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Hazel (1853 KP) rated Picasso: The Colouring Book in Books
Dec 7, 2018
For a full review, including visual examples, please follow this link: https://hazelstainer.wordpress.com/2017/07/14/picasso-coloured-in/
...
<i>Pablo Picasso: To Colour In</i> was published in April 2016 with the intention of using the popular fad to educate readers/colouring book enthusiasts about the techniques and secrets of the great master. Each work included in the book has a brief paragraph explaining what it is (in case you cannot tell) and a few details about Picasso’s intentions or the events happening in his life at the time.
...
Naturally, it would be impossible to produce a book of all Picasso’s recorded works, but the editors of this particular colouring book have carefully selected examples that span the majority of his life, thus encompassing the different styles he experimented with.
The author of the text – presumably Frédérique Cassegrain, who also wrote the biography and information for each included artwork – gives helpful advice about how to colour in the outlined versions of Picasso’s paintings. The paper is thick enough to be suitable for paints, particular Gouache, which is water soluble and easily blended. Alternatively, coloured pencils may be used, preferably of artistic quality, which may be more suitable for those less confident in art and design. Another option, although not mentioned by the author, are felt-tip pens. Usually, these should be avoided due to ink bleeding through the page, however, the paper is single sided, so there is no chance of damaging the following colouring page in the book.
Purchasing Pablo Picasso: To Colour In and completing the book, provides not only hours of fun and relaxation, but an opportunity to discover and understand the artist. Unlike at a gallery where the brain may switch off, being able to go away and return to the book gives us time to absorb the information and concentrate more clearly on the details of each painting.
Opposite each colouring page is a copy of the original in full colour, meaning that, if one desired, one could replicate Picasso’s work as closely as possible. By doing, rather than just looking, we begin to understand the colour choices, piece together the geometric shapes to form an image and begin to understand the thought processes of the artist.
Interestingly, there are two paintings that stand out amongst all the others. These were produced during and after the First World War, a time when Picasso returned to a more classical style of artwork. These are The Pipes of Pan (1923) and The Bathers (1918). Both show a completely different side to Picasso and would not immediately be recognised as his own work. Despite not being entirely life-like, there are no elements of Cubism or Surrealism and the colour palette is altogether natural. Picasso has focused on shading and tone to create a realistic appearance, a contrast to the flattened portraits he is known for.
...
Pablo Picasso: To Colour In will appeal to artists, art historians and other creatives with its contrast of light relief and in-depth knowledge. The book is available online at retailers such as Amazon and The Book Depository from approximately £6. If Picasso is not your thing, there are other artists available in the series of colouring books, including Klimt, Hokusai (Japanese Art), Monet, Van Gogh, Caillebotte and Manet (Impressionists), and Paul Klee. Whatever your preference, prepare to learn whilst you are relaxing and having fun.
...
<i>Pablo Picasso: To Colour In</i> was published in April 2016 with the intention of using the popular fad to educate readers/colouring book enthusiasts about the techniques and secrets of the great master. Each work included in the book has a brief paragraph explaining what it is (in case you cannot tell) and a few details about Picasso’s intentions or the events happening in his life at the time.
...
Naturally, it would be impossible to produce a book of all Picasso’s recorded works, but the editors of this particular colouring book have carefully selected examples that span the majority of his life, thus encompassing the different styles he experimented with.
The author of the text – presumably Frédérique Cassegrain, who also wrote the biography and information for each included artwork – gives helpful advice about how to colour in the outlined versions of Picasso’s paintings. The paper is thick enough to be suitable for paints, particular Gouache, which is water soluble and easily blended. Alternatively, coloured pencils may be used, preferably of artistic quality, which may be more suitable for those less confident in art and design. Another option, although not mentioned by the author, are felt-tip pens. Usually, these should be avoided due to ink bleeding through the page, however, the paper is single sided, so there is no chance of damaging the following colouring page in the book.
Purchasing Pablo Picasso: To Colour In and completing the book, provides not only hours of fun and relaxation, but an opportunity to discover and understand the artist. Unlike at a gallery where the brain may switch off, being able to go away and return to the book gives us time to absorb the information and concentrate more clearly on the details of each painting.
Opposite each colouring page is a copy of the original in full colour, meaning that, if one desired, one could replicate Picasso’s work as closely as possible. By doing, rather than just looking, we begin to understand the colour choices, piece together the geometric shapes to form an image and begin to understand the thought processes of the artist.
Interestingly, there are two paintings that stand out amongst all the others. These were produced during and after the First World War, a time when Picasso returned to a more classical style of artwork. These are The Pipes of Pan (1923) and The Bathers (1918). Both show a completely different side to Picasso and would not immediately be recognised as his own work. Despite not being entirely life-like, there are no elements of Cubism or Surrealism and the colour palette is altogether natural. Picasso has focused on shading and tone to create a realistic appearance, a contrast to the flattened portraits he is known for.
...
Pablo Picasso: To Colour In will appeal to artists, art historians and other creatives with its contrast of light relief and in-depth knowledge. The book is available online at retailers such as Amazon and The Book Depository from approximately £6. If Picasso is not your thing, there are other artists available in the series of colouring books, including Klimt, Hokusai (Japanese Art), Monet, Van Gogh, Caillebotte and Manet (Impressionists), and Paul Klee. Whatever your preference, prepare to learn whilst you are relaxing and having fun.
Midge (525 KP) rated The Girl in the Corner in Books
Jan 13, 2019 (Updated Jan 13, 2019)
Very relatable (2 more)
Compelling, mature and thought-provoking
Great depth and plenty of humour
A Very Enjoyable Read - 4 Stars ! ⭐⭐⭐⭐
I was excited to read this latest novel by Amanda Prowse, having been lured by the attractive cover design and the very relatable premise of a woman who feels the need to re-evaluate her whole life, following her husband's guilty admission of his betrayal.
In the opening chapter, we are introduced to sixteen-year-old Rae-Valentine Pritchard, who is quiet and shy, when she meets the very confident, loud and gregarious Dolly Latimer, at College. The two girls quickly become best friends and are inseparable teenagers, laughing and joking their way through life. Dolly arranges a double date for the two of them, her brother Howard and his friend, Vinnie. Rae and Howard, so in love, get married two years later.
From her modest life in the suburbs to a splendid Georgian house in North London, Rae is now a devoted wife and mother to daughter Hannah and her son, George. Following a surprise party in celebration of their silver wedding anniversary, Howard confesses to a shocking betrayal of their marital vows that totally shatters Rae. She is forced to take stock of her position as wife and mother and also her role as a general dogsbody to the Latimer family restaurant business. Will her relationship with her best friend Dolly be affected?
Rae starts to think about all her teenage dreams that she once had - training as a chef and island-hopping in Greece. Can Rae give up on her shattered marriage, live life for herself, and be the real Rae-Valentine?
The planned anniversary celebration trip to Antigua still goes ahead, however, Dolly travels with Rae, instead of Howard. Dolly's divided loyalties and a handsome and friendly, young barman are just the starts of matters becoming even more complicated. In Antigua, Rae contemplates the possibility of continuing with her marriage and what this might mean for her friendship with the enthusiastic Dolly. A reconciliation with Howard may be much more difficult than everyone thinks.
This is a wonderful story for anyone who has always felt that they were 'the girl in the corner' at every social occasion or even for just being the quiet and reserved middle child in their own family, with which I can personally identify. Amanda Prowse has a lovely writing style that captures Rae’s tormented soul beautifully. I also liked the way other issues were explored, in particular, Rae’s parents and sister, Debbie-Jo, who felt like the humble relations compared to the wealthy and successful Latimers. Howard’s betrayal is the catalyst for all of the years of unspoken emotions, forcing Rae to face her feelings of being second best in the Pritchard family.
"The Girl In The Corner" is a hugely compelling, mature and thought-provoking piece of women’s fiction. Well paced from the very beginning and quick to get into the heart of the story, the novel has great depth and plenty of humour, however, I thought the ending was slightly rushed.
Overall, "The Girl In The Corner" is a well written, emotive book about love, loss, friendship, family and following your dreams that I highly recommend.
Thanks to NetGalley and Amazon Publishing UK for an advance copy of this book.
In the opening chapter, we are introduced to sixteen-year-old Rae-Valentine Pritchard, who is quiet and shy, when she meets the very confident, loud and gregarious Dolly Latimer, at College. The two girls quickly become best friends and are inseparable teenagers, laughing and joking their way through life. Dolly arranges a double date for the two of them, her brother Howard and his friend, Vinnie. Rae and Howard, so in love, get married two years later.
From her modest life in the suburbs to a splendid Georgian house in North London, Rae is now a devoted wife and mother to daughter Hannah and her son, George. Following a surprise party in celebration of their silver wedding anniversary, Howard confesses to a shocking betrayal of their marital vows that totally shatters Rae. She is forced to take stock of her position as wife and mother and also her role as a general dogsbody to the Latimer family restaurant business. Will her relationship with her best friend Dolly be affected?
Rae starts to think about all her teenage dreams that she once had - training as a chef and island-hopping in Greece. Can Rae give up on her shattered marriage, live life for herself, and be the real Rae-Valentine?
The planned anniversary celebration trip to Antigua still goes ahead, however, Dolly travels with Rae, instead of Howard. Dolly's divided loyalties and a handsome and friendly, young barman are just the starts of matters becoming even more complicated. In Antigua, Rae contemplates the possibility of continuing with her marriage and what this might mean for her friendship with the enthusiastic Dolly. A reconciliation with Howard may be much more difficult than everyone thinks.
This is a wonderful story for anyone who has always felt that they were 'the girl in the corner' at every social occasion or even for just being the quiet and reserved middle child in their own family, with which I can personally identify. Amanda Prowse has a lovely writing style that captures Rae’s tormented soul beautifully. I also liked the way other issues were explored, in particular, Rae’s parents and sister, Debbie-Jo, who felt like the humble relations compared to the wealthy and successful Latimers. Howard’s betrayal is the catalyst for all of the years of unspoken emotions, forcing Rae to face her feelings of being second best in the Pritchard family.
"The Girl In The Corner" is a hugely compelling, mature and thought-provoking piece of women’s fiction. Well paced from the very beginning and quick to get into the heart of the story, the novel has great depth and plenty of humour, however, I thought the ending was slightly rushed.
Overall, "The Girl In The Corner" is a well written, emotive book about love, loss, friendship, family and following your dreams that I highly recommend.
Thanks to NetGalley and Amazon Publishing UK for an advance copy of this book.
Phillip McSween (751 KP) rated Hannie Caulder (1971) in Movies
Oct 31, 2019
You'll Have a Blast Watching This
Set in the western frontier days, a woman seeks revenge after a gang of bandits abuse her and kill her husband.
Acting: 8
No one is winning any awards, but they get the job done. Raquel Welch holds her own in her primary role as Hannie Caulder. She’s tough as nails and I love the perfect timing with which she delivers her quips. It’s fun watching her kick all the ass. Shout-out to Robert Culp as well playing the role of gunslinger Thomas Luther Price. He approaches his role with the calm demeanor of one that only kills when he has to. Both actors killed it.
The ones playing the bandits, however, did not. it was like watching the Three Stooges try and be bad guys. Fortunately they didn’t ruin the enjoyment of the movie as it made me want them to get theirs even more.
Beginning: 10
First ten minutes does the job of a true beginning: Sets up the plot while getting you excited to watch the rest of the movie. By the end of it, you know who’s bad, who’s good, and who needs to be avenged. Let the rest of the movie commence!
Characters: 8
Loved the protagonists as characters, not so much the bad guys as mentioned above. The villains were bumbling idiots who seemed to do bad things off sheer luck. Fortunately Hannie and her motivation for revenge was enough to carry the story. While I thought they could’ve put more clothes on the poor girl (she spends most of the movie in a poncho with nothing underneath), her rise to becoming a gunslinger was fun to watch.
Cinematography/Visuals: 8
There are some really beautiful shots I adored in the movie. At the very beginning, we see Hannie standing over her dead husband against the backdrop of her burning home. It feels almost poetic. Beautiful shots of the landscape are captured so perfectly. The gun battles were also shot in such a way that the deaths felt more realistic which was a nice touch.
Conflict: 10
Entertainment Value: 9
You want fun? Check! Cool gun fights? Check! A quest for revenge that you can get behind? Done and done. I would be surprised if you didn’t have a blast during the film’s 85-minute runtime.
Memorability: 6
Pace: 10
Plot: 8
Much like Wonder Woman, the only thing this movie really suffers from is an unnecessary romance. it felt forced and happened way too quick. Hannie, like Diana, doesn’t need a man, not even in the slightest. Even if Thomas hadn’t trained her, I feel like she would have learned her way around a gun as her desire for revenge was so strong. You don’t need to fall in love to have a desire to kick ass. If anything, throwing love into the mix should have made Hannie question her motives. The rest of the story, though linear, was solid.
Resolution: 10
Overall: 87
I don’t say this lightly: I really enjoyed this movie. As campy as it can feel at times, a strong female lead makes it unique and memorable. If you like westerns, or even if you just like good movies, check this one out now for free on Amazon Prime Video or Hulu.
Acting: 8
No one is winning any awards, but they get the job done. Raquel Welch holds her own in her primary role as Hannie Caulder. She’s tough as nails and I love the perfect timing with which she delivers her quips. It’s fun watching her kick all the ass. Shout-out to Robert Culp as well playing the role of gunslinger Thomas Luther Price. He approaches his role with the calm demeanor of one that only kills when he has to. Both actors killed it.
The ones playing the bandits, however, did not. it was like watching the Three Stooges try and be bad guys. Fortunately they didn’t ruin the enjoyment of the movie as it made me want them to get theirs even more.
Beginning: 10
First ten minutes does the job of a true beginning: Sets up the plot while getting you excited to watch the rest of the movie. By the end of it, you know who’s bad, who’s good, and who needs to be avenged. Let the rest of the movie commence!
Characters: 8
Loved the protagonists as characters, not so much the bad guys as mentioned above. The villains were bumbling idiots who seemed to do bad things off sheer luck. Fortunately Hannie and her motivation for revenge was enough to carry the story. While I thought they could’ve put more clothes on the poor girl (she spends most of the movie in a poncho with nothing underneath), her rise to becoming a gunslinger was fun to watch.
Cinematography/Visuals: 8
There are some really beautiful shots I adored in the movie. At the very beginning, we see Hannie standing over her dead husband against the backdrop of her burning home. It feels almost poetic. Beautiful shots of the landscape are captured so perfectly. The gun battles were also shot in such a way that the deaths felt more realistic which was a nice touch.
Conflict: 10
Entertainment Value: 9
You want fun? Check! Cool gun fights? Check! A quest for revenge that you can get behind? Done and done. I would be surprised if you didn’t have a blast during the film’s 85-minute runtime.
Memorability: 6
Pace: 10
Plot: 8
Much like Wonder Woman, the only thing this movie really suffers from is an unnecessary romance. it felt forced and happened way too quick. Hannie, like Diana, doesn’t need a man, not even in the slightest. Even if Thomas hadn’t trained her, I feel like she would have learned her way around a gun as her desire for revenge was so strong. You don’t need to fall in love to have a desire to kick ass. If anything, throwing love into the mix should have made Hannie question her motives. The rest of the story, though linear, was solid.
Resolution: 10
Overall: 87
I don’t say this lightly: I really enjoyed this movie. As campy as it can feel at times, a strong female lead makes it unique and memorable. If you like westerns, or even if you just like good movies, check this one out now for free on Amazon Prime Video or Hulu.
Sarah (7798 KP) rated Amazon Echo Dot (3rd Generation) in Tech
Nov 4, 2019
Wonderfully useful and functional
I’m one of those people who often takes a while to get into and accept new technology. Not because I’m a technophobe, in fact I’m a massive techie and often the go to person for tech related issues within my family and friends. My issue is that I find a lot of technology is encouraging people to become lazier or become out of touch with basic home skills (like smart ovens or washers, I just don’t get it!). I’ve often lumped smart speakers like the Echo Dot in the same category in that I just didn’t see the point in them when most people still have functioning old school speaker systems. However I can honestly say my mind has definitely been changed for the better on the Echo.
Firstly it looks and feels great. I was expecting a rather flimsy feeling speaker but in fact it feels quite weighty and substantial, and the Sandstone version that I’ve bought looks rather sleek. It stands out and looks good but at the same time isn’t at any time the focal point in a room. The speaker aspect is rather good too and has a decent sound quality. I’ve placed this in my kitchen, as I have a fairly open downstairs and the sound easily reaches the entire floor - I can even speak to Alexa from my living room which is a good 7+ metres away with only a standard sized doorway for sound to reach through. Admittedly I had to mute the TV, but I’m still impressed she can hear me from there! The Echo Dot links up seamlessly with my Spotify account and I’m surprised it plays so well and doesn’t encourage you to try and sign up to Amazon Music instead.
The thing about the Echo Dot is that it isn’t just a glorified speaker and it’s only from owning one that I’ve truly appreciated this. As well as music, Alexa also helps out with so much more like reminders, timers and the weather as well as a whole host of fun features. There are so many fun things you can ask Alexa (google it if you haven’t already), too many to name although one of my favourites is “Alexa, find Chuck Norris”. There’s also the rather sad fact that as I live on my own, Alexa provides a rather welcome conversational partner and definitely less one sided than talking to the cat! I’m also a rather forgetful person, so having the ability to ask Alexa to set reminders when I can’t do something at the time (i.e. remembering to take the bins out when I’m in the middle of making dinner) is a god send. I’m surprised at how well the voice recognition works too. I’ve often experienced issues with voice recognition on mobile phones, because it doesn’t appear to like the northern accent, but Alexa so far has not had any issues. Maybe I need to speak “proper” Northern and see how she reacts...
I love this that much that I’m looking at buying a second Echo Dot for my upstairs so I have full coverage in my house, and can then take advantage of using Alexa as my morning wake up call amongst as well as being able to link both together to act as a multi room speaker system. Fingers crossed I’ll be able to get a bargain during Black Friday in a couple of weeks!
Firstly it looks and feels great. I was expecting a rather flimsy feeling speaker but in fact it feels quite weighty and substantial, and the Sandstone version that I’ve bought looks rather sleek. It stands out and looks good but at the same time isn’t at any time the focal point in a room. The speaker aspect is rather good too and has a decent sound quality. I’ve placed this in my kitchen, as I have a fairly open downstairs and the sound easily reaches the entire floor - I can even speak to Alexa from my living room which is a good 7+ metres away with only a standard sized doorway for sound to reach through. Admittedly I had to mute the TV, but I’m still impressed she can hear me from there! The Echo Dot links up seamlessly with my Spotify account and I’m surprised it plays so well and doesn’t encourage you to try and sign up to Amazon Music instead.
The thing about the Echo Dot is that it isn’t just a glorified speaker and it’s only from owning one that I’ve truly appreciated this. As well as music, Alexa also helps out with so much more like reminders, timers and the weather as well as a whole host of fun features. There are so many fun things you can ask Alexa (google it if you haven’t already), too many to name although one of my favourites is “Alexa, find Chuck Norris”. There’s also the rather sad fact that as I live on my own, Alexa provides a rather welcome conversational partner and definitely less one sided than talking to the cat! I’m also a rather forgetful person, so having the ability to ask Alexa to set reminders when I can’t do something at the time (i.e. remembering to take the bins out when I’m in the middle of making dinner) is a god send. I’m surprised at how well the voice recognition works too. I’ve often experienced issues with voice recognition on mobile phones, because it doesn’t appear to like the northern accent, but Alexa so far has not had any issues. Maybe I need to speak “proper” Northern and see how she reacts...
I love this that much that I’m looking at buying a second Echo Dot for my upstairs so I have full coverage in my house, and can then take advantage of using Alexa as my morning wake up call amongst as well as being able to link both together to act as a multi room speaker system. Fingers crossed I’ll be able to get a bargain during Black Friday in a couple of weeks!
Lee (2222 KP) rated Hell House LLC (2015) in Movies
Jan 20, 2020
I'd heard very little about Hell House LLC before watching it and hadn't even seen the trailer either. But, it had been highly recommended by a few people and had been sitting on my Amazon Prime watch-list for some time anyway, so I decided to give it a shot. It's a found footage horror, which has been done to death now, so it's easy to go into another one feeling cynical and apprehensive. However, there is still the occasional hidden gem out there waiting to be found and, for me, Hell House LLC turned out to be one of them.
The plot surrounds a Halloween house tour in an old abandoned hotel in a small American town. On opening night, as dozens of thrill-seekers descend on the house to enjoy the various mannequins and lighting effects that have been setup to try and scare them, there is an incident down in the basement. Panic ensues as everyone tries to locate the exits and there are a number of mysterious deaths, along with numerous injuries. We see a YouTube video that somebody recorded during their tour, but they didn't quite make it to the basement to capture what went on, so all we see is them making a hasty exit. Five years on and the hotel is now boarded up, while the whole tragedy remains unexplained. Now though, the sole survivor of the crew responsible for putting on the event has approached a documentary crew with a bunch of video tapes that were recorded by the team in the run-up to opening night, so hopefully the truth will finally be revealed.
We begin with the team driving to the hotel for the first time, before going inside to check it all out. They've put on Halloween house tours before, but this one is a bit of a challenge due to the derelict nature of the hotel. First they need to get power to the place, in order to setup safety cameras in every room and corridor, strobe lighting etc. Then they start setting up the various rooms, working out themes and hiring a small group of actors to dress up and scare people during the tour. Early on in the movie, these scenes are interspersed with interviews from reporters, photographers and historians who recount some of the troubled history of the hotel and give us a bit more detail as to what happened during and after the events of the tours opening night.
The crew of five are all staying in the hotel as they work towards the big day, all the while documenting their progress and the various challenges they encounter. The place is seriously creepy anyway and the movie takes it's time in establishing the characters and making sure you're familiar with everything they've installed and the general layout of the hotel before mysterious things start happening, usually at night while everyone is trying to sleep. At first, things are basic enough that it's easy for them to accuse someone of trying to prank the others, but they soon start to increase in intensity and creepiness. Despite all common sense, preparations still continue for the big night which, as we already know, turns out to be a big mistake.
I really liked Hell House LLC. I'm still not actually sure what happened down in the basement, or afterwards for that matter, but the build up to it really did work well for me and there were some very effective and genuinely unsettling moments. And I do love feeling unsettled by a movie!
The plot surrounds a Halloween house tour in an old abandoned hotel in a small American town. On opening night, as dozens of thrill-seekers descend on the house to enjoy the various mannequins and lighting effects that have been setup to try and scare them, there is an incident down in the basement. Panic ensues as everyone tries to locate the exits and there are a number of mysterious deaths, along with numerous injuries. We see a YouTube video that somebody recorded during their tour, but they didn't quite make it to the basement to capture what went on, so all we see is them making a hasty exit. Five years on and the hotel is now boarded up, while the whole tragedy remains unexplained. Now though, the sole survivor of the crew responsible for putting on the event has approached a documentary crew with a bunch of video tapes that were recorded by the team in the run-up to opening night, so hopefully the truth will finally be revealed.
We begin with the team driving to the hotel for the first time, before going inside to check it all out. They've put on Halloween house tours before, but this one is a bit of a challenge due to the derelict nature of the hotel. First they need to get power to the place, in order to setup safety cameras in every room and corridor, strobe lighting etc. Then they start setting up the various rooms, working out themes and hiring a small group of actors to dress up and scare people during the tour. Early on in the movie, these scenes are interspersed with interviews from reporters, photographers and historians who recount some of the troubled history of the hotel and give us a bit more detail as to what happened during and after the events of the tours opening night.
The crew of five are all staying in the hotel as they work towards the big day, all the while documenting their progress and the various challenges they encounter. The place is seriously creepy anyway and the movie takes it's time in establishing the characters and making sure you're familiar with everything they've installed and the general layout of the hotel before mysterious things start happening, usually at night while everyone is trying to sleep. At first, things are basic enough that it's easy for them to accuse someone of trying to prank the others, but they soon start to increase in intensity and creepiness. Despite all common sense, preparations still continue for the big night which, as we already know, turns out to be a big mistake.
I really liked Hell House LLC. I'm still not actually sure what happened down in the basement, or afterwards for that matter, but the build up to it really did work well for me and there were some very effective and genuinely unsettling moments. And I do love feeling unsettled by a movie!
Sophia (Bookwyrming Thoughts) (530 KP) rated Fire of the Sea in Books
Jan 23, 2020
<b><i>I received this book for free from Xpresso Book Tours in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Want to know what I find really odd? Mermaid books are like contemporary books. I either love them or hate them, and it may or may not just be me turning into a picky reader.
I personally enjoyed the concept behind <i>Fire of the Sea</i>. There's Nordic mythology and mermaids, and I loved reading about the underwater world of unified sea creatures.
But there were just a few things that I really hated about the novel, and that was pretty much why I gave it such a low rating compared to everyone else I've seen on Goodreads. In fact, compared to the ratings I've seen on Goodreads and Amazon, I'm probably the lowest since I'm that weirdo who doesn't round up. (Not that I'm actually going to let that bother me greatly.)
<i>Fire of the Sea</i> felt more like a love story than anything else. Aeva, though loyal and courageous and torn between two worlds, was reckless and careless with some of her actions. Within several days after she saves Gunnar from being taken by the sea, she wants to leave behind her sea world and become human. Her reason? "I call it love because I don't have another name for it." It is, by far, the <i>lamest</i> reason I've ever heard. Her entire reasoning behind why she wants to become human is for love. A love for a guy she saved from the sea and should be a part of Davy Jones's locker, but because Aeva is a courageous mermaid who wanted to do a kind deed, he's not. Instead, he's tied to her.
It also felt like I was watching <i>The Little Mermaid</i> all over again. There's no prince, of course, but there's a mermaid (a princess, no less) who desires to be a part of the human world (though the reasons for each are quite different), there's a price to be paid to be human, and there's an Ursula. The Ursulas in the two are a little different, but Delphine might as well be Ursula simply due to the fact she can shift herself into an octopus.
<i>Fire of the Sea</i> was predictable, though that's beginning to not bother me as much simply due to the fact I'm ahead of the characters by a few steps. But in figuring out who Delphine was? That was a given, and I just waited to see if Aeva would actually figure it out herself before Delphine revealed herself.
So here's my final verdict: if you love a love story playing a major role with mythology and mermaids, you'll likely enjoy this. If you prefer mythology of the uncommon kind but don't care about the love story playing a major role, you might be peachy. But if you really hate love stories, then you might want to pass this up.
<a href="https://bookwyrmingthoughts.com/review-fire-of-the-sea-by-lyndsay-johnson/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Want to know what I find really odd? Mermaid books are like contemporary books. I either love them or hate them, and it may or may not just be me turning into a picky reader.
I personally enjoyed the concept behind <i>Fire of the Sea</i>. There's Nordic mythology and mermaids, and I loved reading about the underwater world of unified sea creatures.
But there were just a few things that I really hated about the novel, and that was pretty much why I gave it such a low rating compared to everyone else I've seen on Goodreads. In fact, compared to the ratings I've seen on Goodreads and Amazon, I'm probably the lowest since I'm that weirdo who doesn't round up. (Not that I'm actually going to let that bother me greatly.)
<i>Fire of the Sea</i> felt more like a love story than anything else. Aeva, though loyal and courageous and torn between two worlds, was reckless and careless with some of her actions. Within several days after she saves Gunnar from being taken by the sea, she wants to leave behind her sea world and become human. Her reason? "I call it love because I don't have another name for it." It is, by far, the <i>lamest</i> reason I've ever heard. Her entire reasoning behind why she wants to become human is for love. A love for a guy she saved from the sea and should be a part of Davy Jones's locker, but because Aeva is a courageous mermaid who wanted to do a kind deed, he's not. Instead, he's tied to her.
It also felt like I was watching <i>The Little Mermaid</i> all over again. There's no prince, of course, but there's a mermaid (a princess, no less) who desires to be a part of the human world (though the reasons for each are quite different), there's a price to be paid to be human, and there's an Ursula. The Ursulas in the two are a little different, but Delphine might as well be Ursula simply due to the fact she can shift herself into an octopus.
<i>Fire of the Sea</i> was predictable, though that's beginning to not bother me as much simply due to the fact I'm ahead of the characters by a few steps. But in figuring out who Delphine was? That was a given, and I just waited to see if Aeva would actually figure it out herself before Delphine revealed herself.
So here's my final verdict: if you love a love story playing a major role with mythology and mermaids, you'll likely enjoy this. If you prefer mythology of the uncommon kind but don't care about the love story playing a major role, you might be peachy. But if you really hate love stories, then you might want to pass this up.
<a href="https://bookwyrmingthoughts.com/review-fire-of-the-sea-by-lyndsay-johnson/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Never meet your heroes is the succinct tag line of this Amazon original series, dealing with the notion that all superheroes are morally good… but what if they weren’t…?
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
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