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LeftSideCut (3778 KP) rated Don't Breathe (2016) in Movies
Feb 22, 2020 (Updated Feb 22, 2020)
For the most part, Don't Breathe is a really tight gem of a thriller with some decent horror elements throughout.
The movie revolves around three thieves - Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto) trying to steal themselves enough valuables to be able to move away from their home city of Detroit.
When they hear about a sizable stash of cash hidden in the house of a blind war veteran (Stephen Lang), they get to work on what they assume will be an easy score. Things go rapidly downhill as it becomes apparent that The Blind Man isn't as helpless as they thought, and they become Tangled in a game of cat and mouse as they try to escape with their lives.
Don't Breathe is an incredibly tense film. It's dimly lit set pieces and it's frequently silent atmosphere are hugely effective. Director Fede Alvarez provides continuously great shots throughout (there's an extended sequence around the mid point which takes place in total darkness which is a particular highlight) and utilizes the small set (95% of the film takes place in The Blind Man's house) fantastically.
The cast are pretty good as well. The three thieves are both likable and dislikable at the appropriate moments, and serve their purpose well. Jane Levy is the stand out of the three, playing the role of 'the final girl' with a satisfying mixture of being terrified, vulnerable, and a strong survivalist all at once.
Stephen Lang is the MVP here though. He steals the show as The Blind Man, and manages to portray a genuinely batshit-scary movie monster, well at the same time, being a tragic and sympathetic characters.
This is one of the main strengths if the whole movie actually. Both The Blind Man and the set of thieves are portrayed as characters we should be siding with at one point or another, and then it will flip it over and give us the reverse one point later. The moral compass of who is to root for is in constant flux, and lends the narrative a unique edge.
My main criticism here though is the films final third. After being a stupidly tense thriller and a fight for survival for an hour, Don't Breathe gets a little silly towards it's climax, and downright gratuitous in parts, (the turkey baster to the face ffs!?).
There's not a huge amount of gore in display, so it doesn't quite fall into torture-porn territory, but the vibe is quite similar, and it tarnishes what is otherwise a pretty decent horror.
Overall though, Don't Breathe is worth a watch if you have any passing interest at all in thrillers or horror. With the news of a sequel in the way, I'm excited to see where the story will go.
The movie revolves around three thieves - Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto) trying to steal themselves enough valuables to be able to move away from their home city of Detroit.
When they hear about a sizable stash of cash hidden in the house of a blind war veteran (Stephen Lang), they get to work on what they assume will be an easy score. Things go rapidly downhill as it becomes apparent that The Blind Man isn't as helpless as they thought, and they become Tangled in a game of cat and mouse as they try to escape with their lives.
Don't Breathe is an incredibly tense film. It's dimly lit set pieces and it's frequently silent atmosphere are hugely effective. Director Fede Alvarez provides continuously great shots throughout (there's an extended sequence around the mid point which takes place in total darkness which is a particular highlight) and utilizes the small set (95% of the film takes place in The Blind Man's house) fantastically.
The cast are pretty good as well. The three thieves are both likable and dislikable at the appropriate moments, and serve their purpose well. Jane Levy is the stand out of the three, playing the role of 'the final girl' with a satisfying mixture of being terrified, vulnerable, and a strong survivalist all at once.
Stephen Lang is the MVP here though. He steals the show as The Blind Man, and manages to portray a genuinely batshit-scary movie monster, well at the same time, being a tragic and sympathetic characters.
This is one of the main strengths if the whole movie actually. Both The Blind Man and the set of thieves are portrayed as characters we should be siding with at one point or another, and then it will flip it over and give us the reverse one point later. The moral compass of who is to root for is in constant flux, and lends the narrative a unique edge.
My main criticism here though is the films final third. After being a stupidly tense thriller and a fight for survival for an hour, Don't Breathe gets a little silly towards it's climax, and downright gratuitous in parts, (the turkey baster to the face ffs!?).
There's not a huge amount of gore in display, so it doesn't quite fall into torture-porn territory, but the vibe is quite similar, and it tarnishes what is otherwise a pretty decent horror.
Overall though, Don't Breathe is worth a watch if you have any passing interest at all in thrillers or horror. With the news of a sequel in the way, I'm excited to see where the story will go.
The Enchanted Wood
6.5
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The Enchanted Wood is the first magical story in the Faraway Tree series by the world's best-loved...
Leanne Crabtree (480 KP) rated Three Blind Dates in Books
Jan 11, 2021
I picked this up a month or so ago when it was 99p as I've enjoyed this authors books before.
So this starts with Noely doing her Going in Blind profile interview. She's a Good Morning Malibu show host and has used some of their equipment to film the interview, which, when her producer finds the disc informs her that she will be doing a segment on the show detailing her dates. She tries to protest but he's not having any of it and she reluctantly agrees.
Noely has three dates, as the title suggest and has a great time with all three, all for different reasons. Jack is her first option, the mysterious Suit. Then Beck, the bike riding Rebel. And lastly Hayden, the ice hockey Jock. She gets on with all three really well but something seems to go wrong on the second dates, leading her to look for someone else.
Then we get a "mystery man". One of the above guys who starts messaging Noely in the hopes of getting her to fall for him after the mess he made of their date. I was a bit stumped about who it was going to end up being but a certain guy did keep turning up places quite regularly.
I liked this but it did seem quite long for what went down. Each guy took up about a quarter of the book, including the final mystery one. It didn't entirely pull me in but there were some truly fun bits, and for me, personally, those involved Noely's brother, Alex, and his wife, Lauren. And little Chloe, too.
So this starts with Noely doing her Going in Blind profile interview. She's a Good Morning Malibu show host and has used some of their equipment to film the interview, which, when her producer finds the disc informs her that she will be doing a segment on the show detailing her dates. She tries to protest but he's not having any of it and she reluctantly agrees.
Noely has three dates, as the title suggest and has a great time with all three, all for different reasons. Jack is her first option, the mysterious Suit. Then Beck, the bike riding Rebel. And lastly Hayden, the ice hockey Jock. She gets on with all three really well but something seems to go wrong on the second dates, leading her to look for someone else.
Then we get a "mystery man". One of the above guys who starts messaging Noely in the hopes of getting her to fall for him after the mess he made of their date. I was a bit stumped about who it was going to end up being but a certain guy did keep turning up places quite regularly.
I liked this but it did seem quite long for what went down. Each guy took up about a quarter of the book, including the final mystery one. It didn't entirely pull me in but there were some truly fun bits, and for me, personally, those involved Noely's brother, Alex, and his wife, Lauren. And little Chloe, too.
Gareth von Kallenbach (971 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jul 11, 2019
Jumanji: Welcome to the Jungle totally delivers on exactly what the trailers sales it as. The Rock (Dwayne Johnson), Kevin Heart, Jack Black and the blue lady from Guardians of the Galaxy (Karen Gillan), thrown into hilarious hijinks and shenanigans.
The film sets up and explains the rules of the world of Jumanji, every step of the way. It does not take itself too serious. It realizes the audience is there to have a laugh and it surprisingly tells a coherent story. As a result, are able to enjoy ourselves through the spectacle, without questions or consequence…because hey, it’s a family fun movie after all and it is not trying to be anything else.
Each of the high school characters grow as they get an opportunity to walk in the shoes of someone that is the complete opposite of themselves. Whether it’s the “nerd” (Alex Wolff) gaining confidence by becoming the “physical specimen explorer with no weakness” (Dwayne Johnson), the “jock” (Ser’Darius Blain) becoming the “puny zoologist with no strengths” (Kevin Heart) and thus learning what it is like to be weak, the “self-centered popular girl stuck on her phone” (Madison Iseman) learning to judge less and like physical activity by becoming an “overweight middle aged man,” (Jack Black) and the “loner nerd girl” (Morgan Turner) gaining confidence in her womanhood by becoming the “hot girl,” (Karen Gillan). Each of these roles is acted well by both sets of actors, which helps create jokes, humorous experiences and makes them likeable.
Overall, Jumanji, Welcome to the Jungle delivers exactly what it is trying to be. Fun!
The film sets up and explains the rules of the world of Jumanji, every step of the way. It does not take itself too serious. It realizes the audience is there to have a laugh and it surprisingly tells a coherent story. As a result, are able to enjoy ourselves through the spectacle, without questions or consequence…because hey, it’s a family fun movie after all and it is not trying to be anything else.
Each of the high school characters grow as they get an opportunity to walk in the shoes of someone that is the complete opposite of themselves. Whether it’s the “nerd” (Alex Wolff) gaining confidence by becoming the “physical specimen explorer with no weakness” (Dwayne Johnson), the “jock” (Ser’Darius Blain) becoming the “puny zoologist with no strengths” (Kevin Heart) and thus learning what it is like to be weak, the “self-centered popular girl stuck on her phone” (Madison Iseman) learning to judge less and like physical activity by becoming an “overweight middle aged man,” (Jack Black) and the “loner nerd girl” (Morgan Turner) gaining confidence in her womanhood by becoming the “hot girl,” (Karen Gillan). Each of these roles is acted well by both sets of actors, which helps create jokes, humorous experiences and makes them likeable.
Overall, Jumanji, Welcome to the Jungle delivers exactly what it is trying to be. Fun!
Cosmic Sounds by Zodiac
Album
• A classic 1967 Elektra edition, conceived by label head Jac Holzman, who claimed that the...
JT (287 KP) rated Don't Breathe (2016) in Movies
Mar 10, 2020
Building suspense is considered a difficult task. Alfred Hitchcock was a master of this. You need look no further than the shower scene in Psycho for an example of his work. When a film delivers on suspense it can sometimes take the emphasis off a predictable twist ending. If the audience leaves the screening visibly shaken then a director has done his job.
Don’t Breathe, directed by Fede Alvarez, follows three amatuer burglers, Rocky (Jane Levy), Alex (Dylan Minnette), and the aptly named Money (Daniel Zovatto), who are looking for a big pay day. When they hear about a retired blind war veteran who lives alone, and who may have $300,000 in cash, the trio decide he would make easy prey – how wrong they were.
Rocky is the more cautious of the three, but having grown up in an abusive family she is looking for an escape plan and to take her sister Diddy (Emma Bercovici) to safety with her. This job is a means to an end for that scenario to happen.
If the audience leaves the screening visibly shaken then a director has done his job.
The opening doesn’t offer much other than setting the scene but once the doors are bolted and windows locked it’s game on. Alvarez has a solid understanding of this genre, no matter what you thought of his bloodthirsty Evil Dead remake? In the confines of this house of horrors he is able to let The Blind Man (Stephen Lang) run riot as he attempts to put a stop to the break-in.
There is a sense that Alvarez is toying with his audience, in a bid to starve off the ending. He’s having too much fun. The atmosphere is excruciatingly tense, particularly when The Blind Man levels the playing field in the basement by turning off all the lights. A neat twist in the story tries to create empathy, but it’s a little too late for that and the final act ramps up the suspense to Hitchcockian levels.
Any other person would have dropped the money and looked for a way out as quickly as possible. That is not the case here as each opportunity to escape is met with a roadblock that send the burglars back down a different path. The home invasion horror has been around for a while but done right it can be incredibly effective and in this case Don’t Breathe gets it spot on.
Don’t Breathe, directed by Fede Alvarez, follows three amatuer burglers, Rocky (Jane Levy), Alex (Dylan Minnette), and the aptly named Money (Daniel Zovatto), who are looking for a big pay day. When they hear about a retired blind war veteran who lives alone, and who may have $300,000 in cash, the trio decide he would make easy prey – how wrong they were.
Rocky is the more cautious of the three, but having grown up in an abusive family she is looking for an escape plan and to take her sister Diddy (Emma Bercovici) to safety with her. This job is a means to an end for that scenario to happen.
If the audience leaves the screening visibly shaken then a director has done his job.
The opening doesn’t offer much other than setting the scene but once the doors are bolted and windows locked it’s game on. Alvarez has a solid understanding of this genre, no matter what you thought of his bloodthirsty Evil Dead remake? In the confines of this house of horrors he is able to let The Blind Man (Stephen Lang) run riot as he attempts to put a stop to the break-in.
There is a sense that Alvarez is toying with his audience, in a bid to starve off the ending. He’s having too much fun. The atmosphere is excruciatingly tense, particularly when The Blind Man levels the playing field in the basement by turning off all the lights. A neat twist in the story tries to create empathy, but it’s a little too late for that and the final act ramps up the suspense to Hitchcockian levels.
Any other person would have dropped the money and looked for a way out as quickly as possible. That is not the case here as each opportunity to escape is met with a roadblock that send the burglars back down a different path. The home invasion horror has been around for a while but done right it can be incredibly effective and in this case Don’t Breathe gets it spot on.
Gareth von Kallenbach (971 KP) rated The Back-up Plan (2010) in Movies
Aug 8, 2019
Ah, the story of Mr. Right appearing just in the nick of time, well almost. Zoe (Jennifer Lopez) has spent her life looking for the perfect guy but he has never shown up. Now she wants a baby and decides to become pregnant on her own through artificial insemination. It would just figure that right after deciding to use her backup plan a new man enters the picture forcing her life to adjust once again.
The film stars and generally centers around Lopez as the wacky yet likeable Zoe, a character who is not unlike those we have seen in J.Lo’s past. Her co-star, Alex O’Loughlin plays the male lead of Stan, a handsome cheese-maker. Other notable cast members include Micheala Watkins, as the jaded New York mother, Mona, and Melissa McCarthy as Carol the leader of a group of proud single mothers.
The most amusing scenes in “The Back-Up Plan” occurs during moments of the true-to-life internal dialogue by the problem riddled Zoe. Unfortunately the remaining seventy percent of the film is spent bouncing awkwardly between the less than steamy romance and the failed attempts at comedy.
There are a couple of good scenes but are they reason enough to endure the rest of the film? Not unless you have a deep desire to see farmers’ markets in New York and a poorly acted cameo by the Dog Whisperer, Cesar Millan. Still, fans of Lopez’s quirky romantic comedy style will enjoy her, just not as much as her previous roles because of the gnawingly awkward plot that defines this movie.
Too goofy to be romantic and too sappy to be funny, “The Back-Up Plan” continually fails to reach either goal accurately. It almost goes without saying that this film is, excuse the pun, simply too much of a stretch.
The film stars and generally centers around Lopez as the wacky yet likeable Zoe, a character who is not unlike those we have seen in J.Lo’s past. Her co-star, Alex O’Loughlin plays the male lead of Stan, a handsome cheese-maker. Other notable cast members include Micheala Watkins, as the jaded New York mother, Mona, and Melissa McCarthy as Carol the leader of a group of proud single mothers.
The most amusing scenes in “The Back-Up Plan” occurs during moments of the true-to-life internal dialogue by the problem riddled Zoe. Unfortunately the remaining seventy percent of the film is spent bouncing awkwardly between the less than steamy romance and the failed attempts at comedy.
There are a couple of good scenes but are they reason enough to endure the rest of the film? Not unless you have a deep desire to see farmers’ markets in New York and a poorly acted cameo by the Dog Whisperer, Cesar Millan. Still, fans of Lopez’s quirky romantic comedy style will enjoy her, just not as much as her previous roles because of the gnawingly awkward plot that defines this movie.
Too goofy to be romantic and too sappy to be funny, “The Back-Up Plan” continually fails to reach either goal accurately. It almost goes without saying that this film is, excuse the pun, simply too much of a stretch.
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