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Going in Style (2017)
6.7
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Oscar winners Morgan Freeman (Million Dollar Baby), Michael Caine (The Cider House Rules, Hannah and...
Argo (2012)
8.1
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Based on true events, Argo chronicles the life-or-death covert operation to rescue six Americans,...
Andy K (10821 KP) rated Glengarry Glen Ross (1992) in Movies
Jan 3, 2018
The cast (2 more)
The screenplay
The location
On paper, a film about a bunch of real estate salesman sitting around an office insulting each other and going to any length to get the customer to buy what they are selling may sound boring and uninteresting.
Let m tell you, this film is far from that and is one of my favorite films of all time. If you even put aside the stellar cast of Al Pacino, Jack Lemmon, Kevin Spacey, Ed Harris, Alan Arkin and Alec Baldwin (best role of his career), the screenplay by David Mamet (based on his play) is so full of rich, entertaining words, you can't believe what you are hearing.
Some of the battles between the salesman trying to get their sale or insulting each other after something goes awry have to be heard to be believed. The Alec Baldwin speech is really great; however, the one I always remember is the lashing Al Pacino gives Kevin Spacey when Spacey says the wrong thing.
Unbelievable!
I highly recommend as I have seen many times and enjoy even more every time.
Let m tell you, this film is far from that and is one of my favorite films of all time. If you even put aside the stellar cast of Al Pacino, Jack Lemmon, Kevin Spacey, Ed Harris, Alan Arkin and Alec Baldwin (best role of his career), the screenplay by David Mamet (based on his play) is so full of rich, entertaining words, you can't believe what you are hearing.
Some of the battles between the salesman trying to get their sale or insulting each other after something goes awry have to be heard to be believed. The Alec Baldwin speech is really great; however, the one I always remember is the lashing Al Pacino gives Kevin Spacey when Spacey says the wrong thing.
Unbelievable!
I highly recommend as I have seen many times and enjoy even more every time.
Improv Nation: How We Made a Great American Art
Book
From the best-selling author of Fosse, a sweeping yet intimate—and often hilarious—history of a...
Art History
Sarah (7798 KP) rated Little Miss Sunshine (2006) in Movies
Mar 24, 2021
Adorably heartwarming
Film #17 on the 100 Movies Bucket List: Little Miss Sunshine
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
JT (287 KP) rated Argo (2012) in Movies
Mar 10, 2020
Does making a film based on a true story make it any more endearing to the Oscar big wigs? Possibly, but one thing is for sure, Ben Affleck’s third film Argo is an outstanding piece of film making with exceptional attention to detail and sense of realism.
In 1979 Iran was overrun by Iranian revolutionaries, these revolutionaries stormed the American embassy taking several Americans hostage. Six of those managed to escape to the official residence of the Canadian Ambassador where the CIA was eventually ordered to get them out of the country by whatever means necessary.
Led by Tony Mendez (Affleck) a CIA expert in exfiltration he puts together an elaborate plan to go in as a film producer and rescue the six who’ll pose as a film crew on a location hunt for new sci-fi flick, Argo. Even if this was fiction it would be a pretty daring plan in an environment that was so hostile for its time they’re hanging people by cranes in the street, and women carry machine guns!
In order to make the film seem as real as possible Mendez enlists the help of John Chambers (John Goodman) a Hollywood make-up artist whose helped the CIA out before and film producer Lester Siegel (Alan Arkin). Between them they put the film into fake production, concoct false identities for the six and set about taking them out directly though the Iranian airport in a daring escape.
Affleck gets the cinematography spot on, creating a grainy perspective for that era and using some real footage as well. It all helps convey the narrative and plot that this was one of the most dangerous missions of its time and one what would live long in CIA and American history.
Goodman and Arkin add a humorous element to the proceedings “if it’s going to be a fake film I want it to be a fake hit” Lester claims when he’s approached about the project. The other side feels like a 70s version of 24 with the political suits in boardrooms arguing about the best way to execute the plan.
The tension is built slowly with everything climaxing to a pulsating last act which will have your heart pounding and seat gripped. Personally I didn’t endear to any of the six escapees, their stories are not built up enough other than they’re all unsure if they can trust Mendez to get them back on home soil safely.
Argo got the best picture Oscar over a lot of other seemingly worthy nominees, but you couldn’t deny Affleck his moment in the spotlight and cementing him as one of the best actor to director transitions. While the film might not be entirely accurate, Affleck just wants to get to the heart of this espionage thriller and does so while finding a perfect balance between comedy and drama.
In 1979 Iran was overrun by Iranian revolutionaries, these revolutionaries stormed the American embassy taking several Americans hostage. Six of those managed to escape to the official residence of the Canadian Ambassador where the CIA was eventually ordered to get them out of the country by whatever means necessary.
Led by Tony Mendez (Affleck) a CIA expert in exfiltration he puts together an elaborate plan to go in as a film producer and rescue the six who’ll pose as a film crew on a location hunt for new sci-fi flick, Argo. Even if this was fiction it would be a pretty daring plan in an environment that was so hostile for its time they’re hanging people by cranes in the street, and women carry machine guns!
In order to make the film seem as real as possible Mendez enlists the help of John Chambers (John Goodman) a Hollywood make-up artist whose helped the CIA out before and film producer Lester Siegel (Alan Arkin). Between them they put the film into fake production, concoct false identities for the six and set about taking them out directly though the Iranian airport in a daring escape.
Affleck gets the cinematography spot on, creating a grainy perspective for that era and using some real footage as well. It all helps convey the narrative and plot that this was one of the most dangerous missions of its time and one what would live long in CIA and American history.
Goodman and Arkin add a humorous element to the proceedings “if it’s going to be a fake film I want it to be a fake hit” Lester claims when he’s approached about the project. The other side feels like a 70s version of 24 with the political suits in boardrooms arguing about the best way to execute the plan.
The tension is built slowly with everything climaxing to a pulsating last act which will have your heart pounding and seat gripped. Personally I didn’t endear to any of the six escapees, their stories are not built up enough other than they’re all unsure if they can trust Mendez to get them back on home soil safely.
Argo got the best picture Oscar over a lot of other seemingly worthy nominees, but you couldn’t deny Affleck his moment in the spotlight and cementing him as one of the best actor to director transitions. While the film might not be entirely accurate, Affleck just wants to get to the heart of this espionage thriller and does so while finding a perfect balance between comedy and drama.
The Heart is a Lonely Hunter
Carson McCullers and Kasia Boddy
Book
Carson McCullers' The Heart is a Lonely Hunter is a powerful exploration of alienation and...
Gareth von Kallenbach (971 KP) rated The Incredible Burt Wonderstone (2013) in Movies
Jun 19, 2019
Back in the early 1980s, a young boy who found himself without friends and tormented by bullies was about to have an unexpected and life-changing experience. Alone on his birthday, the young boy opens his one gift from his mom and is delighted to find a magic kit and instructional video by reknowned magician Lance Holloway (Alan Arkin). His early attempts at magic gain him a new friend and the two become inseparable through their love and practice of magic.
Flash forward, and the two friends are now all the rage in the world of magic. Burt Wonderstone (Steve Carrell), and Anton Marvelton (Steve Buscemi), have packed their theater night after night with a dazzling mix of music, showmanship, and magic. Not only does this keep their boss (James Gandolfini) happy, but it allows Burt to enjoy all of the perks of being a Las Vegas headliner: fame, fortune, and women.
Ten years later it’s a different story for the two friends. While they still have a very popular show, creative differences between the two have arisen and Burt has become a very pompous and self-centered individual. He treats those around him with utter disdain and has driven off numerous assistants due to his behavior. The latest to join his group is Jane (Olivia Wilde), whom Burt sees as nothing more than a person to assist on stage to make him look good, and to succumb to his charms after the show. When a new street magician named (Jim Carrey), starts to become garner attention with his new and shocking routines, Burt and Anton’s routine is suddenly looking very stale in comparison. Anton devises a new trick to be played out in public that he hopes will propel the duo to a fresh and hip image, but sadly things go horribly wrong and the best friends have a bitter falling out. Literally.
Burt attempts to go on with the show alone, but his ego will not allow him to acknowledge the fact that Anton was a big part of the show and that the act depends on both of them. With his career suddenly over and with no money, Burt hits rock bottom and must find a way to regain his former glory. In doing so he will have to reinvent himself and undergo a magical transformation of his own.
The movie is an absolute delight and is so much more enjoyable and funnier than the trailers imply. Carrell has pulled off his best movie since “The 40 Year Old Virgin”, and infuses Burt with a likeability and sense of wonder despite his narcissism. Buscemi and Arkin are great in their supporting roles and Carrey seems to be enjoying every minute of playing the film’s bad guy as he gives a performance that while restrained when compared to some of his more over the top roles works very well with the ensemble cast.
The film is an unexpected find as it is a comedy that does not pander to base humor to get laughs and instead uses situational comedy and the characters to tell a charming story sprinkled with some solid laughs along the way, especially in the final moments of the film.
http://sknr.net/2013/03/15/the-incredible-burt-wonderstone/
Flash forward, and the two friends are now all the rage in the world of magic. Burt Wonderstone (Steve Carrell), and Anton Marvelton (Steve Buscemi), have packed their theater night after night with a dazzling mix of music, showmanship, and magic. Not only does this keep their boss (James Gandolfini) happy, but it allows Burt to enjoy all of the perks of being a Las Vegas headliner: fame, fortune, and women.
Ten years later it’s a different story for the two friends. While they still have a very popular show, creative differences between the two have arisen and Burt has become a very pompous and self-centered individual. He treats those around him with utter disdain and has driven off numerous assistants due to his behavior. The latest to join his group is Jane (Olivia Wilde), whom Burt sees as nothing more than a person to assist on stage to make him look good, and to succumb to his charms after the show. When a new street magician named (Jim Carrey), starts to become garner attention with his new and shocking routines, Burt and Anton’s routine is suddenly looking very stale in comparison. Anton devises a new trick to be played out in public that he hopes will propel the duo to a fresh and hip image, but sadly things go horribly wrong and the best friends have a bitter falling out. Literally.
Burt attempts to go on with the show alone, but his ego will not allow him to acknowledge the fact that Anton was a big part of the show and that the act depends on both of them. With his career suddenly over and with no money, Burt hits rock bottom and must find a way to regain his former glory. In doing so he will have to reinvent himself and undergo a magical transformation of his own.
The movie is an absolute delight and is so much more enjoyable and funnier than the trailers imply. Carrell has pulled off his best movie since “The 40 Year Old Virgin”, and infuses Burt with a likeability and sense of wonder despite his narcissism. Buscemi and Arkin are great in their supporting roles and Carrey seems to be enjoying every minute of playing the film’s bad guy as he gives a performance that while restrained when compared to some of his more over the top roles works very well with the ensemble cast.
The film is an unexpected find as it is a comedy that does not pander to base humor to get laughs and instead uses situational comedy and the characters to tell a charming story sprinkled with some solid laughs along the way, especially in the final moments of the film.
http://sknr.net/2013/03/15/the-incredible-burt-wonderstone/
The Ballad of the Sad Cafe: Wunderkind; The Jockey; Madame Zilensky and the King of Finland; The Sojourner; A Domestic Dilemma; A Tree, A Rock, A Cloud
10.0
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Book
Few writers have expressed loneliness, the need for human understanding and the search for love with...
Gareth von Kallenbach (971 KP) rated Get Smart (2008) in Movies
Aug 14, 2019
In the post Cold-War era the focus on national security has changed from focusing on Eastern Block adversaries to terror cells and state sponsored terrorism. For the agents of the ultra secret agency Control, the demise of their arch nemesis KAOS was the signal that they had ceased to be important in the world of today and had shut down when in truth they just went further into a cloak of secrecy and continued their mission.
In the new movie “Get Smart” audiences are given a new interpretation of the classic Mel Brooks/Buck Henry series that started Don Adams and Barbra Feldon as a pair of secret agents tasked with saving the world.
This time out Steve Carell and Anne Hathaway star Maxwell Smart and Agent 99 as they are forced to work with one another following a devastating attack on Control headquarters which results in the exposure of their operatives worldwide.
With no agents having the required anonymity needed to perform covert missions, the Chief of Control (Alan Arkin), is forced to promote eager intelligence analyst Smart to the ranks of field agent and pairs him with Agent 99 who is still able to maintain her guise thanks to some prep work she had done for a prior assignment.
To say that 99 is not thrilled to be paired with Smart would be an understatement, as she sees the eager Smart to be an unproven liability and one that would likely cause the failure of the mission and kill both of them.
Since the ultra suave Agent 23 (Dwayne Johnson), is unable to work in the field, Smart and Agent 99 are forced to work with one another as they head off to Russia to get to the bottom of the weapons threat and hopefully follow the trail to the ultimate threat, Siegfried (Terrance Stamp), who is the brains behind an all new wave of terror that only Agent 99 and Smart can stop.
The film starts out slowly, but eventually finds its rhythm and does a decent job of blending comedy and action. Hathaway and Carell do a great job with the material as both roles require a degree of physicality that they have not shown in previous works.
The laughs on the film are constant, but they are off the more dumb humor comedy as nobody will mistake this film as a piece of high comedy. Which is not to say this is a bad thing as Carell is very likeable as Smart and while he portrays the character differently than did the late Don Adams; he maintains the goofy competence that his character requires as despite being a goofball, he does get the job done in the end.
The fine supporting work by Arkin and Johnson as well as a good amount of cameos lead to the fun of the film.
It is important to note that this is not a retelling of the original series that ran from 1965-1970 but a completely new interpretation of the series which has been updated to reflect the modern setting yet contains plenty of winks to the show that inspired it.
While many of the series catch phrases seem out of place in the film, I found myself enjoying the new film despite being a fan of the original series.
Some have leveled criticism that the film has traded locker room humor, stupid comedy, and FX for the wit and inventiveness that made the original series so popular.
I found myself enjoying the new version of the film and enjoyed the performances of the characters and while not side splittingly funny, there were more than enough chuckles along the way to keep me entertained.
Here is hoping 86 and 99 will be back on the big screen for future missions.
In the new movie “Get Smart” audiences are given a new interpretation of the classic Mel Brooks/Buck Henry series that started Don Adams and Barbra Feldon as a pair of secret agents tasked with saving the world.
This time out Steve Carell and Anne Hathaway star Maxwell Smart and Agent 99 as they are forced to work with one another following a devastating attack on Control headquarters which results in the exposure of their operatives worldwide.
With no agents having the required anonymity needed to perform covert missions, the Chief of Control (Alan Arkin), is forced to promote eager intelligence analyst Smart to the ranks of field agent and pairs him with Agent 99 who is still able to maintain her guise thanks to some prep work she had done for a prior assignment.
To say that 99 is not thrilled to be paired with Smart would be an understatement, as she sees the eager Smart to be an unproven liability and one that would likely cause the failure of the mission and kill both of them.
Since the ultra suave Agent 23 (Dwayne Johnson), is unable to work in the field, Smart and Agent 99 are forced to work with one another as they head off to Russia to get to the bottom of the weapons threat and hopefully follow the trail to the ultimate threat, Siegfried (Terrance Stamp), who is the brains behind an all new wave of terror that only Agent 99 and Smart can stop.
The film starts out slowly, but eventually finds its rhythm and does a decent job of blending comedy and action. Hathaway and Carell do a great job with the material as both roles require a degree of physicality that they have not shown in previous works.
The laughs on the film are constant, but they are off the more dumb humor comedy as nobody will mistake this film as a piece of high comedy. Which is not to say this is a bad thing as Carell is very likeable as Smart and while he portrays the character differently than did the late Don Adams; he maintains the goofy competence that his character requires as despite being a goofball, he does get the job done in the end.
The fine supporting work by Arkin and Johnson as well as a good amount of cameos lead to the fun of the film.
It is important to note that this is not a retelling of the original series that ran from 1965-1970 but a completely new interpretation of the series which has been updated to reflect the modern setting yet contains plenty of winks to the show that inspired it.
While many of the series catch phrases seem out of place in the film, I found myself enjoying the new film despite being a fan of the original series.
Some have leveled criticism that the film has traded locker room humor, stupid comedy, and FX for the wit and inventiveness that made the original series so popular.
I found myself enjoying the new version of the film and enjoyed the performances of the characters and while not side splittingly funny, there were more than enough chuckles along the way to keep me entertained.
Here is hoping 86 and 99 will be back on the big screen for future missions.