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Gabrielle Chanel recommended L' année dernière à Marienbad [Last Year at Marienbad] (1961) in Movies (curated)

 
L' année dernière à Marienbad [Last Year at Marienbad] (1961)
L' année dernière à Marienbad [Last Year at Marienbad] (1961)
1961 | Fantasy, Mystery
7.3 (3 Ratings)
Movie Favorite

"After spotting a then-unknown Delphine Seyrig in a New York theater production, director Alain Resnais cast her as the female lead of his superb and enigmatic meditation on time and memory, then enlisted Chanel to transform his ingenue into a star. The exquisite gowns she designed are integral to the film’s highly influential visual design, and Chanel and Seyrig began a long-lasting friendship, united by mutual respect and their devotion to the cause of women."

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Ali Abbasi recommended The Road (La Strada) (1954) in Movies (curated)

 
The Road (La Strada) (1954)
The Road (La Strada) (1954)
1954 | International, Classics, Drama
(0 Ratings)
Movie Favorite

"I don’t want to say much about La strada other than that it’s the reason why I am here. When you watch this movie, no matter who you are, you get the sense that this is something special that couldn’t have been made for television or heard as a radio play. It’s not Alain Resnais, it’s very accessible, and yet it has cinematic purity. This is a mark of how depressing the movie business has gotten—we don’t make these kinds of movies anymore, movies where there’s just a natural consensus that they’re good. Where you don’t have to wait for critics to say so, because everybody can feel it."

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Rutger Hauer recommended Hiroshima Mon Amour (1959) in Movies (curated)

 
Hiroshima Mon Amour (1959)
Hiroshima Mon Amour (1959)
1959 | Drama, Romance
7.0 (1 Ratings)
Movie Favorite

"I’ll go back to the one that hit me hard a long time ago, Hiroshima mon amour by Alain Resnais. I think the first cuts are so deep, you know, when your hard disc is still pretty empty, and these first films hit you so hard where you go, “Oh my god, I didn’t know this existed, it’s so beautiful.” Hiroshima mon amour was a film by a filmmaker where I didn’t know this language was even possible on film — I was looking at wax museum films and Westerns and war movies and horror movies and everything, but not this one; it really woke up my eyes for something else. It was so poetic and so cool, and just really enjoyable."

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