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Gareth von Kallenbach (980 KP) rated Orphan (2009) in Movies
Aug 9, 2019
For the Coleman family the idea of adopting a beautiful little Russian orphan girl is no easy task, having overcome a number of heart breaking obstacles from alcoholism to the loss of a child. But Ester (Isabelle Fuhrman) seems to be a perfect fit for the family; she is independent, clever, and interested in the arts. When a series of dangerous yet untraceable events begin to occur whenever Ester is around, the Coleman’s wonder if their bad luck is over.
When I entered the theater I expected a creepy female version of Damien adorned in a lacey Victorian dress. But “Orphan” was surprising and interesting in ways than I ever could have expected. More like the 2002 film “He Loves Me… He Loves Me Not” than part of the “Omen” series, “Orphan” packs a punch… and a stab and a gunshot or two.
The full-bodied story starts straight from the films shocking beginning. Yes at times the plot does take some significant suspended belief, a recently recovering alcoholic adopting a child, for instance.
But “Orphan” is an emotional roller coaster splicing unexpected comedic moments with stabbing suspense.
The mix of hauntingly familiar music and color filled imagery make this not just another suspense film but a more artistic take on the genre. Film themes range from love, trust, and childhood, to the ongoing questions of good and evil.
Additionally reoccurring use of color, sex, and connection to family are well woven into the film. Not to mention the use of classic horror elements such as the creepy tree house used in conjunction with newer style choices such as some subtitling and scare turned laughter moments.
A thrilling and full-bodied story “Orphan” is a chilling tale with an interesting while not entirely believable plotline. People will talk about this one.
The DVD release offers sharp sound and picture quality and numerous bonus features including an alternate ending to the film.
When I entered the theater I expected a creepy female version of Damien adorned in a lacey Victorian dress. But “Orphan” was surprising and interesting in ways than I ever could have expected. More like the 2002 film “He Loves Me… He Loves Me Not” than part of the “Omen” series, “Orphan” packs a punch… and a stab and a gunshot or two.
The full-bodied story starts straight from the films shocking beginning. Yes at times the plot does take some significant suspended belief, a recently recovering alcoholic adopting a child, for instance.
But “Orphan” is an emotional roller coaster splicing unexpected comedic moments with stabbing suspense.
The mix of hauntingly familiar music and color filled imagery make this not just another suspense film but a more artistic take on the genre. Film themes range from love, trust, and childhood, to the ongoing questions of good and evil.
Additionally reoccurring use of color, sex, and connection to family are well woven into the film. Not to mention the use of classic horror elements such as the creepy tree house used in conjunction with newer style choices such as some subtitling and scare turned laughter moments.
A thrilling and full-bodied story “Orphan” is a chilling tale with an interesting while not entirely believable plotline. People will talk about this one.
The DVD release offers sharp sound and picture quality and numerous bonus features including an alternate ending to the film.
Goddess in the Stacks (553 KP) rated Grace and Fury (Grace and Fury, #1) in Books
Dec 19, 2018
I didn't actually have high hopes for this book - the description hits a lot of standard YA tropes. Sisterhood, switched roles, Royal/pauper juxtaposition...but WOW. No, this book blew me away.
In Serina and Nomi's world, women are second-class citizens, forbidden to read, have romantic relationships with each other, or have careers of their own. Serina plans to be a Grace, effectively a concubine to the Prince, with her sister as her handmaiden. But it is Nomi who catches the Prince's eye when she stumbles into him in a hallway, and Nomi that he picks. In a moment of weakness, Nomi's secret is discovered and thought to be Serina's, and rather than jeopardize Nomi's new position, Serina capitulates and takes the fall. She's sent to a volcanic island prison while Nomi struggles to tame her own rebellious nature long enough to gain enough influence to free her sister.
The book is about oppression and sisterhood, whether it be with those that share your blood or not. Along the way, we discover a different history of the nation than what is normally taught, and find a few men who sympathize with the women's plight. (And eventually step up to take action alongside the women.)
It's a quick read - the action starts on page one and never stops. Chapters alternate between Nomi in the palace and Serina on her island prison fighting for food, and both girls learn that what they saw as weakness in each other can be strengths in different circumstances.
The only downside to this book is that it ends with things unfinished. Not a cliffhanger, exactly, but the story is most definitely not done, and the sequel doesn't come out until July of 2019! I will be snapping that up as soon as it releases because I NEED to know how these two sisters overcome their trials.
You can find all my reviews at http://goddessinthestacks.com
In Serina and Nomi's world, women are second-class citizens, forbidden to read, have romantic relationships with each other, or have careers of their own. Serina plans to be a Grace, effectively a concubine to the Prince, with her sister as her handmaiden. But it is Nomi who catches the Prince's eye when she stumbles into him in a hallway, and Nomi that he picks. In a moment of weakness, Nomi's secret is discovered and thought to be Serina's, and rather than jeopardize Nomi's new position, Serina capitulates and takes the fall. She's sent to a volcanic island prison while Nomi struggles to tame her own rebellious nature long enough to gain enough influence to free her sister.
The book is about oppression and sisterhood, whether it be with those that share your blood or not. Along the way, we discover a different history of the nation than what is normally taught, and find a few men who sympathize with the women's plight. (And eventually step up to take action alongside the women.)
It's a quick read - the action starts on page one and never stops. Chapters alternate between Nomi in the palace and Serina on her island prison fighting for food, and both girls learn that what they saw as weakness in each other can be strengths in different circumstances.
The only downside to this book is that it ends with things unfinished. Not a cliffhanger, exactly, but the story is most definitely not done, and the sequel doesn't come out until July of 2019! I will be snapping that up as soon as it releases because I NEED to know how these two sisters overcome their trials.
You can find all my reviews at http://goddessinthestacks.com
LeftSideCut (3778 KP) rated The Dead Don't Die (2019) in Movies
Jan 7, 2020 (Updated Jan 29, 2020)
Several Wild Animals
The Dead Don't Die is truly a bizarre experience.
Jim Jarmusch has crafted a gratuitously deadpan and self aware zombie film that tackles tired genre tropes in unique and confusing ways.
Truth be told, I was ready to hate it. I knew that it wasn't the same style of zombie-comedy as Zombieland, or Shaun of the Dead, and I expected to be bogged down in pretentiousness - I'm happy to admit that I was wrong in this case.
A lot of the complaints I've seen about TDDD is precisely that. That, and the fourth wall breaking, but those are two aspects that I actually really liked.
The humour is really subtle for the most part. The dead pan delivery of a lot of the script was quite jarring at first, but it didn't take long for it settle, and I actually ended up finding it pretty funny, just not in-your-face funny (which is a good thing).
The fourth wall stuff verges on being too-clever-for-its-own-good but it just about pulls it off, and gives an interesting alternate thought process to the general narrative.
The cast is brimming with people that I like and love - Bill Murray, Adam Driver (surely a full blown man crush by this point), Chloë Sevigny, Steve Buscemi, Danny Glover, Tilda Swinton... God damn I even love Iggy Pop. It's a great cast list for sure, and the charming and witty script gives them all a lot to do, even if some of the many characters feel under developed at times.
The zombie aspect is a bit if a back seat for me. I was certainly more invested in the aforementioned cast, than any actual zombie action, but I enjoyed the 'classic' shuffling zombies in a small town setting for what it's worth.
I'm not sure what I expected from The Dead Don't Die, but it certainly wasn't what I got, and that precisely why it stands out.
Jim Jarmusch has crafted a gratuitously deadpan and self aware zombie film that tackles tired genre tropes in unique and confusing ways.
Truth be told, I was ready to hate it. I knew that it wasn't the same style of zombie-comedy as Zombieland, or Shaun of the Dead, and I expected to be bogged down in pretentiousness - I'm happy to admit that I was wrong in this case.
A lot of the complaints I've seen about TDDD is precisely that. That, and the fourth wall breaking, but those are two aspects that I actually really liked.
The humour is really subtle for the most part. The dead pan delivery of a lot of the script was quite jarring at first, but it didn't take long for it settle, and I actually ended up finding it pretty funny, just not in-your-face funny (which is a good thing).
The fourth wall stuff verges on being too-clever-for-its-own-good but it just about pulls it off, and gives an interesting alternate thought process to the general narrative.
The cast is brimming with people that I like and love - Bill Murray, Adam Driver (surely a full blown man crush by this point), Chloë Sevigny, Steve Buscemi, Danny Glover, Tilda Swinton... God damn I even love Iggy Pop. It's a great cast list for sure, and the charming and witty script gives them all a lot to do, even if some of the many characters feel under developed at times.
The zombie aspect is a bit if a back seat for me. I was certainly more invested in the aforementioned cast, than any actual zombie action, but I enjoyed the 'classic' shuffling zombies in a small town setting for what it's worth.
I'm not sure what I expected from The Dead Don't Die, but it certainly wasn't what I got, and that precisely why it stands out.
Neoliberal Ebola: Modeling Disease Emergence from Finance to Forest and Farm: 2016
Robert G. Wallace and Rodrick Wallace
Book
This volume compiles five papers modeling the effects of neoliberal economics on the emergence of...
Lippincott Q&A Review for NCLEX-RN
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Lippincott Q&A Review for NCLEX-RN, 12th edition is designed to help pre-licensure nursing students...
Zen-Brain Reflections
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This sequel to the widely read Zen and the Brain continues James Austin's explorations into the key...
Eleanor Luhar (47 KP) rated A Voice in the Distance (Flynn Laukonen, #2) in Books
Jun 24, 2019
I read A Note of Madness a little while ago and absolutely loved it. Flynn is a great character, and the story of his struggles with mental health is just fantastic. There can never be too much awareness, especially in boys/men.
This book was even more... emotional for me. I don't want to go into too much detail, but Flynn really reminds me of my boyfriend. The ending of this novel - while fantastic and honest - was not very comforting at all.
Jennah and Flynn started dating after the first book, and so in this book we alternate between the two narratives. Hearing Jennah's thoughts on what's happening with Flynn was amazing. I related to a lot of it.
In case you haven't heard about A Note of Madness, it's about Flynn Laukonen, a young uni student in London. He struggles with mental health problems and is misdiagnosed at first, but eventually correctly diagnosed with bipolar disorder. He suffers from extreme manic episodes, followed by severe depression. Fitting his music - especially competitions - around these episodes is quite a feat.
As I mentioned earlier, the ending is great. It was extremely bittersweet. I think it's good to be honest about things like this, though, and not just throw together a stereotypical happy ending.
In this book, Flynn goes through a few treatment methods. Following attempted suicide (which may be hard for some people to read about, so be warned) he is sectioned and sent to a residential unit for a month. He also has some issues involving his medication and the side effects they cause.
The most noteworthy thing about Jennah's take on Flynn's illness is her admitting that Flynn can be horrible and can hurt her sometimes, and it's okay to recognise that. Just because he is ill does not mean he is excused for harmful and mean behaviour. This is so important for anyone to realise when dealing with a loved one with any kind of mental health problems.
A really good book, realistic and reassuring but really quite emotional. 4 stars.
This book was even more... emotional for me. I don't want to go into too much detail, but Flynn really reminds me of my boyfriend. The ending of this novel - while fantastic and honest - was not very comforting at all.
Jennah and Flynn started dating after the first book, and so in this book we alternate between the two narratives. Hearing Jennah's thoughts on what's happening with Flynn was amazing. I related to a lot of it.
In case you haven't heard about A Note of Madness, it's about Flynn Laukonen, a young uni student in London. He struggles with mental health problems and is misdiagnosed at first, but eventually correctly diagnosed with bipolar disorder. He suffers from extreme manic episodes, followed by severe depression. Fitting his music - especially competitions - around these episodes is quite a feat.
As I mentioned earlier, the ending is great. It was extremely bittersweet. I think it's good to be honest about things like this, though, and not just throw together a stereotypical happy ending.
In this book, Flynn goes through a few treatment methods. Following attempted suicide (which may be hard for some people to read about, so be warned) he is sectioned and sent to a residential unit for a month. He also has some issues involving his medication and the side effects they cause.
The most noteworthy thing about Jennah's take on Flynn's illness is her admitting that Flynn can be horrible and can hurt her sometimes, and it's okay to recognise that. Just because he is ill does not mean he is excused for harmful and mean behaviour. This is so important for anyone to realise when dealing with a loved one with any kind of mental health problems.
A really good book, realistic and reassuring but really quite emotional. 4 stars.
James P. Sumner (65 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 10, 2019
The MCU delivers again!
Tom Holland reprises his role as the friendly neighbourhood Spiderman in this enjoyable final entry in the MCU's third phase.
Picking up where Avengers: Endgame left off, the world is slowly getting back on its feet after Thanos' handiwork was reversed. Peter Parker is on a school trip across Europe when huge Elemental enemies attack. He's unprepared, but the day is saved by Mysterio - a superhero from an alternate universe.
So far, so Marvel.
Twists and turns follow, with plenty of action throughout. The storyline reminded me of Iron Man 3 in some ways, in terms of it's structure and style. The visuals were impressive as always. The acting was spot-on, with Happy returning in a comic relief/mentor role that worked really well alongside the hero.
The great thing about all the Marvel movies is how they distinguish themselves from each other. Aside from being just comic book movies, each individual series has its own themes and genre. Guardians of the Galaxy is sci-fi/action/comedy, Captain America is more political/action, Thor is fantasy, etc... Spiderman fills the gap for a teen drama, appealing to the younger audience by giving them the angst and romance they crave and relate to. The relationship between Peter and MJ is explored in greater detail here, and their on-screen awkward is fun to watch, but also believable - largely, I suspect, due to the pair's off-screen friendship. Their chemistry is brilliant and really adds to the movie.
As with all Marvel movies, it ain't over 'til it's over. The mid-credits scene does a truly fantastic job of setting up the third movie in the series, while the post-credits scene teases at the future of the wider MCU.
Marvel has had numerous hits with only a small handful of near-misses. Spiderman: Far From Home is a resounding hit and not to be missed!
Picking up where Avengers: Endgame left off, the world is slowly getting back on its feet after Thanos' handiwork was reversed. Peter Parker is on a school trip across Europe when huge Elemental enemies attack. He's unprepared, but the day is saved by Mysterio - a superhero from an alternate universe.
So far, so Marvel.
Twists and turns follow, with plenty of action throughout. The storyline reminded me of Iron Man 3 in some ways, in terms of it's structure and style. The visuals were impressive as always. The acting was spot-on, with Happy returning in a comic relief/mentor role that worked really well alongside the hero.
The great thing about all the Marvel movies is how they distinguish themselves from each other. Aside from being just comic book movies, each individual series has its own themes and genre. Guardians of the Galaxy is sci-fi/action/comedy, Captain America is more political/action, Thor is fantasy, etc... Spiderman fills the gap for a teen drama, appealing to the younger audience by giving them the angst and romance they crave and relate to. The relationship between Peter and MJ is explored in greater detail here, and their on-screen awkward is fun to watch, but also believable - largely, I suspect, due to the pair's off-screen friendship. Their chemistry is brilliant and really adds to the movie.
As with all Marvel movies, it ain't over 'til it's over. The mid-credits scene does a truly fantastic job of setting up the third movie in the series, while the post-credits scene teases at the future of the wider MCU.
Marvel has had numerous hits with only a small handful of near-misses. Spiderman: Far From Home is a resounding hit and not to be missed!
Army Fitness APFT Calculator
Utilities and Health & Fitness
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There is no other APFT program as complete as this one! Updated publications and forms to most...
ChordAid: Chord Reference
Music and Education
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Chord reference for guitar, bass, ukulele, mandolin or bouzouki. Supports standard or alternate...