"Apocalypse Now is sort of a fever dream of a movie. When you watch the documentary about the making of Apocalypse Now, you suddenly understand what everybody went through while they were making that thing, and what a huge, unruly beast they got involved with, not even knowing what the movie was going to be. Everybody just decided to be a part of it even though it was just this evolving daily disaster. That being said, it is an amazing tribute to the film, that the beautiful cohesive piece that it is, is what emerged from that craziness. So many scenes that are just so memorable, the amazing lines, and how it just totally transformed war movies because it would have those incredibly realistic moments but also, you know, the huge “Ride of the Valkyries” helicopter attack. And it’s amazing that it worked at all, you know, besides the fact that it actually managed to work beautifully."

"I'd loved the previous albums but then Attack & Release came out and they'd worked with Danger Mouse, who is one of my favourite producers and was doing great stuff around then with Gorillaz and Martina Topley-Bird, and he'd done The Grey Album thing too, and I think Gnarls Barkley came just after this. Quite an unusual choice of producer for them, because they'd been doing quite hard stuff before that. Not rock rock, but y'know. It was just an amazing blend. Danger Mouse has got a real swing to the stuff he does, and he'd put a surrounding swing to it, combining two quite raw musicians - and an amazing vocalist - and it's just this incredible album. I've seen them a couple of times - and I think I built my expectation of them up too much - I mean, they were amazing, but I think I was expecting it to be the pinnacle of all gigs."