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Rachel King (13 KP) rated Blue in Books
Feb 11, 2019
Getting into this book was a tad slow since there was alot of back story to get through before I felt like I understood what was occurring in the present time of the book. Once I got through that, there were a few things that I could easily predict about the plot. First, the plot would very much favor the father over the mother in regards to the relationship shared with the main character, fourteen-year-old Becky. Second, it is inevitable that Becky's leukemia is going to relapse. Third, this fantasy world of Tamarisk would somehow play a part in both Becky's disease and her parent's ugly divorce.
What I could not predict was how absolutely fascinating the world of Tamarisk is. I actually thought about researching all of the made-up names of the plants, animals, and geology before I completely realized the depth of creativity to which Becky and her father Chris went in the creation of this fantasy world. What began as a coping mechanism for a young child going through the rigors of chemotherapy became a world in an alternate universe that existed with its own laws of physics. I was completely enthralled by this unbelievable world of blue foliage, black dirt, microfarming, moldable crystal, smelling of chocolate and raspberries, and featuring transportation in the form of giant flying birds - and that is only the beginning of all that this world holds to tantalize the senses and ignite the imagination. Becky's voyages into Tamarisk alone are enough to fill countless children's stories that would hold any grown adult rapt with wonder.
On the alternate side of this fantastic world is the grievous reality of the ongoing feud between Chris and Polly, Becky's divorced parents. Even though Polly has remarried, she still harbors intensely negative feelings towards Chris. In addition, Chris's whole life is about finding ways to connect with Becky better, as the reader watches him fail at blind date after blind date. Becky wants so badly to hang onto her life that she lives in denial of her increasingly-severe symptoms. My heart went out to all of the characters at different points as I connected with the different emotions and situations. As a mother, I can not even fathom one of my children going through the horrors of childhood cancer, and as a wife, the thought of abandoning my spouse is inconceivable, especially during such a difficult time. My heart broke for Becky's best friend Lonnie, and I felt the awkward sadness of Becky's stepfather Al. These characters are as real as if this story were not fiction, but a memoir or biography.
I could not help noticing the parallels between belief in Tamarisk and the beliefs of Christianity. Polly either could not or would not believe in Tamarisk, and many of her arguments against it matched the common ones against a belief in the existence of God and Heaven.
The ending was bittersweet, but light on bitter and rich on sweet. I shed a tear, but Chris's perspective was very fitting for how I felt about this conclusion. This was a very, very good read that would enrich any reader's book collection. What I gained from this book will stick with me for a long time to come.
What I could not predict was how absolutely fascinating the world of Tamarisk is. I actually thought about researching all of the made-up names of the plants, animals, and geology before I completely realized the depth of creativity to which Becky and her father Chris went in the creation of this fantasy world. What began as a coping mechanism for a young child going through the rigors of chemotherapy became a world in an alternate universe that existed with its own laws of physics. I was completely enthralled by this unbelievable world of blue foliage, black dirt, microfarming, moldable crystal, smelling of chocolate and raspberries, and featuring transportation in the form of giant flying birds - and that is only the beginning of all that this world holds to tantalize the senses and ignite the imagination. Becky's voyages into Tamarisk alone are enough to fill countless children's stories that would hold any grown adult rapt with wonder.
On the alternate side of this fantastic world is the grievous reality of the ongoing feud between Chris and Polly, Becky's divorced parents. Even though Polly has remarried, she still harbors intensely negative feelings towards Chris. In addition, Chris's whole life is about finding ways to connect with Becky better, as the reader watches him fail at blind date after blind date. Becky wants so badly to hang onto her life that she lives in denial of her increasingly-severe symptoms. My heart went out to all of the characters at different points as I connected with the different emotions and situations. As a mother, I can not even fathom one of my children going through the horrors of childhood cancer, and as a wife, the thought of abandoning my spouse is inconceivable, especially during such a difficult time. My heart broke for Becky's best friend Lonnie, and I felt the awkward sadness of Becky's stepfather Al. These characters are as real as if this story were not fiction, but a memoir or biography.
I could not help noticing the parallels between belief in Tamarisk and the beliefs of Christianity. Polly either could not or would not believe in Tamarisk, and many of her arguments against it matched the common ones against a belief in the existence of God and Heaven.
The ending was bittersweet, but light on bitter and rich on sweet. I shed a tear, but Chris's perspective was very fitting for how I felt about this conclusion. This was a very, very good read that would enrich any reader's book collection. What I gained from this book will stick with me for a long time to come.
Gareth von Kallenbach (980 KP) rated The Flash (2023) in Movies
Jun 7, 2023
Amidst numerous delays and offscreen speculations about the fate of the movie, Director Andy Muschietti has finally seen his big-screen adaptation of DC Comics "The Flash" arrive.
We first saw the film in late April at Cinemacon and now that we have seen the final cut with additional footage and a noticing credits, I can finally give you my impressions.
The movie opens with Barry Allen (Ezra Miller), called into action to help with an issue in Gotham City which offers a chance for an extended action scene as well as some cameo appearances that should delight fans.
Like most superheroes, Barry has to contend with work and personal issues and his time as the Flash often makes him late for work and even more of a social outcast than he already is. And the arrival of an old school friend reminds him that his father is scheduled to have a court appearance on appeal of his conviction for murdering his wife many years earlier. Barry is obsessed with proving his father's innocence however there is little evidence that can support his appeal.
Despite warnings not to alter time, Barry travels to the past to make a slight adjustment which results in his mother living and growing up in a two-parent household for himself.
His euphoria becomes short-lived when Barry runs into a younger version of himself and realizes that if he does not enable his younger self with his powers, then he will never exist to create the alternate reality where his parents are safe and happy.
The younger Barry is extremely immature and annoying and when he becomes confused with powers while the other loses them, there are numerous opportunities for comic mayhem which the film briefly touches upon before returning to the more serious aspects of the story.
As he was warned, Barry has created fractions in reality, and the one that he finds himself in has several changes from the one that knows including a world free of superpowered beings. This becomes a serious problem when General Zod (Michael Shannon) arrives and there is no Superman or Justice League to save the day.
In an act of desperation, Barry seeks out Batman (Michael Keaton), and is shocked to discover that he is different than the one that he knows in his reality. Both Barrys and Batman hatch a plan of desperation that sees them desperately mounting a rescue and offensive to save humanity.
The film has some fantastic visual effects but like most hero films becomes heavily bogged down on them in a final act that in many ways seems at times anticlimactic to the potential that the story has been building to. Miller is solid as the two Barrys although the younger version of them becomes very annoying and at times and some segments drag on.
Keaton absolutely steals the film and brings a much-needed presence to the action as he seems to really be enjoying his return to the role and his segments are often the most compelling parts of the film as he provides a stabilizing and grounding presence to the Barrys.
There are numerous cameos throughout the film that I will not spoil but suffice it to say they should delight fans and do offer some intriguing questions.
The biggest issue now is the future of the character as Gunn and Saffron are busy building their DC universe while outside projects currently are in the works. It is not a secret that legal issues and outside distractions have been associated with Miller to the point where some question whether the film could be released despite its lavish budget.
The final box office numbers will be very interesting because I found the film quite enjoyable and a pleasant surprise in one of the better DC cinematic efforts notwithstanding the final act which became a bit formulaic and anticlimactic for my liking. While it doesn't approach the level of several of the Marvel films, it does show that there is plenty of potential to make solid stories within the DC universe.
4 stars out of 5
We first saw the film in late April at Cinemacon and now that we have seen the final cut with additional footage and a noticing credits, I can finally give you my impressions.
The movie opens with Barry Allen (Ezra Miller), called into action to help with an issue in Gotham City which offers a chance for an extended action scene as well as some cameo appearances that should delight fans.
Like most superheroes, Barry has to contend with work and personal issues and his time as the Flash often makes him late for work and even more of a social outcast than he already is. And the arrival of an old school friend reminds him that his father is scheduled to have a court appearance on appeal of his conviction for murdering his wife many years earlier. Barry is obsessed with proving his father's innocence however there is little evidence that can support his appeal.
Despite warnings not to alter time, Barry travels to the past to make a slight adjustment which results in his mother living and growing up in a two-parent household for himself.
His euphoria becomes short-lived when Barry runs into a younger version of himself and realizes that if he does not enable his younger self with his powers, then he will never exist to create the alternate reality where his parents are safe and happy.
The younger Barry is extremely immature and annoying and when he becomes confused with powers while the other loses them, there are numerous opportunities for comic mayhem which the film briefly touches upon before returning to the more serious aspects of the story.
As he was warned, Barry has created fractions in reality, and the one that he finds himself in has several changes from the one that knows including a world free of superpowered beings. This becomes a serious problem when General Zod (Michael Shannon) arrives and there is no Superman or Justice League to save the day.
In an act of desperation, Barry seeks out Batman (Michael Keaton), and is shocked to discover that he is different than the one that he knows in his reality. Both Barrys and Batman hatch a plan of desperation that sees them desperately mounting a rescue and offensive to save humanity.
The film has some fantastic visual effects but like most hero films becomes heavily bogged down on them in a final act that in many ways seems at times anticlimactic to the potential that the story has been building to. Miller is solid as the two Barrys although the younger version of them becomes very annoying and at times and some segments drag on.
Keaton absolutely steals the film and brings a much-needed presence to the action as he seems to really be enjoying his return to the role and his segments are often the most compelling parts of the film as he provides a stabilizing and grounding presence to the Barrys.
There are numerous cameos throughout the film that I will not spoil but suffice it to say they should delight fans and do offer some intriguing questions.
The biggest issue now is the future of the character as Gunn and Saffron are busy building their DC universe while outside projects currently are in the works. It is not a secret that legal issues and outside distractions have been associated with Miller to the point where some question whether the film could be released despite its lavish budget.
The final box office numbers will be very interesting because I found the film quite enjoyable and a pleasant surprise in one of the better DC cinematic efforts notwithstanding the final act which became a bit formulaic and anticlimactic for my liking. While it doesn't approach the level of several of the Marvel films, it does show that there is plenty of potential to make solid stories within the DC universe.
4 stars out of 5
Chris Sawin (602 KP) rated Star Trek (2009) in Movies
Jun 22, 2019
Just about everybody knows the stories revolving around the U.S.S. Enterprise and it's crew lead by Captain James Tiberius Kirk. This reboot is an alternate reality to what happened in those familiar stories chronicling the early days of how the crew came together, went through the ranks of star fleet, and basically became the characters every Trekkie knows and loves today. The only issues this movie may have had was if it would appeal to people who weren't fans of the original Star Trek and if it would be enjoyable to those people. Considering it was the number one movie in the country in its opening weekend, brought in another $43 million its second weekend in theaters (bringing its grand total to over $147 million), and has glowing reviews on both IMDb (8.5/10, over 50,000 votes, #71 in the top 250 movies) and Rotten Tomatoes (95% fresh, 245 fresh reviews, rated 8.1/10), the answer seems obvious.
Star Trek exceeded all of my expectations. I'm not a Trekkie, but this is the movie that should have kicked off the summer season. The film is somehow capable of keeping the same essence of the original series yet inject a breath of fresh air into the franchise with new faces representing familiar characters. The film really appears to a wide range of moviegoers since it has just about everything anyone is looking for when they go to the movies and affectively blends action, comedy, sci-fi, and romance into one sensational adventure. The cast is truly superb. Karl Urban practically channeled DeForest Kelley in his portrayal of Dr. Leonard "Bones" McCoy and Simon Pegg as Scotty stole every scene he was in. Zachary Quinto fit the young Spock character like a glove. I could go on and on. There really wasn't a poor performance from anyone.
The only minor complaint I have about the film was the lens flare effect they seemed to use throughout the film. It was hardly noticeable at times, but I remember it being a bit irritating towards the last half of the film. Other than that, I'd like to see more of Scotty in the sequel. But that's more of a suggestion than anything.
Star Trek is a fun and exciting film that's really for everyone. The film is a little over two hours long, but it feels much shorter. Go ahead and group this with Batman Begins as one of the successful reboots that's also incredibly enjoyable.
Star Trek exceeded all of my expectations. I'm not a Trekkie, but this is the movie that should have kicked off the summer season. The film is somehow capable of keeping the same essence of the original series yet inject a breath of fresh air into the franchise with new faces representing familiar characters. The film really appears to a wide range of moviegoers since it has just about everything anyone is looking for when they go to the movies and affectively blends action, comedy, sci-fi, and romance into one sensational adventure. The cast is truly superb. Karl Urban practically channeled DeForest Kelley in his portrayal of Dr. Leonard "Bones" McCoy and Simon Pegg as Scotty stole every scene he was in. Zachary Quinto fit the young Spock character like a glove. I could go on and on. There really wasn't a poor performance from anyone.
The only minor complaint I have about the film was the lens flare effect they seemed to use throughout the film. It was hardly noticeable at times, but I remember it being a bit irritating towards the last half of the film. Other than that, I'd like to see more of Scotty in the sequel. But that's more of a suggestion than anything.
Star Trek is a fun and exciting film that's really for everyone. The film is a little over two hours long, but it feels much shorter. Go ahead and group this with Batman Begins as one of the successful reboots that's also incredibly enjoyable.
Mark Jaye (65 KP) rated Avengers: Endgame (2019) in Movies
May 13, 2019
Ending The Game
Contains spoilers, click to show
Avengers: Endgame - the concluding installment of the Marvel Cinematic Universe's 'Infinity Saga', has made box office history, breaking a number of records on its' journey (thus far) of becoming the second highest grossing movie ever in a short period of time. Bringing together the story threads of 21 films before it 'Endgame' had a number of hurdles to overcome - not only did the Russo Brothers have to find a satisfying way to reverse the effects of 'The Decimation' (if you have to ask then you're probably reading the wrong review!) but they had to do so in a way that did not lessen the impact of 'Infinity War', whilst bringing to a close a number of character arcs for many well respected and founding members of Marvel's flagship superhero team and setting the course and direction for whatever comes next.
The question is, did it succeed?
At the time of writing 'Endgame' has been in cinemas for over two weeks and all embargoes pertaining to spoilers have since been rescinded. It is on that note that I will make the following SPOILER ALERT and advise anyone yet to see the movie (is there actually anyone out there daring to call themselves a fan who hasn't seen it?!) to leave now.....
Endgame picks up a few short weeks after the events of 'Infinity War' and depicts the surviving heroes of Thanos's snap coming up again him once again. The encounter is very short lived but doesn't go as planned/hoped effectively destroying all hope for returning the vanished. Que a five year time-jump..
Steve Rogers heads up a support group for the survivors, Natasha Romanoff directs the remaining Avengers refusing to move on, Tony Stark and Pepper Potts are living a quiet life raising their daughter, Thor has spiraled into despair at New Asgard effectively leaving Valkyrie in charge, Clint Barton has become the blood-thirsty vigilante Ronin - tracking down and eliminating those criminals who escaped the decimation when his family didn't, and Bruce Banner has found a way to merge personalities with the Hulk allowing both to co-exist as one (Professor Hulk).
Things look pretty grim until AntMan (Scott Lang) returns - quite accidentally, from the Quantum Realm bringing with him the key to bringing everyone back and reversing Thanos's decimation. And that's where time travel appears...
The Avengers must travel back to key moments in their history to remove the Infinity Stones and bring them to the present where Stark and Banner create their own Gauntlet to house them. This involves the second act of the movie displaying some time travel shenanigans as our heroes interact with events - and themselves, of previously seen movies. Such encounters include revisiting the events of Avengers Assemble, Thor:The Dark World, and Guardians Of The Galaxy. Don't expect a retread of the 'Back To The Future' franchise however, as Avengers: Endgame creates its' own rules for time travel. Basically, going back in time and interfering with established events does not alter the future - instead it creates a branched reality (think parallel timeline), however traversing the Quantum Realm will still return you to the original timeline you came from. In other words, go back in time kill Thanos, return to the future and you've changed nothing.... Simple, right?!
That's the basic gist, and all I'll give you for now.
Whilst this does follow on from 'Infinity War', 'Endgame' is stylistically and tonally a different movie. Whereas the former threw us straight into the thick of the action and never let up until the devastating conclusion, throwing a cavalcade of heroes at us in a relentless fashion, 'Endgame' scales it all back (for two thirds of the running time at least) focusing on the original six core Avengers (with strong support from Don Cheadle's War Machine, Karen Gillan as Nebula, Paul Rudd (returning as AntMan), and of course, Rocket Raccoon! With the preceding movie been Captain Marvel you would be forgiven for thinking Brie Larson would play a strong role in this movie, however - with a throwaway line earlier on justifying her absence, Carol Danvers features for all of around fifteen minutes! That's not to say she doesn't make an impact when she does I might add! Given the downbeat tone to 'Endgame' there is a lot of humour from start to finish - Chris Hemsworth, Paul Rudd, Bradley Cooper, I'm looking at you most here!, which in no way detracts from the weight of what's at sake here.
Josh Brolin is back as Thanos, and Thanos...that's right, two versions of the mad Titan appear. The one whom our heroes go up against during the final third act is a past version who travels forward in time to present after seeing into his own future and witnessing the efforts of Earth's Mightiest Heroes and the lengths they are prepared to go to in order to 'decimate' his plans. This is a Thanos whom I would deem more ruthless that 'Infinity War's' protagonist, a Thanos now determined to erase ALL life in the Universe.
I imagine the biggest question - well, one biggie amongst many, fans going into this movie blind had concerned who would return after the shocking climax to 'Infinity War' (along with whether those who died in that movie stayed that way). There was never any doubt - was there, that the vanished would return? It isn't that much of a spoiler then to reveal that the final thirty minutes or so of 'Endgame' features every MCU hero on screen together embroiled in the biggest fight of their lives. And what a visual delight it is. The visuals in this film are fantastic and the final battle rivals anything Peter Jackson gave us.
I was fortunate enough to see 'Endgame' at the first screening (pre-midnight) at a local cinema and what an experience it was - a mini comic con. The atmosphere was electric and it was a highly memorable experience.
Everyone involved in this movie deserves kudos, for this lifelong superhero fanboy Avengers: Endgame is the best movie....ever.
If I may digress somewhat, there has been much confusion reported concerning the movie's ending, namely the resolution to Steve Rogers' story. Having returned the Infinity Stones to their rightful place in the MCU timeline Cap chooses to remain in the past (circa 1940-ish) and to live out his life with Peggy Carter (the final shot shows the two having that well overdue dance). Whilst the perfect sendoff this has left many conflicted as to the implications with some reviewers claiming this goes against the rules established earlier in the movie relating to the use of time travel. It really isn't that complicated. Essentially there are two theories at play that can explain the climax.
The first is that Steve simply lived out a life in secrecy within the established continuity, choosing not to involve himself in major events. This does not contradict what we've seen so far - back in 'The Winter Soldier' we see archive footage of Peggy from the nineteen fifties in which she talks about Captain America saving her (un-named) husband during the war. It isn't really a reach of the imagination to suspect that Cap and this man are one and the same. In the same movie, present day Steve visits a dying Peggy - clearly suffering the effects of dementia, who apologises to him for the life he didn't have. Could this be a reference to the man she married having to live a life of secrecy, choosing to stay out of the fight for fear of creating a divergent reality? Given that the movie establishes that actions in the past will not change the future (within the main timeline) Steve's interference would not change anything in 'our' reality anyhow.
The second theory is that Steve created a branched reality by reuniting with Peggy and lived a fulfilling life in that alternate timeline, only returning to the main timeline an old man when the time was right to handover the shield to Sam Wilson/Falcon (as seen at the end of the movie). Sure, this raises questions as to how Steve was able to cross realities but to be honest - that's a story for another time and the answer isn't important (for now).
Further confusing things is the fact that the Writers and Directors cannot seemingly agree, with Marcus and McFeely disputing the alternate reality theory that the Russo brothers subscribe to. You could argue that surely it is the Writer's view that counts, as..after all, they wrote it! Well, yes and no. The directors translate their understanding of the written word onto the screen and it has been reported that additional material was filmed after test audiences struggled with the time travel aspects of the film. Therefore it's not that hard to believe that the film - and that ending, were shot in a way that supported the film-makers understanding. I subscribe to the former - the romantic in me and all that, with Steve's story coming full circle with the revelation that he was always there with Peggy. Either way, both theories work and preserve the integrity of what has come before.
In any regard it's the perfect ending for Captain America!
So, to conclude....did it succeed? OH YES!!
The question is, did it succeed?
At the time of writing 'Endgame' has been in cinemas for over two weeks and all embargoes pertaining to spoilers have since been rescinded. It is on that note that I will make the following SPOILER ALERT and advise anyone yet to see the movie (is there actually anyone out there daring to call themselves a fan who hasn't seen it?!) to leave now.....
Endgame picks up a few short weeks after the events of 'Infinity War' and depicts the surviving heroes of Thanos's snap coming up again him once again. The encounter is very short lived but doesn't go as planned/hoped effectively destroying all hope for returning the vanished. Que a five year time-jump..
Steve Rogers heads up a support group for the survivors, Natasha Romanoff directs the remaining Avengers refusing to move on, Tony Stark and Pepper Potts are living a quiet life raising their daughter, Thor has spiraled into despair at New Asgard effectively leaving Valkyrie in charge, Clint Barton has become the blood-thirsty vigilante Ronin - tracking down and eliminating those criminals who escaped the decimation when his family didn't, and Bruce Banner has found a way to merge personalities with the Hulk allowing both to co-exist as one (Professor Hulk).
Things look pretty grim until AntMan (Scott Lang) returns - quite accidentally, from the Quantum Realm bringing with him the key to bringing everyone back and reversing Thanos's decimation. And that's where time travel appears...
The Avengers must travel back to key moments in their history to remove the Infinity Stones and bring them to the present where Stark and Banner create their own Gauntlet to house them. This involves the second act of the movie displaying some time travel shenanigans as our heroes interact with events - and themselves, of previously seen movies. Such encounters include revisiting the events of Avengers Assemble, Thor:The Dark World, and Guardians Of The Galaxy. Don't expect a retread of the 'Back To The Future' franchise however, as Avengers: Endgame creates its' own rules for time travel. Basically, going back in time and interfering with established events does not alter the future - instead it creates a branched reality (think parallel timeline), however traversing the Quantum Realm will still return you to the original timeline you came from. In other words, go back in time kill Thanos, return to the future and you've changed nothing.... Simple, right?!
That's the basic gist, and all I'll give you for now.
Whilst this does follow on from 'Infinity War', 'Endgame' is stylistically and tonally a different movie. Whereas the former threw us straight into the thick of the action and never let up until the devastating conclusion, throwing a cavalcade of heroes at us in a relentless fashion, 'Endgame' scales it all back (for two thirds of the running time at least) focusing on the original six core Avengers (with strong support from Don Cheadle's War Machine, Karen Gillan as Nebula, Paul Rudd (returning as AntMan), and of course, Rocket Raccoon! With the preceding movie been Captain Marvel you would be forgiven for thinking Brie Larson would play a strong role in this movie, however - with a throwaway line earlier on justifying her absence, Carol Danvers features for all of around fifteen minutes! That's not to say she doesn't make an impact when she does I might add! Given the downbeat tone to 'Endgame' there is a lot of humour from start to finish - Chris Hemsworth, Paul Rudd, Bradley Cooper, I'm looking at you most here!, which in no way detracts from the weight of what's at sake here.
Josh Brolin is back as Thanos, and Thanos...that's right, two versions of the mad Titan appear. The one whom our heroes go up against during the final third act is a past version who travels forward in time to present after seeing into his own future and witnessing the efforts of Earth's Mightiest Heroes and the lengths they are prepared to go to in order to 'decimate' his plans. This is a Thanos whom I would deem more ruthless that 'Infinity War's' protagonist, a Thanos now determined to erase ALL life in the Universe.
I imagine the biggest question - well, one biggie amongst many, fans going into this movie blind had concerned who would return after the shocking climax to 'Infinity War' (along with whether those who died in that movie stayed that way). There was never any doubt - was there, that the vanished would return? It isn't that much of a spoiler then to reveal that the final thirty minutes or so of 'Endgame' features every MCU hero on screen together embroiled in the biggest fight of their lives. And what a visual delight it is. The visuals in this film are fantastic and the final battle rivals anything Peter Jackson gave us.
I was fortunate enough to see 'Endgame' at the first screening (pre-midnight) at a local cinema and what an experience it was - a mini comic con. The atmosphere was electric and it was a highly memorable experience.
Everyone involved in this movie deserves kudos, for this lifelong superhero fanboy Avengers: Endgame is the best movie....ever.
If I may digress somewhat, there has been much confusion reported concerning the movie's ending, namely the resolution to Steve Rogers' story. Having returned the Infinity Stones to their rightful place in the MCU timeline Cap chooses to remain in the past (circa 1940-ish) and to live out his life with Peggy Carter (the final shot shows the two having that well overdue dance). Whilst the perfect sendoff this has left many conflicted as to the implications with some reviewers claiming this goes against the rules established earlier in the movie relating to the use of time travel. It really isn't that complicated. Essentially there are two theories at play that can explain the climax.
The first is that Steve simply lived out a life in secrecy within the established continuity, choosing not to involve himself in major events. This does not contradict what we've seen so far - back in 'The Winter Soldier' we see archive footage of Peggy from the nineteen fifties in which she talks about Captain America saving her (un-named) husband during the war. It isn't really a reach of the imagination to suspect that Cap and this man are one and the same. In the same movie, present day Steve visits a dying Peggy - clearly suffering the effects of dementia, who apologises to him for the life he didn't have. Could this be a reference to the man she married having to live a life of secrecy, choosing to stay out of the fight for fear of creating a divergent reality? Given that the movie establishes that actions in the past will not change the future (within the main timeline) Steve's interference would not change anything in 'our' reality anyhow.
The second theory is that Steve created a branched reality by reuniting with Peggy and lived a fulfilling life in that alternate timeline, only returning to the main timeline an old man when the time was right to handover the shield to Sam Wilson/Falcon (as seen at the end of the movie). Sure, this raises questions as to how Steve was able to cross realities but to be honest - that's a story for another time and the answer isn't important (for now).
Further confusing things is the fact that the Writers and Directors cannot seemingly agree, with Marcus and McFeely disputing the alternate reality theory that the Russo brothers subscribe to. You could argue that surely it is the Writer's view that counts, as..after all, they wrote it! Well, yes and no. The directors translate their understanding of the written word onto the screen and it has been reported that additional material was filmed after test audiences struggled with the time travel aspects of the film. Therefore it's not that hard to believe that the film - and that ending, were shot in a way that supported the film-makers understanding. I subscribe to the former - the romantic in me and all that, with Steve's story coming full circle with the revelation that he was always there with Peggy. Either way, both theories work and preserve the integrity of what has come before.
In any regard it's the perfect ending for Captain America!
So, to conclude....did it succeed? OH YES!!
TheDefunctDiva (304 KP) rated Alice in Wonderland (2010) in Movies
Sep 26, 2017
A is for Artful
Contains spoilers, click to show
As with another of Tim Burton’s films, Sleepy Hollow, Alice in Wonderland strays significantly from the original material. And, in a vein similar to Sleepy Hollow, decapitation is a much-discussed topic.
Alice is introduced to the audience as a child who has strange dreams. In the subsequent scenes, an older Alice is seen in a carriage with her mother. She is unwittingly on her way to her engagement party, and she is fully expected to accept the offer of marriage from someone who seems quite ill-suited for her. “Your life will be perfect. It’s already been decided,” says her sister Margaret.
Elements of the engagement party offer foreshadowing for the alternate reality Alice soon finds herself in. Instead of accepting her suitor’s proposal, Alice runs away and follows a rabbit wearing a waistcoat into an exceptionally large rabbit hole. There, she is found falling with a variety of household objects, including one particularly friendly piano.
Once in Wonderland, Alice’s world has literally turned upside-down. She falls from her perch on the ceiling to the floor. Alice solves a puzzle of many locked doors, using the expected growing and shrinking mechanisms, and then she emerges into a strange topiary. There she is greeted by the rabbit and other residents of Wonderland, who argue whether this Alice is “the right Alice.”
Many of the traditional characters are found in this Wonderland, but most of the ominous poetry associated with those characters has been omitted. Tweedledum and Tweedledee are introduced, but they don’t seem to serve much purpose. I missed the recitation of “the Walrus and the Carpenter” very much.
Alice insists that the world around her must be a dream, as she is led through oversized mushrooms to a blue caterpillar, voiced by the talented Alan Rickman. Once again, Alice’s destiny is written: the caterpillar reveals a scroll which shows an image of Alice slaying the dreaded Jabberwocky. Indeed, it is her role to become the champion of Wonderland, to rise up and defeat the Red Queen who keeps this horrible beast as a weapon.
Later, we come across a dysfunctional tea party held under the shadow of a dilapidated windmill. Johnny Depp appears as the wild and wide-eyed Mad Hatter. Alice, it seems, is late to her tea just as she was to her engagement party. We learn that there is a whole network of characters, including the White Queen (Anne Hathaway), who wish to bring down the tyrannical Red Queen.
The struggle between the Red and White Queens eventually comes to a head, and Alice bravely accepts her fate to fight the Jabberwocky. And the Jabberwocky is indeed a terrifying entity, as it seems to be part dinosaur and part dragon.
The visual effects in this film were striking. Burton paints a beautiful landscape full of dark, rich colors. Several moments in the film are surreal and disturbing, such as when Alice crosses a moat full of dismembered heads to gain access to the Red Queen’s castle. However, some of the characters, such as the Cheshire cat, had a more cartoonish quality about them that I found off-putting.
The acting and voice-overs in the film were also impressive. Actress Mia Wasikowska was enchanting as Alice. She reflected the vulnerability and the more intrepid characteristics of the young girl quite well. Depp was delightfully creepy as the Mad Hatter. Crispin Glover was effective as the Knave of Hearts, the Red Queen’s lead henchman. And Stephen Fry was a marvelous voice choice for the strange and eerie Cheshire Cat.
The Red Queen is quite the character in this film. Helena Bonham Carter perfectly captures the Queen’s cruelty and absurdity. She delivers the “off with his head” line repeatedly and with gusto. The Queen’s cranium was so large that I was surprised she didn’t fall forward from the weight of it. And I haven’t seen that much blue eyeshadow since the 80s.
The Blu-ray version of this film enhanced the quality of the computer graphic imagery quite well. The special features consisted of interviews of the cast regarding the characters. These interviews contained behind-the-scenes looks at some of the makeup and green screen work done on this film. Though these interviews were enlightening, I would have loved to see more about the production process, since the sets and some characters were entirely computer-generated.
All things considered, Burton’s Alice in Wonderland is a delightful departure from reality. Fans of Burton’s other films are sure to love it.
Alice is introduced to the audience as a child who has strange dreams. In the subsequent scenes, an older Alice is seen in a carriage with her mother. She is unwittingly on her way to her engagement party, and she is fully expected to accept the offer of marriage from someone who seems quite ill-suited for her. “Your life will be perfect. It’s already been decided,” says her sister Margaret.
Elements of the engagement party offer foreshadowing for the alternate reality Alice soon finds herself in. Instead of accepting her suitor’s proposal, Alice runs away and follows a rabbit wearing a waistcoat into an exceptionally large rabbit hole. There, she is found falling with a variety of household objects, including one particularly friendly piano.
Once in Wonderland, Alice’s world has literally turned upside-down. She falls from her perch on the ceiling to the floor. Alice solves a puzzle of many locked doors, using the expected growing and shrinking mechanisms, and then she emerges into a strange topiary. There she is greeted by the rabbit and other residents of Wonderland, who argue whether this Alice is “the right Alice.”
Many of the traditional characters are found in this Wonderland, but most of the ominous poetry associated with those characters has been omitted. Tweedledum and Tweedledee are introduced, but they don’t seem to serve much purpose. I missed the recitation of “the Walrus and the Carpenter” very much.
Alice insists that the world around her must be a dream, as she is led through oversized mushrooms to a blue caterpillar, voiced by the talented Alan Rickman. Once again, Alice’s destiny is written: the caterpillar reveals a scroll which shows an image of Alice slaying the dreaded Jabberwocky. Indeed, it is her role to become the champion of Wonderland, to rise up and defeat the Red Queen who keeps this horrible beast as a weapon.
Later, we come across a dysfunctional tea party held under the shadow of a dilapidated windmill. Johnny Depp appears as the wild and wide-eyed Mad Hatter. Alice, it seems, is late to her tea just as she was to her engagement party. We learn that there is a whole network of characters, including the White Queen (Anne Hathaway), who wish to bring down the tyrannical Red Queen.
The struggle between the Red and White Queens eventually comes to a head, and Alice bravely accepts her fate to fight the Jabberwocky. And the Jabberwocky is indeed a terrifying entity, as it seems to be part dinosaur and part dragon.
The visual effects in this film were striking. Burton paints a beautiful landscape full of dark, rich colors. Several moments in the film are surreal and disturbing, such as when Alice crosses a moat full of dismembered heads to gain access to the Red Queen’s castle. However, some of the characters, such as the Cheshire cat, had a more cartoonish quality about them that I found off-putting.
The acting and voice-overs in the film were also impressive. Actress Mia Wasikowska was enchanting as Alice. She reflected the vulnerability and the more intrepid characteristics of the young girl quite well. Depp was delightfully creepy as the Mad Hatter. Crispin Glover was effective as the Knave of Hearts, the Red Queen’s lead henchman. And Stephen Fry was a marvelous voice choice for the strange and eerie Cheshire Cat.
The Red Queen is quite the character in this film. Helena Bonham Carter perfectly captures the Queen’s cruelty and absurdity. She delivers the “off with his head” line repeatedly and with gusto. The Queen’s cranium was so large that I was surprised she didn’t fall forward from the weight of it. And I haven’t seen that much blue eyeshadow since the 80s.
The Blu-ray version of this film enhanced the quality of the computer graphic imagery quite well. The special features consisted of interviews of the cast regarding the characters. These interviews contained behind-the-scenes looks at some of the makeup and green screen work done on this film. Though these interviews were enlightening, I would have loved to see more about the production process, since the sets and some characters were entirely computer-generated.
All things considered, Burton’s Alice in Wonderland is a delightful departure from reality. Fans of Burton’s other films are sure to love it.
Kirk Bage (1775 KP) rated Death to 2020 in TV
Jan 22, 2021
The annual event of Charlie Brooker’s Yearly Wipe is the one piece of satire I have been sure not to miss over the years. But 2020 has been a bit different, and finding himself in lockdown like everyone else, Brooker re-imagines the format into a full on talking-heads mockumentary that does away with himself as host in favour of a cross Atlantic vibe and a narration from the bass tones of Laurence Fishburne, no less.
There are also some random big names delivering the sarcastic views on the headlines too: Samuel L. Jackson kicks it all off; Hugh Grant adds to his list of heavily made up characters (and is probably the highlight) as a crusty old historian who struggles to put it all into context; Lisa Kudrow represents the Trump mentality in the form of a Republican press officer who plays hard and loose with the facts and the enforcement of facts; and even Tracey Ullman is dragged out of obscurity to play The Queen (which I didn’t entirely see the point of).
Last, but actually far from least, is Joe Keery, who most will recognise as Steve Harrington in Stranger Things – he represents all youth and the social media generation, claiming some of the most pertinent lines of observation about attitudes and the need to be noticed and relevant, using the news as a basis to flaunt your own opinion and gain followers, as well as a soapbox to show the world how much you have suffered as the world suffers.
Diane Morgan, known for her hilarious regilar turns as Philomena Cunk, tries out an alternate role as the world’s most average woman, who has “finished” Netflix, but understands little of what has happened around her own bubble in the world at large. I mean, it is baffling, all of it! And together these voices and others fairly represent a lot of different types of fool to be lampooned. I missed Cunk, but essentially it served the same purpose.
You can expect from the Brooker team there will be no punches pulled, and at its best moments, Death to 2020, is almost worth standing up and applauding for making sense of things we have all been thinking for almost a year. Of course, part of the joke being that to make an historical documentary about a year that wasn’t even over at the time it was released on Netflix is as bizarre and ridiculous as the way any other news item has been the entire time we have experienced it in reality.
There is a British slant on things for a while, but inevitably the target becomes the US election and the Trump administration, which is a gold mine for all things silly, because it barely needs admonishing to become entirely bonkers! I felt like it could have been a little longer than just over an hour, to fit every angle of Covid and Trump and Boris and everything else in, but it also almost outstays its welcome as it is, so in the end I think they made the right call in leaving some issues out. Despite that it does move along at such a pace that often the joke flies past you before you can properly think about it.
The problem with it as a production is that it is neither a movie or a TV show, but some kind of inbetween thing, with as many ideas that don’t work as the ones that do, and not as many laugh out loud moments as there maybe should have been. Nor were there many moments of real weight, where the rug of comedy is pulled from under your feet and the truth and gravity of events is seen in terrifying reality and perspective for a moment – a trick Brooker usually employs on Yearly Wipe. And that was a shame. I missed that part of it, and felt it needed it.
For me, it was a take it or leave it kind of thing. Sure, it killed an hour or so and wasn’t bad in any way, but it wasn’t anything you’re gonna be shouting from the rooftops about. Maybe one or two moments will come up in conversation between two friends that saw it, but no one is saying “wow, that really hit the nail on the head”. Rather, it was a little silly, somewhat distracting and entirely throw-away.
Bring back the old format, Charlie, when you can. It was much more effective, and funny! I think you know that yourself.
There are also some random big names delivering the sarcastic views on the headlines too: Samuel L. Jackson kicks it all off; Hugh Grant adds to his list of heavily made up characters (and is probably the highlight) as a crusty old historian who struggles to put it all into context; Lisa Kudrow represents the Trump mentality in the form of a Republican press officer who plays hard and loose with the facts and the enforcement of facts; and even Tracey Ullman is dragged out of obscurity to play The Queen (which I didn’t entirely see the point of).
Last, but actually far from least, is Joe Keery, who most will recognise as Steve Harrington in Stranger Things – he represents all youth and the social media generation, claiming some of the most pertinent lines of observation about attitudes and the need to be noticed and relevant, using the news as a basis to flaunt your own opinion and gain followers, as well as a soapbox to show the world how much you have suffered as the world suffers.
Diane Morgan, known for her hilarious regilar turns as Philomena Cunk, tries out an alternate role as the world’s most average woman, who has “finished” Netflix, but understands little of what has happened around her own bubble in the world at large. I mean, it is baffling, all of it! And together these voices and others fairly represent a lot of different types of fool to be lampooned. I missed Cunk, but essentially it served the same purpose.
You can expect from the Brooker team there will be no punches pulled, and at its best moments, Death to 2020, is almost worth standing up and applauding for making sense of things we have all been thinking for almost a year. Of course, part of the joke being that to make an historical documentary about a year that wasn’t even over at the time it was released on Netflix is as bizarre and ridiculous as the way any other news item has been the entire time we have experienced it in reality.
There is a British slant on things for a while, but inevitably the target becomes the US election and the Trump administration, which is a gold mine for all things silly, because it barely needs admonishing to become entirely bonkers! I felt like it could have been a little longer than just over an hour, to fit every angle of Covid and Trump and Boris and everything else in, but it also almost outstays its welcome as it is, so in the end I think they made the right call in leaving some issues out. Despite that it does move along at such a pace that often the joke flies past you before you can properly think about it.
The problem with it as a production is that it is neither a movie or a TV show, but some kind of inbetween thing, with as many ideas that don’t work as the ones that do, and not as many laugh out loud moments as there maybe should have been. Nor were there many moments of real weight, where the rug of comedy is pulled from under your feet and the truth and gravity of events is seen in terrifying reality and perspective for a moment – a trick Brooker usually employs on Yearly Wipe. And that was a shame. I missed that part of it, and felt it needed it.
For me, it was a take it or leave it kind of thing. Sure, it killed an hour or so and wasn’t bad in any way, but it wasn’t anything you’re gonna be shouting from the rooftops about. Maybe one or two moments will come up in conversation between two friends that saw it, but no one is saying “wow, that really hit the nail on the head”. Rather, it was a little silly, somewhat distracting and entirely throw-away.
Bring back the old format, Charlie, when you can. It was much more effective, and funny! I think you know that yourself.
Sensitivemuse (246 KP) rated Quietus in Books
Feb 28, 2018
Was off to a great start, then goes downhill
Contains spoilers, click to show
***Possible spoilers you have been warned***
I was absolutely into the first half of the book. I loved the dark setting, the dark descent of madness for poor Kylie and trying to figure out what is happening to her and her world. The mood and the setting is dark and meant to be so, this part is excellent and sets the tone of the book. You get the eerie creepy feelings and the writing style is good enough that it could be played out like a movie in your head.
So Kyle as a character is all right. She has her flaws, her marriage has flaws but I’ll be honest to say I really did like her and Jack together. You knew they had major flaws and issues that should have been resolved but they just never got around to it. But their chemistry was excellent and you could feel their love even though sad to say, it was going on a path that just wasn’t meant to be. Although their relationship wasn’t that great to begin with, love was never a problem and they looked and seemed great together but it just wasn’t meant to be.
So let’s get to the plot. It started off on the right foot. Lots of creep factor. The plane crash incident well done. Kylie’s recovery, and the slow descent to what looks like madness (but isn’t) and the book tries to explain this to you while you read. Okay. I can handle this. I wanted to know what happens next.
Then we come across this incident in Kylie’s past that’s coming back to haunt her (see what I did there? Har har) okay. It’s pretty traumatic, and well you did send the guy to death because of a crime he committed so I get it.
Julius though….This guy was a grown man while Kylie was a little girl when he died and all of sudden he’s going all creepy touchy feely and managed to induce this semi wet dream/alternate reality sequence with present day Kylie while she was on public transportation. Yeah. Ok. And stop calling her Kylie Rose. It’s annoying but also creepy in a Pedo kind of way.
So after being introduced to Julius the incubus ghost wannabe the plot just slides down the hill and it becomes almost a chore to read through. I can’t believe this book has to be 608 pages as we already know what’s going on with Kylie and her crew about 200 pages in. It gets too descriptive, too mushy and it attempts to do some sort of surreal thing about life after death yadda yadda yadda.
I tried to like it. I can’t. If you cut the book in half and redid the ending so it wasn’t one long dreary part then the book would have been much better and more enjoyable to read. But this falls so short and it’s unfortunate the theme had promise and even the characters had potential.
I was absolutely into the first half of the book. I loved the dark setting, the dark descent of madness for poor Kylie and trying to figure out what is happening to her and her world. The mood and the setting is dark and meant to be so, this part is excellent and sets the tone of the book. You get the eerie creepy feelings and the writing style is good enough that it could be played out like a movie in your head.
So Kyle as a character is all right. She has her flaws, her marriage has flaws but I’ll be honest to say I really did like her and Jack together. You knew they had major flaws and issues that should have been resolved but they just never got around to it. But their chemistry was excellent and you could feel their love even though sad to say, it was going on a path that just wasn’t meant to be. Although their relationship wasn’t that great to begin with, love was never a problem and they looked and seemed great together but it just wasn’t meant to be.
So let’s get to the plot. It started off on the right foot. Lots of creep factor. The plane crash incident well done. Kylie’s recovery, and the slow descent to what looks like madness (but isn’t) and the book tries to explain this to you while you read. Okay. I can handle this. I wanted to know what happens next.
Then we come across this incident in Kylie’s past that’s coming back to haunt her (see what I did there? Har har) okay. It’s pretty traumatic, and well you did send the guy to death because of a crime he committed so I get it.
Julius though….This guy was a grown man while Kylie was a little girl when he died and all of sudden he’s going all creepy touchy feely and managed to induce this semi wet dream/alternate reality sequence with present day Kylie while she was on public transportation. Yeah. Ok. And stop calling her Kylie Rose. It’s annoying but also creepy in a Pedo kind of way.
So after being introduced to Julius the incubus ghost wannabe the plot just slides down the hill and it becomes almost a chore to read through. I can’t believe this book has to be 608 pages as we already know what’s going on with Kylie and her crew about 200 pages in. It gets too descriptive, too mushy and it attempts to do some sort of surreal thing about life after death yadda yadda yadda.
I tried to like it. I can’t. If you cut the book in half and redid the ending so it wasn’t one long dreary part then the book would have been much better and more enjoyable to read. But this falls so short and it’s unfortunate the theme had promise and even the characters had potential.
Hazel (1853 KP) rated Blood for Blood (Wolf By Wolf #2) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Ryan Graudin blew readers away with her alternate historical novel <i>Wolf by Wolf</i>. Now it is time to conclude the imaginative narrative with the highly anticipated sequel, <i>Blood for Blood. </i>Continuing from the precise moment Yael pulled the trigger on the Führer’s doppelgänger, the reader is thrown into a lively story of twists and turns, where danger lives around every corner.
To recap, it is 1956 and Hitler has won the war. Germany, or Germania, is ruling over Europe and many countries in Asia and Africa. Yael is a Jewish girl who a doctor experimented on whilst she was detained in a concentration camp. As a result of the brutal medical treatment, Yael is a successful result of the Doppelgänger Project – she can now change her physical appearance and anatomy at will.<i> Wolf by Wolf</i> focused on Yael and the resistance’s attempt to win a prestigious motorcycle race in order to get close to the Führer and end his life. As it turns out, Yael is not the only person with this skin shifting ability.
On the run with the entire world knowing her secret, Yael is desperate to make contact with the resistance leaders and continue with their plot to assassinate Hitler. However, unable to leave innocent people to suffer at the hands of the National Socialists, Yael ends up being accompanied and hindered by two Aryan boys, Luka and Felix. Yet with no way of knowing who can be trusted, Yael is taking a fatal risk by helping others instead of saving herself.
Despite circumstances, the blossoming romance that began to advance toward the end of the first book continues to feature in <i>Blood for Blood</i> as characters begin to rely on and trust each other. Nonetheless, constant plot developments obstruct all thoughts of a happy ending. Clever twists and gradually emerging truths prevent any opportunity for rest or safety.
<i>Wolf by Wolf </i>was an exciting, new concept for young adult readers, answering a “what if” question about the second world war. Yet the historical setting – albeit fictional – was impeded by the focus on the Axis Tour as characters raced from Germania to Tokyo. In contrast, <i>Blood for Blood</i> leaves all distractions behind, giving full attention to the life and danger under Hitler’s dictatorship. Despite Germany/Germania’s triumphant win, war is still raging throughout Europe. Anyone not meeting the Aryan description is at risk of death or deportment. Strictly speaking, the situation described must look similar, if not the same, as the true result of Nazi ruling.
Ryan Graudin is a formidable writer with the ability to make fiction seem like reality. Despite the added science fiction twist, the imaginative scenario is so well researched and planned that it becomes almost believable. Graudin comes at the story from so many directions, evidencing the effort put into creating the thrilling plot. It is one thing to be able to string words together, but to make them come alive it takes a genius.
<i>Blood for Blood</i> is by far the better of the two novels, making it the perfect conclusion to a fantastic two-part story. Beginning with explosive action and not stopping until its heart-wrenching conclusion, <i>Blood for Blood</i> will satisfy readers of all ages and genres. Those who have read <i>Wolf by Wolf</i> definitely must get their hands on this amazing sequel. You will not be disappointed.
Ryan Graudin blew readers away with her alternate historical novel <i>Wolf by Wolf</i>. Now it is time to conclude the imaginative narrative with the highly anticipated sequel, <i>Blood for Blood. </i>Continuing from the precise moment Yael pulled the trigger on the Führer’s doppelgänger, the reader is thrown into a lively story of twists and turns, where danger lives around every corner.
To recap, it is 1956 and Hitler has won the war. Germany, or Germania, is ruling over Europe and many countries in Asia and Africa. Yael is a Jewish girl who a doctor experimented on whilst she was detained in a concentration camp. As a result of the brutal medical treatment, Yael is a successful result of the Doppelgänger Project – she can now change her physical appearance and anatomy at will.<i> Wolf by Wolf</i> focused on Yael and the resistance’s attempt to win a prestigious motorcycle race in order to get close to the Führer and end his life. As it turns out, Yael is not the only person with this skin shifting ability.
On the run with the entire world knowing her secret, Yael is desperate to make contact with the resistance leaders and continue with their plot to assassinate Hitler. However, unable to leave innocent people to suffer at the hands of the National Socialists, Yael ends up being accompanied and hindered by two Aryan boys, Luka and Felix. Yet with no way of knowing who can be trusted, Yael is taking a fatal risk by helping others instead of saving herself.
Despite circumstances, the blossoming romance that began to advance toward the end of the first book continues to feature in <i>Blood for Blood</i> as characters begin to rely on and trust each other. Nonetheless, constant plot developments obstruct all thoughts of a happy ending. Clever twists and gradually emerging truths prevent any opportunity for rest or safety.
<i>Wolf by Wolf </i>was an exciting, new concept for young adult readers, answering a “what if” question about the second world war. Yet the historical setting – albeit fictional – was impeded by the focus on the Axis Tour as characters raced from Germania to Tokyo. In contrast, <i>Blood for Blood</i> leaves all distractions behind, giving full attention to the life and danger under Hitler’s dictatorship. Despite Germany/Germania’s triumphant win, war is still raging throughout Europe. Anyone not meeting the Aryan description is at risk of death or deportment. Strictly speaking, the situation described must look similar, if not the same, as the true result of Nazi ruling.
Ryan Graudin is a formidable writer with the ability to make fiction seem like reality. Despite the added science fiction twist, the imaginative scenario is so well researched and planned that it becomes almost believable. Graudin comes at the story from so many directions, evidencing the effort put into creating the thrilling plot. It is one thing to be able to string words together, but to make them come alive it takes a genius.
<i>Blood for Blood</i> is by far the better of the two novels, making it the perfect conclusion to a fantastic two-part story. Beginning with explosive action and not stopping until its heart-wrenching conclusion, <i>Blood for Blood</i> will satisfy readers of all ages and genres. Those who have read <i>Wolf by Wolf</i> definitely must get their hands on this amazing sequel. You will not be disappointed.
Ivana A. | Diary of Difference (1171 KP) rated Reverie in Books
Oct 5, 2020
I wanted to love Reverie by Ryan La Sala so much!
Reverie has a wonderful cover that draws you in immediately. The plot mentions a boy and a fantasy world that revolves around dreams. Everything I hoped this book would be – it wasn’t.
Kane is a gay teenager who is trying to pick up the pieces of his life back together after an attack leaves him with no memories of the past. He is in the search of who he is and who he was, and he discovers an alternate reality that he was involved in.
Reveries are worlds born from a person’s private fantasies, and once they manifest they can only be unraveled by bringing their conflicts to a resolution. Reveries have rules and plots, magic and monsters – anything you could wish for. And one wrong step can twist the entire thing into a lethal nightmare maze.
Sounds complicated already?
What if I told you that this is only from the blurb and the book doesn’t really explain these things at all?
Kane is an unraveler, together with The Others. Or at least he was, until one of The Others purged Kane of his memories. And here we are now, with Kane trying to solve the mystery and fight against evil.
I jumped into this book very eagerly, and was disappointing immediately, within the first couple of pages. The reveries and their whole concept were quite confusing, to the point of me not knowing whether the characters are now in a reverie, or in their real world.
Reverie had an amazing concept and it could’ve been done way better than this. I am just disappointed. It all seemed a bit messy and felt like it wasn’t thought through…
I didn’t connect with any of the characters, except for Kane, for the below reasons. And that was it… I didn’t care about any of the others, and there were quite a few characters.
One thing that annoyed me about Reverie, was the exaggeration of the #OwnVoices.
I am not against it, on the contrary! I love equality and I love diversity, and I share love everywhere and to everyone, and if you know me in real life, you will know this about me. We are all equal and different at the same time, and that is the unique thing that connects us all.
However, this book keeps mentioning that Kane is gay. And Kane is a lovely character. He is smart and he is brave. His memories were lost and is desperately trying to find out who he is, who he was, who are his true friends, who is good and who is evil. He doesn’t take for granted on what people tell him. He is AMAZING. Kane was so much more than just gay. But the author kept trying so hard to put an #OwnVoices hashtag on this book, that is was quite aggressive and off-putting. I love books that feature #OwnVoices, but Ryan, please – a little bit of modesty would’ve been nice.
I keep feeling this pressure of trying to write a book review that will not offend anyone, and I don’t mean to offend anyone, but I need to say that sometimes, there can be such a thing as “too much OwnVoicing” in a book. And we shouldn’t be afraid to point it out!
I am really sad about this one, guys. Honestly, I expected it to love it so bad, and now I feel down. I wouldn’t recommend it, but if you think you will love it, please pick it up. You are valid!
Reverie has a wonderful cover that draws you in immediately. The plot mentions a boy and a fantasy world that revolves around dreams. Everything I hoped this book would be – it wasn’t.
Kane is a gay teenager who is trying to pick up the pieces of his life back together after an attack leaves him with no memories of the past. He is in the search of who he is and who he was, and he discovers an alternate reality that he was involved in.
Reveries are worlds born from a person’s private fantasies, and once they manifest they can only be unraveled by bringing their conflicts to a resolution. Reveries have rules and plots, magic and monsters – anything you could wish for. And one wrong step can twist the entire thing into a lethal nightmare maze.
Sounds complicated already?
What if I told you that this is only from the blurb and the book doesn’t really explain these things at all?
Kane is an unraveler, together with The Others. Or at least he was, until one of The Others purged Kane of his memories. And here we are now, with Kane trying to solve the mystery and fight against evil.
I jumped into this book very eagerly, and was disappointing immediately, within the first couple of pages. The reveries and their whole concept were quite confusing, to the point of me not knowing whether the characters are now in a reverie, or in their real world.
Reverie had an amazing concept and it could’ve been done way better than this. I am just disappointed. It all seemed a bit messy and felt like it wasn’t thought through…
I didn’t connect with any of the characters, except for Kane, for the below reasons. And that was it… I didn’t care about any of the others, and there were quite a few characters.
One thing that annoyed me about Reverie, was the exaggeration of the #OwnVoices.
I am not against it, on the contrary! I love equality and I love diversity, and I share love everywhere and to everyone, and if you know me in real life, you will know this about me. We are all equal and different at the same time, and that is the unique thing that connects us all.
However, this book keeps mentioning that Kane is gay. And Kane is a lovely character. He is smart and he is brave. His memories were lost and is desperately trying to find out who he is, who he was, who are his true friends, who is good and who is evil. He doesn’t take for granted on what people tell him. He is AMAZING. Kane was so much more than just gay. But the author kept trying so hard to put an #OwnVoices hashtag on this book, that is was quite aggressive and off-putting. I love books that feature #OwnVoices, but Ryan, please – a little bit of modesty would’ve been nice.
I keep feeling this pressure of trying to write a book review that will not offend anyone, and I don’t mean to offend anyone, but I need to say that sometimes, there can be such a thing as “too much OwnVoicing” in a book. And we shouldn’t be afraid to point it out!
I am really sad about this one, guys. Honestly, I expected it to love it so bad, and now I feel down. I wouldn’t recommend it, but if you think you will love it, please pick it up. You are valid!
Kristy H (1252 KP) rated Lies She Told in Books
Feb 13, 2018
Liza is a struggling writer given an ultimatum by her editor: write a thriller for me in a month. It's been ages since Liza was on the bestseller list (truly, only her first novel was a real success). Meanwhile, she's a mess of fertility drugs and hormones, as she and her lawyer husband, David, are trying to start a family--and getting nowhere. Even worse, David's best friend and business partner, Nick, has been missing for over a month. David is increasingly frantic and distracted, and the police have no leads. So Liza pours her heart and soul into the story of Beth, a new mom who suspects her own lawyer husband of cheating on her. Beth catches him the act and makes a split-second decision that will change their lives forever. As Liza continues to write, the lines between fact and fiction become increasingly blurred.
I was excited to finally pick this one up, as so many of my friends had enjoyed it, but alas, I'm going to be the killjoy here <i>who stands against the popular wave of public opinion.</i> Please note that most people really loved this book and who knows, maybe I'm just getting cranky in my old age. ;) Or maybe I got too caught up in all the hype.
Either way, this one was a let down for me. <i> The clues left along in the story for the reader stand out as huge glaring red flags, basically just screaming the plot twists out</i>. Nothing came as a surprise, I had the entire thing worked out in about the first 15 minutes. Now, I won't lie, this is still an incredibly readable book - <i>it's a fast read</i> for sure. You immediately realize that Liza is an unreliable narrator and a ticking time bomb. I never really warmed to her, but she's somewhat fascinating in trying to figure out what she's up to and what's truly happening.
I've seen some complaints about it being hard to figure out what chapters were Liza's and which were Beth's--I didn't have that problem. They alternate and in my version, Liza's were marked. I occasionally had to remind myself who had which backstory, but I believe that was part of the idea--of Liza blurring the reality around her. And, truly, it was a great idea in concept.
Unfortunately, I found both women to be somewhat frustrating and didn't really buy all of their actions or relationships. Liza's quick attachment to Trevor, for instance, or some of Beth's bizarre decisions. That made it harder to root for them. And, again, absolutely nothing that occurred was a surprise. That was my biggest issue. I want my thriller to surprise me, but none of the twists were shocking whatsoever, right up to the end. Sigh.
Still, as I said, it's an oddly compelling read with the blurred parallels between Liza and Beth and you "wondering" what happened to Nick. At the end, I pondered for a moment whether it was brilliant or awful, but I just couldn't enjoy something I found so predictable, even if it was a page-turner at times. But, I'm certainly in the minority here, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review. It's available everywhere as of 09/12/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
I was excited to finally pick this one up, as so many of my friends had enjoyed it, but alas, I'm going to be the killjoy here <i>who stands against the popular wave of public opinion.</i> Please note that most people really loved this book and who knows, maybe I'm just getting cranky in my old age. ;) Or maybe I got too caught up in all the hype.
Either way, this one was a let down for me. <i> The clues left along in the story for the reader stand out as huge glaring red flags, basically just screaming the plot twists out</i>. Nothing came as a surprise, I had the entire thing worked out in about the first 15 minutes. Now, I won't lie, this is still an incredibly readable book - <i>it's a fast read</i> for sure. You immediately realize that Liza is an unreliable narrator and a ticking time bomb. I never really warmed to her, but she's somewhat fascinating in trying to figure out what she's up to and what's truly happening.
I've seen some complaints about it being hard to figure out what chapters were Liza's and which were Beth's--I didn't have that problem. They alternate and in my version, Liza's were marked. I occasionally had to remind myself who had which backstory, but I believe that was part of the idea--of Liza blurring the reality around her. And, truly, it was a great idea in concept.
Unfortunately, I found both women to be somewhat frustrating and didn't really buy all of their actions or relationships. Liza's quick attachment to Trevor, for instance, or some of Beth's bizarre decisions. That made it harder to root for them. And, again, absolutely nothing that occurred was a surprise. That was my biggest issue. I want my thriller to surprise me, but none of the twists were shocking whatsoever, right up to the end. Sigh.
Still, as I said, it's an oddly compelling read with the blurred parallels between Liza and Beth and you "wondering" what happened to Nick. At the end, I pondered for a moment whether it was brilliant or awful, but I just couldn't enjoy something I found so predictable, even if it was a page-turner at times. But, I'm certainly in the minority here, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review. It's available everywhere as of 09/12/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>