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Kara Skinner (332 KP) rated The Princess of Aenya in Books
Jul 20, 2020
Genre: Fantasy
My rating: 4 out of 5 stars
Princess Radia is struggling to rule Aenya, a once-mighty kingdom now all but cut off from the rest of the world. But her adopted brother, Zaibos, leader of Aenya’s army, rebels against her until she’s forced to go into hiding while he rules as a sadistic tyrant. Now Radia and her bodyguard Demacharon have to hide until they can take back Tyrnael. But Radia isn’t all that she seems. She might possess power greater than anything she or her allies imagined.
The Princess of Aenya by Nick Alimonos was a good book, but I think I would enjoy it more reading it a second time. From the beginning, there’s an onslaught of action and story coming from multiple characters at once. The main storyline follows Radia and Demacharon as they fight to survive. But Hugo and Esse, a soldier and a servant, are introduced, as well as Ugh, a Bogren, and Eros, an assassin hired to kill Radia.
Through alternating chapters, the reader has to follow all of these storylines before they eventually intertwine in the end of the book and, for me at least, this was difficult. Don’t get me wrong, I still enjoyed the individual storylines and characters.
Hugo and Esse deserve their own book. I would love for a companion novel to be made about them leading the rebellion in Tyrnael while Radia had to be in hiding. Esse was bred to be a servant, someone designed to not stand out or aspire to anything more than serving others. But she fought against that lifelong training to lead a rebellion against a sadistic tyrant. Before Zaibos, Tyrnael was at peace for a thousand years. No one had any experience protesting or rebelling because there wasn’t a need. But Esse stepped up and started to lead! Honestly, her story is just as fascinating as Radia’s, and a lot more relatable. I love stories about people who take their fate into their own hands so Esse’s story would be a great one.
I really liked Eros as well. He represents the dark side of Tyrnael. Just because there was peace doesn’t mean everyone was happy. Sexual intercourse is forbidden in Tyrnael. Eros was born from sexual intercourse so he and his mother were branded and ostracized. He was forced to become an assassin to support and protect his mother. Honestly, I wanted him to fail and succeed at the same time because succeeding meant killing Radia but it also meant the brand getting lifted from his mother.
However, while I enjoyed the characters and could follow and enjoy the plot overall, there’s still a lot I’m confused about. There are five storylines to juggle, six if you count Demarchon’s flashbacks. Not only are we following Radia, but we are also following Eros, Ugh, Esse, and Zaibos through their stories. It’s a lot to take in and keep straight.
The Princess of Aenya was an enjoyable read and the ending was satisfying. However, I would get a lot more out of the story if I reread it.
Get The Princess of Aenya on Amazon.
My rating: 4 out of 5 stars
Princess Radia is struggling to rule Aenya, a once-mighty kingdom now all but cut off from the rest of the world. But her adopted brother, Zaibos, leader of Aenya’s army, rebels against her until she’s forced to go into hiding while he rules as a sadistic tyrant. Now Radia and her bodyguard Demacharon have to hide until they can take back Tyrnael. But Radia isn’t all that she seems. She might possess power greater than anything she or her allies imagined.
The Princess of Aenya by Nick Alimonos was a good book, but I think I would enjoy it more reading it a second time. From the beginning, there’s an onslaught of action and story coming from multiple characters at once. The main storyline follows Radia and Demacharon as they fight to survive. But Hugo and Esse, a soldier and a servant, are introduced, as well as Ugh, a Bogren, and Eros, an assassin hired to kill Radia.
Through alternating chapters, the reader has to follow all of these storylines before they eventually intertwine in the end of the book and, for me at least, this was difficult. Don’t get me wrong, I still enjoyed the individual storylines and characters.
Hugo and Esse deserve their own book. I would love for a companion novel to be made about them leading the rebellion in Tyrnael while Radia had to be in hiding. Esse was bred to be a servant, someone designed to not stand out or aspire to anything more than serving others. But she fought against that lifelong training to lead a rebellion against a sadistic tyrant. Before Zaibos, Tyrnael was at peace for a thousand years. No one had any experience protesting or rebelling because there wasn’t a need. But Esse stepped up and started to lead! Honestly, her story is just as fascinating as Radia’s, and a lot more relatable. I love stories about people who take their fate into their own hands so Esse’s story would be a great one.
I really liked Eros as well. He represents the dark side of Tyrnael. Just because there was peace doesn’t mean everyone was happy. Sexual intercourse is forbidden in Tyrnael. Eros was born from sexual intercourse so he and his mother were branded and ostracized. He was forced to become an assassin to support and protect his mother. Honestly, I wanted him to fail and succeed at the same time because succeeding meant killing Radia but it also meant the brand getting lifted from his mother.
However, while I enjoyed the characters and could follow and enjoy the plot overall, there’s still a lot I’m confused about. There are five storylines to juggle, six if you count Demarchon’s flashbacks. Not only are we following Radia, but we are also following Eros, Ugh, Esse, and Zaibos through their stories. It’s a lot to take in and keep straight.
The Princess of Aenya was an enjoyable read and the ending was satisfying. However, I would get a lot more out of the story if I reread it.
Get The Princess of Aenya on Amazon.
BankofMarquis (1832 KP) rated Jungle Cruise (2021) in Movies
Jul 30, 2021
A Ton of Fun - Reminiscent of the first PIRATES film
Are you looking for a family friendly action/adventure/comedy that will be good entertainment for the entire family? Then look no further than the Disney Live Action film JUNGLE BOOK.
Yes…Disney has made another movie based on one of it’s them park rides and this one is more like the first PIRATES OF THE CARIBBEAN film than most of the other attempts.
Directed by Jaume Collet-Serra (several Liam Neeson action flicks like NON-STOP), JUNGLE CRUISE is part PIRATES, part INDIANA JONES and part AFRICAN QUEEN (look it up, kids) as we follow an adventurous young lady in the 1910’s. She heads to the Amazon and hires a ne’er do well Jungle Cruise skipper to take her up river.
Pretty standard set-up, right? We’ve seen this “mis-matched” frenemies premise before but in the hands of Emily Blunt and Dwayne “The Rock” Johnson, it is a very entertaining (albeit familiar) ride with 2 tremendously charismatic performers working off each other very well and they look like they are having as good a time in this film as we are.
They are joined by a bevy of assorted characters that help fill out this journey. Edgar Ramirez and Veronica Falcon are enjoyable enough as a couple of characters along the way, while Jack Whitehall surprised the heck out of me as the wimpy brother to Blunt’s character who becomes more and more three dimensional as the film progressed - something I didn’t think this film would even think about doing.
A pair of wiley veterans - Jesse Plemons and good ol’ Paul Giamatti - are also on board and each add some (but not a lot) to this film. Plemons is the main villain and he just wasn’t villainous enough for my tastes while I wanted much, much more of Giamatti’s character than was in this film (and it is a rare film, indeed, that you are left wanting more with a Giamatti character).
But make no mistake, this is a Rock and Blunt flick and these two professionals hold the center of this film together very, very well.
Director Collet-Serra keeps the action (and comedy) moving along at about the right pace, never dwelling too long on any of the plot points (for if you were to think too much about any of it, it would fall apart) and (for the most part) keeps the action sequences fun and coherent and avoiding over-directing, over-CGI-ing and over-loading these sequences.
Speaking of CGI, the main issue with this film is the special effects work - it is not the best (probably a budget issue) and, at times, you really need to suspend disbelief in watching the CGI and convincing yourself that it is a Live Action film you are watching and not a cartoon.
But, since the intended audience for this film are families, the less-than-perfect CGI (at times) is forgivable as JUNGLE CRUISE provides plenty of PG-Rated action and fun that the entire family will enjoy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Yes…Disney has made another movie based on one of it’s them park rides and this one is more like the first PIRATES OF THE CARIBBEAN film than most of the other attempts.
Directed by Jaume Collet-Serra (several Liam Neeson action flicks like NON-STOP), JUNGLE CRUISE is part PIRATES, part INDIANA JONES and part AFRICAN QUEEN (look it up, kids) as we follow an adventurous young lady in the 1910’s. She heads to the Amazon and hires a ne’er do well Jungle Cruise skipper to take her up river.
Pretty standard set-up, right? We’ve seen this “mis-matched” frenemies premise before but in the hands of Emily Blunt and Dwayne “The Rock” Johnson, it is a very entertaining (albeit familiar) ride with 2 tremendously charismatic performers working off each other very well and they look like they are having as good a time in this film as we are.
They are joined by a bevy of assorted characters that help fill out this journey. Edgar Ramirez and Veronica Falcon are enjoyable enough as a couple of characters along the way, while Jack Whitehall surprised the heck out of me as the wimpy brother to Blunt’s character who becomes more and more three dimensional as the film progressed - something I didn’t think this film would even think about doing.
A pair of wiley veterans - Jesse Plemons and good ol’ Paul Giamatti - are also on board and each add some (but not a lot) to this film. Plemons is the main villain and he just wasn’t villainous enough for my tastes while I wanted much, much more of Giamatti’s character than was in this film (and it is a rare film, indeed, that you are left wanting more with a Giamatti character).
But make no mistake, this is a Rock and Blunt flick and these two professionals hold the center of this film together very, very well.
Director Collet-Serra keeps the action (and comedy) moving along at about the right pace, never dwelling too long on any of the plot points (for if you were to think too much about any of it, it would fall apart) and (for the most part) keeps the action sequences fun and coherent and avoiding over-directing, over-CGI-ing and over-loading these sequences.
Speaking of CGI, the main issue with this film is the special effects work - it is not the best (probably a budget issue) and, at times, you really need to suspend disbelief in watching the CGI and convincing yourself that it is a Live Action film you are watching and not a cartoon.
But, since the intended audience for this film are families, the less-than-perfect CGI (at times) is forgivable as JUNGLE CRUISE provides plenty of PG-Rated action and fun that the entire family will enjoy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Grafio 3 - Diagrams & ideas
Productivity and Business
App
Allow Grafio to become an extension of your fingertip. Draw a rectangle, circle or an ellipse and...
World of Cubes Survival Craft
Games and Entertainment
App
Create your own worlds with thousands of random players or friends online in Multiplayer mode or...
Kirk Bage (1775 KP) rated The Expanse in TV
Sep 4, 2020 (Updated Feb 11, 2021)
In this particular future, where there exists a cold war tension between the splintered factions of humanity across the solar system, all is not well. Earthers, Dusters (Martians) and Skinnies (Belters) compete for resources and political strength in an ever shifting landscape of trust and betrayal. It is a sci-fi geek’s paradise, full of believable tech, an extensive character list and jargon coming out of the wazoo! It’s all very complicated… and season five just finished airing on Amazon Prime on Wednesday 3rd Feb, so I thought it a good time to talk about it in detail.
Based on the novel series by James S. A. Corey (actually the assumed name of collaborators Ty Franck and Daniel Abraham), which began in 2011 and has produced one book a year since, the TV version has been on the go since 2015, first at SyFy and then at Amazon after being cancelled unfairly, and to mass uproar from the fans, after Season three. It isn’t something you watch casually – either you are into it and make a point of obsessing about it, or you watch a few, feel completely lost and admit it isn’t for you; although you suspect it is good and you just didn’t make the effort to engage enough. Sci-fi this earnest can be like that: a little unforgiving to tourists and passers-by.
Personally, I went through 2 phases with it. The first was watching it late at night with autoplay on, falling in and out of sleep depending on how exciting what was happening was, missing a lot of the detail and feeling largely lost in space. The second was coming back to Season 4 recently (about 3 weeks ago), after taking in a full recap of the story, and becoming a true fan that couldn’t get enough of the complex web of storylines, motives and personalities. Catching up enough to have to wait a week between episodes for the last 4 weeks, which has been tremendously rewarding.
Not that I had a major problem with it from the start. I thought it had a great look and a great mood about it, but lacked some star quality in the cast and was fairly opaque storywise. It always had potential. It was a question of whether you could be bothered to invest in that, knowing that it may go nowhere or even get cancelled very quickly – the TV universe is not known for being kind to sci-fi, as die-hard fans of Firefly still weep about regularly, and quite correctly.
In season one you watch it for the only person onboard that you have heard of, namely Thomas Jane (from The Mist and The Punisher) as det. Joe Miller, a cynical sleuth complete with a great anachronistic hat, who gets wrapped up in a mystery so mysterious it is often hard to work out what he is doing at all, and why… he literally comes and goes, for reasons that become apparent in later seasons. A frustrating and yet fascinating entity that must have been a real test to get right.
The show’s main cast also take a lot of time to warm up, to the point where you wonder who they are and whether they will be in it for long? Steven Strait, Dominique Tipper, Wes Chatham and Cas Anvar, as the ragtag collective of a small ship (they eventually name The Rocinante) that finds itself at the centre of a huge political shitstorm as the last bastion of impartial hope and moral reasoning, exude such little charisma at first it all seems doomed to fail. But, something magical begins to happen, by virtue of being in their presence a lot – you start to care. And the more you care the more the subsequent events have the power to stun you sideways!
More than anything else I can think of in recent years, this is a show that rewards patient investment. You will have definite moments of wanting to quit or take a long break, but the more faith you show in it, the more it will reward you in the long run. For me it was the climax of season 3 when I realised I was 100% into it, and that everything that had happened to that point was now starting to make sense in a larger context. Basically, what you think this is and what you assume it is about early doors, is not where it ends up. It goes somewhere way better!
Perhaps because it has the support of the book series as inspiration, the writing and story arc feels stronger and stronger in time. There are to date 9 books, so there is still scope to let this run for a good few years. And it does start to feel like there is a point where it will all completely tie together. Anyway, I am rambling as much as an average episode seems to do here. The point is, there is something right on the tightrope edge of classic or near miss going on with this. The cast have all really grown into their skins and personalities, and there are some moments in seasons 4 & 5 that left me jaw dropped at their dramatic weight!
Look, this isn’t going to be for everyone. It is very easy to say “I don’t get it” and move on with this show, but I am a sci-fi veteran , if not full geek, and I now absolutely love it. Cult status then is what we are talking about here. There will be a good wait for season six now, but the cliffhanger is mouth-watering, so I am in! It’s far from impossible they will ruin the vibe at some point and it will all fall flat… or, it could become the stuff of legend. I’ll be there to find out either way. No chance I am doing 5 seasons of something to drop out at that point.
Take away the space and the spaceships and this is a story about division and rights, and the hard work it takes to meet a diplomatic solution to the many differences and grievances that exist between different tribes and factions. What will some do to gain power? What will others do to ensure freedom and justice? How easy is it to waste life in the name of a cause? Oh, yeah and there’s also the little detail of an ancient alien civilisation that have been leaving tech and artifacts all over the solar system for us to fight over and try to control. As I say, the main story element of it all still feels like a partial mystery, and I love that!
Based on the novel series by James S. A. Corey (actually the assumed name of collaborators Ty Franck and Daniel Abraham), which began in 2011 and has produced one book a year since, the TV version has been on the go since 2015, first at SyFy and then at Amazon after being cancelled unfairly, and to mass uproar from the fans, after Season three. It isn’t something you watch casually – either you are into it and make a point of obsessing about it, or you watch a few, feel completely lost and admit it isn’t for you; although you suspect it is good and you just didn’t make the effort to engage enough. Sci-fi this earnest can be like that: a little unforgiving to tourists and passers-by.
Personally, I went through 2 phases with it. The first was watching it late at night with autoplay on, falling in and out of sleep depending on how exciting what was happening was, missing a lot of the detail and feeling largely lost in space. The second was coming back to Season 4 recently (about 3 weeks ago), after taking in a full recap of the story, and becoming a true fan that couldn’t get enough of the complex web of storylines, motives and personalities. Catching up enough to have to wait a week between episodes for the last 4 weeks, which has been tremendously rewarding.
Not that I had a major problem with it from the start. I thought it had a great look and a great mood about it, but lacked some star quality in the cast and was fairly opaque storywise. It always had potential. It was a question of whether you could be bothered to invest in that, knowing that it may go nowhere or even get cancelled very quickly – the TV universe is not known for being kind to sci-fi, as die-hard fans of Firefly still weep about regularly, and quite correctly.
In season one you watch it for the only person onboard that you have heard of, namely Thomas Jane (from The Mist and The Punisher) as det. Joe Miller, a cynical sleuth complete with a great anachronistic hat, who gets wrapped up in a mystery so mysterious it is often hard to work out what he is doing at all, and why… he literally comes and goes, for reasons that become apparent in later seasons. A frustrating and yet fascinating entity that must have been a real test to get right.
The show’s main cast also take a lot of time to warm up, to the point where you wonder who they are and whether they will be in it for long? Steven Strait, Dominique Tipper, Wes Chatham and Cas Anvar, as the ragtag collective of a small ship (they eventually name The Rocinante) that finds itself at the centre of a huge political shitstorm as the last bastion of impartial hope and moral reasoning, exude such little charisma at first it all seems doomed to fail. But, something magical begins to happen, by virtue of being in their presence a lot – you start to care. And the more you care the more the subsequent events have the power to stun you sideways!
More than anything else I can think of in recent years, this is a show that rewards patient investment. You will have definite moments of wanting to quit or take a long break, but the more faith you show in it, the more it will reward you in the long run. For me it was the climax of season 3 when I realised I was 100% into it, and that everything that had happened to that point was now starting to make sense in a larger context. Basically, what you think this is and what you assume it is about early doors, is not where it ends up. It goes somewhere way better!
Perhaps because it has the support of the book series as inspiration, the writing and story arc feels stronger and stronger in time. There are to date 9 books, so there is still scope to let this run for a good few years. And it does start to feel like there is a point where it will all completely tie together. Anyway, I am rambling as much as an average episode seems to do here. The point is, there is something right on the tightrope edge of classic or near miss going on with this. The cast have all really grown into their skins and personalities, and there are some moments in seasons 4 & 5 that left me jaw dropped at their dramatic weight!
Look, this isn’t going to be for everyone. It is very easy to say “I don’t get it” and move on with this show, but I am a sci-fi veteran , if not full geek, and I now absolutely love it. Cult status then is what we are talking about here. There will be a good wait for season six now, but the cliffhanger is mouth-watering, so I am in! It’s far from impossible they will ruin the vibe at some point and it will all fall flat… or, it could become the stuff of legend. I’ll be there to find out either way. No chance I am doing 5 seasons of something to drop out at that point.
Take away the space and the spaceships and this is a story about division and rights, and the hard work it takes to meet a diplomatic solution to the many differences and grievances that exist between different tribes and factions. What will some do to gain power? What will others do to ensure freedom and justice? How easy is it to waste life in the name of a cause? Oh, yeah and there’s also the little detail of an ancient alien civilisation that have been leaving tech and artifacts all over the solar system for us to fight over and try to control. As I say, the main story element of it all still feels like a partial mystery, and I love that!
Hazel (1853 KP) rated Picasso: The Colouring Book in Books
Jul 15, 2017
Educational and Fun
For a full review, including visual examples, please follow this link: https://hazelstainer.wordpress.com/20...
...
Pablo Picasso: To Colour In was published in April 2016 with the intention of using the popular fad to educate readers/colouring book enthusiasts about the techniques and secrets of the great master. Each work included in the book has a brief paragraph explaining what it is (in case you cannot tell) and a few details about Picasso’s intentions or the events happening in his life at the time.
...
Naturally, it would be impossible to produce a book of all Picasso’s recorded works, but the editors of this particular colouring book have carefully selected examples that span the majority of his life, thus encompassing the different styles he experimented with.
The author of the text – presumably Frédérique Cassegrain, who also wrote the biography and information for each included artwork – gives helpful advice about how to colour in the outlined versions of Picasso’s paintings. The paper is thick enough to be suitable for paints, particular Gouache, which is water soluble and easily blended. Alternatively, coloured pencils may be used, preferably of artistic quality, which may be more suitable for those less confident in art and design. Another option, although not mentioned by the author, are felt-tip pens. Usually, these should be avoided due to ink bleeding through the page, however, the paper is single sided, so there is no chance of damaging the following colouring page in the book.
Purchasing Pablo Picasso: To Colour In and completing the book, provides not only hours of fun and relaxation, but an opportunity to discover and understand the artist. Unlike at a gallery where the brain may switch off, being able to go away and return to the book gives us time to absorb the information and concentrate more clearly on the details of each painting.
Opposite each colouring page is a copy of the original in full colour, meaning that, if one desired, one could replicate Picasso’s work as closely as possible. By doing, rather than just looking, we begin to understand the colour choices, piece together the geometric shapes to form an image and begin to understand the thought processes of the artist.
Interestingly, there are two paintings that stand out amongst all the others. These were produced during and after the First World War, a time when Picasso returned to a more classical style of artwork. These are The Pipes of Pan (1923) and The Bathers (1918). Both show a completely different side to Picasso and would not immediately be recognised as his own work. Despite not being entirely life-like, there are no elements of Cubism or Surrealism and the colour palette is altogether natural. Picasso has focused on shading and tone to create a realistic appearance, a contrast to the flattened portraits he is known for.
...
Pablo Picasso: To Colour In will appeal to artists, art historians and other creatives with its contrast of light relief and in-depth knowledge. The book is available online at retailers such as Amazon and The Book Depository from approximately £6. If Picasso is not your thing, there are other artists available in the series of colouring books, including Klimt, Hokusai (Japanese Art), Monet, Van Gogh, Caillebotte and Manet (Impressionists), and Paul Klee. Whatever your preference, prepare to learn whilst you are relaxing and having fun.
...
Pablo Picasso: To Colour In was published in April 2016 with the intention of using the popular fad to educate readers/colouring book enthusiasts about the techniques and secrets of the great master. Each work included in the book has a brief paragraph explaining what it is (in case you cannot tell) and a few details about Picasso’s intentions or the events happening in his life at the time.
...
Naturally, it would be impossible to produce a book of all Picasso’s recorded works, but the editors of this particular colouring book have carefully selected examples that span the majority of his life, thus encompassing the different styles he experimented with.
The author of the text – presumably Frédérique Cassegrain, who also wrote the biography and information for each included artwork – gives helpful advice about how to colour in the outlined versions of Picasso’s paintings. The paper is thick enough to be suitable for paints, particular Gouache, which is water soluble and easily blended. Alternatively, coloured pencils may be used, preferably of artistic quality, which may be more suitable for those less confident in art and design. Another option, although not mentioned by the author, are felt-tip pens. Usually, these should be avoided due to ink bleeding through the page, however, the paper is single sided, so there is no chance of damaging the following colouring page in the book.
Purchasing Pablo Picasso: To Colour In and completing the book, provides not only hours of fun and relaxation, but an opportunity to discover and understand the artist. Unlike at a gallery where the brain may switch off, being able to go away and return to the book gives us time to absorb the information and concentrate more clearly on the details of each painting.
Opposite each colouring page is a copy of the original in full colour, meaning that, if one desired, one could replicate Picasso’s work as closely as possible. By doing, rather than just looking, we begin to understand the colour choices, piece together the geometric shapes to form an image and begin to understand the thought processes of the artist.
Interestingly, there are two paintings that stand out amongst all the others. These were produced during and after the First World War, a time when Picasso returned to a more classical style of artwork. These are The Pipes of Pan (1923) and The Bathers (1918). Both show a completely different side to Picasso and would not immediately be recognised as his own work. Despite not being entirely life-like, there are no elements of Cubism or Surrealism and the colour palette is altogether natural. Picasso has focused on shading and tone to create a realistic appearance, a contrast to the flattened portraits he is known for.
...
Pablo Picasso: To Colour In will appeal to artists, art historians and other creatives with its contrast of light relief and in-depth knowledge. The book is available online at retailers such as Amazon and The Book Depository from approximately £6. If Picasso is not your thing, there are other artists available in the series of colouring books, including Klimt, Hokusai (Japanese Art), Monet, Van Gogh, Caillebotte and Manet (Impressionists), and Paul Klee. Whatever your preference, prepare to learn whilst you are relaxing and having fun.
graveyardgremlin (7194 KP) rated Slide (Slide, #1) in Books
Feb 15, 2019
<b>2.5 stars
Slide</b> features an intriguing idea though the results left me with mixed feelings. The concept is awesome, but the execution? Yeah, not so much. The writing is serviceable, neither bad nor great and it didn't draw me into the story straightaway. Both the way it is written and the storyline reminds me of some of the books I read as a pre-teen/teen way back during the Pleistocene epoch, otherwise known as the 1990s, with authors like Christopher Pike, R.L. Stine, Diane Hoh, Lois Duncan, Richie Tankersley Cusick, among others. It especially seems to fall right in between Pike and Stine. While the writing is more mature than Stine's, it's not quite as sophisticated as Pike's. The mystery is weak, and by the end, seems pointless as it's totally anti-climactic, over in a flash, like it was written just to finish the book up, and absurdly contrived. The whole ending is totally ludicrous and unbelievable. The clues leading up to it are obvious and not incorporated into the story well at all. These clues were so glaring they all but had a flashing sign pointing to them in cartoon-like fashion whenever they fell into the main character's path. Sylvia a.k.a. Vee wasn't written as a dummy, at first, but boy she was an absolute idiot about those clues and putting two and two together, or really much of anything until it slapped her in the face. While Vee is sympathetic, I can't say I felt much of anything for her, and even less for anyone else in book because of their lack of depth. No one is explained in any detail, either personality or looks, motivations, or whatever. Just a brief shallow summary if lucky. Speaking of.... What has happened in books today where there are no descriptions of how anybody looks, except "I have pink hair," "his blonde hair," or some other toss away adjective? I've seen it over and over again and all I'm left with is the visualization that these people have no faces, much like that episode of Doctor Who (The Idiot's Lantern). Frankly it's all rather creepy.
I feel like this could have been a great book if it was longer (the copy I read is only 250 pages of at least 1.5 spaced lines) and had much more depth. Add in a couple more suspects, motivations, etc., and maybe a little more information on Vee's "sliding" powers. Unfortunately it's only an "okay" read that's easy and moves at a rapid pace. I didn't hate the book by any means, it's just not one that'll stick in my head for more than a few days. On the plus side I love the cover composition and colors, so kudos to the artist(s). This works fine as a standalone, but is now part of a series, for some unfathomable reason. Frankly, I'm getting sick of every book that comes out, most usually in the YA genre, becoming a series. It's ridiculous how few standalone books there are anymore. Still, even with all my grumbling about the numerous series and everything else, I think I will check out [b:Impostor|13423265|Impostor (Slide, #2)|Jill Hathaway|http://d202m5krfqbpi5.cloudfront.net/books/1341084724s/13423265.jpg|18870053], the second book in the <i>Slide</i> series, as it sounds interesting. Who knows, this might have just been the stepping stone to bigger and better things. Although if Vee is as stupid as she was in this one, I'm outta there.
Originally Reviewed: October 16, 2012
Received: Amazon Vine
Slide</b> features an intriguing idea though the results left me with mixed feelings. The concept is awesome, but the execution? Yeah, not so much. The writing is serviceable, neither bad nor great and it didn't draw me into the story straightaway. Both the way it is written and the storyline reminds me of some of the books I read as a pre-teen/teen way back during the Pleistocene epoch, otherwise known as the 1990s, with authors like Christopher Pike, R.L. Stine, Diane Hoh, Lois Duncan, Richie Tankersley Cusick, among others. It especially seems to fall right in between Pike and Stine. While the writing is more mature than Stine's, it's not quite as sophisticated as Pike's. The mystery is weak, and by the end, seems pointless as it's totally anti-climactic, over in a flash, like it was written just to finish the book up, and absurdly contrived. The whole ending is totally ludicrous and unbelievable. The clues leading up to it are obvious and not incorporated into the story well at all. These clues were so glaring they all but had a flashing sign pointing to them in cartoon-like fashion whenever they fell into the main character's path. Sylvia a.k.a. Vee wasn't written as a dummy, at first, but boy she was an absolute idiot about those clues and putting two and two together, or really much of anything until it slapped her in the face. While Vee is sympathetic, I can't say I felt much of anything for her, and even less for anyone else in book because of their lack of depth. No one is explained in any detail, either personality or looks, motivations, or whatever. Just a brief shallow summary if lucky. Speaking of.... What has happened in books today where there are no descriptions of how anybody looks, except "I have pink hair," "his blonde hair," or some other toss away adjective? I've seen it over and over again and all I'm left with is the visualization that these people have no faces, much like that episode of Doctor Who (The Idiot's Lantern). Frankly it's all rather creepy.
I feel like this could have been a great book if it was longer (the copy I read is only 250 pages of at least 1.5 spaced lines) and had much more depth. Add in a couple more suspects, motivations, etc., and maybe a little more information on Vee's "sliding" powers. Unfortunately it's only an "okay" read that's easy and moves at a rapid pace. I didn't hate the book by any means, it's just not one that'll stick in my head for more than a few days. On the plus side I love the cover composition and colors, so kudos to the artist(s). This works fine as a standalone, but is now part of a series, for some unfathomable reason. Frankly, I'm getting sick of every book that comes out, most usually in the YA genre, becoming a series. It's ridiculous how few standalone books there are anymore. Still, even with all my grumbling about the numerous series and everything else, I think I will check out [b:Impostor|13423265|Impostor (Slide, #2)|Jill Hathaway|http://d202m5krfqbpi5.cloudfront.net/books/1341084724s/13423265.jpg|18870053], the second book in the <i>Slide</i> series, as it sounds interesting. Who knows, this might have just been the stepping stone to bigger and better things. Although if Vee is as stupid as she was in this one, I'm outta there.
Originally Reviewed: October 16, 2012
Received: Amazon Vine
readwithg (6 KP) rated Bad Girls with Perfect Faces in Books
Mar 20, 2018
plot (3 more)
sentence structure
storyline
plot twists
My eyes were physically glued to Weingarten's work.
If you're stuck in a book rut like I was, I'm going to need you to stop what you're doing immediately and listen the hell up, 'cause you're about to sprint to the nearest Target to scoop this bad boy, do you understand? my LAWDY-LAWD, Lynn Weingarten is a creepy little angel baby and I wanna take a little look-see inside dat braaiinnn, ya dig? Not only did she write this mindblowing little gem, but she's the author of one of my top reads of 2016, Suicide Notes from Beautiful Girls (see my review here). She's back with a vengeance and besides this fantastic cover art, this story is going to rock your socks off, and then on, and then back off again once more.
This was my first book purchase of 2016, and because I was wasting my fucking TIME reading the Red Crown series I never had a chance to start it. I immediately sent a picture of the book to my fellow Lynn Weingarten lovers, and had yet to hear anything about it. That is, until I received I text from a friend at 3 AM, filled with expletives regarding the pure love she now had for the book.
That was the precise moment I knew I was royally fucking my shit up by continuing to force-read a bullshit dystopian series. I immediately stopped Red Crown and scrambled into the next room to my library, desperately searching through books for Weingarten's newest gem. and HONEYS, KATIE WAS RIGHT. I shit you not, I started that book at 10:00 PM, went to bed, woke up before work to read some more, and finished it during an "extended" lunch break. And by that, I mean I refused to do any more work until I finished the goddamn book. I read this baby in 16 hours, and that's including 8 hours of sleep and half a work day. I. could. not. stop. Here's a little synopsis for you, boo boos:
"When Sasha's best friend, Xavier, gets back together with his cheating ex, Ivy, Sasha knows she needs to protect him. So she poses as a guy online to lure Ivy away.
But Sasha's plan goes sickeningly wrong. And she soons learns to be careful of who you pretend to be or you might be suprised by who you become...
Told in multiple points of view, Bad Girls with Perfect Faces is sexy and twisted, with shocks at every turn."
I haven't experienced a book like this in a damn long time. You know the kind: you physically cannot do anything productive unless it involves your eyeballs on the novel. Lynn Weingarten, the inside of your mind is a beautifully frightful place. I will read every single book you put out into the universe.
The book is available on Amazon. If you're currently halfway out the door on your way to grab a copy ASAP, I got mine at Target so head straight there. And when you're finished, come back here and let's chat the fuck UP about it cause MY MIND IS STILL BLOWN AND IT'S BEEN TWO WEEKS.
♥ G
This was my first book purchase of 2016, and because I was wasting my fucking TIME reading the Red Crown series I never had a chance to start it. I immediately sent a picture of the book to my fellow Lynn Weingarten lovers, and had yet to hear anything about it. That is, until I received I text from a friend at 3 AM, filled with expletives regarding the pure love she now had for the book.
That was the precise moment I knew I was royally fucking my shit up by continuing to force-read a bullshit dystopian series. I immediately stopped Red Crown and scrambled into the next room to my library, desperately searching through books for Weingarten's newest gem. and HONEYS, KATIE WAS RIGHT. I shit you not, I started that book at 10:00 PM, went to bed, woke up before work to read some more, and finished it during an "extended" lunch break. And by that, I mean I refused to do any more work until I finished the goddamn book. I read this baby in 16 hours, and that's including 8 hours of sleep and half a work day. I. could. not. stop. Here's a little synopsis for you, boo boos:
"When Sasha's best friend, Xavier, gets back together with his cheating ex, Ivy, Sasha knows she needs to protect him. So she poses as a guy online to lure Ivy away.
But Sasha's plan goes sickeningly wrong. And she soons learns to be careful of who you pretend to be or you might be suprised by who you become...
Told in multiple points of view, Bad Girls with Perfect Faces is sexy and twisted, with shocks at every turn."
I haven't experienced a book like this in a damn long time. You know the kind: you physically cannot do anything productive unless it involves your eyeballs on the novel. Lynn Weingarten, the inside of your mind is a beautifully frightful place. I will read every single book you put out into the universe.
The book is available on Amazon. If you're currently halfway out the door on your way to grab a copy ASAP, I got mine at Target so head straight there. And when you're finished, come back here and let's chat the fuck UP about it cause MY MIND IS STILL BLOWN AND IT'S BEEN TWO WEEKS.
♥ G
Heather Cranmer (2721 KP) rated Thirteen Reasons Why in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> at the end of November).
I came across this book on Amazon when I was adding books to my wishlist, and I thought it sounded interesting. I also had quite a few credits on Audible to use, so I thought I'd use one to purchase this book. I wasn't disappointed.
The title had me intrigued. It made me want to read the blurb.
I'm not really a big fan of the cover if I'm honest although I don't know what I'd like to see on the cover. Maybe I'd put Clay on the cover as well. I'm not really sure.
I enjoyed the world building. I find it hard to believe that no one would follow the instructions left on the tapes that Hannah made, but I suppose it could happen. The world building fits with what high school was like, at least when I was a teenager.
I found the pacing to be done well. I couldn't wait to find out what was going to happen on the next tape. There were only a few times where the pacing slowed a bit, but it didn't stay slow for very long.
The plot is an interesting one. Hannah make a cassette tape for each of the thirteen people that she felt contributed to her committing suicide. Clay is trying to think of all the times he was around Hannah and wondering why he'd be on the tapes. It was interesting to find out the way certain people contributed to Hannah's depression. I also think the plot sends a great message about how we shouldn't judge anyone because we don't know what that person has gone through or is going through.
I think the characters were written fairly well. At first, I felt a bad for Hannah. However, as time went on, I felt that Hannah became too selfish, not because of her suicide, but just by what she said on the tapes. Clay came across as a nice guy (and Hannah even said he was), but I just would've liked to know more about him.
The dialogue worked for a young adult book. The characters actually sounded their age and not like an adult trying to write YA characters. The dialogue flows freely and smoothly as well. Being that this is a book about a girl's suicide, the dialogue does mention that as well as rape and another sexual situation. There is a few swear words, but the swearing is only mild.
Usually, the narrator's of audiobooks tend to annoy me, but Debra Wiseman and Joel Johnstone did an excellent job. Debra Wiseman really brings the character of Hannah alive, and Joel Johnstone does the same for Clay. I think they both portrayed emotions really well. However, I had imagined Clay to sound a bit different. Johnstone's voice sounded just a tad bit too old for Clay's age in my opinion. Other then that, Wiseman and Johnstone were superb!
Overall, Thirteen Reasons Why is a very different but interesting book. I felt that even though it deals with suicide, it does send out a positive message.
Due to the major theme and some sexual scenes, I'd recommend this book to those aged 16+ who want to read something realistic.
I came across this book on Amazon when I was adding books to my wishlist, and I thought it sounded interesting. I also had quite a few credits on Audible to use, so I thought I'd use one to purchase this book. I wasn't disappointed.
The title had me intrigued. It made me want to read the blurb.
I'm not really a big fan of the cover if I'm honest although I don't know what I'd like to see on the cover. Maybe I'd put Clay on the cover as well. I'm not really sure.
I enjoyed the world building. I find it hard to believe that no one would follow the instructions left on the tapes that Hannah made, but I suppose it could happen. The world building fits with what high school was like, at least when I was a teenager.
I found the pacing to be done well. I couldn't wait to find out what was going to happen on the next tape. There were only a few times where the pacing slowed a bit, but it didn't stay slow for very long.
The plot is an interesting one. Hannah make a cassette tape for each of the thirteen people that she felt contributed to her committing suicide. Clay is trying to think of all the times he was around Hannah and wondering why he'd be on the tapes. It was interesting to find out the way certain people contributed to Hannah's depression. I also think the plot sends a great message about how we shouldn't judge anyone because we don't know what that person has gone through or is going through.
I think the characters were written fairly well. At first, I felt a bad for Hannah. However, as time went on, I felt that Hannah became too selfish, not because of her suicide, but just by what she said on the tapes. Clay came across as a nice guy (and Hannah even said he was), but I just would've liked to know more about him.
The dialogue worked for a young adult book. The characters actually sounded their age and not like an adult trying to write YA characters. The dialogue flows freely and smoothly as well. Being that this is a book about a girl's suicide, the dialogue does mention that as well as rape and another sexual situation. There is a few swear words, but the swearing is only mild.
Usually, the narrator's of audiobooks tend to annoy me, but Debra Wiseman and Joel Johnstone did an excellent job. Debra Wiseman really brings the character of Hannah alive, and Joel Johnstone does the same for Clay. I think they both portrayed emotions really well. However, I had imagined Clay to sound a bit different. Johnstone's voice sounded just a tad bit too old for Clay's age in my opinion. Other then that, Wiseman and Johnstone were superb!
Overall, Thirteen Reasons Why is a very different but interesting book. I felt that even though it deals with suicide, it does send out a positive message.
Due to the major theme and some sexual scenes, I'd recommend this book to those aged 16+ who want to read something realistic.