Search
Search results
graveyardgremlin (7194 KP) rated To Die For (Blair Mallory, #1) in Books
Feb 15, 2019
Hmm, I'm having a hard time describing how I feel about this book. I liked it enough, Blair was a decent character, but there was something (or things) missing. I'm not one of those who hate first person narratives (I really have no preference - both first and third person narratives are fine with me, as long as they work for the book), but for some reason it felt weird in this book and didn't quite work for me. Also, I don't know how I feel about Wyatt. His reason for leaving Blair two years ago was lame and I can't believe she let him off the hook so easily; not to mention he was rather one-dimensional. The mystery was hardly that and it seemed as if the author forgot all about someone trying to kill Blair until the end, deadline was near, and just added some cockamamie, loony-tune ending that was a total let down and came from left field. Not to mention, the whole someone-wants-to-kill-Blair thing was pushed aside for all the petty arguing and sex. Now I liked Blair giving Wyatt a hard time and all, but some of the stuff she said or did was overkill and the editor needed to trim a good fifty or so pages of it out of the book. It didn't help that going into the book, I thought it was a more serious romantic suspense, which is what I really wanted to read at the time.
Some of my petty annoyances with the book came fairly early on: I don't get why Blair (and/or the author) thought Jason Carson or Jenni Mallory rhymed. Now if his name was Jason Cayson, I'd understand, or Jenni Menni, but just because Jason and Carson both end with 'son,' it doesn't rhyme because it's the same thing. I don't know if I'm saying that right but oh well. My other thing was that Blair couldn't wear some underwear because the bra got ruined. Uh, okay. Now I like my undies to match but that wouldn't mean I'd never wear the underwear again because the bra that matched got ruined. That's just snobby and stupid. Yeah, I know, ridiculous things to find annoying in the book, but we all have something. LoL
After I finished the book and went to Amazon I saw that there's a sequel. I'm not sure if I'm up for another trip into Blair's mind or not, but if I come across it real cheap or someone gives it to me, I might read it. That's not to say I didn't enjoy the book, I did, but I liked Blair up to a point, but when it got to around page 250, she was just a bit too much for a 378 page book. Maybe if we weren't in her head the whole time, or the book was shorter, I would have liked the book better.
Here's part of an Amazon review I liked:
'Wyatt had stayed away from his soulmate for two years and only came running with an engagement ring when he thought she had been murdered. How long would he have stayed away if nothing had happened to Blair? Also, Blair was supposedly only a 'dumb blonde' when it suited her. But I question the intelligence of anyone who thinks someone who cuts her brake line is just stupid and someone who shoots her with intent to kill is just a nitwit. I wonder if these things bothered anyone else. Still, these problems did not take too much away from my enjoyment of the book.'
Some of my petty annoyances with the book came fairly early on: I don't get why Blair (and/or the author) thought Jason Carson or Jenni Mallory rhymed. Now if his name was Jason Cayson, I'd understand, or Jenni Menni, but just because Jason and Carson both end with 'son,' it doesn't rhyme because it's the same thing. I don't know if I'm saying that right but oh well. My other thing was that Blair couldn't wear some underwear because the bra got ruined. Uh, okay. Now I like my undies to match but that wouldn't mean I'd never wear the underwear again because the bra that matched got ruined. That's just snobby and stupid. Yeah, I know, ridiculous things to find annoying in the book, but we all have something. LoL
After I finished the book and went to Amazon I saw that there's a sequel. I'm not sure if I'm up for another trip into Blair's mind or not, but if I come across it real cheap or someone gives it to me, I might read it. That's not to say I didn't enjoy the book, I did, but I liked Blair up to a point, but when it got to around page 250, she was just a bit too much for a 378 page book. Maybe if we weren't in her head the whole time, or the book was shorter, I would have liked the book better.
Here's part of an Amazon review I liked:
'Wyatt had stayed away from his soulmate for two years and only came running with an engagement ring when he thought she had been murdered. How long would he have stayed away if nothing had happened to Blair? Also, Blair was supposedly only a 'dumb blonde' when it suited her. But I question the intelligence of anyone who thinks someone who cuts her brake line is just stupid and someone who shoots her with intent to kill is just a nitwit. I wonder if these things bothered anyone else. Still, these problems did not take too much away from my enjoyment of the book.'
Real-Deal Brides Podcast
Podcast
Wedding planning is fun, but brides and grooms need to know the "real-deal" in order to help them...
Publisher Expert - Microsoft Publisher Editor
Productivity and Business
App
Publisher Expert - View, Edit, Convert Microsoft Publisher(.pub) to Photo, Adobe PDF and Apple...
Bloodlust (The Rise Of Iliri #1)
5.0
Rate It
Book
"Bloodlust, and the Rise of the Iliri series as a whole, will blow you mind, break your heart, and...
Young adult Vampire Vampyre Ilirri Young adult Teen
Bob Mann (459 KP) rated Life Itself (2018) in Movies
Sep 28, 2021
Love Actually with all the saccharine squeezed out.
Not the documentary of the same name from 2014 about the critic Rogert Ebert. This is an Amazon Studios/Sky Cinema Original Film (trying to follow where Netflix is boldly going), and as such it only had a very limited release in UK cinemas which I managed to miss.
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).
Chris Sawin (602 KP) rated Kiss Kiss, Bang Bang (2005) in Movies
Jun 18, 2019
In the early to mid-2000s, Robert Downey Jr wasn’t one of the highest paid actors in the world. He was busy attempting to rebuild his career after five years of constant struggles with various drugs, being in and out of rehab, and even spent at least a year and a half incarcerated. With all of the films Downey did in that period, including Gothika, A Guide to Recognizing Your Saints, A Scanner Darkly, Zodiac, and Charlie Bartlett, perhaps none are as memorable as Shane Black’s directorial debut and neo-noir black comedy Kiss Kiss Bang Bang.
Harry Lockhart (Downey) is a thief that finds himself in a peculiar situation. After almost being apprehended by the police while breaking into a toy store, Harry stumbles into an audition and impresses everyone when his reading cuts a little too deep and is strangely accurate to Harry’s current situation. Now seen as some sort of acting prodigy, Harry finds himself in Los Angeles awaiting his screen test. He’s introduced to Gay Perry (Val Kilmer), a gay detective that’s hired to bestow his detective wisdom on Harry for his new on-screen role.
But before character development can truly begin, Harry is re-introduced to Harmony (Michelle Monaghan); a childhood friend and the girl-next-door-type who Harry considers to be the one that got away. However, Harry’s newfound luck is short-lived. While tagging along with Perry during one of his cases, the two of them witness two men in ski masks drive a car off a cliff and into a lake. They discover a woman with a broken neck in the trunk and the realization dawns on them that this is bigger than either of them could have ever imagined. With multiple cases suddenly being connected to one another and clues coming together to form bigger pieces of the puzzle, maybe Harry, Perry, and Harmony meeting each other is fate and not just a coincidence.
While Kiss Kiss Bang Bang is a noir film on the surface, it also has that buddy cop dynamic that Shane Black perfected with the likes of the Lethal Weapon films and The Nice Guys. The film has elements of mystery, comedy, action, and thriller genres for an overall experience that is entertaining on a variety of levels. Harry guides you as the narrator throughout the majority of the film and there are some intriguing storytelling techniques utilized to help get Harry’s perspective across. There’s a sequence where Harry realizes he’s forgotten to tell the audience an important piece of information and the film reel acts like it’s about to run off track before it pauses showing what looks like the film paused between two frames of a film reel. Kiss Kiss Bang Bang has a few elements like this that capitalizes on Harry’s quirks while he narrates that gives the film and the story a refreshing ambience.
This is Robert Downey Jr’s favorite film of his entire filmography and it’s difficult to argue with that. At a time when Downey was trying to rebound, stay sober, and prove that he was still a talented actor, Kiss Kiss Bang Bang benefits from all of his strengths. As Harry, Downey portrays nearly every emotion imaginable and this performance reminds you why he has always been held in such high regard. Unlike Iron Man 3 which seems to depreciate in repeat viewings, Kiss Kiss Bang Bang holds up extremely well for a film that is 10+ years old and should be considered as one of Shane Black’s strongest films in general and to date.
The one downside was the way the film was released theatrically. The film didn’t expand to more theaters after its opening weekend and underperformed at the box office, but did well overseas and was a big hit once it was released on DVD. The Gay Perry character is considered to be the first openly gay character to headline a major motion picture in Hollywood and Val Kilmer is in top form in the role. The chemistry he has with Robert Downey Jr is overwhelmingly entertaining while Perry’s agitation with Harry’s incompetence as a detective is hilariously brought to light by Kilmer’s memorable performance.
John Ottman’s score is the unseen cast member of Kiss Kiss Bang Bang that helps cement the noir vibe the film is aiming for. The jazz-infused compositions invoke a sense of mystery and intrigue in the viewer that sets the tone of the film perfectly. For proof of this, look no further than the film’s opening credits which simultaneously feel like an homage to other noir films while also offering something completely new.
Kiss Kiss Bang Bang isn’t as overlooked as it used to be, but it still doesn’t seem to have the reputation it deserves. The film is entertaining on so many levels and the performances from the cast are exceptional. The music is superb and the story constantly captivates; Shane Black couldn’t have dreamed of a better directorial debut.
Kiss Kiss Bang Bang is currently available to stream on Amazon Prime, YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. The film is also free on Amazon Prime if you have Cinemax with Prime Video Channels. It is currently available on DVD for $8.49, Blu-ray for $16.99, and Multi-Format Blu-ray for $14.42 on Amazon. On eBay, the DVD is currently running $4.66 pre-owned and $4.50 brand new with free shipping and a brand new Blu-ray is $15.98 with free shipping.
Harry Lockhart (Downey) is a thief that finds himself in a peculiar situation. After almost being apprehended by the police while breaking into a toy store, Harry stumbles into an audition and impresses everyone when his reading cuts a little too deep and is strangely accurate to Harry’s current situation. Now seen as some sort of acting prodigy, Harry finds himself in Los Angeles awaiting his screen test. He’s introduced to Gay Perry (Val Kilmer), a gay detective that’s hired to bestow his detective wisdom on Harry for his new on-screen role.
But before character development can truly begin, Harry is re-introduced to Harmony (Michelle Monaghan); a childhood friend and the girl-next-door-type who Harry considers to be the one that got away. However, Harry’s newfound luck is short-lived. While tagging along with Perry during one of his cases, the two of them witness two men in ski masks drive a car off a cliff and into a lake. They discover a woman with a broken neck in the trunk and the realization dawns on them that this is bigger than either of them could have ever imagined. With multiple cases suddenly being connected to one another and clues coming together to form bigger pieces of the puzzle, maybe Harry, Perry, and Harmony meeting each other is fate and not just a coincidence.
While Kiss Kiss Bang Bang is a noir film on the surface, it also has that buddy cop dynamic that Shane Black perfected with the likes of the Lethal Weapon films and The Nice Guys. The film has elements of mystery, comedy, action, and thriller genres for an overall experience that is entertaining on a variety of levels. Harry guides you as the narrator throughout the majority of the film and there are some intriguing storytelling techniques utilized to help get Harry’s perspective across. There’s a sequence where Harry realizes he’s forgotten to tell the audience an important piece of information and the film reel acts like it’s about to run off track before it pauses showing what looks like the film paused between two frames of a film reel. Kiss Kiss Bang Bang has a few elements like this that capitalizes on Harry’s quirks while he narrates that gives the film and the story a refreshing ambience.
This is Robert Downey Jr’s favorite film of his entire filmography and it’s difficult to argue with that. At a time when Downey was trying to rebound, stay sober, and prove that he was still a talented actor, Kiss Kiss Bang Bang benefits from all of his strengths. As Harry, Downey portrays nearly every emotion imaginable and this performance reminds you why he has always been held in such high regard. Unlike Iron Man 3 which seems to depreciate in repeat viewings, Kiss Kiss Bang Bang holds up extremely well for a film that is 10+ years old and should be considered as one of Shane Black’s strongest films in general and to date.
The one downside was the way the film was released theatrically. The film didn’t expand to more theaters after its opening weekend and underperformed at the box office, but did well overseas and was a big hit once it was released on DVD. The Gay Perry character is considered to be the first openly gay character to headline a major motion picture in Hollywood and Val Kilmer is in top form in the role. The chemistry he has with Robert Downey Jr is overwhelmingly entertaining while Perry’s agitation with Harry’s incompetence as a detective is hilariously brought to light by Kilmer’s memorable performance.
John Ottman’s score is the unseen cast member of Kiss Kiss Bang Bang that helps cement the noir vibe the film is aiming for. The jazz-infused compositions invoke a sense of mystery and intrigue in the viewer that sets the tone of the film perfectly. For proof of this, look no further than the film’s opening credits which simultaneously feel like an homage to other noir films while also offering something completely new.
Kiss Kiss Bang Bang isn’t as overlooked as it used to be, but it still doesn’t seem to have the reputation it deserves. The film is entertaining on so many levels and the performances from the cast are exceptional. The music is superb and the story constantly captivates; Shane Black couldn’t have dreamed of a better directorial debut.
Kiss Kiss Bang Bang is currently available to stream on Amazon Prime, YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. The film is also free on Amazon Prime if you have Cinemax with Prime Video Channels. It is currently available on DVD for $8.49, Blu-ray for $16.99, and Multi-Format Blu-ray for $14.42 on Amazon. On eBay, the DVD is currently running $4.66 pre-owned and $4.50 brand new with free shipping and a brand new Blu-ray is $15.98 with free shipping.
Scott Tostik (389 KP) rated Truth or Dare (2013) in Movies
Aug 24, 2017
Plot (3 more)
Awesome Special Effects
A great indie horror film
Ryan Kiser rocks!!!
Gory, disturbing and a helluva good time
I waited five years to see this movie, and it was totally worth it.
Jessica Cameron co-wrote and directed a worth wile addition to the horror genre.
It's hard to believe this was her first stab at directing. Pardon the pun folks, but stab is exactly what happens in this movie.
I had never heard of Ryan Kiser before this film, but he portrays an obsessed fan with psychotic gusto only equivalent to that of veteran horror actors.
Cameron, Dorff and the rest of the cast envelop them selves in their characters so much, and the camera work is so simple that it makes the disgusting game of Truth or Dare seem realistic and unstaged.
After reading the reviews for this splatterfest I can see how some people who are not horror hounds would be repulsed by this movie.
Myself, I brought an open mind and honestly didn't expect what I saw. But as a horror fanatic and self proclaimed horror movie GOD, I am in love with the concept of this film.
It brought obsession to a new height. It makes the viewer see that people can become so enthralled in other people's lives, that they can become obsessed with what they view.
Jessica Cameron deserves the spoils she received for her debut movie.
In this writers opinion this movie is the beginning of an amazing career for her as both a writer and director.
Big Studios take notice. This indie Queen is coming at you all with her nails out. I hope this is the first of many movie from her disturbed mind.
Buy this film people... Support the horror underground. You won't be disappointed.
Here's a link to the Amazon page where you can purchase this movie. Support indie film people...
https://www.amazon.ca/gp/aw/d/B01N963DXN/ref=mp_s_a_1_3?ie=UTF8&qid=1503580613&sr=8-3&pi=AC_SX236_SY340_QL65&keywords=truth+or+dare&dpPl=1&dpID=51tSWEEbQ7L&ref=plSrch
Jessica Cameron co-wrote and directed a worth wile addition to the horror genre.
It's hard to believe this was her first stab at directing. Pardon the pun folks, but stab is exactly what happens in this movie.
I had never heard of Ryan Kiser before this film, but he portrays an obsessed fan with psychotic gusto only equivalent to that of veteran horror actors.
Cameron, Dorff and the rest of the cast envelop them selves in their characters so much, and the camera work is so simple that it makes the disgusting game of Truth or Dare seem realistic and unstaged.
After reading the reviews for this splatterfest I can see how some people who are not horror hounds would be repulsed by this movie.
Myself, I brought an open mind and honestly didn't expect what I saw. But as a horror fanatic and self proclaimed horror movie GOD, I am in love with the concept of this film.
It brought obsession to a new height. It makes the viewer see that people can become so enthralled in other people's lives, that they can become obsessed with what they view.
Jessica Cameron deserves the spoils she received for her debut movie.
In this writers opinion this movie is the beginning of an amazing career for her as both a writer and director.
Big Studios take notice. This indie Queen is coming at you all with her nails out. I hope this is the first of many movie from her disturbed mind.
Buy this film people... Support the horror underground. You won't be disappointed.
Here's a link to the Amazon page where you can purchase this movie. Support indie film people...
https://www.amazon.ca/gp/aw/d/B01N963DXN/ref=mp_s_a_1_3?ie=UTF8&qid=1503580613&sr=8-3&pi=AC_SX236_SY340_QL65&keywords=truth+or+dare&dpPl=1&dpID=51tSWEEbQ7L&ref=plSrch
Goddess in the Stacks (553 KP) rated Black Heart Loa in Books
Sep 8, 2017
A rolicking fun ride through Louisiana
Black Heart Loa is actually the second in Phoenix’s Hoodoo series, the first being Black Dust Mambo. Even without reading the first one, Black Heart Loa is easy to follow, and the events of Black Dust Mambo are easily understood, without really having them rehashed to the reader. Part of that, I expect, is because Black Heart Loa is dealing with the fallout of the events of Black Dust Mambo, so things get explained in a natural progression in the book.
BHL was a rolicking fun ride through the swamps of Louisiana. I can’t speak for the accuracy of how the hoodoo belief system is represented, but most religious beliefs in urban fantasy get a vigorous twisting from the author, as miracles and magic become real in the fictional world. So I’m not terribly worried about the accuracy, as long as they’re not portrayed solely in a good or bad light. And in BHL there are both good and bad practitioners of hoodoo, illustrating the point that it’s not the religion that is inherently good or bad, but the person practicing it. So that moral quandary aside, I really, REALLY enjoyed this book. Kallie is a fun, ass-kicking, smart-talking protagonist, though I found myself wanting to know more about her best friend, a mambo-in-training.
I especially want to know more about a character who was introduced late in the book, but the ending of the book implies more books to come, and more focus on the character I’m intrigued by, so I’ll have to see if I can dig up more of this series. Amazon says this book is 2 of 2 in the series, but it was published in 2011 and I don't see any more in the series, which is sad. Goodreads mentions a third book, Black Moon Mojo, but I can't find any news about a release date.
You can find all my reviews at http://goddessinthestacks.wordpress.com
BHL was a rolicking fun ride through the swamps of Louisiana. I can’t speak for the accuracy of how the hoodoo belief system is represented, but most religious beliefs in urban fantasy get a vigorous twisting from the author, as miracles and magic become real in the fictional world. So I’m not terribly worried about the accuracy, as long as they’re not portrayed solely in a good or bad light. And in BHL there are both good and bad practitioners of hoodoo, illustrating the point that it’s not the religion that is inherently good or bad, but the person practicing it. So that moral quandary aside, I really, REALLY enjoyed this book. Kallie is a fun, ass-kicking, smart-talking protagonist, though I found myself wanting to know more about her best friend, a mambo-in-training.
I especially want to know more about a character who was introduced late in the book, but the ending of the book implies more books to come, and more focus on the character I’m intrigued by, so I’ll have to see if I can dig up more of this series. Amazon says this book is 2 of 2 in the series, but it was published in 2011 and I don't see any more in the series, which is sad. Goodreads mentions a third book, Black Moon Mojo, but I can't find any news about a release date.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Acanthea Grimscythe (300 KP) rated The Boats of the 'Glen Carrig' in Books
May 16, 2018
Prior to selecting The Boats of the ‘Glen Carrig’ as my next read on Serial Reader, I was unaware that William Hope Hodgson was a source of inspiration for Lovecraft. In fact, as I devoured the novel, I remember remarking to myself how much it felt like something Lovecraft would write – and no wonder!
The Boats of the ‘Glen Carrig’ is written in first-person point of view and feels largely epistolary in form (though it is actually a travelogue). There is no dialogue and readers only know what Winterstraw writes. The story follows a marooned ship and its crew first as they encounter an odd island and then as they end up stranded in what appears as a Hell on Earth – or in this case, the sea. There, they discover another ship entangled in seaweed for seven years (yeah, I don’t get that either, but hey who’s judging?).
Oddly enough, despite the myriad oddities that those aboard the Glen Carrig encounter, it is the second ship they find that truly bewilders me and crosses me as unbelievable. I’m all for the time of creatures this group encounters, but I cannot fathom how it is possible that so many individuals survived on ship that was, for the most part, dead in the water. I kept waiting and waiting for something to go wrong, for something truly disturbing to happen in regards to the other boat and well… there was nothing.
Even though I feel disappointed by the outcome of things with the other ship, overall I found The Boats of the ‘Glen Carrig’ a fun read. For fans of H. P. Lovecraft, it is a must-read. The Wildside Press publication of this book, as well as several other public domain publications, are available on Amazon, free of charge. An audio version can be found on Librivox, an organization comprised of volunteers that come together to record audiobooks of titles that are in the Public Domain.
The Boats of the ‘Glen Carrig’ is written in first-person point of view and feels largely epistolary in form (though it is actually a travelogue). There is no dialogue and readers only know what Winterstraw writes. The story follows a marooned ship and its crew first as they encounter an odd island and then as they end up stranded in what appears as a Hell on Earth – or in this case, the sea. There, they discover another ship entangled in seaweed for seven years (yeah, I don’t get that either, but hey who’s judging?).
Oddly enough, despite the myriad oddities that those aboard the Glen Carrig encounter, it is the second ship they find that truly bewilders me and crosses me as unbelievable. I’m all for the time of creatures this group encounters, but I cannot fathom how it is possible that so many individuals survived on ship that was, for the most part, dead in the water. I kept waiting and waiting for something to go wrong, for something truly disturbing to happen in regards to the other boat and well… there was nothing.
Even though I feel disappointed by the outcome of things with the other ship, overall I found The Boats of the ‘Glen Carrig’ a fun read. For fans of H. P. Lovecraft, it is a must-read. The Wildside Press publication of this book, as well as several other public domain publications, are available on Amazon, free of charge. An audio version can be found on Librivox, an organization comprised of volunteers that come together to record audiobooks of titles that are in the Public Domain.