The Ladykillers (1955)
Movie Watch
Mrs. Wilberforce (Katie Johnson) likes to report suspicious behavior to the police. Unaware of her...
Alfred: Queen Victoria's Second Son
Book
Prince Alfred, who was created Duke of Edinburgh in 1866 and became Duke of Saxe-Coburg Gotha in...
Lisztonian: Classical Piano Music
Podcast
Finally! A free classical piano podcast with no ads and no memberships! Lisztonian...
Cryopolitics: Frozen Life in a Melting World
Book
As the planet warms and the polar ice caps melt, naturally occurring cold is a resource of growing...
The Prose Brut and Other Late Medieval Chronicles: Books Have Their Histories. Essays in Honour of Lister M. Matheson
Jaclyn Rajsic, Erik Kooper and Dominique Hoche
Book
The histories of chronicles composed in England during the fourteenth and fifteenth centuries and...
Mark @ Carstairs Considers (2071 KP) rated Poison Pen in Books
Jul 15, 2022 (Updated Jul 15, 2022)
I’ve had this book in one form or another since it first came out, but I recently bought the 2021 reissue and read that. This is definitely darker than the cozies I mostly read, and it has the content to go with the darker themes. The plot was strong, with plenty to keep us engaged. There was one aspect I didn’t like, but it’s probably just me. I’ll still definitely give the series another read. That’s partially because of the characters. I really liked Claudia and her friends, plus some of the people she met along the way. I did find a few references in the version I read that dated when the book originally came out. Hard to believe how much things have changed in only 15 years. There are more than a handful of missing words – enough to be jarring but not enough to make the reading experience bad. I loved the LA setting and the celebrities who were name dropped. Hopefully, I can visit Claudia again sooner rather than later.
The Real Hornblower: The Life and Times of Admiral Sir James Gordon
Book
First published in 1997, this timely release offers a comprehensive and engaging account of the life...
Deng Xiaoping: A Revolutionary Life
Alexander V. Pantsov and Steven I. Levine
Book
Deng Xiaoping joined the Chinese Communist movement as a youth and rose in its ranks to become an...
Bob Mann (459 KP) rated Misbehaviour (2020) in Movies
Sep 28, 2021
The background.
“Misbehaviour” tells the story of this eventful 1970 Miss World competition. It was eventful for a number of reasons: the Women’s Lib movement was rising in popularity, and the event was disrupted a flour-bombing group of women in the audience; the compere Bob Hope did an appallingly misjudged and mysoginistic routine that died a death; and, after significant pressure against the apartheid regime in South Africa, the country surprised the world by sending two entrants to the show – one white (Miss South Africa) and one black (Miss Africa South).
The movie charts the events leading up to that night and some of the fallout that resulted from it.
A strong ensemble cast.
“Misbehaviour” has a great cast.
Leading the women are posh-girl Sally Alexander (Keira Knightley) and punk-girl Jo Robinson (Jessie Buckley). I’m normally a big fan of both of these ladies. But here I never felt either of them connected particularly well with their characters. In particular, Buckley (although delivering as a similar maverick in “Wild Rose“) always felt a bit forced and out of place here.
On the event organisation side is Rhys Ifans, almost unrecognisable as Eric Morley, and Keeley Hawes as Julia Morley. Ifans gets the mannerisms of the impresario spot-on (as illustrated by some real-life footage shown at the end of the film). Also splendid is funny-man Miles Jupp as their “fixer” Clive.
Less successful for me was Greg Kinnear as Bob Hope. Hope clearly has such an unusual moon-shaped face that it’s difficult to find anyone to cast as a lookalike.
Just who is exploiting who here?
There’s no question in my mind that the event, in retrospect, is obscenely inappropriate – even though, bizarrely, it still runs to this day. But my biggest problem with the movie is that it never seems to pin its colours to any particular mast. It clearly illustrates the inappropriateness of Hope’s off-colour jokes and the instruction from host Michael Aspel (Charlie Anson), asking the swimsuit models to “show their rear view” to the audience, is gobsmackingly crass.
However, the script then takes a sympathetic view to the candidates from Grenada, South Africa, etc. who are clearly ‘using their bodies’ to get a leg-up to fame and fortune back in their home countries. (Final scenes showing the woman today, clearly affluent and happy, doesn’t help with that!)
As such, the movie sits magnificently on the fence and never reaches a ‘verdict’.
The racial sub-story.
Equally problematic is the really fascinating racial sub-story: this was an event, held in a UK that was racially far less tolerant than it is today, where no black person had EVER won. Indeed, a win was in most peoples’ eyes unthinkable. This was a time when “black lives didn’t matter”. Here we have Miss Grenada (an excellent Gugu Mbatha-Raw) and the utterly captivating Miss Africa South (a debut performance by Loreece Harrison) threatening to turn the tables . There was surely potential to get a lot more value out of this aspect of the story, but it is generally un-mined.
Perhaps a problem here is that there is so much story potential around this one historical event that there is just too much to fit comfortably into one screenplay. The writers Rebecca Frayn and Gaby Chiappe end up just giving a few bursts on the liquidizer and getting a slightly grey mush.
Nostalgia – it’s not what it used to be.
All this is not to say the movie was a write off. It’s a perfectly pleasant watch and for those (like me) of a certain age, the throwback fashions, vehicles and attitudes deliver a burst of nostalgia for the flawed but rose-coloured days of my first decade on the planet.
But it all feels like a bit of a missed opportunity to properly tackle either one of the two key issues highlighted in the script. As a female-led project (the director is Philippa Lowthorpe) I really wanted this to be good. But I’m afraid for me it’s all a bit “meh”.
If asked “would you like to watch that again?”… I would probably, politely, show my rear view and decline.