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No Place To Hide
No Place To Hide
Opa Hysea Wise | 2020 | Crime, Fiction & Poetry, LGBTQ+, Mystery, Thriller
8
9.0 (2 Ratings)
Book Rating
Amazing journey of personal growth and self-acceptance of the main character (0 more)
The self-help parts did not blend in well with the rest of the book. (0 more)
Interesting Mulit-genre book
No Place to Hide by Opa Hysea Wise is a unique combination of a self-help book with a mystery or crime drama. It doesn't read as a typical self-help book dose but instead lets readers follow the main character on her journey of growth and read her discoveries as far as herself goes.

 Smythe Daniels lives alone and is desperately trying to find some meaning in her life. She has even made the decision to quit her job in an effort to start her own business. On top of that she is taking a year long class in an attempt to find her happiness. Yet even with these large changes it would appear that Smythe is destined for even more hardship and change.

 One night while she is unable to sleep Smythe makes the simple decision to sit in her car in a parking lot to smoke a cigarette. Nothing life changing about that, right? Well as it happens Smythe is witness to a murder tied to a crime syndicate and her life is now in danger. Not wanting to give up everything she is working towards Smythe refuses the FBI’s offer (that is actually more of a request) to go into witness protection. Thankfully some anonymous person pays for a privet security detail for Smythe or else she might not make it to the trial date. As it is even with the security she might not make it.

 I enjoyed Smythe’s journey of personal growth and self-acceptance. Sometimes it dose take a major upheaval in our lives to be the pushing factor that we need for change. Hopefully most won’t have to go through such a traumatic time as Smythe. Unfortunately the attempt to hide a self-help book within the pages of a thriller missed its mark for me. At times the more ‘in depth’ conversations become repetitive, dry, and boring. The self-help parts did not seem to blend in with the story very well and actually interrupted the flow of the thriller for me, yet it wasn’t that bad.

 Crime drama lovers will be extremely interested in this book along with those who enjoy mild romance. Readers should also be comfortable (whether they believe or not) with discussions of a God or Source of some sort. Those who enjoy self-help will like this book and those that have at least a mild interest in self-help might want to give this one a try as well. I do recommend only adults read this as although there really isn’t anything inappropriate in this book younger readers might not understand some of the concepts. In fact it will probably take most adults multiple times reading this book to get the full benefit and enjoyment of it.

 I rate this book 3 out of 4. The story is engaging and draws readers in. It is easy to feel Smythe’s frustration at the restrictions and turns her life has taken as well as the disrepair it causes. Readers can even feel Artie’s emotions as well in her desire to protect Smythe and her growing feelings towards her. The self-help sections are entertaining at times as well (better blending would have helped) and offer some good insights.

GENERAL DETAILS

    • Book Title: No Place to Hide
    • Author: Opa Hysea Wise
    • Release Date: November 3, 2020
    • Publisher: Made for Success Publishing
    • ISBN 10: 1641464771
    • ISBN 13: 978-1641464772
    • Price: $14.99
    • Paperback: 300 Pages
    • Genres: Mystery, Fiction, Suspense Thriller, Crime, Self-Help, LGBTQ Fiction, African American Women’s Fiction

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 "No Place to Hide" is available for pre-order on Amazon, Indiebound, Bookshop, Walmart, and Barnes & Noble.

Review by Melissa Espenschied of Night Reader Reviews bookreviewsatnight@gmail.com
  
The Outsider (2018)
The Outsider (2018)
2018 | Crime, Drama, Mystery
The concept of ‘The Outsider’ is a very interesting one, and partially why I was so drawn to the film in the first place. The film follows a former American GI by the name of Nick Lowell who joins the Yakuza, and that synopsis alone was enough to grab my attention. The second reason was the fact it starred Jared Leto, as I believe he’s a very good actor based on his performances in ‘Requiem for a Dream’, ‘Dallas Buyers Club’ and ‘American Psycho’.

Coming into this film, I had incredibly high hopes and was expecting an afternoon of thrilling scenes and engaging characters. As it was so easily accessible on Netflix, I also had no excuse to pass up the opportunity to get it watched. Unfortunately for me, I was left mostly disappointed by what ‘The Outsider’ delivered.

Running at 2 hours, it seems to drag on for much longer than that because the pacing of the film is poor. To be clear, I have no issue with films that have long runtimes provided they can make it work (‘The Wolf of Wall Street’, for example, runs at 3 hours yet seems to fly by), but this film has tedious scenes that simply didn’t do enough to hold my interest. They could’ve easily cut out half an hour’s worth of footage and still made the film work, in my opinion. It seems strange that a film about the Yakuza could be so boring, but sadly it was.

Jared Leto’s character, Nick, doesn’t have a clear backstory and because of this he’s a very uninteresting character. When we’re first introduced to him, I liked the fact he was such an enigma and assumed we’d learn more about him, but we never really do save for a few chunks of information scattered randomly throughout the narrative. As a Leto fan, I was disappointed that he didn’t really bring anything special to the role and literally any other actor could’ve taken his place and still delivered the same story.

The characters that Nick encounters throughout the film aren’t particularly noteworthy either, as they seem to exist to just berate Nick and frown at him, and not much happens beyond that. It seems very lazy that a film like ‘The Outsider’ has so many characters that are sloppily written, with no backstories to keep the audience interested.

‘The Outsider’ did have some redeeming features, though not enough for me to say I particularly enjoyed watching the film. There are a few gory, intense moments that hold your attention and make you squirm, but much less than I expected from a supposed crime film, especially one that focuses on such a notorious criminal organisation. Cinematically, it’s a decent film to look at based on the camerawork and colour grading throughout, but the absence of any decent story makes it fall flat.

Martin Zandvliet’s cinematic portrayal of the Japanese Yakuza is mediocre at best, and not what I expected based on the marketing I’d seen prior to watching the film. I wanted a violent, sexy, engaging crime film and got absolutely none of that.

https://jumpcutonline.co.uk/the-outsider/
  
Kiss the Girls (Alex Cross, #2)
Kiss the Girls (Alex Cross, #2)
James Patterson | 2012 | Crime, Fiction & Poetry, Thriller
6
8.0 (30 Ratings)
Book Rating
Cliche Heavy Crime Drama
I listened to the audio version narrated by Michael Kramer and it was an OK narration some accents in particular Southern American were pretty laughable but some of the dialogue in this book really didn’t help.

It all starts off strongly (if very grimly - lots of nasty murder / rape descriptions I’d certainly avoid if your triggered by that sort of thing.) The tension builds nicely with Detective Alex Cross being drawn into the investigation of the disappearance and murder of women from East Cast college campuses. However about halfway it all seems to go off the boil and become very dragged out only to be topped off with a terrible and drawn out ending.

We are constantly told how smart the bad guys are but there's very little evidence of this. As evidenced when they take on Alex Cross on their own patch and somehow don’t seem to have a very good plan at all. This book is so very dated in terms of attitudes and descriptions of women and although I give a lot of lee-way to books from a different time I don’t think this was ever very well written in terms of the female characters. As an audio book I didn't mind it but I can imagine getting wound up reading some of the cliches throughout this book.

It suffers in terms of constantly telling us what to think of characters while not supporting this very well with the poor dialogue.
  
Blast of Silence (1961)
Blast of Silence (1961)
1961 | Crime, Drama, Thriller
(0 Ratings)
Movie Favorite

"One of my favorite mini-genres is the B crime movie from the late fifties and early sixties. It was a unique period in American cinema that gave birth to these half-cocked, no-budget movies that were made by some visionary filmmakers. They’re all super raw and gritty, very existential, and absolutely innovative in technique. It’s no wonder that the French New Wave filmmakers all discovered them and ripped them off (I’m looking at you, Jean-Pierre Melville). Movies like Don Siegel’s The Lineup and Irving Lerner’s Murder by Contract (both of which have popped up on the new Criterion Channel recently!) embody this subgenre, but the high point for me is Allen Baron’s Blast of Silence, which seems to grow in stature every year. It’s hard to describe it. Imagine if Orson Welles was a crazed junkie on the Bowery in the late 1950s and somehow conned someone out of $20k to make a bleak movie about a hit man. It’s sorta part Point Blank, part Taxi Driver, part Shadows, and it’s as hardboiled as they come. It’s also one of the great New York City movies, with amazing time-capsule photography in all the boroughs and near pristine documentary coverage of streets. The Criterion disc also unearthed another absolute gem: a 1990 documentary in which Baron visits all the locations from the film. Oh, and the Criterion cover art, by comic artist Sean Phillips, is maybe my favorite cover! And the edition also includes a graphic novel based on the film! (Damn, should I have put this first?)"

Source
  
American Animals (2018)
American Animals (2018)
2018 | Crime, Drama
I'm always a little worried when you get documentary with motion picture, it gives me flashes of terrible Crime Watch style recreations. But watching the blend between the real and the fictional in American Animals was a pleasure. I felt like it drew just the right balance. You got less real life as the film progressed until the conclusion and that then brings back the reality of what happened.

We all know that moment when you tell a story with a friend and there's that pause... wait... that's not how that happened, is it? The film even accounts for that. It deals with the slight uncertainties in a fun way by breaking the... well, I'm not sure what wall it's actually breaking when it's the real person talking to his fictional self.

Each part was played really well, and everyone worked in harmony throughout the whole film. I was really impressed with the way the actors handled the unravelling into the conclusion of the film.

While I don't have any particular quibbles with the whole thing I also don't have any urge to see it again. It was interesting, but didn't really capture my imagination to want to know more. It had the potential for intrigue, but it really didn't click into place.

What should you do?

It was a good watch, but maybe wait until it's streaming.

Movie thing you wish you could take home

That special collections room. Just imagine all the fascinating things in there.