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Secret of Magic: Rebels & Spies ( Academy of Falling Kingdom book 2)
By Marisa Mills and Drake Mason
⭐️⭐️⭐️⭐️⭐️

The good news: I miraculously survived a would-be fatal fall.
The bad news: A demon helped me do it.
The worst news: Prince Alexander saw everything.

Reverie is supposed to be paradise -- but the power holding the floating city aloft isn't holy; it's demonic. Now demons are attacking my classmates -- and I think they're targeting me. If we can't find the source behind the attacks, the entire kingdom could be in danger of falling from the sky.

And Alexander knows I'm a fraud.

I came to Reverie to steal something. Now I need Alexander to steal something, too. Because he has one thing I never will; the trust of the king.

But can I convince him to exploit his father's trust to save his people? Or will Alexander tell the world who I really am?


The Secret of Magic is a young adult fantasy adventure full of monsters, murder and romantic intrigue. Fans who enjoyed Rachel Carter’s Black Mage series and Philip Pullman's His Dark Materials trilogy will love this sprawling magic academy!

I loved it! From surviving the fall to the very last chapter I found it interesting and just wanted to keep reading. I knew her true identity it was kind of obvious I was just willing it along until Wynter found out too! Looking forward to seeing where they all go from here.
  
Sweet Smell of Success (1957)
Sweet Smell of Success (1957)
1957 | Drama, Film-Noir
9.0 (1 Ratings)
Movie Favorite

"Like many of these, this movie qualifies for me partly because it was an unexpected thrill when I first saw it in the early seventies. I’m neither much a Tony Curtis nor a Burt Lancaster fan, and I’d never heard of Alexander Mackendrick (he made half his relatively few films, including The Man in the White Suit and The Ladykillers, in the UK; a later, strong U.S. job was A High Wind in Jamaica). Sweet Smell of Success, again, too, is quasi-noir. It’s a black-and-white, urban, small film about people’s bad luck and bad character, set in the Broadway cubicles and show-biz restaurants of New York’s sleazy show-world underbelly. Despite my prior relative indifference to the actors in it, they’re perfectly cast—against their standard types—in this, and do terrific jobs, and the script, by the highly skilled and literate Ernest Lehman and Clifford Odets, is spectacular. James Wong Howe shot the cold-ass thing."

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