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Lenard (726 KP) rated The Secret Life of Pets 2 (2019) in Movies
Jun 9, 2019
The hidden truth of those dogs, cats, and other four-legged friends you care about continues. More like a three episode animated series than a 80 minute feature film, The Secret Life of Pets is a collection of three interconnected stories, a Pup Furtion with Chloe as the wise Paul and four wolves instead of just Winston Wolf. First, Max (now voiced by Patton Oswald) and Katie have a new master, the baby/toddler Liam. Parenthood give Max an anxiety disorder turning him into a canine version of Marlin protecting his yound ward from all the dangers of New York City instead of the Great Barrier Reef. Katie and new hubby take Max and Duke to the country for some relaxation where Max meets alpha dog Rooster who teaches our old dog new tricks. The second story is Gidget who is entrusted with Max's toy Busy Bee and loses it in the apartment of a cat lady. Gidget is given lessons in cattitude by Chloe to save Busy Bee. Last up, Snowball who moonlights as a costumed hero meets a femme fatale Daisy who wants Snowball to save a circus tiger from an abusive Russian. For a supposed family feature, there is a lot of animal cruelty on display whether intentional or not. I cannot support any film without regard for the safety of its animal cast. Therefore, avoid Secret Life of Pets and watch Aladdin a second time.
Irene M (130 KP) rated A Whole New World in Books
Dec 7, 2018
This book has had very mixed reviews… and to be honest I can see why.
The first about 1/3 of the book follows the Disney film pretty much to the letter, and without surprising anyone too much that is when the story changes.
In the film Aladdin gets the lamp… in this book he doesn’t (I won’t write “spoiler” as that bit is written on the front cover) and needless to say the camel dung hits the fan.
Where I think people might not like this book is the style of writing. Without being derogatory to the style this is very fanfictiony. You know those AU stories where one thing has changed? Well, that. At times the language is a bit too modern, it IS set in old Agrabah afterall.
I can see where the author tried to go with the plot, and while maybe not the most highbrow retelling of the story, it also wasn’t as bad as the previous reviews I’d read made it out to be. Certainly not a kids story (a tad gory, character death warning, violence etc) but a logical enough route for the bad guy winning.
Don’t go into this book expecting an epic Disney tale and you might well enjoy it. The author has rewritten Beauty and The Beast and Sleeping Beauty to follow this one, and I’m going to give them a read as well.
The first about 1/3 of the book follows the Disney film pretty much to the letter, and without surprising anyone too much that is when the story changes.
In the film Aladdin gets the lamp… in this book he doesn’t (I won’t write “spoiler” as that bit is written on the front cover) and needless to say the camel dung hits the fan.
Where I think people might not like this book is the style of writing. Without being derogatory to the style this is very fanfictiony. You know those AU stories where one thing has changed? Well, that. At times the language is a bit too modern, it IS set in old Agrabah afterall.
I can see where the author tried to go with the plot, and while maybe not the most highbrow retelling of the story, it also wasn’t as bad as the previous reviews I’d read made it out to be. Certainly not a kids story (a tad gory, character death warning, violence etc) but a logical enough route for the bad guy winning.
Don’t go into this book expecting an epic Disney tale and you might well enjoy it. The author has rewritten Beauty and The Beast and Sleeping Beauty to follow this one, and I’m going to give them a read as well.
Fire and Cinder (Fairy Tales of the Magicorum #7)
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Meet the Magicorum: modern folks who are supernaturally locked into fairy tale life templates. For...
Young Adult Fantasy
Perfect Genesis: Adolescence
9.0
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Perfect Genesis is a science fiction, fantasy epic that tells the story of Leonardo Khalid. The year...
Molly J (Cover To Cover Cafe) (106 KP) rated The Simple Art Of Flying in Books
Mar 4, 2019
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First, can we just take a minute to talk about this cover? It’s absolutely adorable! I love the birds, and the books, and the colors. That alone would pull me into the book. Second, can I just tell you that I wish we had books like this when I was a kid! Don’t get me wrong, Beverly Cleary, Ramona Quimby, The Baby Sitters Club, and a few others were awesome. But, books like TSAOF would have been happily devoured then, too!
I absolutely adored Alastair. I’m not a fan of birds, but it they were all like Alastair I would have a dozen! I loved his curmudgeon quirkiness, and his ability to pull you into the story, along with his sister Aggie. His poetry was awesome and captivating! And, Fritz. Let me tell you what. I saw a lot of my own kiddos in Fritz. He was just lovable. And, Bertie! The perfect “grandma” for the story. I loved her laugh-out-loud moments in the story.
This debut novel by the amazingly talented Cory Leonardo is one that should be on every young reader’s shelves. It’s filled with life lessons, lots of laughter, characters who will become friends, and lots of fun. If you have a younger reader, age 8 and up, I would definitely recommend you get this for them. It’s worthy of 4 stars, for sure! Great job on your debut, Leonardo!
*I received a complimentary copy of this book from Aladdin and was under no obligation to post a review, positive or negative.*
I absolutely adored Alastair. I’m not a fan of birds, but it they were all like Alastair I would have a dozen! I loved his curmudgeon quirkiness, and his ability to pull you into the story, along with his sister Aggie. His poetry was awesome and captivating! And, Fritz. Let me tell you what. I saw a lot of my own kiddos in Fritz. He was just lovable. And, Bertie! The perfect “grandma” for the story. I loved her laugh-out-loud moments in the story.
This debut novel by the amazingly talented Cory Leonardo is one that should be on every young reader’s shelves. It’s filled with life lessons, lots of laughter, characters who will become friends, and lots of fun. If you have a younger reader, age 8 and up, I would definitely recommend you get this for them. It’s worthy of 4 stars, for sure! Great job on your debut, Leonardo!
*I received a complimentary copy of this book from Aladdin and was under no obligation to post a review, positive or negative.*
City Spies
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In this thrilling new series that Stuart Gibbs called “a must-read,” Edgar Award winner James...
Golden Gate
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In this second installment in the New York Times bestselling series from Edgar Award winner James...
Emma @ The Movies (1786 KP) rated Aladdin (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Oh. My. This was always going to be a tough one for me, and I've been thinking long and hard about how on earth I was going to review this. I love the original, anyone who even remotely enjoys it would be able to sing you at least one of the songs, and therein lies one of the problems. Would I have had a different opinion about some of the elements had I not seen the original so many times? After a lot of contemplating I think the answer in most cases is no.
Note: I went to see this for a second time so I'm going to edit what I previously wrote up as I go because on second viewing it was better. Once the initial shock and annoyance had passed after seeing it the first time it was much easier to watch for the second time.
Remaking something that's peak Disney has so many issues, recasting roles, changing social views and cultural sensitivities, are probably the biggest ones.
Let's talk about the (blue) elephant in the room... although I guess that phrase isn't really accurate as we all want to talk about it. Oh Genie, my Genie. I don't think anyone would have been able to fill that lamp the way Robin Williams did, he was larger than life and brought such a sense of fun whenever he did roles like this. The man is a comedic legend. Recasting this was always going to be difficult, and honestly, I don't know if there's anyone I would have been happy with taking over the mantle.
When I found out that Will Smith was on board I wasn't completely put off. On paper he's got everything you'd need for this role. He had one of two choices, stick to the original faithfully or take it your own way. I just don't think Smith actually had a choice though, he was going to have to do a reinterpretation of the role, but how could you ever follow Williams?
The thing I'm most surprised about with Genie is just how bad the CGI is. It's not like this is something Disney are unfamiliar with. Why did some of it even need to be CGId? I obviously don't know the ins and outs of these techniques or options, but if people can make Robbie Coltrane look larger than life in Harry Potter without mucking it up then why aren't they smurfing Will Smith up and doing the same?
Casting across the rest of the film wasn't such an epic task, Mena Massoud as Aladdin and Navid Negahban as the Sultan hit exactly the right spot. I had issues with Jafar, that's nothing to do with Marwan Kenzari's acting which was very good, but it was the fact that in my head Jafar should have been older. (Dream casting: Ben Kingsley.) I'm sure I won't be popular saying this but I didn't really like Naomi Scott as Jasmine, I don't think she brought enough sass to the role, I also felt that some of the new inclusions into the film around Jasmine negatively affected my view of her.
By far and away my favourite from the live action cast was Nasim Pedrad as Dalia, Jasmine's lady in waiting. I don't know why they felt the need to bring this character in, but I'm really glad they did. She's funny and a welcome break in some scenes. She completely outshines Jasmine as almost every point in the film... actually, I retract the word "almost". While I might not be happy about part of her character's story (ask me for the spoilers) she was definitely the best added extra in the film.
Our group of sidekicks, Abu, Iago, Rajah and Carpet all come out with varying degrees of success. Abu wasn't entirely lucky with the CGI and didn't get such a fun part as before. Iago was much more bird-like than previously which meant less actual talking so I have to wonder why they hired Alan Tudyk if they weren't going to use him properly. Rajah while less quizzical than in the original was entertaining and luckily wasn't mutilated by the CGI. Carpet though, I loved Carpet. He was super cute and absolutely adorable with Abu.
I'm not going to go over every change they made to the original, but one tweak particularly bugged me. They change the way that Aladdin gets out of the cave of wonders. The verbal trickery that Aladdin uses in the original is gone and they switch it out for a much more deceitful moment. The idea isn't as clever as its predecessor and also means that later in the film when Aladdin tricks Jafar you don't get that same connection, watching Genie working out what was going on was painful viewing.
I can't really put off talking about the songs anymore.
As trailers and sneak peeks appeared online I became increasingly nervous about the songs. Prince Ali seemed to be less upbeat than before, and while the sequence looked like it had potential all of it together didn't feel as vibrant. I appreciate that they tried to keep all those little Genie added extra in but it felt like they went with a "safe" option.
I enjoy Will Smith's singing, but I'm not a fan of it in this. I don't think the change in style is suited to these songs. I've seen people saying about how he's rapping in it... but I wouldn't have identified it as rapping. If anything it felt like they went "you should get some rapping in there, but we're Disney so tone it down... a lot."
We get a new offering on the soundtrack in the shape of Speechless, Jasmine's empowering song. I like the song, it certainly has the Disney vibe, and Scott sings it beautifully... but it didn't give me those goosebumps that I expect from power songs. I probably would have given the song a pass had it not been for the way it was included in the film. The frozen scenes with Jasmine dramatically moving in and out of the cast and set... ugh... that just didn't work for me.
Massoud had originally given me so much hope for the music when I heard One Jump Ahead at the beginning. It was excellent, and throughout the film I loved his singing.
Here's where my opinion changed a bit after my second visit... the songs weren't all as bad as I'd felt after the first viewing. I still didn't enjoy Genie's offering, but Aladdin and Jasmine both felt like an excellent choice. The main thing that didn't change was the fact that I didn't feel the songs fit well into the scenes. Part of the draw of Disney is the toe-tapping singalong vibe you get from the music, and there was a lack of pizzaz in most of the sequences that left my toes untapped.
I could probably go on for a very long time about this film. (I already have.) Ultimately, I don't think it's an improvement on the original, I don't think these modern rehashes really add a lot when you have to adjust for the modern culture. I'm not saying that you shouldn't take the changing times into consideration, I just think you should do it in a way that doesn't just come across as trying to score points with the audience to prove how "with it" you are. I also don't think that coming up with 30 minutes of extra footage is ever a sensible idea. If that's what you want to do then perhaps you need to really mix things up and come up with a whole new concept for the story.
What you should do
You're either a Disney nut or you're not. Personally, I would recommend staying at home and having a binge of old Disney classics, starting with the one true Genie.
Movie thing you wish you could take home
Could I get Genie powers without the itty-bitty living space?
Note: I went to see this for a second time so I'm going to edit what I previously wrote up as I go because on second viewing it was better. Once the initial shock and annoyance had passed after seeing it the first time it was much easier to watch for the second time.
Remaking something that's peak Disney has so many issues, recasting roles, changing social views and cultural sensitivities, are probably the biggest ones.
Let's talk about the (blue) elephant in the room... although I guess that phrase isn't really accurate as we all want to talk about it. Oh Genie, my Genie. I don't think anyone would have been able to fill that lamp the way Robin Williams did, he was larger than life and brought such a sense of fun whenever he did roles like this. The man is a comedic legend. Recasting this was always going to be difficult, and honestly, I don't know if there's anyone I would have been happy with taking over the mantle.
When I found out that Will Smith was on board I wasn't completely put off. On paper he's got everything you'd need for this role. He had one of two choices, stick to the original faithfully or take it your own way. I just don't think Smith actually had a choice though, he was going to have to do a reinterpretation of the role, but how could you ever follow Williams?
The thing I'm most surprised about with Genie is just how bad the CGI is. It's not like this is something Disney are unfamiliar with. Why did some of it even need to be CGId? I obviously don't know the ins and outs of these techniques or options, but if people can make Robbie Coltrane look larger than life in Harry Potter without mucking it up then why aren't they smurfing Will Smith up and doing the same?
Casting across the rest of the film wasn't such an epic task, Mena Massoud as Aladdin and Navid Negahban as the Sultan hit exactly the right spot. I had issues with Jafar, that's nothing to do with Marwan Kenzari's acting which was very good, but it was the fact that in my head Jafar should have been older. (Dream casting: Ben Kingsley.) I'm sure I won't be popular saying this but I didn't really like Naomi Scott as Jasmine, I don't think she brought enough sass to the role, I also felt that some of the new inclusions into the film around Jasmine negatively affected my view of her.
By far and away my favourite from the live action cast was Nasim Pedrad as Dalia, Jasmine's lady in waiting. I don't know why they felt the need to bring this character in, but I'm really glad they did. She's funny and a welcome break in some scenes. She completely outshines Jasmine as almost every point in the film... actually, I retract the word "almost". While I might not be happy about part of her character's story (ask me for the spoilers) she was definitely the best added extra in the film.
Our group of sidekicks, Abu, Iago, Rajah and Carpet all come out with varying degrees of success. Abu wasn't entirely lucky with the CGI and didn't get such a fun part as before. Iago was much more bird-like than previously which meant less actual talking so I have to wonder why they hired Alan Tudyk if they weren't going to use him properly. Rajah while less quizzical than in the original was entertaining and luckily wasn't mutilated by the CGI. Carpet though, I loved Carpet. He was super cute and absolutely adorable with Abu.
I'm not going to go over every change they made to the original, but one tweak particularly bugged me. They change the way that Aladdin gets out of the cave of wonders. The verbal trickery that Aladdin uses in the original is gone and they switch it out for a much more deceitful moment. The idea isn't as clever as its predecessor and also means that later in the film when Aladdin tricks Jafar you don't get that same connection, watching Genie working out what was going on was painful viewing.
I can't really put off talking about the songs anymore.
As trailers and sneak peeks appeared online I became increasingly nervous about the songs. Prince Ali seemed to be less upbeat than before, and while the sequence looked like it had potential all of it together didn't feel as vibrant. I appreciate that they tried to keep all those little Genie added extra in but it felt like they went with a "safe" option.
I enjoy Will Smith's singing, but I'm not a fan of it in this. I don't think the change in style is suited to these songs. I've seen people saying about how he's rapping in it... but I wouldn't have identified it as rapping. If anything it felt like they went "you should get some rapping in there, but we're Disney so tone it down... a lot."
We get a new offering on the soundtrack in the shape of Speechless, Jasmine's empowering song. I like the song, it certainly has the Disney vibe, and Scott sings it beautifully... but it didn't give me those goosebumps that I expect from power songs. I probably would have given the song a pass had it not been for the way it was included in the film. The frozen scenes with Jasmine dramatically moving in and out of the cast and set... ugh... that just didn't work for me.
Massoud had originally given me so much hope for the music when I heard One Jump Ahead at the beginning. It was excellent, and throughout the film I loved his singing.
Here's where my opinion changed a bit after my second visit... the songs weren't all as bad as I'd felt after the first viewing. I still didn't enjoy Genie's offering, but Aladdin and Jasmine both felt like an excellent choice. The main thing that didn't change was the fact that I didn't feel the songs fit well into the scenes. Part of the draw of Disney is the toe-tapping singalong vibe you get from the music, and there was a lack of pizzaz in most of the sequences that left my toes untapped.
I could probably go on for a very long time about this film. (I already have.) Ultimately, I don't think it's an improvement on the original, I don't think these modern rehashes really add a lot when you have to adjust for the modern culture. I'm not saying that you shouldn't take the changing times into consideration, I just think you should do it in a way that doesn't just come across as trying to score points with the audience to prove how "with it" you are. I also don't think that coming up with 30 minutes of extra footage is ever a sensible idea. If that's what you want to do then perhaps you need to really mix things up and come up with a whole new concept for the story.
What you should do
You're either a Disney nut or you're not. Personally, I would recommend staying at home and having a binge of old Disney classics, starting with the one true Genie.
Movie thing you wish you could take home
Could I get Genie powers without the itty-bitty living space?
Once Upon Another Time
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Storybook characters collide in this first book in a new trilogy of twisted fairy tales from New...
