"I got to Scott Walker quite late. I got into him because I read a lot of comparisons between Dog Man Star or 'The Big Time', the B-side to [Suede's] 'Animal Nitrate', and him. I knew The Walker Brothers of course, but I didn't know his solo stuff. What I like about Scott Walker is that it's millimetres away from easy listening, but is still not easy listening. There's the occasional little detail or bar that he puts in there that makes it not easy listening. Scott 3 for me is an amazing record. The first few songs on that, especially songs like 'Big Louise', are such powerful pieces of music. He's one of the greatest singers ever. It's amazing to see how powerful a voice can be, I don't mean in a macho sense, but how if the voice is doing something fascinating how minimal the music can be. I love the way he's still making strange records, like The Drift and Tilt. You've got to admire him for marginalising himself, and still doing interesting stuff at his age, because it's quite rare isn't it? You wonder where he's going to go next."

"I was in college. I had the chicken pox so I had to stay in my dorm room. I wasn’t even sick. I had like two pox. Not like the rapper, but like two pox, and I had all this energy, and I was like [makes sick noise], and I watched Hannah and Her Sisters with two other friends of mine in the dorm that had already had chicken pox, so they could be around me. I’d never seen filmmaking like that, although, in high school, I watched New York Stories by Woody Allen, which I also was a big fan already, so I was like, “Oh, this is great.” I feel like Hannah and Her Sisters was just a beautiful film. Such a beautiful film. The work that he gets out of the actors… He casts these amazing actors, but then he gets these phenomenal performances out of them. There’s so much vulnerability in that movie that it just struck me. It was like an amazing artistic truck just running me over. I was already studying acting and knew I wanted to do that, but it really, really landed on me."

"This reminds me of my dad. He was into liberation drum circles in the Matabele community in Zimbabwe and he worked with people from that community. This is a record from the Ndebele language. Nothembi is an amazing guitarist and it's a rocking album with amazing synths as well. I've been playing this quite a bit over the past year. I almost got to play with her but she didn't turn up. My dad used to listen to Thomas Mapfumo - who supported The Stone Roses at Spoke Island - and I thought this was really funny [at the time] - I should have asked my dad to come along to that gig! My influences for music were more down to my big brother and sister and my mam was into different music again. It's inevitable that you are influenced by people around you. I'd get Anglo-American punk rock and pop music from my brother and sister but my dad wasn't into that; [for him] reggae was acceptable and maybe Welsh language pop. He didn't engage with music to the point where he had influenced my sound whereas my brother and sister's records influenced me directly."