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Alien Arrival: Salvation or Destruction
Book
Aliens are among us already and their activities have increased enormously with the arrival of the...
UFOs Over Arizona: A True History of Extraterrestrial Encounters in the Grand Canyon State
Book
Arizona has been a UFO hotspot for more than 100 years. This first-time comprehensive history of...
Madam Tulip and the Knave of Hearts (Madam Tulip, #2)
8.0
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Book
When out-of-work actress Derry O'Donnell moonlights as celebrity fortune-teller Madam Tulip in an...
Debbiereadsbook (1197 KP) rated The Game Warden's Mate (The Hunt #1) in Books
Nov 22, 2023
thoroughly enjoyable take on alien abduction!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
As the new game Warden, Xrez must make sure the rules are followed and The Hunt makes a profit. It is, after all, his family's fortune. But somehow, this new Hunt has already broken a rule: no humans, and this Hunt is JUST humans. Esme finds herself, along with the others, on an alien planet, being hunted. The higher up the Game they get, the better their life will be when they get out. But they cannot go home. Xres keeps helping her, and she doesn't know why. Xres can't keep away from Esme, but he's there on false pretenses. When she finds out the truth, will she forgive him?
I thoroughly enjoyed this take on alien kidnapping.
I found Esme to be a strong woman, faced with a good deal of adversity. Being kidnapped will do that to ya! Xres, however, I found a bit of a wet blanket at times and he did grate on my nerves. I mean, what did he expect Esme to do when she discovered his betrayal, hmm??
I did like the way everything played out in the end, though.
It's steamy and smexy in places, and dark and deadly in others. I loved the supporting cast!
Now, when I looked wherever I looked, I couldn't see any others. I've now discovered there are 5 books in this series and I really hope I can get my hands on them! I was intrigued as to who might be next, and I'm so glad. The rest of the series is about the others in this Hunt and the one female who is already in Level Three.
4 very good stars
*same worded review will appear elsewhere
As the new game Warden, Xrez must make sure the rules are followed and The Hunt makes a profit. It is, after all, his family's fortune. But somehow, this new Hunt has already broken a rule: no humans, and this Hunt is JUST humans. Esme finds herself, along with the others, on an alien planet, being hunted. The higher up the Game they get, the better their life will be when they get out. But they cannot go home. Xres keeps helping her, and she doesn't know why. Xres can't keep away from Esme, but he's there on false pretenses. When she finds out the truth, will she forgive him?
I thoroughly enjoyed this take on alien kidnapping.
I found Esme to be a strong woman, faced with a good deal of adversity. Being kidnapped will do that to ya! Xres, however, I found a bit of a wet blanket at times and he did grate on my nerves. I mean, what did he expect Esme to do when she discovered his betrayal, hmm??
I did like the way everything played out in the end, though.
It's steamy and smexy in places, and dark and deadly in others. I loved the supporting cast!
Now, when I looked wherever I looked, I couldn't see any others. I've now discovered there are 5 books in this series and I really hope I can get my hands on them! I was intrigued as to who might be next, and I'm so glad. The rest of the series is about the others in this Hunt and the one female who is already in Level Three.
4 very good stars
*same worded review will appear elsewhere
Wonderputt
Games
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Award winning Adventure Golf with cows, toads, ski slopes, torpedoes and a sprinkle of alien...
The Moths are Real by Serafina Steer
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Serafina Steer plays a harp and sings in a dew-fresh style that lends itself well to storytelling....
Pizza Vs. Skeletons
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40% OFF to celebrate the launch of our latest game, MUL.MASH.TAB.BA.GAL.GAL, for a very limited...
Bob Mann (459 KP) rated Let Him Go (2020) in Movies
Dec 23, 2020
Feud for Thought
After a family tragedy for the Blackledge family, grandparents George (Kevin Costner) and Margaret (Diane Lane) are left to bring up baby Jimmy (Bram and Otto Hornung) with mother/daughter-in-law Lorna (Kayli Carter). But a few years later, Lorna marries bad-un Donnie Weboy (Will Brittain) and disappears back to Donnie's hillbilly extended family in the wilds of North Dakota, led by the fearsome Blanche Weboy (Lesley Manville). Fearing for the child's wellbeing, Margaret drags retired Sheriff George on a dangerous journey to rescue the child.
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
