"I never took any film classes back in college, but these are two that I saw by sneaking into different post-lecture screenings. A fascination with the power of the missing person has stayed with me. The dizzying number of overlapping layers—worlds, eras, sympathies, and attachments—has kept Rebecca one of my all time favorites. Joan Fontaine’s nameless character can seem pathetic at times—overwhelmed by an insane situation in her austere, claustrophobic, itchy wool outfits. But she can also feel as powerful as a five-alarm wake-up call from the present tense. (Yikes, especially if the present tense is 1940.)"

"I never took any film classes back in college, but these are two that I saw by sneaking into different post-lecture screenings. A fascination with the power of the missing person has stayed with me. The dizzying number of overlapping layers—worlds, eras, sympathies, and attachments—has kept Rebecca one of my all time favorites. Joan Fontaine’s nameless character can seem pathetic at times—overwhelmed by an insane situation in her austere, claustrophobic, itchy wool outfits. But she can also feel as powerful as a five-alarm wake-up call from the present tense. (Yikes, especially if the present tense is 1940.)"

"This is my alarm clock; I wake up to it every morning. It’s so brilliant because it begins with this... and then I listen to it when I read books on a loop and it’s enough for me. It’s all I need. I have like one song for every mood. “I heard this way before I watched the movie American Beauty. It was many, many years ago and it was one of the first songs I had. I had an orange iPod which I got for Christmas and I only had this song on it for years. I still think if I went into that iPod now, this is the only song I would have on it. I haven’t had it for years though, and they were such nice colours. “It’s good for walks in the forest, it’s like everything is still. Another is the Finding Nemo soundtrack which is also good for timeouts or when you go for walks. It’s really lovely.”"

"I think that film is just one of the funniest movies ever made. The writing is impeccable. I don’t even think any other comedy has come close to being that smart and original and meaningful and funny. Bill Murray is just insanely good in that part and doing the same thing over and over again, but making every [scene] new. Tracking his progress in that film as he becomes a better person, it’s such detailed work. And we don’t often acknowledge comedy acting in awards or other things. I really think his performance in that is completely brilliant — everything about it. Even down to the stupid song that they sing on that little green in the center of the movie and the Sonny & Cher song that plays every time his alarm clock goes off. Every touch to it is clever and poignant. I genuinely think I’ve seen that film more than any other movie. That movie’s high on my list."