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Leanne Crabtree (480 KP) rated Amber (Red Hot Love #1) in Books
Sep 3, 2019
I've read a handful of Elle Casey's books and have found that more often than not, I really enjoy them.
This one started off a little crazy with a lawyer visiting Amber and her families farm to tell them that their dads want to meet them in New York. Amber appears to have never left the farm before to visit big cities and is wowed by some things and horrified by others in the Big Apple.
Amber and Ty certainly rubbed each other the wrong way to start but you could see a tentative connection between them from pretty early on. I actually really liked Ty, and Amber's intuitiveness; the way she picked up on little things and tried to solve problems was great. It was a very good plotline and I loved that part of the story.
And the romance, of course. It was very sweet. I was "aaahh"ing and smiling like a loon with the gentleness of it all. Super cute. Not what I was expecting but I really liked it.
Now I've finished the story, I still find the beginning and that part of the story with the hippie compound a little strange/out there but the rest of the story? I liked it, though I would have liked more band stuff included.
I can't help wondering if Red Hot's story will continue through Emerald and Rose's romances which I will buy and read at some point in the future.
This one started off a little crazy with a lawyer visiting Amber and her families farm to tell them that their dads want to meet them in New York. Amber appears to have never left the farm before to visit big cities and is wowed by some things and horrified by others in the Big Apple.
Amber and Ty certainly rubbed each other the wrong way to start but you could see a tentative connection between them from pretty early on. I actually really liked Ty, and Amber's intuitiveness; the way she picked up on little things and tried to solve problems was great. It was a very good plotline and I loved that part of the story.
And the romance, of course. It was very sweet. I was "aaahh"ing and smiling like a loon with the gentleness of it all. Super cute. Not what I was expecting but I really liked it.
Now I've finished the story, I still find the beginning and that part of the story with the hippie compound a little strange/out there but the rest of the story? I liked it, though I would have liked more band stuff included.
I can't help wondering if Red Hot's story will continue through Emerald and Rose's romances which I will buy and read at some point in the future.
graveyardgremlin (7194 KP) rated First Grave on the Right (Charley Davidson, #1) in Books
Feb 15, 2019
FIRST GRAVE ON THE RIGHT introduces Charley Davidson, the Grim Reaper who also works as a private investigator. She's a smart-ass, chaotic, accident-prone, knows exactly who she is, and has some serious attitude -- she'll never win Miss Congeniality, but Charley also has heart and humanity. I like her, she has enough depth to sympathize with and enough grit to make me root for her, while showing the right amounts of strength and vulnerability to be realistic. If I had to choose a grim reaper and it was between her and Callie Reaper-Jones from Amber Benson's series ([b:Death's Daughter|6354365|Death's Daughter (Calliope Reaper-Jones, #1)|Amber Benson|http://ecx.images-amazon.com/images/I/51lRt2VmaCL._SL75_.jpg|4632897]), I'd definitely pick Charley. And did I mention she names her "unmentionables"? Of which I found hilarious, although maybe not everyone will.
There are two major plot lines involved within the covers: the murder of three lawyers and how it ties into an innocent man and the mysterious entity who steams up Charley's dreams with some hot, hot action (and isn't as stalkerish as it sounds from the description). While the former seems to become an afterthought by the end, it ties up rather nicely, even if it's rather abrupt in comparison to how it's paced at the beginning. Though it is the other plot that is the more intriguing of the two and kept me reading so I could find out what happened next. I'm happy with how it ended and the author did a good job leaving me wanting to know more. The writing is capable, even if there was some redundancy of certain phrases and words, but it got better the further into the story I got. The book is bursting with sarcasm, which I love, and there's rarely a passage that doesn't have one snarky little morsel included. I hope future entries in the series will expand some of the other characters that are glossed over, but overall, this was a blast to read. If you're looking for a fast, fun piece of brain-candy, look no further, pop into this for a sweet treat. Also, kudos to whoever chose the cover, it captures the book perfectly.
3.5 stars
There are two major plot lines involved within the covers: the murder of three lawyers and how it ties into an innocent man and the mysterious entity who steams up Charley's dreams with some hot, hot action (and isn't as stalkerish as it sounds from the description). While the former seems to become an afterthought by the end, it ties up rather nicely, even if it's rather abrupt in comparison to how it's paced at the beginning. Though it is the other plot that is the more intriguing of the two and kept me reading so I could find out what happened next. I'm happy with how it ended and the author did a good job leaving me wanting to know more. The writing is capable, even if there was some redundancy of certain phrases and words, but it got better the further into the story I got. The book is bursting with sarcasm, which I love, and there's rarely a passage that doesn't have one snarky little morsel included. I hope future entries in the series will expand some of the other characters that are glossed over, but overall, this was a blast to read. If you're looking for a fast, fun piece of brain-candy, look no further, pop into this for a sweet treat. Also, kudos to whoever chose the cover, it captures the book perfectly.
3.5 stars
Heather Cranmer (2721 KP) rated Getting A Life, Even If You're Dead (No Going Back, #1) in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I've been wanting to read this book for awhile. I love books with ghosts in them. I had high hopes for this book, but it just turned out to be an mediocre read.
Right away, the title of this book suggests that it's not going to be a scary book or one that takes itself too seriously. I do like the title, and I found it very interesting.
I like the cover. I think it suits a young adult book, and the cover fits with the setting of the book.
The world building was alright. I just felt that the ghosts were able to do too many things such as they were able to manipulate objects in the living world. They could move things, open doors, log on to Facebook, etc. It was the logging on to Facebook that really got to me. The ghosts even had their own Facebook pages! They could even write on others' Facebook profiles. I just think that because the ghosts were able to do too much, they would've been discovered in a real world setting.
The pacing was just alright. It wasn't too fast, and it wasn't too slow. It was just kind of there. I found myself not really in a rush to find out what would happen next.
I did enjoy the idea of the plot. I like how Kendra is able to see her dead best friend and then realizes she can actually see ghosts. I like how there was a mystery incorporated in the book. There was also romance going on with all the characters. However, I just felt as if there was too much going on with the plot. Perhaps this book would've been better without the romance especially the romance between Loic and Amber. I also felt as if the mystery about how Loic died wasn't that big of a mystery at all. I had correctly predicted the mystery surrounding Loic's death from the very beginning. There is a small plot twist towards the end, but it's not a major one. The author does leave the ending of this book open for the next book in the series, but I think this book could work well as a stand alone.
I didn't really connect with any of the characters, but I did enjoy them. My favorite character was Amber. To me, she felt the most realistic. It was good to see the wide range of emotions she was feeling throughout the book. I enjoyed her zest for life (even if she was dead). I also liked Pierrot. He seemed like a sweet boy, and it was clear how much he loved his brother. As for Kendra, I didn't like the way she treated her mother. I found her to be a bit disrespectful and a bit spoiled. I also didn't really care for Loic. To me, he came across as very whiny and a little bit selfish. I get that he just died and wanted answers, but it's like he just wanted everything to happen all at once. He was a very impatient boy.
I felt that the dialogue fit in more with a middle grade book rather then a young adult book. The way the characters thought and spoke made them seem like they were around thirteen or fourteen as opposed to being around seventeen years old. I also felt the dialogue didn't fit in with a modern day story. I can understand Amber using words that people don't really say anymore being as she died in the 1980s (although she's been a ghost, so surely she would've picked up the modern day lingo), but even Kendra used odd words such as the word "crimmers" (or something to that effect) when she was shocked about something. There's not really any violence, but there is some swearing. There's also no sexual references besides kissing.
Overall, Getting a Life, Even If You're Dead by Beth Watson is just an alright read. It's not great, but it's definitely not a bad read by any means. I believe that if the ghosts were a bit more believable and the book was written in more of a young adult tone, it could've been much better. I probably will read the next book in the series simply because it will focus on Amber.
I'd recommend this book to those aged 13+ who are like the mystery genre but also like their books with a little bit of romance.
(I received a free paperback of this book from the author in exchange for a fair and honest review).
I've been wanting to read this book for awhile. I love books with ghosts in them. I had high hopes for this book, but it just turned out to be an mediocre read.
Right away, the title of this book suggests that it's not going to be a scary book or one that takes itself too seriously. I do like the title, and I found it very interesting.
I like the cover. I think it suits a young adult book, and the cover fits with the setting of the book.
The world building was alright. I just felt that the ghosts were able to do too many things such as they were able to manipulate objects in the living world. They could move things, open doors, log on to Facebook, etc. It was the logging on to Facebook that really got to me. The ghosts even had their own Facebook pages! They could even write on others' Facebook profiles. I just think that because the ghosts were able to do too much, they would've been discovered in a real world setting.
The pacing was just alright. It wasn't too fast, and it wasn't too slow. It was just kind of there. I found myself not really in a rush to find out what would happen next.
I did enjoy the idea of the plot. I like how Kendra is able to see her dead best friend and then realizes she can actually see ghosts. I like how there was a mystery incorporated in the book. There was also romance going on with all the characters. However, I just felt as if there was too much going on with the plot. Perhaps this book would've been better without the romance especially the romance between Loic and Amber. I also felt as if the mystery about how Loic died wasn't that big of a mystery at all. I had correctly predicted the mystery surrounding Loic's death from the very beginning. There is a small plot twist towards the end, but it's not a major one. The author does leave the ending of this book open for the next book in the series, but I think this book could work well as a stand alone.
I didn't really connect with any of the characters, but I did enjoy them. My favorite character was Amber. To me, she felt the most realistic. It was good to see the wide range of emotions she was feeling throughout the book. I enjoyed her zest for life (even if she was dead). I also liked Pierrot. He seemed like a sweet boy, and it was clear how much he loved his brother. As for Kendra, I didn't like the way she treated her mother. I found her to be a bit disrespectful and a bit spoiled. I also didn't really care for Loic. To me, he came across as very whiny and a little bit selfish. I get that he just died and wanted answers, but it's like he just wanted everything to happen all at once. He was a very impatient boy.
I felt that the dialogue fit in more with a middle grade book rather then a young adult book. The way the characters thought and spoke made them seem like they were around thirteen or fourteen as opposed to being around seventeen years old. I also felt the dialogue didn't fit in with a modern day story. I can understand Amber using words that people don't really say anymore being as she died in the 1980s (although she's been a ghost, so surely she would've picked up the modern day lingo), but even Kendra used odd words such as the word "crimmers" (or something to that effect) when she was shocked about something. There's not really any violence, but there is some swearing. There's also no sexual references besides kissing.
Overall, Getting a Life, Even If You're Dead by Beth Watson is just an alright read. It's not great, but it's definitely not a bad read by any means. I believe that if the ghosts were a bit more believable and the book was written in more of a young adult tone, it could've been much better. I probably will read the next book in the series simply because it will focus on Amber.
I'd recommend this book to those aged 13+ who are like the mystery genre but also like their books with a little bit of romance.
(I received a free paperback of this book from the author in exchange for a fair and honest review).
JT (287 KP) rated Sucker Punch (2011) in Movies
Mar 10, 2020
Sucker Punch will pack just that, a massive visual punch, so hard youâll be doubled over by the stunning action sequences the film has to offer. Using a number of different scenarios from an alternative reality concocted in the mind of Baby Doll (Emily Browning), she plots a daring escape with the help of her fellow sexy inmates, and I do mean sexy.
This group include Blondie (Vanessa Hudgens), Amber (Jamie Chung ) and sisters Sweet Pea (Abbie Cornish) and Rocket (Jena Malone). They teach Baby to retreat into increasingly ridiculous fantasies to escape the sinister fate that awaits her. During a number of daring missions in which they tackle everything from Nazis, mechanical robots and fire breathing dragons they must acquire a selection of different items along the way each aiding them in their quest. All the time guided through by the Wise Man (Scott Glenn).
There is no denying that Snyder is one of the most exciting action directors about although some would say that his storytelling is not as strong. He leaves the backstory to be played out in the opening credits. Personally I donât see anything wrong with that, in fact I think it is done very well.
Itâs clear though from the limited and brief interlude of a back story that Snyder was only thinking about making these dream sequences as elaborate as he possibly and he certainly achieved that! The girls battle through in next to nothing, short skirts, knee high socks and push up bras. Titillating, itâs close to a peep show with guns.
Given that this is Snyderâs own original screenplay I think he has done enough to hold his own. While not as engaging as 300 or Watchmen itâs a definite A for effort with a soundtrack that is not a bad listen either.
This group include Blondie (Vanessa Hudgens), Amber (Jamie Chung ) and sisters Sweet Pea (Abbie Cornish) and Rocket (Jena Malone). They teach Baby to retreat into increasingly ridiculous fantasies to escape the sinister fate that awaits her. During a number of daring missions in which they tackle everything from Nazis, mechanical robots and fire breathing dragons they must acquire a selection of different items along the way each aiding them in their quest. All the time guided through by the Wise Man (Scott Glenn).
There is no denying that Snyder is one of the most exciting action directors about although some would say that his storytelling is not as strong. He leaves the backstory to be played out in the opening credits. Personally I donât see anything wrong with that, in fact I think it is done very well.
Itâs clear though from the limited and brief interlude of a back story that Snyder was only thinking about making these dream sequences as elaborate as he possibly and he certainly achieved that! The girls battle through in next to nothing, short skirts, knee high socks and push up bras. Titillating, itâs close to a peep show with guns.
Given that this is Snyderâs own original screenplay I think he has done enough to hold his own. While not as engaging as 300 or Watchmen itâs a definite A for effort with a soundtrack that is not a bad listen either.
Heather Cranmer (2721 KP) created a post
Feb 12, 2021
Gareth von Kallenbach (971 KP) rated Hitch (2005) in Movies
Aug 14, 2019
February is the time of year when thoughts turn to romance and the coming spring. It is also the time of year when Hollywood brings new romantic themed films to the theaters in an effort to open big, thanks to the date movie crowd.
Some of the efforts, such as last weekendâs The Wedding Date, never take off, while others, such as Hitch provide a nice mix of romance and comedy which, for the most part, work very well.
The film follows the exploits of urban legend Alex Hitch Hitchens (Will Smith), a self-styled date doctor who specializes in helping men romance the lady of their dreams. Hitch does not provide a dating service but rather helps his clients with their confidence and instructs them on the true way to win and keep and ladies heart.
With his proven results and good rapport with his clients, Hitch is a man in demand, yet due to his policy of privacy and secrecy, to many, the so-called love doctor is little more than an urban myth which is just fine with Hitch. He would rather work in the shadows than bask in the limelight. The adoration of his clients is all he needs. Well, that and a steady supply of ladies to charm at the days end.
Hitch is about to face his toughest case yet in a kind but portly accountant named Albert (Kevin James) who is desperate to win the heart of his wealthy socialite client Allegra (Amber Valletta). When Albert and Allegra start to be seen with one another in public, they catch the eye of celebrity snoop Sara (Eve Mendes), who becomes determined to see what is behind this unexpected couple, which in turn leads her to believe that the so-called Date Doctor is a reality.
If matters were not complicated enough, Hitch starts to see Sara on a social basis with each of them unaware of what the other really does. Sparks fly despite the unflappable and smooth Hitch having one thing after another go awry. Sara really seems to be effecting him, and the more pathetic and hopeless he seems, the more they are drawn to one another.
Instead of turning the film into a whimsical lark, Director Andy Tennant, who helmed the recent Sweet Home Alabama manages to balance comedy with romance, all the while keeping a little bit of drama involved.
Mendes and Smith have good chemistry with one another, as do Smith and James. Smith is very solid and likeable as the charming Hitch. He plays him as a smooth and confident guy, who is actually more reserved and cautious on the inside. The duality of his character is clear without being overwhelming, leaving him not only likeable, but as a character that is easy to root for. The biggest surprise of the film would be Kevin James. His portrayal of Albert is a solid mix of humor and decency. James gets many laughs with Albertâs attempt at being suave, as he portrays a very realistic and believable character who is struggling to find his inner confidence and let his body and voice convey what he has in his heart.
The film does lose momentum during the final twenty minutes when it becomes lazy, resorting to many standard situations that have been done many times before. That being said Hitch as a whole works, and if you are willing to overlook a few blemishes, you may find yourself enjoying the warmth, humor and charm.
Some of the efforts, such as last weekendâs The Wedding Date, never take off, while others, such as Hitch provide a nice mix of romance and comedy which, for the most part, work very well.
The film follows the exploits of urban legend Alex Hitch Hitchens (Will Smith), a self-styled date doctor who specializes in helping men romance the lady of their dreams. Hitch does not provide a dating service but rather helps his clients with their confidence and instructs them on the true way to win and keep and ladies heart.
With his proven results and good rapport with his clients, Hitch is a man in demand, yet due to his policy of privacy and secrecy, to many, the so-called love doctor is little more than an urban myth which is just fine with Hitch. He would rather work in the shadows than bask in the limelight. The adoration of his clients is all he needs. Well, that and a steady supply of ladies to charm at the days end.
Hitch is about to face his toughest case yet in a kind but portly accountant named Albert (Kevin James) who is desperate to win the heart of his wealthy socialite client Allegra (Amber Valletta). When Albert and Allegra start to be seen with one another in public, they catch the eye of celebrity snoop Sara (Eve Mendes), who becomes determined to see what is behind this unexpected couple, which in turn leads her to believe that the so-called Date Doctor is a reality.
If matters were not complicated enough, Hitch starts to see Sara on a social basis with each of them unaware of what the other really does. Sparks fly despite the unflappable and smooth Hitch having one thing after another go awry. Sara really seems to be effecting him, and the more pathetic and hopeless he seems, the more they are drawn to one another.
Instead of turning the film into a whimsical lark, Director Andy Tennant, who helmed the recent Sweet Home Alabama manages to balance comedy with romance, all the while keeping a little bit of drama involved.
Mendes and Smith have good chemistry with one another, as do Smith and James. Smith is very solid and likeable as the charming Hitch. He plays him as a smooth and confident guy, who is actually more reserved and cautious on the inside. The duality of his character is clear without being overwhelming, leaving him not only likeable, but as a character that is easy to root for. The biggest surprise of the film would be Kevin James. His portrayal of Albert is a solid mix of humor and decency. James gets many laughs with Albertâs attempt at being suave, as he portrays a very realistic and believable character who is struggling to find his inner confidence and let his body and voice convey what he has in his heart.
The film does lose momentum during the final twenty minutes when it becomes lazy, resorting to many standard situations that have been done many times before. That being said Hitch as a whole works, and if you are willing to overlook a few blemishes, you may find yourself enjoying the warmth, humor and charm.
Bong Mines Entertainment (15 KP) rated The Life of Pablo by Kanye West in Music
Jun 7, 2019
Kanye West is an iconic rapper from Chicago, Illinois. Not too long ago, he released his seventh studio album, entitled, âThe Life of Pabloâ.
ULTRA LIGHT BEAMS
The opening track functions as a Sunday-morning church revival, where Kanye is the ordained minister. Heâs standing in the pulpit, preaching a time-sensitive sermon to his loyal congregation.
His message: God over Satan, keep the faith, pray for Paris, pray for parents, and weâre living Godâs dream.
West sets the tone and declares where he stands on religious and socially-driven issues.
A Gospel choir emerges. The Dream and Kelly Price reinforce Westâs message by singing verses of encouragement, leading to a heartfelt testimonial by Chance The Rapper.
While the collection plates are being filled with hopes of a better tomorrow, Kirk Franklin concludes the service by praying for everyone. He uplifts those who feel they are not good enough or have said, âIâm sorry,â too many times.
Father Stretch My Hands (Pt. 1)
A spiritual figure, Pastor T.L. Barrett, ushers in the second track with praises to The Most High. Future appears for a brief moment and Kid Cudi delivers a stunning chorus.
A liberated West returns to the pulpit and gives a brief, but somewhat explicit testimony of his past and present relationships to Amber Rose and Kim Kardashian.
Father Stretch My Hands (Pt. 2)
West continues his testimony and raps about his personal experiences. He speaks on the importance of returning his wifeâs phone calls and not wanting to make the same mistakes his father made. Also, he mentions the passing of the mother in Hollywood, being broke, and the reason why he broke his jaw.
Westâs words hit home, making room for another liberated soul to tell his story of triumph.
Desiigner, a newly-signed artist of G.O.O.D. Music, emerges from the underbelly of the ghetto. He raps about getting money illegally, drugs, and violence-familiarized by urban-street hustlers.
Though his grim subject matter contradicts the songâs hopeful message of liberation, it somehow adds mysticism or substance to Kanyeâs brutally-honest testimony.
Desiigner, blessed with a futuristic flow, highlights a few things that Westâs congregation needs to examine in order to be totally liberated.
FAMOUS
Whenever an important event occurs in an urban community, an after party is sure to follow. And a host of celebrities are always on standby to attend it. The Life of Pablo is no exception.
The fourth song features Rihanna and legendary-producer Swizz Beatz. Also, it contains timeless vocals from Sister Nancy and Nina Simone.
West, no longer in church clothes, stands out lyrically with witty, braggadocios lyrics.
Whether that statement is factual or not, itâs doesnât really matter because West believes it is.
FEEDBACK
The fifth song serves as a transformational period, where West shows signs of the old Kanye.
West doesnât need a psychiatrist to diagnose his problems. He does that himself by wearing them on his sleeves.
LOW LIGHTS
On the sixth track, West wrote via Twitter, âI put Low Lights on my album just thinking about all the moms driving their kids to school, then going to work.â
Listeners can now relate to the everyday struggle that mothers endure.
The song features an acapella sample from âSo Aliveâ by Kings of Tomorrow.
The woman gives a grateful-testimony of Godâs graciousness over a laid-back, simple piano groove. Her honesty is felt. Also, she sounds liberated because her Creator has accepted her for who she is.
HIGH LIGHTS
From lows to high, the seventh track is in direct correlation to âLow Lightsâ.
West and Young Thug put on their festive robes because itâs time to celebrate life. El Debarge and The Dream chime in, and West addresses a lingering issue.
But this is only the beginning. West finishes strong with more thought-provoking lyrics.
FREESTYLE 4
The eighth track features Desiigner. Again, when he and West are together, all hell breaks loose.
The once festive scene transforms into a grimy underworld filled with a prostitute that West is explicitly lusting after. The temptation makes it difficult for him to stand on his opening statement of Jesus over Satan. But the power of darkness is more powerful than West thinks. So, he subconsciously indulges in sexual misconduct.
I LOVE KANYE
On the ninth track, West realizes that heâs at war with himself. The old Kanye, known for chopping up soul records is fighting against the new Kanye that everyone hates. But Kanye wants to go back to being sweet again if thatâs even possible. His multiple egos are fighting for control over the ârealâ Kanye.
WAVE
West doesnât stare in the mirror for too long. On the tenth track, redemption happens. Chris Brown, disguised as an angel, comes to Westâs aid by providing much-needed light.
Miraculously, the sun emerges from the shade, a bird flies out its cage, and a nostalgic feeling is felt.
West realizes that nothing is impossible because waves donât die and feelings donât really go away.
FML (FOR MY LADY)
On the eleventh track, West realizes whatâs really important to him and thatâs his wife. Someone he wonât jeopardize for no other woman. Also, his children are all layers of his soul.
The Weeknd appears in the form of Westâs conscience.
West remains focused and listeners can feel the positive aura of God surrounding him. He is determined to remain faithful to only Kim, no other woman.
REAL FRIENDS
West continues his introspective outlook and raps about trust issues that everyone can relate to. His honest, down-to-earth lyrics, mixed in with Ty Dolla $ignâs vocals, paints a vivid picture. Also, it forms a collectible souvenir that hangs nicely in listenersâ collective memories.
WOLVES
The thirteenth track provides a cooling effect with wild emotions and bizarre-sounds.
The setting, maybe an extraterritorial realm in Westâs subconscious mind. Perhaps, itâs the Milky Way Galaxy or a dream-state of Saturn.
A time for relaxation, preparing listeners for a surprise guest.
SILVER SURFER INTERMISSION
The fourteenth track features a phone conversation between incarcerated Max B and French Montana. Also, Max voices his gratitude to West for showing him love.
30 HOURS
On the fifteenth track, West takes a trip down memory lane and raps about an ex-girlfriend that he used to drive 30-hours to see. He used to drive from Chicago to St. Louis, St. Louis to Chicago. He recalls the good times they shared. But unfortunately, her infidelity was the reason why they broke up.
NO PARTIES IN L.A.
The sixteenth track will go down in history as a legendary bar-fest between two elite emcees. Kendrick Lamar and West rap with dope punchlines and clever metaphors over a Madlib-produced track. Once again, West is flowing like the old Kanye that people love.
FACTS
The seventeenth track is a standout anthem where West brags that Yeezy just jumped over Jumpman. Heâs in boss-mode, talking that big-money talk.
FADE
The final track features Post Malone and Ty Dollar $ign. The song has a reoccurring sample from Rare Earth, âYour love is fading/I feel it fade.â
The Eli Linnetz-directed video shows Teyana Taylor explicitly dancing.
CONCLUSION
Kanye Westâs âThe Life of Pabloâ is a memorable hip-hop album with solid content and heavy replay value.
https://www.bongminesentertainment.com/kanye-west-life-pablo/
ULTRA LIGHT BEAMS
The opening track functions as a Sunday-morning church revival, where Kanye is the ordained minister. Heâs standing in the pulpit, preaching a time-sensitive sermon to his loyal congregation.
His message: God over Satan, keep the faith, pray for Paris, pray for parents, and weâre living Godâs dream.
West sets the tone and declares where he stands on religious and socially-driven issues.
A Gospel choir emerges. The Dream and Kelly Price reinforce Westâs message by singing verses of encouragement, leading to a heartfelt testimonial by Chance The Rapper.
While the collection plates are being filled with hopes of a better tomorrow, Kirk Franklin concludes the service by praying for everyone. He uplifts those who feel they are not good enough or have said, âIâm sorry,â too many times.
Father Stretch My Hands (Pt. 1)
A spiritual figure, Pastor T.L. Barrett, ushers in the second track with praises to The Most High. Future appears for a brief moment and Kid Cudi delivers a stunning chorus.
A liberated West returns to the pulpit and gives a brief, but somewhat explicit testimony of his past and present relationships to Amber Rose and Kim Kardashian.
Father Stretch My Hands (Pt. 2)
West continues his testimony and raps about his personal experiences. He speaks on the importance of returning his wifeâs phone calls and not wanting to make the same mistakes his father made. Also, he mentions the passing of the mother in Hollywood, being broke, and the reason why he broke his jaw.
Westâs words hit home, making room for another liberated soul to tell his story of triumph.
Desiigner, a newly-signed artist of G.O.O.D. Music, emerges from the underbelly of the ghetto. He raps about getting money illegally, drugs, and violence-familiarized by urban-street hustlers.
Though his grim subject matter contradicts the songâs hopeful message of liberation, it somehow adds mysticism or substance to Kanyeâs brutally-honest testimony.
Desiigner, blessed with a futuristic flow, highlights a few things that Westâs congregation needs to examine in order to be totally liberated.
FAMOUS
Whenever an important event occurs in an urban community, an after party is sure to follow. And a host of celebrities are always on standby to attend it. The Life of Pablo is no exception.
The fourth song features Rihanna and legendary-producer Swizz Beatz. Also, it contains timeless vocals from Sister Nancy and Nina Simone.
West, no longer in church clothes, stands out lyrically with witty, braggadocios lyrics.
Whether that statement is factual or not, itâs doesnât really matter because West believes it is.
FEEDBACK
The fifth song serves as a transformational period, where West shows signs of the old Kanye.
West doesnât need a psychiatrist to diagnose his problems. He does that himself by wearing them on his sleeves.
LOW LIGHTS
On the sixth track, West wrote via Twitter, âI put Low Lights on my album just thinking about all the moms driving their kids to school, then going to work.â
Listeners can now relate to the everyday struggle that mothers endure.
The song features an acapella sample from âSo Aliveâ by Kings of Tomorrow.
The woman gives a grateful-testimony of Godâs graciousness over a laid-back, simple piano groove. Her honesty is felt. Also, she sounds liberated because her Creator has accepted her for who she is.
HIGH LIGHTS
From lows to high, the seventh track is in direct correlation to âLow Lightsâ.
West and Young Thug put on their festive robes because itâs time to celebrate life. El Debarge and The Dream chime in, and West addresses a lingering issue.
But this is only the beginning. West finishes strong with more thought-provoking lyrics.
FREESTYLE 4
The eighth track features Desiigner. Again, when he and West are together, all hell breaks loose.
The once festive scene transforms into a grimy underworld filled with a prostitute that West is explicitly lusting after. The temptation makes it difficult for him to stand on his opening statement of Jesus over Satan. But the power of darkness is more powerful than West thinks. So, he subconsciously indulges in sexual misconduct.
I LOVE KANYE
On the ninth track, West realizes that heâs at war with himself. The old Kanye, known for chopping up soul records is fighting against the new Kanye that everyone hates. But Kanye wants to go back to being sweet again if thatâs even possible. His multiple egos are fighting for control over the ârealâ Kanye.
WAVE
West doesnât stare in the mirror for too long. On the tenth track, redemption happens. Chris Brown, disguised as an angel, comes to Westâs aid by providing much-needed light.
Miraculously, the sun emerges from the shade, a bird flies out its cage, and a nostalgic feeling is felt.
West realizes that nothing is impossible because waves donât die and feelings donât really go away.
FML (FOR MY LADY)
On the eleventh track, West realizes whatâs really important to him and thatâs his wife. Someone he wonât jeopardize for no other woman. Also, his children are all layers of his soul.
The Weeknd appears in the form of Westâs conscience.
West remains focused and listeners can feel the positive aura of God surrounding him. He is determined to remain faithful to only Kim, no other woman.
REAL FRIENDS
West continues his introspective outlook and raps about trust issues that everyone can relate to. His honest, down-to-earth lyrics, mixed in with Ty Dolla $ignâs vocals, paints a vivid picture. Also, it forms a collectible souvenir that hangs nicely in listenersâ collective memories.
WOLVES
The thirteenth track provides a cooling effect with wild emotions and bizarre-sounds.
The setting, maybe an extraterritorial realm in Westâs subconscious mind. Perhaps, itâs the Milky Way Galaxy or a dream-state of Saturn.
A time for relaxation, preparing listeners for a surprise guest.
SILVER SURFER INTERMISSION
The fourteenth track features a phone conversation between incarcerated Max B and French Montana. Also, Max voices his gratitude to West for showing him love.
30 HOURS
On the fifteenth track, West takes a trip down memory lane and raps about an ex-girlfriend that he used to drive 30-hours to see. He used to drive from Chicago to St. Louis, St. Louis to Chicago. He recalls the good times they shared. But unfortunately, her infidelity was the reason why they broke up.
NO PARTIES IN L.A.
The sixteenth track will go down in history as a legendary bar-fest between two elite emcees. Kendrick Lamar and West rap with dope punchlines and clever metaphors over a Madlib-produced track. Once again, West is flowing like the old Kanye that people love.
FACTS
The seventeenth track is a standout anthem where West brags that Yeezy just jumped over Jumpman. Heâs in boss-mode, talking that big-money talk.
FADE
The final track features Post Malone and Ty Dollar $ign. The song has a reoccurring sample from Rare Earth, âYour love is fading/I feel it fade.â
The Eli Linnetz-directed video shows Teyana Taylor explicitly dancing.
CONCLUSION
Kanye Westâs âThe Life of Pabloâ is a memorable hip-hop album with solid content and heavy replay value.
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