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Mayhawke (97 KP) rated Identity (2003) in Movies
Feb 9, 2018
Sadly Predictable
This is old-dark-house stuff. A group of people stay at a motel and start dying. My first complaint: I don't like gore. To me it's a good indicator that the people who made the film don't think they have a strong enough plot-line to engage people.
It's not over-board in this film, but there's more than I am comfortable with.
It's not a bad film, and it ticks along quite nicely ,with all the usual, 'we've got to get this guy','we have to stick together' stuff but the trouble is it is usual: seen before in a hundred other films. Eventually the filmakers paint themselves into a corner from where they can only head for an ending that is weak and predictable - although I'm not sure what ending wouldn't have been for this.
A good, strong cast including Ray Liotta, Amanda Peet, Alfred Molina, Jake Busey,and Rebecca De Mornay, class acts all, sadly let down by the material.
It's not over-board in this film, but there's more than I am comfortable with.
It's not a bad film, and it ticks along quite nicely ,with all the usual, 'we've got to get this guy','we have to stick together' stuff but the trouble is it is usual: seen before in a hundred other films. Eventually the filmakers paint themselves into a corner from where they can only head for an ending that is weak and predictable - although I'm not sure what ending wouldn't have been for this.
A good, strong cast including Ray Liotta, Amanda Peet, Alfred Molina, Jake Busey,and Rebecca De Mornay, class acts all, sadly let down by the material.
Tim McGuire (301 KP) rated Sleeping with Other People (2015) in Movies
Nov 2, 2019
Old Movie Revisited: Sleeping with Other People. Yea most rom coms suck balls, but this one did not. It's an IFC production so that might explain some of it. I dunno, a good cast might help a tad too. First and foremost it stars Alison Brie, and fuckin A, she is hott! Also stars Jason Sudeikis, Amanda Peet, Jason Mantzoukas, Andrea Savage, Adam Scott, and a bunch of smaller pop ins from a bunch of todays funny people: Adam Brody, Billy Eichner, Natasha Lyonne, but anyways...Sudeikis and Brie play friends who a long time ago at college they lost their virginity to each other, and seperated ways and only bumped into each other years later at a sex addicts meeting. And so its about them finding friendship and not falling into bed together, and this is a rom com so you can see the ending a million miles away, but it's the journey that counts...and this journey includes Alison Brie being scantily clad, several times, so for that alone its worth it. Go ahead watch it!
Gareth von Kallenbach (962 KP) rated Sleeping with Other People (2015) in Movies
Jun 19, 2019
Relationships can be a complicated and challenge for many people. Combined with the pressures of work and modern society, it is a wonder how many people still manage to find one another and make meaningful connections.
In the new film “Sleeping With Other People”, audiences are introduced to Jake (Jason Sudeikis), and Lainey (Alison Brie), who meet by chance in a dorm, and have a very memorable evening with one another.
Flash forward years later and Jake and Lainey are struggling with relationships as Jake is a womanizer and Lainey has issued with fidelity in relationships and her self-destructive nature.
The two reunite by chance and begin a friendship which as time goes on, blossoms into something more. Of course both characters have their share of demons to contend with and have people in their past and present that have to be factored in as they struggle to grasp the rules of modern life.
Sudeikis and Brie work well with one another as their relationship seems natural and forced as they are both people trying to do the right thing yet haunted by their destructive patterns when it comes to love and relationships.
Solid supporting work by Amanda Peet and Adam Scott and the talented and enjoyable ensemble cast make the film a pleasant surprise and one that you should not miss.
http://sknr.net/2015/09/18/sleeping-with-other-people/
In the new film “Sleeping With Other People”, audiences are introduced to Jake (Jason Sudeikis), and Lainey (Alison Brie), who meet by chance in a dorm, and have a very memorable evening with one another.
Flash forward years later and Jake and Lainey are struggling with relationships as Jake is a womanizer and Lainey has issued with fidelity in relationships and her self-destructive nature.
The two reunite by chance and begin a friendship which as time goes on, blossoms into something more. Of course both characters have their share of demons to contend with and have people in their past and present that have to be factored in as they struggle to grasp the rules of modern life.
Sudeikis and Brie work well with one another as their relationship seems natural and forced as they are both people trying to do the right thing yet haunted by their destructive patterns when it comes to love and relationships.
Solid supporting work by Amanda Peet and Adam Scott and the talented and enjoyable ensemble cast make the film a pleasant surprise and one that you should not miss.
http://sknr.net/2015/09/18/sleeping-with-other-people/
Movie Metropolis (309 KP) rated 2012 (2009) in Movies
Jun 10, 2019
Roland Emmerich does big budget disaster flicks as well as Dairylea does cheese. However, some of his most recent attempts to dominate the box office have been panned by viewers and critics alike, who say that he has become too reliant on special effects.
Unfortunately, those critics better look away now, as his new film is the biggest yet.
2012 takes place, well, in 2012 for the most part and features an array of big Hollywood names attracted none the less by the huge box office forecasts for the film. The premise is simple; here comes the end of the world and god should we run!
With a reported budget of over $200m which is more than Michael Bay spent on his worldwide smash Transformers: Revenge of the fallen, Emmerich was certainly able to splash out on some eye popping CGI.
2012 reads like The Day After Tomorrow on a steroid, which is no bad thing, but that film had some hideously underdeveloped characters and lacked the depth needed to allow viewers to share compassion for the people who had been affected by the global crisis.
Thankfully it seems that Emmerich has learnt his lesson here and has provided us with a back-story and it comes in many different forms. Thandie Newton and Danny Glover play president’s daughter and president respectively, a great deal of emotion has gone into writing these two characters and their on-screen scenes together, albeit a small amount, are wonderful.
John Cusack and Amanda Peet play divorced parents Jackson and Kate, only united by the love they share for their two young children and predictably later on in the film, a few deeper emotions. Unfortunately these two share no chemistry together and their on-screen scenes are flawed as a result.
2012 doesn’t have a huge deal of character development but it does improve on what was seen in The Day After Tomorrow and more recently, 10,000BC, with a deeper understanding of the characters. It ultimately succeeds in making the viewers share compassion for even the heartless characters in the film.
Moving on to the saving grace of all disaster films; the special effects, fans of major cities being destroyed are going to be pleased here with some eye-watering action pieces really showing why perhaps Emmerich overshadows even Michael Bay and has become the king of destroying anything that can be destroyed. There are a few questionable scenes, which look rather less than realistic, but this is a small point that doesn’t need to be taken into account.
Whilst all this may seem excellent, it all feels familiar, it’s all been seen and done before, so in reality 2012 adds nothing new to the genre which is unfortunate because it really is an excellent film.
Overall, 2012 is a mouth-watering treat in cinema engineering, apart from some lapses in scientific accuracy and some shaky special effects; it surpasses The Day After Tomorrow and similar disaster films by sheer depth. On the downside it adds nothing new to the formula, but if you want sheer popcorn fodder then please, look no further.
https://moviemetropolis.net/2010/10/18/2012-2009/
Unfortunately, those critics better look away now, as his new film is the biggest yet.
2012 takes place, well, in 2012 for the most part and features an array of big Hollywood names attracted none the less by the huge box office forecasts for the film. The premise is simple; here comes the end of the world and god should we run!
With a reported budget of over $200m which is more than Michael Bay spent on his worldwide smash Transformers: Revenge of the fallen, Emmerich was certainly able to splash out on some eye popping CGI.
2012 reads like The Day After Tomorrow on a steroid, which is no bad thing, but that film had some hideously underdeveloped characters and lacked the depth needed to allow viewers to share compassion for the people who had been affected by the global crisis.
Thankfully it seems that Emmerich has learnt his lesson here and has provided us with a back-story and it comes in many different forms. Thandie Newton and Danny Glover play president’s daughter and president respectively, a great deal of emotion has gone into writing these two characters and their on-screen scenes together, albeit a small amount, are wonderful.
John Cusack and Amanda Peet play divorced parents Jackson and Kate, only united by the love they share for their two young children and predictably later on in the film, a few deeper emotions. Unfortunately these two share no chemistry together and their on-screen scenes are flawed as a result.
2012 doesn’t have a huge deal of character development but it does improve on what was seen in The Day After Tomorrow and more recently, 10,000BC, with a deeper understanding of the characters. It ultimately succeeds in making the viewers share compassion for even the heartless characters in the film.
Moving on to the saving grace of all disaster films; the special effects, fans of major cities being destroyed are going to be pleased here with some eye-watering action pieces really showing why perhaps Emmerich overshadows even Michael Bay and has become the king of destroying anything that can be destroyed. There are a few questionable scenes, which look rather less than realistic, but this is a small point that doesn’t need to be taken into account.
Whilst all this may seem excellent, it all feels familiar, it’s all been seen and done before, so in reality 2012 adds nothing new to the genre which is unfortunate because it really is an excellent film.
Overall, 2012 is a mouth-watering treat in cinema engineering, apart from some lapses in scientific accuracy and some shaky special effects; it surpasses The Day After Tomorrow and similar disaster films by sheer depth. On the downside it adds nothing new to the formula, but if you want sheer popcorn fodder then please, look no further.
https://moviemetropolis.net/2010/10/18/2012-2009/
Gareth von Kallenbach (962 KP) rated Identity Thief (2013) in Movies
Aug 7, 2019
Life for Sandy Patterson (Jason Bateman), is a comfortable middle class existence. He is a father of two daughters and is expecting a third child soon with his loving wife Trish (Amanda Peet). While they have financial concerns with the pending arrival of their new baby, Sandy is hoping for a bonus and promotion at his job working for a financial service company. Things take a turn for the worse for Sandy when not only does he get neither a bonus nor promotion, but he learns that his supervisors are authorizing themselves large bonus checks which he is in charge of issuing.
Sandy and his friend Daniel (John Cho), decide that enough is enough and decide to start their own company with Sandy as V.P. Although a risky move, this could be the answer to his financial needs and Sandy jumps aboard without a second thought. Enter Diana (Melissa McCarthy), a professional identity thief who packs her Florida home with all manner of items obtained via her knack for creating credit cards belonging to other people.
Sandy thanks to his unisex name, has become the latest target for Diana and in no time, finds that his credit cards are maxed out, and worst yet, he is wanted by the police. This does not sit well for his new position as a V.P. with credit issues and warrants will scare off investors. Sandy learns that the timeline for clearing his name can be extensive, so he hatches a plan after receiving a spa confirmation call from Florida. Sandy with the knowledge of the police plans to travel to Florida and bring the person who has stolen his identity to Denver to clear his name. He hopes that a promise of no prosecution will trick her into the trip and clearing his good name.
Since the film is a comedy, things naturally do not go as planned as Denise is crafty and will resort to anything from throat punches to vehicular assault to stay one step ahead of the law. Denise has run afoul of a criminal element for issuing them credit cards that she has already maxed out and they dispatch two killers to take her and anyone she is with out. As if this is not bad enough, a psycho skip tracer (Robert Patrick) is also in hot pursuit and set on capturing the large reward on Denise. What follows is a mixture of the buddy comedy formula and road trip film which more than once reminded me of the recent “Due Date”. “Identity Thief” has a great premise and cast to it, but it is saddled by long stretches that drag on. The film takes a while to get started and never seems to find a pace that works for it.
McCarthy has some great lines and moments and Bateman does a solid job as the straight main foil. The problem is, the laughs are to few and far between to justify the nearly two hour run time. This is a shame as with about 30 minutes trimmed this could have been a very tight and witty comedy but instead under director Seth Gordon best efforts, the film never reaches its potential.
Sandy and his friend Daniel (John Cho), decide that enough is enough and decide to start their own company with Sandy as V.P. Although a risky move, this could be the answer to his financial needs and Sandy jumps aboard without a second thought. Enter Diana (Melissa McCarthy), a professional identity thief who packs her Florida home with all manner of items obtained via her knack for creating credit cards belonging to other people.
Sandy thanks to his unisex name, has become the latest target for Diana and in no time, finds that his credit cards are maxed out, and worst yet, he is wanted by the police. This does not sit well for his new position as a V.P. with credit issues and warrants will scare off investors. Sandy learns that the timeline for clearing his name can be extensive, so he hatches a plan after receiving a spa confirmation call from Florida. Sandy with the knowledge of the police plans to travel to Florida and bring the person who has stolen his identity to Denver to clear his name. He hopes that a promise of no prosecution will trick her into the trip and clearing his good name.
Since the film is a comedy, things naturally do not go as planned as Denise is crafty and will resort to anything from throat punches to vehicular assault to stay one step ahead of the law. Denise has run afoul of a criminal element for issuing them credit cards that she has already maxed out and they dispatch two killers to take her and anyone she is with out. As if this is not bad enough, a psycho skip tracer (Robert Patrick) is also in hot pursuit and set on capturing the large reward on Denise. What follows is a mixture of the buddy comedy formula and road trip film which more than once reminded me of the recent “Due Date”. “Identity Thief” has a great premise and cast to it, but it is saddled by long stretches that drag on. The film takes a while to get started and never seems to find a pace that works for it.
McCarthy has some great lines and moments and Bateman does a solid job as the straight main foil. The problem is, the laughs are to few and far between to justify the nearly two hour run time. This is a shame as with about 30 minutes trimmed this could have been a very tight and witty comedy but instead under director Seth Gordon best efforts, the film never reaches its potential.
Gareth von Kallenbach (962 KP) rated 2012 (2009) in Movies
Aug 8, 2019
Disaster films and Hollywood have enjoyed a long and successful partnership over the years as box office gold has been found in fictional disasters. Irwin Allen had a string of hits such as “The Towering Inferno” and “The Poseidon Adventure” which in turn lead to the films such as “Dante’s Peak”, “Volcano”, “Deep Impact”, and “Armageddon” who kept the tried and true formula of relatable, regular people forced to cope with extraordinary situations where they must battle against all odds to survive.
In the new film “2012” director Roland Emmerich follows up his other end-of-the world epics “Independence Day” and “The Day After Tomorrow”, with a story about the total devastation of the earth and all life upon it due to an increase of neutrinos from the sun heating the earth’s core causing the displacement of the Earth’s crust.
Keeping to the established formula of the disaster films, 2012 centers around a struggling writer named Jackson Curtis (John Cusack), who learns of the pending catastrophic events while camping at Yellowstone National Park with his children. The presence of forbidden areas and swarms of soldiers and scientists leads Jackson to believe that the local conspiracy radio host Charlie Frost (Woody Harrelson), might be right in his predictions that we are all on borrowed time, and that the increase in earthquakes and fissures along the fault lines are a very bad omen.
Unbeknownst to Jackson, and the majority of the world’s population, U.S. President Wilson (Danny Glover), and his fellow heads of state, are preparing for the coming tragedy. Carl Anheuser (Oliver Platt) and a team of geologists lead by Adrian Helmsley (Chiwetal Ojiofore) are trying to determine exactly how much time they have to save what they can of humanity. Unaware that the fate of mankind is being decided by the politicians and those with money, Jackson and his children soon find themselves rushing to stay alive, with his ex-wife Kate (Amanda Peet), and her boyfriend in tow. Jackson learns of a plan to save select members of the population and pins their very survival on being able to arrive at what they hope is their salvation before time runs out.
Spectacular effects follow as Los Angeles and other cities are swallowed up by massive sinkholes and buried under collapsing bridges and buildings in some of the most amazing sequences of mayhem and destruction ever captured on film. The movie does an amazing job of showing the absolute calamity and chaos and does a passable job with the relationships between the characters. There are some nice supporting performances from Thandie Newton and George Segal. It is just a shame they were not given a bit more to work with. The cookie cutter scenarios that many characters faced seem to have been lifted from the book of disaster film plots.
I did not go into the film expecting realism, as I fully expect the world will go on as normal on December 22, 2012. However, I did have to note some of the absurd developments that strained any semblance of credibility the film may have had. One such scene had the characters being flooded and trapped for an extended period of time by water. Since their locale was near Mt Everest, I had to assume that it was not warm spring water they were submerged in, and had to wonder if hypothermia just went the way of most of the human populace.
Then again, we were dealing with a heated core that was essentially melting the earth’s crust. So maybe the water was warm.
As with all disaster movies, I do have to remember the audience is asked to suspend all disbelief, at least for 160 minutes. While the film does take some vast leaps of logic, there is enough good action, special effects, and strained levity to make this a good distraction, as long as you are willing to check your brain at the door and just enjoy the ride.
In the new film “2012” director Roland Emmerich follows up his other end-of-the world epics “Independence Day” and “The Day After Tomorrow”, with a story about the total devastation of the earth and all life upon it due to an increase of neutrinos from the sun heating the earth’s core causing the displacement of the Earth’s crust.
Keeping to the established formula of the disaster films, 2012 centers around a struggling writer named Jackson Curtis (John Cusack), who learns of the pending catastrophic events while camping at Yellowstone National Park with his children. The presence of forbidden areas and swarms of soldiers and scientists leads Jackson to believe that the local conspiracy radio host Charlie Frost (Woody Harrelson), might be right in his predictions that we are all on borrowed time, and that the increase in earthquakes and fissures along the fault lines are a very bad omen.
Unbeknownst to Jackson, and the majority of the world’s population, U.S. President Wilson (Danny Glover), and his fellow heads of state, are preparing for the coming tragedy. Carl Anheuser (Oliver Platt) and a team of geologists lead by Adrian Helmsley (Chiwetal Ojiofore) are trying to determine exactly how much time they have to save what they can of humanity. Unaware that the fate of mankind is being decided by the politicians and those with money, Jackson and his children soon find themselves rushing to stay alive, with his ex-wife Kate (Amanda Peet), and her boyfriend in tow. Jackson learns of a plan to save select members of the population and pins their very survival on being able to arrive at what they hope is their salvation before time runs out.
Spectacular effects follow as Los Angeles and other cities are swallowed up by massive sinkholes and buried under collapsing bridges and buildings in some of the most amazing sequences of mayhem and destruction ever captured on film. The movie does an amazing job of showing the absolute calamity and chaos and does a passable job with the relationships between the characters. There are some nice supporting performances from Thandie Newton and George Segal. It is just a shame they were not given a bit more to work with. The cookie cutter scenarios that many characters faced seem to have been lifted from the book of disaster film plots.
I did not go into the film expecting realism, as I fully expect the world will go on as normal on December 22, 2012. However, I did have to note some of the absurd developments that strained any semblance of credibility the film may have had. One such scene had the characters being flooded and trapped for an extended period of time by water. Since their locale was near Mt Everest, I had to assume that it was not warm spring water they were submerged in, and had to wonder if hypothermia just went the way of most of the human populace.
Then again, we were dealing with a heated core that was essentially melting the earth’s crust. So maybe the water was warm.
As with all disaster movies, I do have to remember the audience is asked to suspend all disbelief, at least for 160 minutes. While the film does take some vast leaps of logic, there is enough good action, special effects, and strained levity to make this a good distraction, as long as you are willing to check your brain at the door and just enjoy the ride.
Gareth von Kallenbach (962 KP) rated The X Files: I Want to Believe (2008) in Movies
Aug 14, 2019
It has been over six years since the popular and groundbreaking series, “The X-Files” went off the air leaving some of the series biggest questions unresolved. There was always talk that future films would resolve the alien conspiracy and invasion plotline that fueled the nine seasons of the show, but as time went on, many fans began to wonder if that storyline like so many of the cases Mulder and Scully investigated would remain unanswered.
A dispute between Fox and series creator Chris Carter was often listed as one of the main reasons that the second film had not arrived and thankfully with the resolution of the dispute and the pending writers strike, the new film was approved by the studio and placed into production.
The film picks up years after the series and finds both Mulder (David Duchovny), and Scully (Gillian Anderson), living with one another in a remote home in a rural area. The fact that Mulder is still a wanted man has forced him to lead a life of seclusion, but he still collects newspaper clippings related to bizarre happenings to feed his fascination with the supernatural.
Scully leads a more conventional life, as she has left the F.B.I. to return to her career as a Doctor in a local Catholic hospital.
Scully has been struggling to treat a young boy with a series condition that many of her superiors believe is a lost cause. As if this was not enough concern, Scully is approached by an F.B.I. agent named Agent Drummy (Xzibit), who informs Scully that the F.B.I. is in need of Mulder’s services in finding a missing agent.
Suspecting a trap to lure out Mulder, Scully refutes any knowledge of Mulder, but relays the information to a skeptical and bitter Mulder. The F.B.I. is willing to drop all charges against Mulder and despite his bitterness over his frame up, he agrees simply to help find the agent and clear his name.
Mulder and Scully are introduced to Agent Whitney (Amanda Peet), who is heading the investigation to recover the missing agent. Whitney has ruffled a few feathers at the bureau to bring Mulder back into the mix, but due to some odd facts of the case, and their own lack of leads, they believe Mulder may be the key to unraveling the mystery.
Mulder and Scully soon find themselves in a snow covered, remote area of Virginia where they must content not only with the elements but an ever changing case.
It is learned that a disgraced priest named Father Joe (Billy Connolly), is having psychic visions of the missing agent, and Mulder is tasked with not only helping find the missing agent, but determining the truth behind the visions of Father Joe.
As the case takes one bizarre twist after another, Scully becomes concerned over Mulder’s obsession with the case, as she worries that they are going to lose the new life they have had with one another, and once again be dragged into the old lifestyle they shared, that not only consumed them both, but cost both of them great hardships and suffering.
Scully believes that Father Joe is a sick individual who is faking the visions as his way to atone for his past sins, and believes that her time would be better spent caring for her patient and with Mulder.
Unwilling to let it go, Mulder is determined to find the truth, and will risk everything to uncover the mystery before him.
Writer/Director Chris Carter is to be praised as “The X-Files: I want to Believe” is a daring effort. Carter chose to ignore the standard movie trappings of being bigger and better and toned down the FX and action of the film to instead focus on a more intimate and character driven story.
Carter gambled that the chemistry between Duchovny and Anderson would not only attract fans, but would sustain the film without having to rely on an abundance of gimmicks. To this extent the film succeeds very well as the report between the two leads is amazing and it is a treat to see them both reprising their roles and underscoring that there is still a lot of life left in the characters.
Some may complain that the movie is little more than an extended episode and does not have the action, FX, nor eeriness to have this compare with some of the more memorable moments of the series, but to do so I believe would undermine this very worthy effort.
The film is not only a very clever character driven drama, it has plenty of subtle nods and gems for fans of the series, but holds up extremely well as a stand alone story for those not well versed in the series and it’s many complexities.
The final segment of the film truly shines as not only does it have an ending worthy of some of the best moments of the show, but it challenges the audience with questions of fate, faith, and the nature of life and the roles we are chosen to play.
From the solid acting, eerie locales and lighting and interesting themes of the film, this is a solid and enjoyable film. I only hope we do not have to wait so long for the next one.
A dispute between Fox and series creator Chris Carter was often listed as one of the main reasons that the second film had not arrived and thankfully with the resolution of the dispute and the pending writers strike, the new film was approved by the studio and placed into production.
The film picks up years after the series and finds both Mulder (David Duchovny), and Scully (Gillian Anderson), living with one another in a remote home in a rural area. The fact that Mulder is still a wanted man has forced him to lead a life of seclusion, but he still collects newspaper clippings related to bizarre happenings to feed his fascination with the supernatural.
Scully leads a more conventional life, as she has left the F.B.I. to return to her career as a Doctor in a local Catholic hospital.
Scully has been struggling to treat a young boy with a series condition that many of her superiors believe is a lost cause. As if this was not enough concern, Scully is approached by an F.B.I. agent named Agent Drummy (Xzibit), who informs Scully that the F.B.I. is in need of Mulder’s services in finding a missing agent.
Suspecting a trap to lure out Mulder, Scully refutes any knowledge of Mulder, but relays the information to a skeptical and bitter Mulder. The F.B.I. is willing to drop all charges against Mulder and despite his bitterness over his frame up, he agrees simply to help find the agent and clear his name.
Mulder and Scully are introduced to Agent Whitney (Amanda Peet), who is heading the investigation to recover the missing agent. Whitney has ruffled a few feathers at the bureau to bring Mulder back into the mix, but due to some odd facts of the case, and their own lack of leads, they believe Mulder may be the key to unraveling the mystery.
Mulder and Scully soon find themselves in a snow covered, remote area of Virginia where they must content not only with the elements but an ever changing case.
It is learned that a disgraced priest named Father Joe (Billy Connolly), is having psychic visions of the missing agent, and Mulder is tasked with not only helping find the missing agent, but determining the truth behind the visions of Father Joe.
As the case takes one bizarre twist after another, Scully becomes concerned over Mulder’s obsession with the case, as she worries that they are going to lose the new life they have had with one another, and once again be dragged into the old lifestyle they shared, that not only consumed them both, but cost both of them great hardships and suffering.
Scully believes that Father Joe is a sick individual who is faking the visions as his way to atone for his past sins, and believes that her time would be better spent caring for her patient and with Mulder.
Unwilling to let it go, Mulder is determined to find the truth, and will risk everything to uncover the mystery before him.
Writer/Director Chris Carter is to be praised as “The X-Files: I want to Believe” is a daring effort. Carter chose to ignore the standard movie trappings of being bigger and better and toned down the FX and action of the film to instead focus on a more intimate and character driven story.
Carter gambled that the chemistry between Duchovny and Anderson would not only attract fans, but would sustain the film without having to rely on an abundance of gimmicks. To this extent the film succeeds very well as the report between the two leads is amazing and it is a treat to see them both reprising their roles and underscoring that there is still a lot of life left in the characters.
Some may complain that the movie is little more than an extended episode and does not have the action, FX, nor eeriness to have this compare with some of the more memorable moments of the series, but to do so I believe would undermine this very worthy effort.
The film is not only a very clever character driven drama, it has plenty of subtle nods and gems for fans of the series, but holds up extremely well as a stand alone story for those not well versed in the series and it’s many complexities.
The final segment of the film truly shines as not only does it have an ending worthy of some of the best moments of the show, but it challenges the audience with questions of fate, faith, and the nature of life and the roles we are chosen to play.
From the solid acting, eerie locales and lighting and interesting themes of the film, this is a solid and enjoyable film. I only hope we do not have to wait so long for the next one.