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Kaz (232 KP) rated White Teeth in Books
May 15, 2019
A Disappointing Read
What the 'blurb' says:
'One of the most talked about debut novels of all time, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book.'
My Thoughts:
This novel has had quite a lot of attention over the past few years, particularly on BookTube. So when I saw it in my local charity shop, I decided to give it a go. I have to admit that upon starting it, I had very high expectations of it, so I was quite disappointed by the end.
First, the positives. This is had some very good writing within it.. The way in which Zadie Smith writes, is funny and the characters were very believable.
But the plot itself, was the main problem I had with this book. At the beginning, certain characters had a lot of attention and their stories seemed to be developing nicely and some of the things that happened to them, were really intense. But then suddenly, all of the focus of this story was completely shifted, onto another character and those who initially seemed important, became secondary characters, who were hardly mentioned in the rest of the book. Then, more and more characters were added, without fully focusing on any one person. This meant that, by the end of the book, even though they believeable, I really didn't feel like I knew any of them
Partly due to this, and the fact that every chapter felt like an individual short story, this made the flow of the plot stop and start all of the time, and, although some chapters were really enjoyable, for me, they didn't link together well.
Randomly also, there were almost essay-like chapters, which talked about the ideas of identity and race within a multicultural society. Even though these were really interesting and thought provoking, they didn't seem to belong within the story itself. So for me, the organization of the plot was really weak.
The most disappointing thing for me, was the end. The different strands of story did kind of come together towards the end. It was all building up to something that I thought, would make a powerful ending.
However, it felt like Zadie Smith had run out of energy by the end and couldn't be bothered to gives us readers a plausible and realistic conclusion. For some characters, they didn't really have any resolution at all. This made me feel frustrated about investing time on this book.
I think this book had some interesting ideas and the style of writing was really good, but the plot was terrible. This is shame, because this could have been brilliant..
My Rating ***
'One of the most talked about debut novels of all time, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book.'
My Thoughts:
This novel has had quite a lot of attention over the past few years, particularly on BookTube. So when I saw it in my local charity shop, I decided to give it a go. I have to admit that upon starting it, I had very high expectations of it, so I was quite disappointed by the end.
First, the positives. This is had some very good writing within it.. The way in which Zadie Smith writes, is funny and the characters were very believable.
But the plot itself, was the main problem I had with this book. At the beginning, certain characters had a lot of attention and their stories seemed to be developing nicely and some of the things that happened to them, were really intense. But then suddenly, all of the focus of this story was completely shifted, onto another character and those who initially seemed important, became secondary characters, who were hardly mentioned in the rest of the book. Then, more and more characters were added, without fully focusing on any one person. This meant that, by the end of the book, even though they believeable, I really didn't feel like I knew any of them
Partly due to this, and the fact that every chapter felt like an individual short story, this made the flow of the plot stop and start all of the time, and, although some chapters were really enjoyable, for me, they didn't link together well.
Randomly also, there were almost essay-like chapters, which talked about the ideas of identity and race within a multicultural society. Even though these were really interesting and thought provoking, they didn't seem to belong within the story itself. So for me, the organization of the plot was really weak.
The most disappointing thing for me, was the end. The different strands of story did kind of come together towards the end. It was all building up to something that I thought, would make a powerful ending.
However, it felt like Zadie Smith had run out of energy by the end and couldn't be bothered to gives us readers a plausible and realistic conclusion. For some characters, they didn't really have any resolution at all. This made me feel frustrated about investing time on this book.
I think this book had some interesting ideas and the style of writing was really good, but the plot was terrible. This is shame, because this could have been brilliant..
My Rating ***
Hazel (1853 KP) rated Welcome to Nowhere in Books
May 24, 2017
Contemporary War
This ARC was provided by the publisher via NetGalley in exchange for an honest review
The eximious children’s author, Elizabeth Laird, is continuing with her magnificent streak of prize-worthy novels. Her soon to be published book Welcome to Nowhere will be eagerly consumed by fans and new-readers alike. With a contemporary setting and shocking truths, young readers will become more aware of the events happening near and far.
Omar is only twelve, yet has a life style that will seem alien to the majority of readers. Living in Syria, Omar works to earn a wage as well as attends school, whilst also helping to care for his Cerebral-Palsy-suffering brother and three other siblings. Although Omar’s life is not easy, it is preferable to the events he is soon about to witness.
In March 2011, Syria broke out in civil war after the daring behaviour of a couple of schoolboys. After these vandals scrawled the phrase “the people want the regime to change” onto a wall, the government decided to fight back. With shootings regularly occurring in the streets, and bombs falling on houses, Omar and his family flee their city home to live with family in the countryside. However, they cannot stay there for long before danger finds them again. Running from the enemy, Omar and family find themselves on the streets with thousands of other refugees. But, where can they go when they have nowhere to call home?
Although Welcome to Nowhere is set before the development of the extreme Muslim group, ISIS, Elizabeth Laird provides an accurate description of the lives of Syrians and refugees at this present moment. Most young readers, and possibly many adults, may not understand what caused the current refugee crisis and may even regard them as the enemy. This book will open hearts and minds after revealing the terror and destruction thousands of people have faced, their experience of refugee camps and their desperation to be able to live in safety.
As well as revealing truths about the situation in the Middle East, Welcome to Nowhere educates the reader on the customs and beliefs of average Muslim families. Although slightly antiquated – men dominate over women – they are not all that different to the Western world. Omar wants to become a successful businessman, whilst his sister is desperate to go to school and university. Laird also writes of scenarios that are not unique to Syrian citizens, in particular medical conditions such as Cerebral Palsy and the way these people are attacked by social stigmas.
Whilst not labeling this book as ‘exciting’, Welcome to Nowhere is a story that will engage the readers’ attention. As a book with both entertainment and educational value, Elizabeth Laird’s latest book is worthy of significant praise. It is not often that a writer will dare to reveal the gritty truth about the current situation in the world, and thus Laird must be commended for persevering with such a difficult, challenging story. Although targeted at young adults (ages 12+), older readers will also enjoy and learn from this exceptional novel.
The eximious children’s author, Elizabeth Laird, is continuing with her magnificent streak of prize-worthy novels. Her soon to be published book Welcome to Nowhere will be eagerly consumed by fans and new-readers alike. With a contemporary setting and shocking truths, young readers will become more aware of the events happening near and far.
Omar is only twelve, yet has a life style that will seem alien to the majority of readers. Living in Syria, Omar works to earn a wage as well as attends school, whilst also helping to care for his Cerebral-Palsy-suffering brother and three other siblings. Although Omar’s life is not easy, it is preferable to the events he is soon about to witness.
In March 2011, Syria broke out in civil war after the daring behaviour of a couple of schoolboys. After these vandals scrawled the phrase “the people want the regime to change” onto a wall, the government decided to fight back. With shootings regularly occurring in the streets, and bombs falling on houses, Omar and his family flee their city home to live with family in the countryside. However, they cannot stay there for long before danger finds them again. Running from the enemy, Omar and family find themselves on the streets with thousands of other refugees. But, where can they go when they have nowhere to call home?
Although Welcome to Nowhere is set before the development of the extreme Muslim group, ISIS, Elizabeth Laird provides an accurate description of the lives of Syrians and refugees at this present moment. Most young readers, and possibly many adults, may not understand what caused the current refugee crisis and may even regard them as the enemy. This book will open hearts and minds after revealing the terror and destruction thousands of people have faced, their experience of refugee camps and their desperation to be able to live in safety.
As well as revealing truths about the situation in the Middle East, Welcome to Nowhere educates the reader on the customs and beliefs of average Muslim families. Although slightly antiquated – men dominate over women – they are not all that different to the Western world. Omar wants to become a successful businessman, whilst his sister is desperate to go to school and university. Laird also writes of scenarios that are not unique to Syrian citizens, in particular medical conditions such as Cerebral Palsy and the way these people are attacked by social stigmas.
Whilst not labeling this book as ‘exciting’, Welcome to Nowhere is a story that will engage the readers’ attention. As a book with both entertainment and educational value, Elizabeth Laird’s latest book is worthy of significant praise. It is not often that a writer will dare to reveal the gritty truth about the current situation in the world, and thus Laird must be commended for persevering with such a difficult, challenging story. Although targeted at young adults (ages 12+), older readers will also enjoy and learn from this exceptional novel.
Gareth von Kallenbach (971 KP) rated Divergent (2014) in Movies
Aug 6, 2019
One Choice, decided your friends. One Choice, defines your beliefs. One Choice, determines your loyalties – Forever. ONCE CHOICE CAN TRANSFORM YOU”
Beatrice Prior lives in a futuristic version of Chicago wherein it is divided into five different distinct factions. Each faction is dedicated to following one single virtue. The first faction is Abnegation, known as the “stiffs” of the community. It was formed by those who blame selfishness for human nature’s errors; thereby eliminating anything that can be seen as being selfish. Dauntless was formed by those who blamed cowardice for society’s problems; thereby finding bravery by facing ones fears. Erudite- the “brains” of the operation. Run by those who blamed human ignorance for the faults of society. They formed Erudite as a way of eliminating ignorance and darkness from human minds. Amity- the “flower children” who dislike war, was formed in order to keep a peaceful society that would be free from conflict and sadness caused by wars and instigation. Candor- a faction formed by those who blame duplicity and deception, who believe that dishonesty is the key fault in human nature which began evil and war. There are also those who do not fit into any of the factions. Those people are called The Factionless and are people who are poor and live on the streets. There are few who possess the traits of all five factions. They are called The Divergent. Being a Divergent is considered extremely dangerous because their minds can not be controlled.
The only way to find out which faction one belongs to is by taking an aptitude test. It’s not until the ceremony that a person chooses to join a faction according to the test results. Beatrice doesn’t have the luxury of knowing which faction she belongs to because her test results came back as inconclusive meaning she is in fact a Divergent. She chooses to leave her mother and father behind in Abnegation and decides to join Dauntless while her brother is placed into Erudite. The family is torn apart without knowing her secret of being a Divergent. After she arrives into Dauntless she is forced to be brave by overcoming obstacles, finding love and making friends while finding herself in a war that tries to overthrow the government.
I was pleasantly surprised with how much action this film has. Without reading the books prior to screening the film, it is hard to say if the film follows closely to the book Honestly I did not have high hopes for the film and I’m not sure why other than its story being somewhat similar to The Hunger Games in all of its dystopian glory. I am glad to report that though the two stories are alike they are unique in their own way. One is not better than the other, they are just different and should not be misconstrued as being the same type of story. The acting is exceptional! The actors are perfect at portraying their characters. After being sucked in from beginning to end it not only left me wanting more but it left me wanting to know the characters more. I am left with wanting to read the series of books that much more!
“I feel like someone breathed new air into my lungs. I am not Abnegation. I am not Dauntless.
I am Divergent.”
Beatrice Prior lives in a futuristic version of Chicago wherein it is divided into five different distinct factions. Each faction is dedicated to following one single virtue. The first faction is Abnegation, known as the “stiffs” of the community. It was formed by those who blame selfishness for human nature’s errors; thereby eliminating anything that can be seen as being selfish. Dauntless was formed by those who blamed cowardice for society’s problems; thereby finding bravery by facing ones fears. Erudite- the “brains” of the operation. Run by those who blamed human ignorance for the faults of society. They formed Erudite as a way of eliminating ignorance and darkness from human minds. Amity- the “flower children” who dislike war, was formed in order to keep a peaceful society that would be free from conflict and sadness caused by wars and instigation. Candor- a faction formed by those who blame duplicity and deception, who believe that dishonesty is the key fault in human nature which began evil and war. There are also those who do not fit into any of the factions. Those people are called The Factionless and are people who are poor and live on the streets. There are few who possess the traits of all five factions. They are called The Divergent. Being a Divergent is considered extremely dangerous because their minds can not be controlled.
The only way to find out which faction one belongs to is by taking an aptitude test. It’s not until the ceremony that a person chooses to join a faction according to the test results. Beatrice doesn’t have the luxury of knowing which faction she belongs to because her test results came back as inconclusive meaning she is in fact a Divergent. She chooses to leave her mother and father behind in Abnegation and decides to join Dauntless while her brother is placed into Erudite. The family is torn apart without knowing her secret of being a Divergent. After she arrives into Dauntless she is forced to be brave by overcoming obstacles, finding love and making friends while finding herself in a war that tries to overthrow the government.
I was pleasantly surprised with how much action this film has. Without reading the books prior to screening the film, it is hard to say if the film follows closely to the book Honestly I did not have high hopes for the film and I’m not sure why other than its story being somewhat similar to The Hunger Games in all of its dystopian glory. I am glad to report that though the two stories are alike they are unique in their own way. One is not better than the other, they are just different and should not be misconstrued as being the same type of story. The acting is exceptional! The actors are perfect at portraying their characters. After being sucked in from beginning to end it not only left me wanting more but it left me wanting to know the characters more. I am left with wanting to read the series of books that much more!
“I feel like someone breathed new air into my lungs. I am not Abnegation. I am not Dauntless.
I am Divergent.”
Movie Metropolis (309 KP) rated 2012 (2009) in Movies
Jun 10, 2019
Roland Emmerich does big budget disaster flicks as well as Dairylea does cheese. However, some of his most recent attempts to dominate the box office have been panned by viewers and critics alike, who say that he has become too reliant on special effects.
Unfortunately, those critics better look away now, as his new film is the biggest yet.
2012 takes place, well, in 2012 for the most part and features an array of big Hollywood names attracted none the less by the huge box office forecasts for the film. The premise is simple; here comes the end of the world and god should we run!
With a reported budget of over $200m which is more than Michael Bay spent on his worldwide smash Transformers: Revenge of the fallen, Emmerich was certainly able to splash out on some eye popping CGI.
2012 reads like The Day After Tomorrow on a steroid, which is no bad thing, but that film had some hideously underdeveloped characters and lacked the depth needed to allow viewers to share compassion for the people who had been affected by the global crisis.
Thankfully it seems that Emmerich has learnt his lesson here and has provided us with a back-story and it comes in many different forms. Thandie Newton and Danny Glover play president’s daughter and president respectively, a great deal of emotion has gone into writing these two characters and their on-screen scenes together, albeit a small amount, are wonderful.
John Cusack and Amanda Peet play divorced parents Jackson and Kate, only united by the love they share for their two young children and predictably later on in the film, a few deeper emotions. Unfortunately these two share no chemistry together and their on-screen scenes are flawed as a result.
2012 doesn’t have a huge deal of character development but it does improve on what was seen in The Day After Tomorrow and more recently, 10,000BC, with a deeper understanding of the characters. It ultimately succeeds in making the viewers share compassion for even the heartless characters in the film.
Moving on to the saving grace of all disaster films; the special effects, fans of major cities being destroyed are going to be pleased here with some eye-watering action pieces really showing why perhaps Emmerich overshadows even Michael Bay and has become the king of destroying anything that can be destroyed. There are a few questionable scenes, which look rather less than realistic, but this is a small point that doesn’t need to be taken into account.
Whilst all this may seem excellent, it all feels familiar, it’s all been seen and done before, so in reality 2012 adds nothing new to the genre which is unfortunate because it really is an excellent film.
Overall, 2012 is a mouth-watering treat in cinema engineering, apart from some lapses in scientific accuracy and some shaky special effects; it surpasses The Day After Tomorrow and similar disaster films by sheer depth. On the downside it adds nothing new to the formula, but if you want sheer popcorn fodder then please, look no further.
https://moviemetropolis.net/2010/10/18/2012-2009/
Unfortunately, those critics better look away now, as his new film is the biggest yet.
2012 takes place, well, in 2012 for the most part and features an array of big Hollywood names attracted none the less by the huge box office forecasts for the film. The premise is simple; here comes the end of the world and god should we run!
With a reported budget of over $200m which is more than Michael Bay spent on his worldwide smash Transformers: Revenge of the fallen, Emmerich was certainly able to splash out on some eye popping CGI.
2012 reads like The Day After Tomorrow on a steroid, which is no bad thing, but that film had some hideously underdeveloped characters and lacked the depth needed to allow viewers to share compassion for the people who had been affected by the global crisis.
Thankfully it seems that Emmerich has learnt his lesson here and has provided us with a back-story and it comes in many different forms. Thandie Newton and Danny Glover play president’s daughter and president respectively, a great deal of emotion has gone into writing these two characters and their on-screen scenes together, albeit a small amount, are wonderful.
John Cusack and Amanda Peet play divorced parents Jackson and Kate, only united by the love they share for their two young children and predictably later on in the film, a few deeper emotions. Unfortunately these two share no chemistry together and their on-screen scenes are flawed as a result.
2012 doesn’t have a huge deal of character development but it does improve on what was seen in The Day After Tomorrow and more recently, 10,000BC, with a deeper understanding of the characters. It ultimately succeeds in making the viewers share compassion for even the heartless characters in the film.
Moving on to the saving grace of all disaster films; the special effects, fans of major cities being destroyed are going to be pleased here with some eye-watering action pieces really showing why perhaps Emmerich overshadows even Michael Bay and has become the king of destroying anything that can be destroyed. There are a few questionable scenes, which look rather less than realistic, but this is a small point that doesn’t need to be taken into account.
Whilst all this may seem excellent, it all feels familiar, it’s all been seen and done before, so in reality 2012 adds nothing new to the genre which is unfortunate because it really is an excellent film.
Overall, 2012 is a mouth-watering treat in cinema engineering, apart from some lapses in scientific accuracy and some shaky special effects; it surpasses The Day After Tomorrow and similar disaster films by sheer depth. On the downside it adds nothing new to the formula, but if you want sheer popcorn fodder then please, look no further.
https://moviemetropolis.net/2010/10/18/2012-2009/
Gareth von Kallenbach (971 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jul 2, 2019
This is the Spider-Man movie that we deserved.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
Movie Metropolis (309 KP) rated The Hunger Games (2012) in Movies
Jun 10, 2019
Director Gary Ross had his work cut out trying to create a film which brought to life the startling realism of Suzanne Collins’ successful trilogy of novels and here we have the first, The Hunger Games.
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/
This is both a very unique and fairly faithful retelling of the classic Beauty and the Beast fairytale. Hunted takes place in Russia and our main character Yeva (Beauty) is a huntress. She is headstrong, kind, caring, has a bit of a temper and can be vengeful - but overall I quite liked her character.
Like the classic tale, Beauty is the youngest of three sisters and daughter of a merchant. In some versions, she also has three brothers and her sisters are unkind - but that is not the case in this retelling. They live in a nice house until a shipping gamble costs them everything. They are forced to move to their father's old hunting cabin, which is a three-day walk from their current home. Her father used to be a hunter, but his wife believed that it was too dangerous and asked him to stop. Despite that, as a child Beauty was allowed to go hunting with her father and learned to love it. Unfortunately, as she grew her father decided that it was not the way a lady should purport herself and no longer allowed her to hunt.
After the loss of their fortune, Yeva and her family must learn to make due with less. Her father takes up hunting again and goes off to catch game for them to store for the winter. Unfortunately, when he returns he is distraught and swears that the Beast he saw when he was younger is stalking him. When he doesn't return from his second trip, Yeva sets out to find him and this is where the story adopts some significantly different elements from the original tale.
In the original, the father enters a castle and accepts his host's hospitality, but upon leaving takes a single rose for his daughter Beauty and is told he has a choice. He shall either be condemned to death for it or he must stay in the castle. While these are not the events that lead to Yeva's time in the castle, nevertheless she ends up imprisoned there. Over time, she and the Beast grow to know one another - but her treatment isn't as kind overall as the original.
I really enjoyed the tales that Yeva told while she was in captivity because they built the lore of the world and gave us a look into what the characters had grown up listening to. Although Yeva spent most of her time as the castle, I do wish that we were able to get to know the other characters like her sisters a little better. They seem very kind, but relatively one-dimensional. As a result of the Beast's curse, I don't feel like we got to know him as well as we could have. I would have loved to watch him grow and connect with him as Yeva does so that I could feel that </i>yes, they could fall in love.</i> I liked Yeva, but her dog Doe-Eyes was probably my favourite character. The dog was so cheerful and loyal that you couldn't help but love her.
The world that Yeva knows is not one we get to see very often in young adult literature. It is a melding of Russia, with its unique environment and folklore, with a more fantastical world. Yeva tells tales of the Firebird, sees a creature that is half dragon and half woman, and learns to listen to the music of that other world. The world itself reminds me a lot of the Grisha trilogy, although the plots and characters are nothing alike. I would love to experience more of the lore that built this enchanted world in the form of novellas.
I would highly recommend this to young adult/teen readers who enjoy fairytales and retellings, especially ones with a unique take on the tale that includes a lot of culture and lore.
Like the classic tale, Beauty is the youngest of three sisters and daughter of a merchant. In some versions, she also has three brothers and her sisters are unkind - but that is not the case in this retelling. They live in a nice house until a shipping gamble costs them everything. They are forced to move to their father's old hunting cabin, which is a three-day walk from their current home. Her father used to be a hunter, but his wife believed that it was too dangerous and asked him to stop. Despite that, as a child Beauty was allowed to go hunting with her father and learned to love it. Unfortunately, as she grew her father decided that it was not the way a lady should purport herself and no longer allowed her to hunt.
After the loss of their fortune, Yeva and her family must learn to make due with less. Her father takes up hunting again and goes off to catch game for them to store for the winter. Unfortunately, when he returns he is distraught and swears that the Beast he saw when he was younger is stalking him. When he doesn't return from his second trip, Yeva sets out to find him and this is where the story adopts some significantly different elements from the original tale.
In the original, the father enters a castle and accepts his host's hospitality, but upon leaving takes a single rose for his daughter Beauty and is told he has a choice. He shall either be condemned to death for it or he must stay in the castle. While these are not the events that lead to Yeva's time in the castle, nevertheless she ends up imprisoned there. Over time, she and the Beast grow to know one another - but her treatment isn't as kind overall as the original.
I really enjoyed the tales that Yeva told while she was in captivity because they built the lore of the world and gave us a look into what the characters had grown up listening to. Although Yeva spent most of her time as the castle, I do wish that we were able to get to know the other characters like her sisters a little better. They seem very kind, but relatively one-dimensional. As a result of the Beast's curse, I don't feel like we got to know him as well as we could have. I would have loved to watch him grow and connect with him as Yeva does so that I could feel that </i>yes, they could fall in love.</i> I liked Yeva, but her dog Doe-Eyes was probably my favourite character. The dog was so cheerful and loyal that you couldn't help but love her.
The world that Yeva knows is not one we get to see very often in young adult literature. It is a melding of Russia, with its unique environment and folklore, with a more fantastical world. Yeva tells tales of the Firebird, sees a creature that is half dragon and half woman, and learns to listen to the music of that other world. The world itself reminds me a lot of the Grisha trilogy, although the plots and characters are nothing alike. I would love to experience more of the lore that built this enchanted world in the form of novellas.
I would highly recommend this to young adult/teen readers who enjoy fairytales and retellings, especially ones with a unique take on the tale that includes a lot of culture and lore.
Mothergamer (1517 KP) rated the PC version of The Elder Scrolls V: Skyrim in Video Games
Apr 3, 2019
I know. How is it that I had never played Skyrim until now? Many of my friends asked this. The only answer I have is that I had a ton of other games I was playing at the time so I just never got around to it. With the remaster, I figured this would be a great time to play it so I got the special edition for PS4 and I was excited to start my adventure.
Having ten different races to choose from is very cool and I decided on Wood Elf for my first play through, but for my next one I do want to play as a Khajiit (cat race) because they sound quite interesting. I was a little disappointed while creating my Wood Elf that the faces looked rather harsh and every expression looked like she was angry and ready to smash your face. It wasn't a big deal, but I wondered about the idea behind that design. Having played Elder Scrolls Online, the character design for the Elves has improved a lot, so maybe it had something to do with their design engine.
I did manage to create my character the way I liked eventually and once I was satisfied, I decided it was time for Pirotess to start her adventure (yes, I'm a Record of Lodoss War fan so I'm always Pirotess) and start exploring the world of Tamriel.
My Wood Elf Pirotess, ready for adventure!
There is so much to see and do in Skyrim. The game itself is huge and then you add the DLCs and there's even more to do. I got the initial introduction tutorial out of the way and the set up for the main story and then I ran around picking up quests. Between the radiant quests, side quests, and guild quests you never run out of adventures. I liked the Thieves Guild quests a lot because the story line for it was interesting. The Dark Brotherhood quests were also fun to do because of the great story content. My favorite armor was the Nightingale armor which was a reward for completing the Thieves Guild story line. I also liked my Dark Brotherhood mount which I jokingly called demon horse. His name was Shadowmere however and he was cool. He would go everywhere with me and he would even fight enemies with me which I thought was fantastic.
The Nightingale armor is the best!
If you want to take a break from adventuring, you can do things like crafting or build your own house with the Hearthfire DLC. You can also get married and adopt children with Hearthfire. This was one of the things that I found showed off the beauty of the gameplay in Skyrim. You can do as much or as little of the main story quests as you want. You can just run around crafting things, do side quests, or go hunting dragons. It's entirely up to you and gives you a vast amount of freedom for exploration and discovery. For me, it made the game a lot of fun and I just enjoyed running around discovering new places.
I also loved battling all the dragons and finding all the dragon shouts for my Dragonborn character. The battles are epic and the controls handle very smoothly. I love it when a game has great game controls and good camera angles. It definitely makes fighting a huge dragon easier. I enjoyed playing with all the different dragon shouts seeing what each one did. My favorites were frost breath and dragon aspect. Because of that exploration freedom level grinding was not a chore at all. I was just having fun and enjoying the game.
Taking down a dragon.
The environments are beautiful. I would find myself stopping often just to look around the different areas I was in because they are so well done. Whether it was a forest, snowy peak, or Dwarven ruin it always looked amazing and no two places looked alike. The musical soundtrack is amazing too setting the right atmosphere for each moment in the game.
You get followers too, but you can only have one at a time with you. Unfortunately if they die, they're dead for good unless you have the mods. I learned that the hard way with a couple of mine as they suffered from death by dragon. Most of the time, I just wandered alone because sometimes the followers would do stupid things like step on a switch and set off a trap. Once in a while I would take a follower with me just to change things up, usually a mage because they were useful for fighting dragons.
A beautiful view in Skyrim.
I enjoyed the main story in Skyrim as well. The lore was intriguing and some of the reveals about certain characters made for a great story. I also liked that a couple of the dragons were allies of a sort. I thought the dragon Paarthurnax was very cool and learning a few dragon shouts from him was fun. I was also thrilled that Pirotess got to fly on a dragon also. It was quite a sight! I finished the main story and it was a great finish to a fantastic story.
Pirotess chatting with Paarthurnax.
While the main story is finished, there's still a ton of things for me to do. I'm currently playing the Dawnguard and Dragonborn DLC as well as more side quests. I'm also enjoying crafting and building my houses with the Hearthfire DLC. For me, Skyrim is a blast to play and I love that there's always something going on and I continue to explore and have fun. There's always interesting things to see and I can't wait to play as a Khajiit for my next play through. Skyrim is a great game and I'm glad I finally got a chance to play it.
Having ten different races to choose from is very cool and I decided on Wood Elf for my first play through, but for my next one I do want to play as a Khajiit (cat race) because they sound quite interesting. I was a little disappointed while creating my Wood Elf that the faces looked rather harsh and every expression looked like she was angry and ready to smash your face. It wasn't a big deal, but I wondered about the idea behind that design. Having played Elder Scrolls Online, the character design for the Elves has improved a lot, so maybe it had something to do with their design engine.
I did manage to create my character the way I liked eventually and once I was satisfied, I decided it was time for Pirotess to start her adventure (yes, I'm a Record of Lodoss War fan so I'm always Pirotess) and start exploring the world of Tamriel.
My Wood Elf Pirotess, ready for adventure!
There is so much to see and do in Skyrim. The game itself is huge and then you add the DLCs and there's even more to do. I got the initial introduction tutorial out of the way and the set up for the main story and then I ran around picking up quests. Between the radiant quests, side quests, and guild quests you never run out of adventures. I liked the Thieves Guild quests a lot because the story line for it was interesting. The Dark Brotherhood quests were also fun to do because of the great story content. My favorite armor was the Nightingale armor which was a reward for completing the Thieves Guild story line. I also liked my Dark Brotherhood mount which I jokingly called demon horse. His name was Shadowmere however and he was cool. He would go everywhere with me and he would even fight enemies with me which I thought was fantastic.
The Nightingale armor is the best!
If you want to take a break from adventuring, you can do things like crafting or build your own house with the Hearthfire DLC. You can also get married and adopt children with Hearthfire. This was one of the things that I found showed off the beauty of the gameplay in Skyrim. You can do as much or as little of the main story quests as you want. You can just run around crafting things, do side quests, or go hunting dragons. It's entirely up to you and gives you a vast amount of freedom for exploration and discovery. For me, it made the game a lot of fun and I just enjoyed running around discovering new places.
I also loved battling all the dragons and finding all the dragon shouts for my Dragonborn character. The battles are epic and the controls handle very smoothly. I love it when a game has great game controls and good camera angles. It definitely makes fighting a huge dragon easier. I enjoyed playing with all the different dragon shouts seeing what each one did. My favorites were frost breath and dragon aspect. Because of that exploration freedom level grinding was not a chore at all. I was just having fun and enjoying the game.
Taking down a dragon.
The environments are beautiful. I would find myself stopping often just to look around the different areas I was in because they are so well done. Whether it was a forest, snowy peak, or Dwarven ruin it always looked amazing and no two places looked alike. The musical soundtrack is amazing too setting the right atmosphere for each moment in the game.
You get followers too, but you can only have one at a time with you. Unfortunately if they die, they're dead for good unless you have the mods. I learned that the hard way with a couple of mine as they suffered from death by dragon. Most of the time, I just wandered alone because sometimes the followers would do stupid things like step on a switch and set off a trap. Once in a while I would take a follower with me just to change things up, usually a mage because they were useful for fighting dragons.
A beautiful view in Skyrim.
I enjoyed the main story in Skyrim as well. The lore was intriguing and some of the reveals about certain characters made for a great story. I also liked that a couple of the dragons were allies of a sort. I thought the dragon Paarthurnax was very cool and learning a few dragon shouts from him was fun. I was also thrilled that Pirotess got to fly on a dragon also. It was quite a sight! I finished the main story and it was a great finish to a fantastic story.
Pirotess chatting with Paarthurnax.
While the main story is finished, there's still a ton of things for me to do. I'm currently playing the Dawnguard and Dragonborn DLC as well as more side quests. I'm also enjoying crafting and building my houses with the Hearthfire DLC. For me, Skyrim is a blast to play and I love that there's always something going on and I continue to explore and have fun. There's always interesting things to see and I can't wait to play as a Khajiit for my next play through. Skyrim is a great game and I'm glad I finally got a chance to play it.
Night Reader Reviews (683 KP) rated Three Black Boys: Tomorrow After Supper in Books
Apr 6, 2020
Honest Review for Free Copy of Book
Three Black Boys: Tomorrow After Supper Volume 1 by Zangba Thomson is two books in one or it could be considered two parts of one book. This is one book that you do not want to dismiss out of turn because it just may surprise you.
Barnes, Demus, and Baker are three young black boys living in Southside Jamaica Queens, New York. The three boys are close friends and spend a lot of time together. They all have dreams of their own but their living situations make it hard for them to realize their dreams. Barnes spends his time spelling drugs and instruments of death to provide for himself and his sick mother. However, things change when Barnes takes his mother to a doctor and discovers that she has Black Fever Disease and will die in a month or less if she doesn't get a liver transplant that will cost a quarter of a million dollars. Branes, wanting to save his mother’s life, convinces his friends to help him get the money in the only way they know how, robbery.
Tomorrow After Supper is when Barnes, Demus, and Baker have a chance to redeem themselves since their intentions where pure. Ego has stollen the cosmic melatonin tree which provides everyone on Earth with their immune system and released a Death Virus on the planet. It is up to the Three Black Boys to recover the tree before everyone dies and Ego takes over.
This book not only exposes a disease (Black Fever Disease) that few have even heard of but shows how desperate things can get for those living on a low income or in poverty. The second half of the book is just as interesting and entertaining (also reminded me of Dante's Inferno) as the boys get a chance to redeem themselves. Some of the characters I was not able to fully connect into the story. The detectives and Ten-Ten Winz could have used more backstory as to how they are connected to the Three Black Boys and what they were doing. Also, some of the languages was a bit different for me.
Adults and young adults alike will enjoy this book, providing they don’t dismiss it out of turn. It would probably be fine for even middle school-aged children to read. It is very little in the lines of rough language and I believe most who read this will be impressed. I rate it 3 out of 4. Overall it had a great plot to it. Unfortunately, since a few of the characters confused me a bit I can not give it full points. This goes for both the original book and Tomorrow After Supper. I will admit I ended up looking up Black Fever Disease after reading this book.
Edited to add: I have read over some other reviews of this book and noticed that the second section seems to get a negative review in favor of the more realistic and serious first section. I enjoyed both sections equally. I feel like the second relies much heavier on symbolism and can understand how some who only read the section at face value could have found it lacking.
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https://smashbomb.com/nightreader
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Barnes, Demus, and Baker are three young black boys living in Southside Jamaica Queens, New York. The three boys are close friends and spend a lot of time together. They all have dreams of their own but their living situations make it hard for them to realize their dreams. Barnes spends his time spelling drugs and instruments of death to provide for himself and his sick mother. However, things change when Barnes takes his mother to a doctor and discovers that she has Black Fever Disease and will die in a month or less if she doesn't get a liver transplant that will cost a quarter of a million dollars. Branes, wanting to save his mother’s life, convinces his friends to help him get the money in the only way they know how, robbery.
Tomorrow After Supper is when Barnes, Demus, and Baker have a chance to redeem themselves since their intentions where pure. Ego has stollen the cosmic melatonin tree which provides everyone on Earth with their immune system and released a Death Virus on the planet. It is up to the Three Black Boys to recover the tree before everyone dies and Ego takes over.
This book not only exposes a disease (Black Fever Disease) that few have even heard of but shows how desperate things can get for those living on a low income or in poverty. The second half of the book is just as interesting and entertaining (also reminded me of Dante's Inferno) as the boys get a chance to redeem themselves. Some of the characters I was not able to fully connect into the story. The detectives and Ten-Ten Winz could have used more backstory as to how they are connected to the Three Black Boys and what they were doing. Also, some of the languages was a bit different for me.
Adults and young adults alike will enjoy this book, providing they don’t dismiss it out of turn. It would probably be fine for even middle school-aged children to read. It is very little in the lines of rough language and I believe most who read this will be impressed. I rate it 3 out of 4. Overall it had a great plot to it. Unfortunately, since a few of the characters confused me a bit I can not give it full points. This goes for both the original book and Tomorrow After Supper. I will admit I ended up looking up Black Fever Disease after reading this book.
Edited to add: I have read over some other reviews of this book and noticed that the second section seems to get a negative review in favor of the more realistic and serious first section. I enjoyed both sections equally. I feel like the second relies much heavier on symbolism and can understand how some who only read the section at face value could have found it lacking.
https://www.facebook.com/nightreaderreviews/
https://smashbomb.com/nightreader
https://nightreaderreviews.blogspot.com/
Chris Sawin (602 KP) rated Batman Gotham Knight (2008) in Movies
Jun 18, 2019
Batman: Gotham Knight was originally advertised as an animated feature that bridged the gap between Batman Begins and The Dark Knight, but it’s more of a Batman in his early stages becoming the legendary crime fighting vigilante he’s known as today. There are six segments in total with each segment having a different production studio.
The first segment is entitled, “Have I Got a Story For You,” and it’s written by Josh Olson (A History of Violence) and animated by Studio 4°C (Berserk: Golden Age Arc, Mind Game). The segment follows a boy who is waiting for his friends to arrive. Once they do, each of them tells a different story relating to what incredible Batman incident they witnessed that day. Each retelling is farfetched in its own way as this story capitalizes on teenagers stretching the truth and having overactive imaginations. Their day doesn’t seem to be finished though as the fight they all witnessed makes its way to their local hangout; the skate park.
“Crossfire” is written by Greg Rucka (Gotham, Jessica Jones) and animated by Production I.G. (FLCL, Ghost in the Shell: Stand Alone Complex). This segment focuses on Chris and Anna being a part of Lieutenant Gordon’s MCU (Major Crime Unit). Chris thinks Batman is a vigilante that takes the law into his hands while Anna is still unsure about him and is just thankful that good cops that know how to do their job are actually being respected now that Batman has become part of the picture. After taking a recent Arkham escapee back to the asylum, Chris and Anna soon realize that they’re stuck in the middle of a gang war between Sal Maroni and The Russian.
“Field Test” is written by Jordan Goldberg (Westworld) and animated by Bee Train (.hack//Sign, Blade of the Immortal). Lucius Fox is showing Bruce Wayne some new gadgets. Amongst them is a harness equipped with an electromagnetic pulse strong enough to deflect bullets. Batman decides to test it out with Maroni, The Russian, and his goons. Everything seems to be going well until Batman encounters a glitch.
“In Darkness Dwells” is written by David S. Goyer (the Blade franchise, Man of Steel) and animated by Madhouse (One Punch Man, Death Note). Everyone is hunting Killer Croc. For this story, Croc is a former patient of Jonathan Crane/The Scarecrow and one of the reasons he was admitted to Dr. Crane was for his fear of bats.
“Working Through Pain” is written by Brian Azzarello (Batman: The Killing Joke) and animated by Studio 4°C. Batman is injured on what seems like any other night he puts his mask on. His tenacity takes center stage as you witness how often he struggles with nightly injuries. There are also flashbacks to his past that illustrate the difference between exterior and interior pain. There’s a way to put pain in its place and this is how Bruce Wayne found out how.
“Deadshot” is written by Alan Burnett (Batman: Mask of the Phantasm) and animated by Madhouse. Deadshot has returned to Gotham and has set his sights on Jim Gordon, but he looks to have ulterior motives. You also learn about how Bruce Wayne feels about guns.
Gotham Knight is superbly animated and has an accessible flow to it despite its various stories and alternating casts. The animation is fantastic as everything moves crisply and smoothly. The artistic style may change from story to story, but the voice cast is the same throughout. While each individual story has its own narrative to tell, everything is connected in some way that flows together nicely. This was one of the first times Kevin Conroy returned to voice Batman and his voice has become the iconic Batman voice for anyone who grew up watching Batman: The Animated Series. Hearing Conroy as Batman is like a homecoming in so many ways.
Whether you’re an anime fan, a Batman fan, or you’re looking for something new to catch your eye, Gotham Knight is worthwhile for animation and comic book fans alike. The animation is beautiful and the stories are enticing enough to keep you interested throughout. Kevin Conroy is the real drawing point here, but the rest of the voice cast is solid, as well. The Batman Begins/The Dark Knight connections are mostly hogwash as the animated feature adds nothing to Christopher Nolan’s Batman universe, but is an entertaining way to spend 76-minutes nevertheless.
Batman: Gotham Knight is available to stream on Amazon Prime, YouTube, Vudu, and Google Play for $2.99 and iTunes for $3.99. The Multi-Format Blu-ray is available on Amazon for $7.32 and as a double feature Blu-ray with Batman: Year One for $17.97. The Gotham Knight/Year One Blu-ray is $9.08 on eBay and the Multi-Format Blu-ray is $6.99; both are in brand new condition and both have free shipping.
The first segment is entitled, “Have I Got a Story For You,” and it’s written by Josh Olson (A History of Violence) and animated by Studio 4°C (Berserk: Golden Age Arc, Mind Game). The segment follows a boy who is waiting for his friends to arrive. Once they do, each of them tells a different story relating to what incredible Batman incident they witnessed that day. Each retelling is farfetched in its own way as this story capitalizes on teenagers stretching the truth and having overactive imaginations. Their day doesn’t seem to be finished though as the fight they all witnessed makes its way to their local hangout; the skate park.
“Crossfire” is written by Greg Rucka (Gotham, Jessica Jones) and animated by Production I.G. (FLCL, Ghost in the Shell: Stand Alone Complex). This segment focuses on Chris and Anna being a part of Lieutenant Gordon’s MCU (Major Crime Unit). Chris thinks Batman is a vigilante that takes the law into his hands while Anna is still unsure about him and is just thankful that good cops that know how to do their job are actually being respected now that Batman has become part of the picture. After taking a recent Arkham escapee back to the asylum, Chris and Anna soon realize that they’re stuck in the middle of a gang war between Sal Maroni and The Russian.
“Field Test” is written by Jordan Goldberg (Westworld) and animated by Bee Train (.hack//Sign, Blade of the Immortal). Lucius Fox is showing Bruce Wayne some new gadgets. Amongst them is a harness equipped with an electromagnetic pulse strong enough to deflect bullets. Batman decides to test it out with Maroni, The Russian, and his goons. Everything seems to be going well until Batman encounters a glitch.
“In Darkness Dwells” is written by David S. Goyer (the Blade franchise, Man of Steel) and animated by Madhouse (One Punch Man, Death Note). Everyone is hunting Killer Croc. For this story, Croc is a former patient of Jonathan Crane/The Scarecrow and one of the reasons he was admitted to Dr. Crane was for his fear of bats.
“Working Through Pain” is written by Brian Azzarello (Batman: The Killing Joke) and animated by Studio 4°C. Batman is injured on what seems like any other night he puts his mask on. His tenacity takes center stage as you witness how often he struggles with nightly injuries. There are also flashbacks to his past that illustrate the difference between exterior and interior pain. There’s a way to put pain in its place and this is how Bruce Wayne found out how.
“Deadshot” is written by Alan Burnett (Batman: Mask of the Phantasm) and animated by Madhouse. Deadshot has returned to Gotham and has set his sights on Jim Gordon, but he looks to have ulterior motives. You also learn about how Bruce Wayne feels about guns.
Gotham Knight is superbly animated and has an accessible flow to it despite its various stories and alternating casts. The animation is fantastic as everything moves crisply and smoothly. The artistic style may change from story to story, but the voice cast is the same throughout. While each individual story has its own narrative to tell, everything is connected in some way that flows together nicely. This was one of the first times Kevin Conroy returned to voice Batman and his voice has become the iconic Batman voice for anyone who grew up watching Batman: The Animated Series. Hearing Conroy as Batman is like a homecoming in so many ways.
Whether you’re an anime fan, a Batman fan, or you’re looking for something new to catch your eye, Gotham Knight is worthwhile for animation and comic book fans alike. The animation is beautiful and the stories are enticing enough to keep you interested throughout. Kevin Conroy is the real drawing point here, but the rest of the voice cast is solid, as well. The Batman Begins/The Dark Knight connections are mostly hogwash as the animated feature adds nothing to Christopher Nolan’s Batman universe, but is an entertaining way to spend 76-minutes nevertheless.
Batman: Gotham Knight is available to stream on Amazon Prime, YouTube, Vudu, and Google Play for $2.99 and iTunes for $3.99. The Multi-Format Blu-ray is available on Amazon for $7.32 and as a double feature Blu-ray with Batman: Year One for $17.97. The Gotham Knight/Year One Blu-ray is $9.08 on eBay and the Multi-Format Blu-ray is $6.99; both are in brand new condition and both have free shipping.
