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Entertainment Editor (1988 KP) created a video about The Little Drummer Girl in TV
Jan 16, 2019
Erika (17788 KP) rated The Little Drummer Girl in TV
Dec 9, 2018
When it was announced that Little Drummer Girl was going to be adapted, directed by Park Chan-Wook, starring Alexander Skarsgård, I was so completely excited. Park Chan-Wook's Stoker is one of my favorite films, and Skarsgård is always good.
I feel like there was a high bar set by The Night Manager, another Le Carre adaptation, and this fell way below it. Every few minutes, my friend and I compared them... Little Drummer Girl was just boring. I feel like they could have easily updated it, since the Palestinian-Israeli conflict is still alive and well.
Skarsgård essentially played the same character as when he lost his memory as Eric in True Blood. I like Florence Pugh, but her character was just flat for me.
I feel like there was a high bar set by The Night Manager, another Le Carre adaptation, and this fell way below it. Every few minutes, my friend and I compared them... Little Drummer Girl was just boring. I feel like they could have easily updated it, since the Palestinian-Israeli conflict is still alive and well.
Skarsgård essentially played the same character as when he lost his memory as Eric in True Blood. I like Florence Pugh, but her character was just flat for me.
Erika (17788 KP) rated The Legend of Tarzan (2016) in Movies
Jul 1, 2018 (Updated Jul 1, 2018)
I wasn't expecting anything from this movie, in fact, I thought it was going to be awful. But, I ended up really liking it. Samuel L. Jackson was hilarious, and basically reacting how the audience would react to all of the situations in the film. I love Christoph Waltz in this as well, he's great (IMHO) in every scene. Give me shirtless Alexander Skarsgård any day.
Bob Mann (459 KP) rated The Hummingbird Project (2018) in Movies
Jun 19, 2019
Portrayal of successful businesswoman in Selma Hayak (even though she's painted as the villain) (2 more)
Non standard story, and a very non-standard story-arc
Alexander Skarsgård - different role for him... great dance moves!
Engineering Porn with His Cousin Vinny.
A curious oddity of a film with a non-traditional story and an interestingly different story arc. One to really like if you are into heavy machinery, drilling rigs and electronics!
Erika (17788 KP) rated True Blood - Season 4 in TV
Oct 4, 2020
This is one of my favorite seasons of True Blood. At the end of season three, Sookie disappears, and think she's only gone for a few minutes, but it's been months.
I mostly like this season because there's a ton of Alexander Skarsgård. I like the addition of witches too, Jesus is one of my favorite characters. I love witchiness, so it was perfect for me.
Of course, as with other seasons, there's something about Sookie that every dude can't ignore, and it really doesn't make sense, but you just pretend it does. The cliffhanger at the end of the season shows what's to come, and honestly, I didn't watch beyond the fourth season for my True Blood re-watch event.
I mostly like this season because there's a ton of Alexander Skarsgård. I like the addition of witches too, Jesus is one of my favorite characters. I love witchiness, so it was perfect for me.
Of course, as with other seasons, there's something about Sookie that every dude can't ignore, and it really doesn't make sense, but you just pretend it does. The cliffhanger at the end of the season shows what's to come, and honestly, I didn't watch beyond the fourth season for my True Blood re-watch event.
LeftSideCut (3778 KP) rated The Northman (2022) in Movies
May 11, 2022
Robert Eggers continues his winning streak with The Northman, surely one of the most visually stunning and compelling movies in recent years. A Viking revenge story presented in his signature style is just cinematic crack waiting to happen as far as I'm concerned.
The first third is a fast moving setup that effectively establishes the characters and shows off quite an epic production. After that, The Northman becomes a tight and slow burning thriller as Amleth (Alexander Skarsgård) exacts a psychologically torturous revenge on the people who killer his father. It's a perfect marriage of powerful character drama, weird imagery, Viking culture and beliefs, bizarre gore, and fantasy set pieces, and it's slower pace ensures that it's utterly captivating.
The whole film looks incredible from start to finish and is complimented by a wonderful music score.
It's all cemented by a stacked cast. Skarsgård is a capable lead for sure, and is just a big walking muscle in this, the manly bastard. Anya Taylor-Joy is great as always, and the supporting cast boasts the likes of Nicole Kidman, Willem Dafoe, Ethan Hawke, and Claes Bang who are all stellar.
I can't heap enough praise on The Northman, another homerun from Eggers. I'd happily call it a masterpiece.
The first third is a fast moving setup that effectively establishes the characters and shows off quite an epic production. After that, The Northman becomes a tight and slow burning thriller as Amleth (Alexander Skarsgård) exacts a psychologically torturous revenge on the people who killer his father. It's a perfect marriage of powerful character drama, weird imagery, Viking culture and beliefs, bizarre gore, and fantasy set pieces, and it's slower pace ensures that it's utterly captivating.
The whole film looks incredible from start to finish and is complimented by a wonderful music score.
It's all cemented by a stacked cast. Skarsgård is a capable lead for sure, and is just a big walking muscle in this, the manly bastard. Anya Taylor-Joy is great as always, and the supporting cast boasts the likes of Nicole Kidman, Willem Dafoe, Ethan Hawke, and Claes Bang who are all stellar.
I can't heap enough praise on The Northman, another homerun from Eggers. I'd happily call it a masterpiece.
Kirk Bage (1775 KP) rated Mute (2017) in Movies
Feb 17, 2021 (Updated Feb 25, 2021)
Oh no Duncan Jones! How are you managing that occasional trick of each subsequent film you make being inferior to your last? Moon was sublime, Source Code was pretty damn good, Warcraft: The Beginning (and end probably) was just about watchable, and Mute is… fucking dreadful! I don’t buy Alexander Skarsgård as a leading man at the best of times, but given this ridiculous premise, script and downright careless production value, he falls flat to a ridiculous, almost laughable degree. It looks pretty in parts, very shiny and HD, but is never believable as a reality. I mean the main character can’t talk, which could have been used interestingly with good direction, but is frankly annoying here. Paul Rudd has a blast as Cactus Bill, and is mostly forgiven. Look out also for Robert Sheenan (Klaus from the Umbrella Academy) in a blameless and interesting role as Luba. Very very minor cult status is possible for this a few years down the line, but not enough to save it from the gutter.
Andy K (10821 KP) rated The Legend of Tarzan (2016) in Movies
Mar 30, 2019
Better than I thought it would be
On the recommendation from a friend I bought this movie used for like 3 bucks and it was worth every penny! ?
This isn't really an origin story of Tarzan, more of him coming back to where he was raised to attempt to save the day. His origins are revealed in flashback which helps the audience understand his motivations and reservations for returning to his homeland.
When the bankrupt king summons an evil henchman to help him cleanse the land of its inhabitants for the raw diamond lot, our heroes are summoned to stop them.
Alexander Skarsgård, Margot Robbie and Samuel L. Jackson were all really good and believable. For some reason I normally love Christoph Waltz, but I think he's played the villain too many times now and this time it felt a little generic to me.
CGI for the most part was acceptable, although any CGI gorillas will always be compared to the recent Apes reboot trilogy which is still far superior.
The action scenes were decent if you can accept humans battling giant gorillas an kept me entertained throughout.
You will certainly not be disappointed with this one in my opinion.
This isn't really an origin story of Tarzan, more of him coming back to where he was raised to attempt to save the day. His origins are revealed in flashback which helps the audience understand his motivations and reservations for returning to his homeland.
When the bankrupt king summons an evil henchman to help him cleanse the land of its inhabitants for the raw diamond lot, our heroes are summoned to stop them.
Alexander Skarsgård, Margot Robbie and Samuel L. Jackson were all really good and believable. For some reason I normally love Christoph Waltz, but I think he's played the villain too many times now and this time it felt a little generic to me.
CGI for the most part was acceptable, although any CGI gorillas will always be compared to the recent Apes reboot trilogy which is still far superior.
The action scenes were decent if you can accept humans battling giant gorillas an kept me entertained throughout.
You will certainly not be disappointed with this one in my opinion.
Gareth von Kallenbach (962 KP) rated The Hummingbird Project (2018) in Movies
Jul 2, 2019
Contemporary technology drama comes to the silver screen in the form of The Hummingbird Project starring Jesse Eisenberg, Alexander Skarsgård, and Salma Hayek. The film’s premise is realistic enough: A pair of insiders at a big Wall Street company defect to start a project for a rival firm – to built a single fiber optic connection between a stock exchange in Kansas City and the New York Stock Exchange. This was realistic enough that my lack of knowledge on the history of Wall Street’s networking had me looking up later to see if there was any truth or basis to portions of the plot. Unfortunately, I can’t seem to find anything referencing a Kansas City Stock Exchange. Unless they were referring to livestock? Because there was a Kansas City Livestock Exchange. Anyway, my biases up front – despite my clear lacking of aforementioned knowledge, I am a tech geek with experience in networking and related technology fields. So, a premise like this has a lot to attract my attention. There is admittedly much to enjoy about dramas regarding our contemporary plights in the realm of technology, because that’s where a lot of work is centered. Gone are the days of building railroads. But our internet infrastructure…
The film does a fairly good job representing the intense difficulty of such a project: it’s something like one thousand miles of straight line to run one fiber optic connection without obstruction. Most people would not think about what goes into making that into reality, which is the draw for most of the film’s conflict. I do however recognize that centering the plot on a large scale construction job of an internet cable doesn’t exactly scream excitement for most people; and this is especially true when the end goal is to shave off one millisecond from their current transaction times. Yet, this arguably ironic dynamic actually ended up being somewhat of a draw for me. Halfway through the film the question arises, “All this for just a millisecond of increased speed?” That’s the point though, and I wish the film would have delved deeper into these kinds of themes. This represents my chief criticism: all of the elements are here for a truly stellar drama but everything is explored at only a shallow or moderate depth. The characters have decent arcs, thrown some difficult challenges and curveballs to overcome, but Jesse Eisenberg’s character only briefly touches on the back-story that truly drives him, and while Alexander Skarsgård‘s character is more fully fleshed out his arc is essentially basic. I do enjoy the role reversal as one would usually expect to see Jesse Eisenberg playing the socially awkward genius programmer and Alexander Skarsgård to play the ambitious go-getter who runs the project, but they take opposite roles to great effect. The actors all do great here for the most part, including the excellent Michael Mando in a supporting role. My only complaint here is the acting dips a bit into melodrama later in the film, but this is mostly attributed to subplots that edge into the unbelievable.
Ironically Hummingbird Project works best at representing its core premise of what most would consider a mundane construction project. The actors do well, and I especially enjoy Alexander Skarsgård‘s portrayal of the lonely genius, but their underlying drama and back-stories are a bit of a mixed bag. Some of it works decently well while other elements do not – particularly late in the film. Sadly the themes at play are a bit too obvious and underexplored, but it is an appreciated attempt to represent a seldom explored aspect of contemporary industry.
The film does a fairly good job representing the intense difficulty of such a project: it’s something like one thousand miles of straight line to run one fiber optic connection without obstruction. Most people would not think about what goes into making that into reality, which is the draw for most of the film’s conflict. I do however recognize that centering the plot on a large scale construction job of an internet cable doesn’t exactly scream excitement for most people; and this is especially true when the end goal is to shave off one millisecond from their current transaction times. Yet, this arguably ironic dynamic actually ended up being somewhat of a draw for me. Halfway through the film the question arises, “All this for just a millisecond of increased speed?” That’s the point though, and I wish the film would have delved deeper into these kinds of themes. This represents my chief criticism: all of the elements are here for a truly stellar drama but everything is explored at only a shallow or moderate depth. The characters have decent arcs, thrown some difficult challenges and curveballs to overcome, but Jesse Eisenberg’s character only briefly touches on the back-story that truly drives him, and while Alexander Skarsgård‘s character is more fully fleshed out his arc is essentially basic. I do enjoy the role reversal as one would usually expect to see Jesse Eisenberg playing the socially awkward genius programmer and Alexander Skarsgård to play the ambitious go-getter who runs the project, but they take opposite roles to great effect. The actors all do great here for the most part, including the excellent Michael Mando in a supporting role. My only complaint here is the acting dips a bit into melodrama later in the film, but this is mostly attributed to subplots that edge into the unbelievable.
Ironically Hummingbird Project works best at representing its core premise of what most would consider a mundane construction project. The actors do well, and I especially enjoy Alexander Skarsgård‘s portrayal of the lonely genius, but their underlying drama and back-stories are a bit of a mixed bag. Some of it works decently well while other elements do not – particularly late in the film. Sadly the themes at play are a bit too obvious and underexplored, but it is an appreciated attempt to represent a seldom explored aspect of contemporary industry.
Emma @ The Movies (1786 KP) rated The Aftermath (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Is there a period piece that Keira Knightley has ever turned down? After seeing her in Colette I retrieved her from the Nutcracker trash can I'd thrown her into and actually looked forward to whatever I was going to see her in next. I sort of wish it hadn't been this film though.
I'm conflicted. The Aftermath has some great pieces, but at the same time it's rather forgettable. Talking to a friend about films I'd seen this month I already forgot I'd seen it, and that doesn't normally happen this quickly.
Having seen the trailers I had come away with a rather definite idea of what the film was going to be like... I was actually surprised, the wool was properly pulled over my eyes. I had a completely different idea of the outcome. I really don't want to spoil it, if you've seen it message me and we'll waffle about it.
Alexander Skarsgård was incredibly good in this, I think I might be in love. I haven't seen him in anything recently but I might have to finally watch Tarzan. For the most part Stephen is a restrained and sensible character, so when he has an outburst of emotions it's all the more powerful. When he shows the Morgans round his house like a sad estate agent I felt that awkwardness.
Keira Knightley/Rachel isn't the leading lady I was looking for, as a character she is dislikeable. She's quick to judgment and takes for granted and abuses all the privileges that she has. I think this is partly what surprised me about the film, I hadn't expected her to be this way. In a film involving war I wouldn't have expected the female character to be the antagonist.
I'm pleased to see Jason Clarke again, he's going from strength to strength. Lewis Morgan is warm and accepting in contrast to the coldness of his wife. More strong emotions coming from our other male lead. Most feel like they're done perfectly, one outburst stuck out but I'm not sure that "out of character" is quite the right way to describe it.
The movie's handling of the Morgan's son was done nicely with a great link used to tie it together. Getting such a powerful moment out of such a small detail was amazing. The use of prop and flashback scenes came together very well.
The ending though... like the trailer I like that we're given something that doesn't necessarily hold with the expected. (Again, if you've seen it then message me so I can tell you how I wanted it to end.) I can't say I was happy with the end, it flies in the face of the traditional take on these sorts of films. There's an ending I would have preferred Rachel to have over the actual one just so that I could go "Ha! Serves you right!" but it wouldn't have been satisfactory for the other two points of the triangle. I'm not sure that any outcome could have left me content though.
There are some very striking visuals mixed through the film, most take part in the ruins of the city where we see the community living through the devastation of the city. I was intrigued to see that it was a BBC film, they usually have a certain feel to them but it wasn't really present in this.
As much as I enjoyed elements of this I can't say I would be fussed about seeing it again, if anything I think a second watch would remind me how annoying I found the ending.
What you should do
If you want to see Keira Knightley's character disrespecting her marriage then I would suggest watching Colette instead. However, if you want to have some strong feelings about Alexander Skarsgård then definitely see this one.
Movie thing you wish you could take home
It goes without saying that I would like Alexander Skarsgård, but failing that then the ability to play the piano beautifully will have to do.
I'm conflicted. The Aftermath has some great pieces, but at the same time it's rather forgettable. Talking to a friend about films I'd seen this month I already forgot I'd seen it, and that doesn't normally happen this quickly.
Having seen the trailers I had come away with a rather definite idea of what the film was going to be like... I was actually surprised, the wool was properly pulled over my eyes. I had a completely different idea of the outcome. I really don't want to spoil it, if you've seen it message me and we'll waffle about it.
Alexander Skarsgård was incredibly good in this, I think I might be in love. I haven't seen him in anything recently but I might have to finally watch Tarzan. For the most part Stephen is a restrained and sensible character, so when he has an outburst of emotions it's all the more powerful. When he shows the Morgans round his house like a sad estate agent I felt that awkwardness.
Keira Knightley/Rachel isn't the leading lady I was looking for, as a character she is dislikeable. She's quick to judgment and takes for granted and abuses all the privileges that she has. I think this is partly what surprised me about the film, I hadn't expected her to be this way. In a film involving war I wouldn't have expected the female character to be the antagonist.
I'm pleased to see Jason Clarke again, he's going from strength to strength. Lewis Morgan is warm and accepting in contrast to the coldness of his wife. More strong emotions coming from our other male lead. Most feel like they're done perfectly, one outburst stuck out but I'm not sure that "out of character" is quite the right way to describe it.
The movie's handling of the Morgan's son was done nicely with a great link used to tie it together. Getting such a powerful moment out of such a small detail was amazing. The use of prop and flashback scenes came together very well.
The ending though... like the trailer I like that we're given something that doesn't necessarily hold with the expected. (Again, if you've seen it then message me so I can tell you how I wanted it to end.) I can't say I was happy with the end, it flies in the face of the traditional take on these sorts of films. There's an ending I would have preferred Rachel to have over the actual one just so that I could go "Ha! Serves you right!" but it wouldn't have been satisfactory for the other two points of the triangle. I'm not sure that any outcome could have left me content though.
There are some very striking visuals mixed through the film, most take part in the ruins of the city where we see the community living through the devastation of the city. I was intrigued to see that it was a BBC film, they usually have a certain feel to them but it wasn't really present in this.
As much as I enjoyed elements of this I can't say I would be fussed about seeing it again, if anything I think a second watch would remind me how annoying I found the ending.
What you should do
If you want to see Keira Knightley's character disrespecting her marriage then I would suggest watching Colette instead. However, if you want to have some strong feelings about Alexander Skarsgård then definitely see this one.
Movie thing you wish you could take home
It goes without saying that I would like Alexander Skarsgård, but failing that then the ability to play the piano beautifully will have to do.