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Obsessed book reviews (49 KP) rated A Love for Romance in Books
May 7, 2019
I was only going to read a couple in this anthology but once I started I couldn't stop reading most of them. I have reviewed the ones I've read.
Trading yesterday by Kahlen Aymes - This is the first chapter of a new series from this author and what a start it is. This chapter gives you a taste of what's to come and I definitely can't wait to read more. This author never fails to deliver an outstanding read.
The break (breaking free #1) by Debra Presley - This book feels like it could be the start of something fantastic. This story is very well written with realistic emotions and danger. The characters are fantastic and I can't wait to read more from them in the future. A bit of a cliff hanger ending, which gives you a taster of what's to come.
Almost too late by Micalea Smeltzer - This is the first book by this author that I've read and it definitely wont be the last. This is a novella to the willow creek series, which I'll be downloading as soon as possible. This story is the back story of the characters. This novella has some twists and turns through out the story. I can't wait to read more from this author in the future.
What happens on spring break by R.C. Stephens - This is a fun and flirty read from this author. This book has fantastic characters with lots of chemistry. The twists and turns in this book will leave you wanting more.
Burning the midnight oil by Eilson Grace - This is the first book by this author that I've read and it definitely wont be the last. This book has fantastic characters with very hot chemistry. I'm definitely going to have a look on Amazon for more by this author.
Babysitting for the biker by Sammie Starlight - This is the first book by this author that I've read and it wont be the last. This is a short very hot and steamy story with fantastic characters. This story will grab your attention from the start and keep you reading till the end.
Awakened : a Leila Marx worlds novella by Amber Garr - This is the first book by this author that I've read and it wont be the last. The characters were cute, they would be fab in a full length book of there own. I really enjoyed this book, just wished it would have been longer.
Do you mind? by Freya Barker - This is the first book by this author that I've read and it wont be the last. This story draws you in from the first page. This is a beautiful story. The perfect short story. The characters are very likeable and you will fall in love with them from the start. This book has plenty of hot and steamy scenes and the chemistry between the characters is off the chart.
This is a fantastic collection of well written stories, definitely worth a read.
Highly recommended
I voluntarily reviewed an advance reader copy of this book.
Trading yesterday by Kahlen Aymes - This is the first chapter of a new series from this author and what a start it is. This chapter gives you a taste of what's to come and I definitely can't wait to read more. This author never fails to deliver an outstanding read.
The break (breaking free #1) by Debra Presley - This book feels like it could be the start of something fantastic. This story is very well written with realistic emotions and danger. The characters are fantastic and I can't wait to read more from them in the future. A bit of a cliff hanger ending, which gives you a taster of what's to come.
Almost too late by Micalea Smeltzer - This is the first book by this author that I've read and it definitely wont be the last. This is a novella to the willow creek series, which I'll be downloading as soon as possible. This story is the back story of the characters. This novella has some twists and turns through out the story. I can't wait to read more from this author in the future.
What happens on spring break by R.C. Stephens - This is a fun and flirty read from this author. This book has fantastic characters with lots of chemistry. The twists and turns in this book will leave you wanting more.
Burning the midnight oil by Eilson Grace - This is the first book by this author that I've read and it definitely wont be the last. This book has fantastic characters with very hot chemistry. I'm definitely going to have a look on Amazon for more by this author.
Babysitting for the biker by Sammie Starlight - This is the first book by this author that I've read and it wont be the last. This is a short very hot and steamy story with fantastic characters. This story will grab your attention from the start and keep you reading till the end.
Awakened : a Leila Marx worlds novella by Amber Garr - This is the first book by this author that I've read and it wont be the last. The characters were cute, they would be fab in a full length book of there own. I really enjoyed this book, just wished it would have been longer.
Do you mind? by Freya Barker - This is the first book by this author that I've read and it wont be the last. This story draws you in from the first page. This is a beautiful story. The perfect short story. The characters are very likeable and you will fall in love with them from the start. This book has plenty of hot and steamy scenes and the chemistry between the characters is off the chart.
This is a fantastic collection of well written stories, definitely worth a read.
Highly recommended
I voluntarily reviewed an advance reader copy of this book.
BankofMarquis (1832 KP) rated Prey (2022) in Movies
Aug 12, 2022
Less Is More - And It Works!
In 1987, at the height of the ‘80’s action movie craze with the likes of Stallone, Van Damme, Segal, Norris and Willis, Arnold Schwarzenegger came out with what on the surface looked like a throw away macho, sci-fi action flick, PREDATOR. What it turned out to be was one of the all-time classic action films.
It has taken 35 years for a sequel (in this case, a prequel) to be mentioned in the same stratosphere as the first.
While the other 5 sequels (if you count the Alien vs. Predator cross-over films) delve deeper and harder into the science fiction and macho-action of the first film, the straight-to-streaming prequel PREY (on Hulu and now on Disney+) decided to go in the other direction, it simplified the Predator/Prey dynamic, eschewing deep sci-fi mythology and settled on the “less is more” dictum of storytelling to great affect.
Set in the Midwestern Plains in the 1710’s, PREY follows a group of Comanches as they live their unassuming lifestyle - living off and giving back to the land. A lifestyle that is slowly being encroached upon by foreign entities. At first these “aliens” are terrestrial in nature (the approach of the White Man, in this case, they are in the guise of French Voyageurs), but later, in it takes the form of the extraterrestrial Predator. It’s an interesting juxtaposition of the duo forces outside of what this tribe of Native Americans know - and how they deal with it.
Leading us into the conflict are the main protagonists - the brother/sister combo of Naru (Amber Midthunder, HELL OR HIGHWATER) and her older brother, Taabe (Dakota Beavers, in what is his feature film debut). These 2 - along with their Comanche brethren track and then begin to understand what they are encountering and since they know they are out-gunned, they need to outsmart the Predator.
This could have devolved, quickly, into a gorey, CGI-fest of carnage, but in the careful hands of Director Dan Trachtenberg (10 CLOVERFIELD LANE) and with an interesting screenplay by Trachtenberg and Patrick Aison, this film becomes a thoughtful, intelligence game of wits that is satisfying on both sides.
Midthunder and Beavers are very strong in their roles of the brother and sister Comanches and they are 2 characters that you quickly start rooting for in their battle. These characters are drawn in an interesting, 3-dimensional, way and are a pair that you want to spend these 2 hours of struggle with.
Trachtenberg helps these 2 - and the story - by setting a deliberate pace, as if you the audience are thinking and encountering things along with these 2. There are long bits of thought and talk highlighted by spikes of action that are well choreographed and interesting, but really add to the depths of the characters.
I am as surprised as you are that I encountered an interesting character study in disguise in an action-packed Predator film - but that is just what this is…and very well done to boot.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
It has taken 35 years for a sequel (in this case, a prequel) to be mentioned in the same stratosphere as the first.
While the other 5 sequels (if you count the Alien vs. Predator cross-over films) delve deeper and harder into the science fiction and macho-action of the first film, the straight-to-streaming prequel PREY (on Hulu and now on Disney+) decided to go in the other direction, it simplified the Predator/Prey dynamic, eschewing deep sci-fi mythology and settled on the “less is more” dictum of storytelling to great affect.
Set in the Midwestern Plains in the 1710’s, PREY follows a group of Comanches as they live their unassuming lifestyle - living off and giving back to the land. A lifestyle that is slowly being encroached upon by foreign entities. At first these “aliens” are terrestrial in nature (the approach of the White Man, in this case, they are in the guise of French Voyageurs), but later, in it takes the form of the extraterrestrial Predator. It’s an interesting juxtaposition of the duo forces outside of what this tribe of Native Americans know - and how they deal with it.
Leading us into the conflict are the main protagonists - the brother/sister combo of Naru (Amber Midthunder, HELL OR HIGHWATER) and her older brother, Taabe (Dakota Beavers, in what is his feature film debut). These 2 - along with their Comanche brethren track and then begin to understand what they are encountering and since they know they are out-gunned, they need to outsmart the Predator.
This could have devolved, quickly, into a gorey, CGI-fest of carnage, but in the careful hands of Director Dan Trachtenberg (10 CLOVERFIELD LANE) and with an interesting screenplay by Trachtenberg and Patrick Aison, this film becomes a thoughtful, intelligence game of wits that is satisfying on both sides.
Midthunder and Beavers are very strong in their roles of the brother and sister Comanches and they are 2 characters that you quickly start rooting for in their battle. These characters are drawn in an interesting, 3-dimensional, way and are a pair that you want to spend these 2 hours of struggle with.
Trachtenberg helps these 2 - and the story - by setting a deliberate pace, as if you the audience are thinking and encountering things along with these 2. There are long bits of thought and talk highlighted by spikes of action that are well choreographed and interesting, but really add to the depths of the characters.
I am as surprised as you are that I encountered an interesting character study in disguise in an action-packed Predator film - but that is just what this is…and very well done to boot.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated Drop Dead Gorgeous (Return to Fear Street #3) in Books
Feb 15, 2019
Great pacing (1 more)
Interesting plot
Cheesy Characters (1 more)
Not enough backstory
Cheesy but an Alright Read
I grew up reading R.L. Stine books especially his Fear Street series. When I heard there was going to be a new Fear Street series, I knew I had to read it. I loved the first book in the series, You May Now Kill the Bride. I was not impressed with the second book in the series, The Wrong Girl. I thought the latest book in the series, Drop Dead Gorgeous, was just an alright read.
The plot for Drop Dead Gorgeous was fairly interesting. Morgan Marks is the new girl at Linden High. No one knows where she came from, and her answers to everything are vague. She has a magnetic pull over all of the males in and around Linden. When I found out that Morgan was a vampire (not a spoiler, don't worry), I rolled my eyes and thought I wouldn't like this book. I'm not a big fan of vampire books (or films) since they've over-saturated the market. However, Drop Dead Gorgeous turned out to be alright. Anyway, someone is killing off the residents of Linden and draining their blood. Is it Morgan or could be be someone else? The world building was written to be believable enough even if some of the characters weren't believable. There were a few plot twists. A couple of them I didn't see coming, but I did predict a major plot twist.
All of the males in Drop Dead Gorgeous were beyond annoying and immature. All they could talk about were hot girls it seemed. They were really one dimensional, and I found myself not caring about Liam, Winks, and Zane. They would all brag how great they were, especially Winks. I'm sure there are some people like this, but I felt like it was a bit over the top having all three males in the book being so vapid and conceited. The females in Drop Dead Gorgeous had a little more depth to them thankfully. I still didn't care much about Delia, Amber, or Julie because there was no back story, so it was hard to connect to them. Out of the three girls, Delia seemed to feel the most real. Morgan was a good character. I enjoyed her backstory even if it was short, but hey, at least she had some backstory. The dialogue between the characters was extremely corny in some places, and I know I haven't been a teenager in many years, but I've never heard any teenage conversations like the ones in Drop Dead Gorgeous.
I will say that the pacing was done fairly well for Drop Dead Gorgeous. The first few chapters are a bit slow, but the pacing definitely picks up not much longer after that. I found myself immersed in what was happening in Linden.
Trigger warnings for Drop Dead Gorgeous include violence, death, murder, some gore, older man and underage girl kissing, and underage drinking.
Overall, Drop Dead Gorgeous was just an alright read. It wasn't great, but it wasn't a bad read either. If you can look past the overly cheesy characters, this is a good read. I would definitely recommend Drop Dead Gorgeous by R.L. Stine to those aged 15+.
The plot for Drop Dead Gorgeous was fairly interesting. Morgan Marks is the new girl at Linden High. No one knows where she came from, and her answers to everything are vague. She has a magnetic pull over all of the males in and around Linden. When I found out that Morgan was a vampire (not a spoiler, don't worry), I rolled my eyes and thought I wouldn't like this book. I'm not a big fan of vampire books (or films) since they've over-saturated the market. However, Drop Dead Gorgeous turned out to be alright. Anyway, someone is killing off the residents of Linden and draining their blood. Is it Morgan or could be be someone else? The world building was written to be believable enough even if some of the characters weren't believable. There were a few plot twists. A couple of them I didn't see coming, but I did predict a major plot twist.
All of the males in Drop Dead Gorgeous were beyond annoying and immature. All they could talk about were hot girls it seemed. They were really one dimensional, and I found myself not caring about Liam, Winks, and Zane. They would all brag how great they were, especially Winks. I'm sure there are some people like this, but I felt like it was a bit over the top having all three males in the book being so vapid and conceited. The females in Drop Dead Gorgeous had a little more depth to them thankfully. I still didn't care much about Delia, Amber, or Julie because there was no back story, so it was hard to connect to them. Out of the three girls, Delia seemed to feel the most real. Morgan was a good character. I enjoyed her backstory even if it was short, but hey, at least she had some backstory. The dialogue between the characters was extremely corny in some places, and I know I haven't been a teenager in many years, but I've never heard any teenage conversations like the ones in Drop Dead Gorgeous.
I will say that the pacing was done fairly well for Drop Dead Gorgeous. The first few chapters are a bit slow, but the pacing definitely picks up not much longer after that. I found myself immersed in what was happening in Linden.
Trigger warnings for Drop Dead Gorgeous include violence, death, murder, some gore, older man and underage girl kissing, and underage drinking.
Overall, Drop Dead Gorgeous was just an alright read. It wasn't great, but it wasn't a bad read either. If you can look past the overly cheesy characters, this is a good read. I would definitely recommend Drop Dead Gorgeous by R.L. Stine to those aged 15+.
LilyLovesIndie (123 KP) rated Eight Days a Week in Books
Nov 5, 2018
A story about a manny who falls in love with his boss, Eight Days A Week captured my attention from the first time I read the summary. Never normally one for romances, I liked the unique spin it promised and tucked in with enthusiasm, hoping it would deliver so much more than your average boy meets girl romance. And boy did it. As you can see from the 5 star rating, I adored this book and have saved it firmly on my 'favourites' list on my kindle because, quite frankly, it was amazing, and here's why....
Firstly, I have to give credit to our author on the brilliance of the characters. Dee is amazing (and Don) and to see the way he grows throughout this book (no jokes about Don here please!) is just fantastic. Character development is always something I look out for in a book, and Johnson has done that splendidly here. It's believable, it's written with great skill and it really pulls you into the character and his story. Honestly, I could expect to bump into Dee on the street somewhere and he could be real, that's just how detailed and precise this book portrayed him to me. As a reader with limited time to give to different characters, it's great to see a character leap out the pages so well, even if it were to bring Don to visit me in my sleep!
I touched on it, but another thing that I adored about this book was the story line. It was different, fresh and told the story from a different perspective to what I usually encounter in this genre. I think this is in part due to how Dee tells the story himself, but it's so engaging I often found myself up late with eyes closing and smacking myself in the face with my kindle as I tried to read just another chapter. The 'Manny Log' was an excellent addition, and these frequently had me rolling with laughter at Dee and Don's commentary on things.
The book is full of these laugh out loud moments, but it's so much more than just comedy, and I think that is something that really made me enjoy this book that little bit more. The range of human emotions Johnson writes about in just one book is huge. But here's the best part, they're written with such excellent compassion, detail and, I'm harking back to it but it's important, believability that it's almost too much for me to describe. Sadness, love, raw need, sex, it's all there and it's all written so well that it draws you right in and you are compelled to keep reading. Without spoiling it, the ending was fantastic and left me teary eyed to the point I had to stop reading, but in such a good way!
Well, I can't recommend this book highly enough. I laughed, I cried, I cringed and I loved it. There's only two things I'd love right now:
1. Another sampling of Amber Johnson's writing
2. This book made into a movie so I can oggle Dee and Don in the flesh.
But don't take my word for it, pick up a copy and read it for yourselves!
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Firstly, I have to give credit to our author on the brilliance of the characters. Dee is amazing (and Don) and to see the way he grows throughout this book (no jokes about Don here please!) is just fantastic. Character development is always something I look out for in a book, and Johnson has done that splendidly here. It's believable, it's written with great skill and it really pulls you into the character and his story. Honestly, I could expect to bump into Dee on the street somewhere and he could be real, that's just how detailed and precise this book portrayed him to me. As a reader with limited time to give to different characters, it's great to see a character leap out the pages so well, even if it were to bring Don to visit me in my sleep!
I touched on it, but another thing that I adored about this book was the story line. It was different, fresh and told the story from a different perspective to what I usually encounter in this genre. I think this is in part due to how Dee tells the story himself, but it's so engaging I often found myself up late with eyes closing and smacking myself in the face with my kindle as I tried to read just another chapter. The 'Manny Log' was an excellent addition, and these frequently had me rolling with laughter at Dee and Don's commentary on things.
The book is full of these laugh out loud moments, but it's so much more than just comedy, and I think that is something that really made me enjoy this book that little bit more. The range of human emotions Johnson writes about in just one book is huge. But here's the best part, they're written with such excellent compassion, detail and, I'm harking back to it but it's important, believability that it's almost too much for me to describe. Sadness, love, raw need, sex, it's all there and it's all written so well that it draws you right in and you are compelled to keep reading. Without spoiling it, the ending was fantastic and left me teary eyed to the point I had to stop reading, but in such a good way!
Well, I can't recommend this book highly enough. I laughed, I cried, I cringed and I loved it. There's only two things I'd love right now:
1. Another sampling of Amber Johnson's writing
2. This book made into a movie so I can oggle Dee and Don in the flesh.
But don't take my word for it, pick up a copy and read it for yourselves!
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Gareth von Kallenbach (971 KP) rated Hitch (2005) in Movies
Aug 14, 2019
February is the time of year when thoughts turn to romance and the coming spring. It is also the time of year when Hollywood brings new romantic themed films to the theaters in an effort to open big, thanks to the date movie crowd.
Some of the efforts, such as last weekend’s The Wedding Date, never take off, while others, such as Hitch provide a nice mix of romance and comedy which, for the most part, work very well.
The film follows the exploits of urban legend Alex Hitch Hitchens (Will Smith), a self-styled date doctor who specializes in helping men romance the lady of their dreams. Hitch does not provide a dating service but rather helps his clients with their confidence and instructs them on the true way to win and keep and ladies heart.
With his proven results and good rapport with his clients, Hitch is a man in demand, yet due to his policy of privacy and secrecy, to many, the so-called love doctor is little more than an urban myth which is just fine with Hitch. He would rather work in the shadows than bask in the limelight. The adoration of his clients is all he needs. Well, that and a steady supply of ladies to charm at the days end.
Hitch is about to face his toughest case yet in a kind but portly accountant named Albert (Kevin James) who is desperate to win the heart of his wealthy socialite client Allegra (Amber Valletta). When Albert and Allegra start to be seen with one another in public, they catch the eye of celebrity snoop Sara (Eve Mendes), who becomes determined to see what is behind this unexpected couple, which in turn leads her to believe that the so-called Date Doctor is a reality.
If matters were not complicated enough, Hitch starts to see Sara on a social basis with each of them unaware of what the other really does. Sparks fly despite the unflappable and smooth Hitch having one thing after another go awry. Sara really seems to be effecting him, and the more pathetic and hopeless he seems, the more they are drawn to one another.
Instead of turning the film into a whimsical lark, Director Andy Tennant, who helmed the recent Sweet Home Alabama manages to balance comedy with romance, all the while keeping a little bit of drama involved.
Mendes and Smith have good chemistry with one another, as do Smith and James. Smith is very solid and likeable as the charming Hitch. He plays him as a smooth and confident guy, who is actually more reserved and cautious on the inside. The duality of his character is clear without being overwhelming, leaving him not only likeable, but as a character that is easy to root for. The biggest surprise of the film would be Kevin James. His portrayal of Albert is a solid mix of humor and decency. James gets many laughs with Albert’s attempt at being suave, as he portrays a very realistic and believable character who is struggling to find his inner confidence and let his body and voice convey what he has in his heart.
The film does lose momentum during the final twenty minutes when it becomes lazy, resorting to many standard situations that have been done many times before. That being said Hitch as a whole works, and if you are willing to overlook a few blemishes, you may find yourself enjoying the warmth, humor and charm.
Some of the efforts, such as last weekend’s The Wedding Date, never take off, while others, such as Hitch provide a nice mix of romance and comedy which, for the most part, work very well.
The film follows the exploits of urban legend Alex Hitch Hitchens (Will Smith), a self-styled date doctor who specializes in helping men romance the lady of their dreams. Hitch does not provide a dating service but rather helps his clients with their confidence and instructs them on the true way to win and keep and ladies heart.
With his proven results and good rapport with his clients, Hitch is a man in demand, yet due to his policy of privacy and secrecy, to many, the so-called love doctor is little more than an urban myth which is just fine with Hitch. He would rather work in the shadows than bask in the limelight. The adoration of his clients is all he needs. Well, that and a steady supply of ladies to charm at the days end.
Hitch is about to face his toughest case yet in a kind but portly accountant named Albert (Kevin James) who is desperate to win the heart of his wealthy socialite client Allegra (Amber Valletta). When Albert and Allegra start to be seen with one another in public, they catch the eye of celebrity snoop Sara (Eve Mendes), who becomes determined to see what is behind this unexpected couple, which in turn leads her to believe that the so-called Date Doctor is a reality.
If matters were not complicated enough, Hitch starts to see Sara on a social basis with each of them unaware of what the other really does. Sparks fly despite the unflappable and smooth Hitch having one thing after another go awry. Sara really seems to be effecting him, and the more pathetic and hopeless he seems, the more they are drawn to one another.
Instead of turning the film into a whimsical lark, Director Andy Tennant, who helmed the recent Sweet Home Alabama manages to balance comedy with romance, all the while keeping a little bit of drama involved.
Mendes and Smith have good chemistry with one another, as do Smith and James. Smith is very solid and likeable as the charming Hitch. He plays him as a smooth and confident guy, who is actually more reserved and cautious on the inside. The duality of his character is clear without being overwhelming, leaving him not only likeable, but as a character that is easy to root for. The biggest surprise of the film would be Kevin James. His portrayal of Albert is a solid mix of humor and decency. James gets many laughs with Albert’s attempt at being suave, as he portrays a very realistic and believable character who is struggling to find his inner confidence and let his body and voice convey what he has in his heart.
The film does lose momentum during the final twenty minutes when it becomes lazy, resorting to many standard situations that have been done many times before. That being said Hitch as a whole works, and if you are willing to overlook a few blemishes, you may find yourself enjoying the warmth, humor and charm.
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LeftSideCut (3778 KP) rated Prey (2022) in Movies
Aug 8, 2022
It's no secret that since the original and beloved Predator hit cinemas back in 1987, the franchise has seen a steady decline in quality, with each subsequent entry somehow managing to be less palatable than the one before. Not even IP crossovers could save it (although I'm still holding out hope for an Archie Vs Predator adaption someday.) It's a series that had been in dire need of a shake up for a long time, and that's exactly what Prey is. It swaps the modern settings we're used to, placing the action in the Comanche Nation in the early 1700s, it doubles down on the horror elements that have always bubbled beneath the surface, and most importantly, gives us the best and most memorable protagonist yet.
Naru, played by a truly fantastic Amber Midthunder, is a character who has something to prove. She falls down but doesn't accept defeat. She's relatable, determined, and ultimately, a perfect match for her enemy. One wonders who the prey that the title refers to truly is in this scenario. As such, the narrative plays out as a genuinely tense cat-and-mouse game between two abled warriors, both on the hunt, both trying to survive, and it's a joy to watch unfold.
The first third is a bit of a slow burn, allowing the audience to acclimate to the setting and culture. It gives everything a chance to breathe, and basks in some stunning vistas and beautiful cinematography. The vast majority of Prey was filmed on location in the Stoney Nakoda Nation in Canada. This gives the overall aesthetic a feeling of authenticity and wonder. The somewhat tepid pacing of the first third never gets boring, and remains engaging until things really kick off.
The first encounter the predator has with the human characters marks the start of something special, and from here on, the pedal is to the floor until the credits roll. The action scenes are as thrilling as they are brutal. This predator in particular feels more dangerous and ruthless than before, making minced meat of it's victims. The gore is impactful and the kills are creative. Some great sound editing ensures that even when the camera cuts away now and again, the violence is still felt in full. This is all complimented by the design of the predator. It's mask is more primitive than what we've seen in the past, meaning that even with all of it's high tech gadgets, the predator doesn't feel out of place. Everything climaxes in a hugely entertaining finale that would make Dutch proud. There are moments where Prey apes the original a bit, but it's all executed well, and never feels like it's grasping at nostalgic straws like some of the later sequels have done.
It's clear that there an abundance of positives exuded by Prey, a prequel that no one was chomping at the bit for, but a film that absolutely blows it's predecessors out of the water. Dan Trachtenberg has proven that he can step into a franchise and give us something new before with 10 Cloverfield Lane, and this just cements that claim. Prey is a well realised, and well put together project that is arguably the best entry in the entire Predator franchise, and one can only hope that any future installments are handled in the same way.
Naru, played by a truly fantastic Amber Midthunder, is a character who has something to prove. She falls down but doesn't accept defeat. She's relatable, determined, and ultimately, a perfect match for her enemy. One wonders who the prey that the title refers to truly is in this scenario. As such, the narrative plays out as a genuinely tense cat-and-mouse game between two abled warriors, both on the hunt, both trying to survive, and it's a joy to watch unfold.
The first third is a bit of a slow burn, allowing the audience to acclimate to the setting and culture. It gives everything a chance to breathe, and basks in some stunning vistas and beautiful cinematography. The vast majority of Prey was filmed on location in the Stoney Nakoda Nation in Canada. This gives the overall aesthetic a feeling of authenticity and wonder. The somewhat tepid pacing of the first third never gets boring, and remains engaging until things really kick off.
The first encounter the predator has with the human characters marks the start of something special, and from here on, the pedal is to the floor until the credits roll. The action scenes are as thrilling as they are brutal. This predator in particular feels more dangerous and ruthless than before, making minced meat of it's victims. The gore is impactful and the kills are creative. Some great sound editing ensures that even when the camera cuts away now and again, the violence is still felt in full. This is all complimented by the design of the predator. It's mask is more primitive than what we've seen in the past, meaning that even with all of it's high tech gadgets, the predator doesn't feel out of place. Everything climaxes in a hugely entertaining finale that would make Dutch proud. There are moments where Prey apes the original a bit, but it's all executed well, and never feels like it's grasping at nostalgic straws like some of the later sequels have done.
It's clear that there an abundance of positives exuded by Prey, a prequel that no one was chomping at the bit for, but a film that absolutely blows it's predecessors out of the water. Dan Trachtenberg has proven that he can step into a franchise and give us something new before with 10 Cloverfield Lane, and this just cements that claim. Prey is a well realised, and well put together project that is arguably the best entry in the entire Predator franchise, and one can only hope that any future installments are handled in the same way.
Gareth von Kallenbach (971 KP) rated Green Room (2015) in Movies
Aug 6, 2019
After a fruitless tour, a punk group, The Ain’t Rights, find themselves out of money and stealing gas to get back home. When a recommendation from a fan looking for an interview leads them to play one more show out in the backwoods of Oregon to a crowd of white supremacists, they become witnesses to a murder and barricade themselves in the green room. With no clear escape, they enter into a deadly battle of wills with the owner of the club, and his band of skinheads, and quickly discover that they have no intention of letting them leave alive.
It’s to the point now where if the A24 logo is at the front of a flick, chances are I’m handing over my hard-earned cash. Enemy, Locke, A Most Violent Year, Ex Machina, Slow West – they’ve been distributing some of my favorite films from the last few years and are fast becoming a powerhouse for indie movies, not unlike Focus Features a little more than a decade ago. Unfortunately, this means I set my expectations a little too high on my way into Green Room, which was not hard to do when you combine A24’s track record with the emerging talent of writer/director Jeremy Saulnier. Blue Ruin, his second feature, was the surprise indie hit of 2013. Expertly crafted and deliberately paced, it harkened back to 70’s-style bleak and gritty filmmaking. Green Room also features some of the DNA that made Blue Ruin great, those quite moments of high-tension leading into heart-stopping explosions of extreme violence are present and accounted for, but a thinner plot and characters who are severely underdeveloped show that this story, to its detriment, was in much more of a rush to get where it was going than its predecessor was.
Green Room’s major selling point is of course, Patrick Stewart. Adding one part Cameron Alexander (Stacy Keach’s character from American History X) to one part Walter White/Heisenberg, his performance will undoubtedly go down as one of the greatest departures of our time. Having said that, and believe me when I say I’m loathe to fly in the face of what an exceptional casting choice this was, he is frustratingly underutilized. It does speak to what an unrivaled talent he is when he can build most of his menace from the other side of a locked door, but regardless of how solid the performance is, his presence is merely a set-piece. A role with this little screen time rivals Anthony Hopkins in The Silence of the Lambs (they both had what probably amounted to about 15 minutes of screen time, or less), but I’m certain Stewart’s won’t leave as lasting an impression. To be blunt, if you’re queuing up just for him, you may come away disappointed.
The flip side to this comes about through Imogen Poots as Amber, friend to the murder victim and unfortunate enough to get trapped backstage with the band. Much of the best dialogue, along with some incredible moments of jaw-dropping spontaneity, comes her way and it’s her deadpan delivery that steals the show. Though we are supposed to root for the band, it was her cynical “inside man” that drew me further into their nightmare situation and kept me hoping that she might be the one to survive and give the skinheads the brutal justice they deserved.
For now, I’m sticking to my guns and giving Green Room just half marks, but I look forward to a second viewing at home in a few months, where I’m certain my opinion of it will improve, due to my expectations being more aligned and the foreknowledge that this is simple and standard survival horror fare…that just happens to feature Picard as a neo-Nazi.
It’s to the point now where if the A24 logo is at the front of a flick, chances are I’m handing over my hard-earned cash. Enemy, Locke, A Most Violent Year, Ex Machina, Slow West – they’ve been distributing some of my favorite films from the last few years and are fast becoming a powerhouse for indie movies, not unlike Focus Features a little more than a decade ago. Unfortunately, this means I set my expectations a little too high on my way into Green Room, which was not hard to do when you combine A24’s track record with the emerging talent of writer/director Jeremy Saulnier. Blue Ruin, his second feature, was the surprise indie hit of 2013. Expertly crafted and deliberately paced, it harkened back to 70’s-style bleak and gritty filmmaking. Green Room also features some of the DNA that made Blue Ruin great, those quite moments of high-tension leading into heart-stopping explosions of extreme violence are present and accounted for, but a thinner plot and characters who are severely underdeveloped show that this story, to its detriment, was in much more of a rush to get where it was going than its predecessor was.
Green Room’s major selling point is of course, Patrick Stewart. Adding one part Cameron Alexander (Stacy Keach’s character from American History X) to one part Walter White/Heisenberg, his performance will undoubtedly go down as one of the greatest departures of our time. Having said that, and believe me when I say I’m loathe to fly in the face of what an exceptional casting choice this was, he is frustratingly underutilized. It does speak to what an unrivaled talent he is when he can build most of his menace from the other side of a locked door, but regardless of how solid the performance is, his presence is merely a set-piece. A role with this little screen time rivals Anthony Hopkins in The Silence of the Lambs (they both had what probably amounted to about 15 minutes of screen time, or less), but I’m certain Stewart’s won’t leave as lasting an impression. To be blunt, if you’re queuing up just for him, you may come away disappointed.
The flip side to this comes about through Imogen Poots as Amber, friend to the murder victim and unfortunate enough to get trapped backstage with the band. Much of the best dialogue, along with some incredible moments of jaw-dropping spontaneity, comes her way and it’s her deadpan delivery that steals the show. Though we are supposed to root for the band, it was her cynical “inside man” that drew me further into their nightmare situation and kept me hoping that she might be the one to survive and give the skinheads the brutal justice they deserved.
For now, I’m sticking to my guns and giving Green Room just half marks, but I look forward to a second viewing at home in a few months, where I’m certain my opinion of it will improve, due to my expectations being more aligned and the foreknowledge that this is simple and standard survival horror fare…that just happens to feature Picard as a neo-Nazi.
Gareth von Kallenbach (971 KP) rated The Rum Diary (2011) in Movies
Aug 7, 2019
For those unfamiliar with Hunter S. Thompson’s work (as I am), you may not recognize that this movie is based on his book of the same title, first published in 1998. Hunter S. Thompson is the same author who gave us the novel for which the film Fear and Loathing in Las Vegas was based on.
The Rum Diary follows Paul Kemp (played by Johnny Depp), a failed novelist turn journalist, who finds himself at a critical turning point in his life. Having written two and a half novels that were never published, he was having trouble finding his voice, in that he needed to find a way to “write like him” as Paul put it himself. So he decides to do some freelance writing for a small publication located in San Juan, Puerto Rico in 1960.
The movie opens with Kemp waking up in a hotel, and you can immediately, and clearly, see that he partakes in certain pleasures of life. After reporting to work at San Juan Star, Kemp meets Sala (played by Michael Rispoli), the photographer for the Star who quickly becomes his cohort. The editor-in-chief of the San Juan Star, Lotterman (played by Richard Jenkins) indicates to Kemp that the publication is only a few months away from being closed down, and that there really isn’t much to look forward to. He assigns Kemp to do some fluff pieces and the horoscope section of the paper.
Kemp is not content with this as he is looking at this experience as a way to put his career back on track. Over the next few days, during his adventures with Sala, he comes across a few different story ideas that are immediately shot down by Lotterman, as they emphasize the things that are wrong with San Juan, and Lotterman feels that the focus should be on the good things (like bowling alleys).
During one of his nights of boozing, he meets Chenault (played by Amber Heard). She’s aloof, mysterious, and of course… Kemp falls immediately in love with her. She just happens to be the girlfriend of Sanderson (played by Aaron Eckhart). Sanderson immediately recognizes the talents that Kemp has and begins recruiting him for a real estate scam. The idea is to get a foothold and build a new hotel on a private island that is used for United States military testing, but will soon be relinquished from that purpose. Sanderson and a group of investors want Kemp to put a brilliant positive spin on the hotel investment so that the public opinion, and that of those in a position to block the development, is a positive one.
Things begin to unravel as Kemp and Sala’s shenanigans keep getting them into trouble, culminating in a heated night where Kemp, Sala, Chenault and Sanderson end up at a bar during the St. Thomas Carnival.
The Rum Diary was highly entertaining with a great supporting cast. Giovani Ribisi provides an excellent distraction from some of the more serious events of the movie as he appears every now and then as Moburg, another reporter for the San Juan Star. The movie played like a great alcohol-induced, drug-fueled adventures of a journalist in the 1960s. Definitely some quirky moments, and you will find yourself laughing at many of Kemp and Sala’s exploits.
My only gripe with the movie is how it ended. The build up to Kemp printing the story and putting it out there leaves you wanting more. While I don’t think the film will reach the same cult-status that Fear and Loathing in Las Vegas will, it is definitely entertaining (all the way until the end). It is a good nod to Thompson and fans of his books and movie adaptations are sure to enjoy.
The Rum Diary follows Paul Kemp (played by Johnny Depp), a failed novelist turn journalist, who finds himself at a critical turning point in his life. Having written two and a half novels that were never published, he was having trouble finding his voice, in that he needed to find a way to “write like him” as Paul put it himself. So he decides to do some freelance writing for a small publication located in San Juan, Puerto Rico in 1960.
The movie opens with Kemp waking up in a hotel, and you can immediately, and clearly, see that he partakes in certain pleasures of life. After reporting to work at San Juan Star, Kemp meets Sala (played by Michael Rispoli), the photographer for the Star who quickly becomes his cohort. The editor-in-chief of the San Juan Star, Lotterman (played by Richard Jenkins) indicates to Kemp that the publication is only a few months away from being closed down, and that there really isn’t much to look forward to. He assigns Kemp to do some fluff pieces and the horoscope section of the paper.
Kemp is not content with this as he is looking at this experience as a way to put his career back on track. Over the next few days, during his adventures with Sala, he comes across a few different story ideas that are immediately shot down by Lotterman, as they emphasize the things that are wrong with San Juan, and Lotterman feels that the focus should be on the good things (like bowling alleys).
During one of his nights of boozing, he meets Chenault (played by Amber Heard). She’s aloof, mysterious, and of course… Kemp falls immediately in love with her. She just happens to be the girlfriend of Sanderson (played by Aaron Eckhart). Sanderson immediately recognizes the talents that Kemp has and begins recruiting him for a real estate scam. The idea is to get a foothold and build a new hotel on a private island that is used for United States military testing, but will soon be relinquished from that purpose. Sanderson and a group of investors want Kemp to put a brilliant positive spin on the hotel investment so that the public opinion, and that of those in a position to block the development, is a positive one.
Things begin to unravel as Kemp and Sala’s shenanigans keep getting them into trouble, culminating in a heated night where Kemp, Sala, Chenault and Sanderson end up at a bar during the St. Thomas Carnival.
The Rum Diary was highly entertaining with a great supporting cast. Giovani Ribisi provides an excellent distraction from some of the more serious events of the movie as he appears every now and then as Moburg, another reporter for the San Juan Star. The movie played like a great alcohol-induced, drug-fueled adventures of a journalist in the 1960s. Definitely some quirky moments, and you will find yourself laughing at many of Kemp and Sala’s exploits.
My only gripe with the movie is how it ended. The build up to Kemp printing the story and putting it out there leaves you wanting more. While I don’t think the film will reach the same cult-status that Fear and Loathing in Las Vegas will, it is definitely entertaining (all the way until the end). It is a good nod to Thompson and fans of his books and movie adaptations are sure to enjoy.