients of New York's Associated Blind, being particularly interested in seeing from those who had lost their sight due to trauma. Clients traced the entire progression for him—from the moment they knew they would never see again to the depression and through to acceptance and adjustment. The Lighthouse, also in New York, schooled him in techniques a blind person might use to find a chair and seat themselves, pour liquid from a bottle and light a cigar.
Its a excellent movie, but its very depressing and sad at moments. So get ready to cry at those moments.
The plot: Frank is a retired Lt. Col. in the US army. He's blind and impossible to get along with. Charlie is at school and is looking forward to going to college. To help pay for a trip home for Christmas, he agrees to look after Frank over Thanksgiving. Frank's niece says this will be easy money, but she didn't reckon on Frank spending his Thanksgiving in New York.
Pacino painstakingly researched his part in Scent of a Woman. To understand what it feels like to be blind, he met with clients of New York's Associated Blind, being particularly interested in seeing from those who had lost their sight due to trauma. Clients traced the entire progression for him—from the moment they knew they would never see again to the depression and through to acceptance and adjustment. The Lighthouse, also in New York, schooled him in techniques a blind person might use to find a chair and seat themselves, pour liquid from a bottle and light a cigar.
Its a excellent movie, but its very depressing and sad at moments. So get ready to cry at those moments.
Ashe77 (2 KP) rated Russian Doll in TV
Feb 19, 2019
Innovation (4 more)
Creativity
Character depth
Comedy
Acting
Fresh, engaging and incredibly clever.
Contains spoilers, click to show
What a fantastic show. Very clever concepts with great characters and a wonderfully funny and realistic representation of the social circles Nadia has. Natasha Lyonne very clearly channels AL Pacino in her portrayal which isn't a bad thing but shows she's a very good and engaging actress. Loved the depth and layers to the characters and the twists and redirects were constantly superb. Kansas City Shuffles everywhere.
The comedy was funny and the poignancy was powerful.
The comedy was funny and the poignancy was powerful.
Andy K (10821 KP) rated Glengarry Glen Ross (1992) in Movies
Jan 3, 2018
The cast (2 more)
The screenplay
The location
On paper, a film about a bunch of real estate salesman sitting around an office insulting each other and going to any length to get the customer to buy what they are selling may sound boring and uninteresting.
Let m tell you, this film is far from that and is one of my favorite films of all time. If you even put aside the stellar cast of Al Pacino, Jack Lemmon, Kevin Spacey, Ed Harris, Alan Arkin and Alec Baldwin (best role of his career), the screenplay by David Mamet (based on his play) is so full of rich, entertaining words, you can't believe what you are hearing.
Some of the battles between the salesman trying to get their sale or insulting each other after something goes awry have to be heard to be believed. The Alec Baldwin speech is really great; however, the one I always remember is the lashing Al Pacino gives Kevin Spacey when Spacey says the wrong thing.
Unbelievable!
I highly recommend as I have seen many times and enjoy even more every time.
Let m tell you, this film is far from that and is one of my favorite films of all time. If you even put aside the stellar cast of Al Pacino, Jack Lemmon, Kevin Spacey, Ed Harris, Alan Arkin and Alec Baldwin (best role of his career), the screenplay by David Mamet (based on his play) is so full of rich, entertaining words, you can't believe what you are hearing.
Some of the battles between the salesman trying to get their sale or insulting each other after something goes awry have to be heard to be believed. The Alec Baldwin speech is really great; however, the one I always remember is the lashing Al Pacino gives Kevin Spacey when Spacey says the wrong thing.
Unbelievable!
I highly recommend as I have seen many times and enjoy even more every time.
Niten. NR (75 KP) rated Donnie Brasco (1997) in Movies
Jul 15, 2017
Johnny Depp (2 more)
Al Pacino
True Story
Forgettaboutit!
Great film. Great start to a film....Just look at the information passed in the opening credits, we see gangsters, photographs, evidence, this film sets the scene in the first 1 minute, let alone 20. After that, the film plays out brilliantly. Depp plays Don the Jeweller (aka undercover FBI Agent Joe Pistone) infiltrating the New York mob/crime family. Al Pacino plays the flawed gangster Lefty Two Guns. I like a few other supporting roles like Michael Madsen as the rising mob boss Sonny Black, and Paul Giamatti show us great talent in a small role as FBI technician.
This is just a great film where we see Donny torn to pieces by the guilt of not being with his family, the pressure and danger of infiltrating the mob as an undercover agent, and the confused loyalties and love for his connected contact Lefty.
Lefty struggles with his tenuous and fragile position within the mob and looks at Donny as a way up or out.
The film can only go one way but it's fun getting there.
Ill not divulge too much but, for me, its a must watch. Enjoy.
This is just a great film where we see Donny torn to pieces by the guilt of not being with his family, the pressure and danger of infiltrating the mob as an undercover agent, and the confused loyalties and love for his connected contact Lefty.
Lefty struggles with his tenuous and fragile position within the mob and looks at Donny as a way up or out.
The film can only go one way but it's fun getting there.
Ill not divulge too much but, for me, its a must watch. Enjoy.
Johnny Messias (25 KP) rated The Irishman (2019) in Movies
Oct 14, 2019
Al Pacino as Hoffa (6 more)
Joe Pesci is wonderful
De Niro anchors the film
Scorsese on top form
Thelma Schoonmaker’s editing
Steve Zaillian’s script
De Niro and Pacino together
Marty’s marvellous Oldfellas
The Irishman – BFI London Film Festival Review Oct 13th 2019.
An extended cinematic love letter to some of the finest actors of the last 40 years, and to a bygone era of US history, The Irishman is reassuringly brilliant. Like the best Scorsese joints, its business is power brokers, mobsters and underground schemers, but often as a comedy of manners. De Niro anchors the story, yes as mob enforcer but also as a kind of killer Forrest Gump; “connected” to some key milestones in 1960s America; Bay of Pigs, Jimmy Hoffa’s teamsters, RFK, then later the shadow of Nixon. Famously, we see De Niro’s titular character Frank in his 20s, 30s, 40s, right up until the old age home. Scorsese uses computerised de-aging technology to achieve the effect make-up artists might have parlayed. It works well—mostly. What grips you and takes you in is the bravura acting. Al Pacino gives a wonderful performance as Jimmy Hoffa. He goes full “Pacino” with speeches and grandstanding but it is the lilt of this voice (all sing song) in quiet moments that makes this the best we’ve seen from Al in many a year. Joe Pesci as well. He’s kind of the centre of this world, as the mobster who links up De Niro to Pacino’s Hoffa. Pesci speaks quietly and carefully; you sense how much power he has without any of the violence that was trademark in his famous Casino and Goodfellas roles. Over nearly 3.5 hours (never seems long) what you get is a beautifully written, shot, edited and performed drama about loyalty, friendship and a creeping sense of regret. All with the backdrop of this fascinating period: JFK, Union movements, Cuba, Fidel Castro. It lingers long in the memory and it’s one to cherish, since we surely won’t see its like again.
An extended cinematic love letter to some of the finest actors of the last 40 years, and to a bygone era of US history, The Irishman is reassuringly brilliant. Like the best Scorsese joints, its business is power brokers, mobsters and underground schemers, but often as a comedy of manners. De Niro anchors the story, yes as mob enforcer but also as a kind of killer Forrest Gump; “connected” to some key milestones in 1960s America; Bay of Pigs, Jimmy Hoffa’s teamsters, RFK, then later the shadow of Nixon. Famously, we see De Niro’s titular character Frank in his 20s, 30s, 40s, right up until the old age home. Scorsese uses computerised de-aging technology to achieve the effect make-up artists might have parlayed. It works well—mostly. What grips you and takes you in is the bravura acting. Al Pacino gives a wonderful performance as Jimmy Hoffa. He goes full “Pacino” with speeches and grandstanding but it is the lilt of this voice (all sing song) in quiet moments that makes this the best we’ve seen from Al in many a year. Joe Pesci as well. He’s kind of the centre of this world, as the mobster who links up De Niro to Pacino’s Hoffa. Pesci speaks quietly and carefully; you sense how much power he has without any of the violence that was trademark in his famous Casino and Goodfellas roles. Over nearly 3.5 hours (never seems long) what you get is a beautifully written, shot, edited and performed drama about loyalty, friendship and a creeping sense of regret. All with the backdrop of this fascinating period: JFK, Union movements, Cuba, Fidel Castro. It lingers long in the memory and it’s one to cherish, since we surely won’t see its like again.