"I think that Elizabeth Fraser is such an amazing singer. Even though she’s not singing words, there’s so much emotion in her voice. The melodies are unbelievably strong, and when you combine that with Elizabeth's voice it conveys things that mere words can’t. “I also love the way that the instrumentation is almost the same for every song. With some artists, that might not work, but the Cocteau Twins manage to take you into their own sonic world. They’re totally captivating. This is one of my favorite records ever."

"This documentary is about the Leonard Bernstein-conducted recording of the score in the 80s, with Kiri Te Kanawa and José Carreras. That soundtrack was a staple at home when I was growing up – we had this glossy, massive four-cassette tape box of it. Bernstein is such an interesting person: temperamental, feisty, impatient, funny, smoking cigarettes in his red polo neck. And to see him conduct his music – this incredible, ambitious, interesting, crazy, heartbreaking music, which is never schmaltzy, but crunchy and angsty, and then with these moments of release – is really amazing."

"The masterpiece. I keep an American Cinematheque membership; they do an amazing job of regularly screening classics (including many from the Criterion Collection) at two great theaters in LA. Bronwyn and I had the privilege of attending their screening of Seven Samurai at the Aero Theatre in Santa Monica last year. Seeing this on the big screen, among the more talked-about aspects of this film, the unexpected humor really shines. It was the shortest, most engaging three and a half hours I’ve ever spent in a theater."

"Speaking of stylish, one of the reasons I’ve put this movie on my list is because I love the Scalamandre zebra-print wallpaper featured in it. But the film is wonderfully moving—and it has my favorite Gwyneth Paltrow performance ever; no one smokes more petulantly than she does—but it’s also a visual treat, from the aforementioned decor to Goop’s amazing polo dresses and ratty fur coat. In my experience, you either cannot stand Wes Anderson’s aesthetic or you want to move into it; I am the latter."