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Minitutor: Number Crusher
Education and Games
App
Practice early math skills with a fun learning game for kids. Learn the numbers, how to count and...
The War of the Worlds by H. G. Wells
Podcast
Extraterrestrial invasion, the earth taken over by omniscient intelligences from Mars, the whole of...
Charlie Cobra Reviews (1840 KP) rated Final Space in TV
Jul 7, 2020
Everything You Could Ask For In A Cool Space Cartoon
Contains spoilers, click to show
At first I thought this show was just going to be a comedy. Kind of like a Futurama type but in space, instead of in the future. I've never been happier to come into a show like Final Space not really knowing what I was getting myself into. I was pretty hyped for the show when I saw the original tv spots and the clip(s) when Olan Rogers came out on the Conan O'Brian show, but that first episode really set the tone. I really like when a show has good story arc and you can tell it's going in a certain direction where the episodes are not meaningless and Final Space does that but doesn't sacrifice on character or become too deeply plot driven. The plot is there and it feels like the characters motivations just naturally move the plot. For instance Gary's backstory of why he's a prisoner, which is hilarious by the way, and how he's been alone for nearly 5 years totally plays into why he has cabin fever and wants to get out/off the ship and be around actual people. KVN, as annoying as he is, actually made sense to me because someone like that, that can drive you crazy, probably would keep you sane if you were by yourself for years. For some people Gary might come off as a little annoying at first but I've dealt with more annoying characters who I totally grew to love like Naruto or Asta from Black Clover. I also enjoyed the character development and introduction of additional characters and how things change on the show from episode to episode and season 1 to season 2. What I wasn't prepared for was the emotional scenes, more than once this show has made my eyes misty. One thing that surprised me was the amount of action in the show and how it depicts violence. The show isn't shy when it comes to blood or guts and Gary even loses his arm in a fight against the Lord Commander who "force" rips it off of his body. There's a part where Gary must wear the skin of a dead alien to go incognito. Even Mooncake goes on a killing spree when he's put in gladiator style animal fight club. Definitely give this show a chance if you haven't already. As I said above I give it 8/10 and my "Must See Seal Of Approval".
Gareth von Kallenbach (980 KP) rated The Tomorrow War (2021) in Movies
Jul 1, 2021
Amazon Prime’s purchase of The Tomorrow War from Paramount was a bold move as the FX-laden film starring Chris Pratt reportedly cost around $200 million to purchase and follows prior purchases of Paramount films by the streamer.
Pratt stars as an ex-soldier named Dan Forester who has just been turned down for a research job he has been seeking and must remain teaching science to less than enthusiastic students.
While watching a Soccer match with his wife, daughter, and friends, the world is stunned when a group of armed individuals appear in a flash of light and tell the televised audience that they have come from thirty years in the future and are seeking help to save humanity.
It is soon learned that an Alien threat they call the White Spikes suddenly appeared and has humanity on the verge of extinction. The nations of the world send forces into the future to help fight the war but with a very high casualty rate; a worldwide draft is soon instituted to replenish the numbers.
Dan is eventually drafted and told he has 24 hours to get things in order before he is deployed for seven days at which time he will be returned. Dan contemplates running and seeks out his estranged father (J.K. Simmons); who has a deep disdain for governments and conducts himself in a shady fashion to the point where Dan will not let him anywhere near his daughter.
Dan eventually deploys and finds a nightmare version of the future where cities are in ruin and the deadly and very tough enemy is everywhere.
As the tension mounts; Dan must team up with the leader of the resistance to develop a way to fight the aliens and save humanity before it is too late.
The film features some good FX and action and while there were many times I questioned why a different course of action was not attempted; the film eventually attempts to address many questions later in the film.
While the final act may seem overblown and too convenient; the film works as an enjoyable and action-filled escape as long as you are willing to just go along with the ride and not ask too many questions along the way.
While there are elements of prior Science Fiction and Horror films evident; the cast and premise work well and the movie is a step above most offerings that are sold to streaming services and is well worth a watch.
Pratt stars as an ex-soldier named Dan Forester who has just been turned down for a research job he has been seeking and must remain teaching science to less than enthusiastic students.
While watching a Soccer match with his wife, daughter, and friends, the world is stunned when a group of armed individuals appear in a flash of light and tell the televised audience that they have come from thirty years in the future and are seeking help to save humanity.
It is soon learned that an Alien threat they call the White Spikes suddenly appeared and has humanity on the verge of extinction. The nations of the world send forces into the future to help fight the war but with a very high casualty rate; a worldwide draft is soon instituted to replenish the numbers.
Dan is eventually drafted and told he has 24 hours to get things in order before he is deployed for seven days at which time he will be returned. Dan contemplates running and seeks out his estranged father (J.K. Simmons); who has a deep disdain for governments and conducts himself in a shady fashion to the point where Dan will not let him anywhere near his daughter.
Dan eventually deploys and finds a nightmare version of the future where cities are in ruin and the deadly and very tough enemy is everywhere.
As the tension mounts; Dan must team up with the leader of the resistance to develop a way to fight the aliens and save humanity before it is too late.
The film features some good FX and action and while there were many times I questioned why a different course of action was not attempted; the film eventually attempts to address many questions later in the film.
While the final act may seem overblown and too convenient; the film works as an enjoyable and action-filled escape as long as you are willing to just go along with the ride and not ask too many questions along the way.
While there are elements of prior Science Fiction and Horror films evident; the cast and premise work well and the movie is a step above most offerings that are sold to streaming services and is well worth a watch.
Bubbu Cat – My Virtual Pet
Games and Entertainment
App
Meet Bubbu, your new virtual pet. He is a cute, emotional and adorable cat who loves to eat tasty...
CodyCross: Crossword Puzzles
Games and Education
9.3
Rate It
App
- A new crossword experience - Challenge yourself with countless puzzles - Relax while exploring...
100% Biodegradable Comic Collection 1
8.0
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Book
The kind of wonderful craziness we've come to demand of the creators involved" - John Freeman, Titan...
Comic
Lifeline...
Games and Entertainment
App
“[A] surprising iPhone and Apple Watch bestseller is pushing the boundaries of fiction” -...
LeftSideCut (3776 KP) rated Last Night in Soho (2021) in Movies
Dec 1, 2021
Straight off the bat, there is a whole lot to love about Last Night in Soho. It's a modern-London thriller with a dashing of supernatural horror. It's a modern horror with lashings of giallo. It's a giallo that is also a murder mystery. It bursting with colour, and has two exceptionally talented actors at it's helm.
I enjoy Anya Taylor-Joy in pretty much anything she's in, and the same applies here, stealing most of the scenes that she's in. Thomasin McKenzie is an infectiously likable protagonist, whether she's battling seedy-men ghosts, or the struggles of going to University in England (the scene near the beginning where she's stuck at a dorm party is a literal nightmare put straight onto the screen if you ask me). She's fantastic here as she was in Jojo Rabbit.
It boasts a strong supporting cast as well. Matt Smith plays a convincing shit-bag, and is quite clearly having a ball shouting in a cockney accent. It's always a pleasure to see Terence Stamp, and of course, Diana Rigg was one of the best in the game, and her performance here in her final role is testament to that.
LNIS is dripping with style, which is to be expected from Edgar Wright, but it's more subtle than a lot of his other works, substituting clever edits, cuts, and comedy for a film that's visual crack with a more serious tone. The vibrancy of its colour pallettes, both in the modern and 60s settings are as important as any character. Every frame feels like it's been lovingly poured over and is cinematic in every sense of the word. It also boasts a stellar soundtrack. I didn't realise how much I fucking love a bit of Cilla Black but here we are.
The only minor gripes I have is that it does drag ever so slightly during the final third. At one point it feels like a natural resolve is near, but then the narrative continues for a while longer before the twists and turns land. It also goes a little slasher-y at one point, which isn't necessarily an issue, but it feels a bit alien to the rest of the vibe (still manages to be a visually striking moment though!)
Overall though, Last Night in Soho is an incredibly engaging and enjoyable thriller, and is a proud addition to both Wright's filmography, and the modern resurgence of top quality horror.
I enjoy Anya Taylor-Joy in pretty much anything she's in, and the same applies here, stealing most of the scenes that she's in. Thomasin McKenzie is an infectiously likable protagonist, whether she's battling seedy-men ghosts, or the struggles of going to University in England (the scene near the beginning where she's stuck at a dorm party is a literal nightmare put straight onto the screen if you ask me). She's fantastic here as she was in Jojo Rabbit.
It boasts a strong supporting cast as well. Matt Smith plays a convincing shit-bag, and is quite clearly having a ball shouting in a cockney accent. It's always a pleasure to see Terence Stamp, and of course, Diana Rigg was one of the best in the game, and her performance here in her final role is testament to that.
LNIS is dripping with style, which is to be expected from Edgar Wright, but it's more subtle than a lot of his other works, substituting clever edits, cuts, and comedy for a film that's visual crack with a more serious tone. The vibrancy of its colour pallettes, both in the modern and 60s settings are as important as any character. Every frame feels like it's been lovingly poured over and is cinematic in every sense of the word. It also boasts a stellar soundtrack. I didn't realise how much I fucking love a bit of Cilla Black but here we are.
The only minor gripes I have is that it does drag ever so slightly during the final third. At one point it feels like a natural resolve is near, but then the narrative continues for a while longer before the twists and turns land. It also goes a little slasher-y at one point, which isn't necessarily an issue, but it feels a bit alien to the rest of the vibe (still manages to be a visually striking moment though!)
Overall though, Last Night in Soho is an incredibly engaging and enjoyable thriller, and is a proud addition to both Wright's filmography, and the modern resurgence of top quality horror.